Odd John

  Realizing all this, and realizing for the first time the incapacity of Homo sapiens to accept his pains and sorrows with equanimity, John was overwhelmed with pity, a passion which he had not hitherto experienced in any intensity; save on particular occasions, as when Judy's dog was run over by a car, and when Pax was ill and in great pain. And even then his pity was always tempered by his assumption that every one, even little Judy, could always "look at it from outside and enjoy it," as he himself could do.

  For many days John seems to have been at grips with this newly realized problem of the absoluteness of evil, and the novel fact that beings that were tissues of folly and baseness could yet be pitiable and, in their kind, beautiful. What he sought was not an intellectual solution but an emotional enlightenment. And this, little by little, he seems to have gained. When I pressed him to tell me more of this strange enlightenment, he said it was just "seeing my own fate and the piteous plight of the normal species in the same way as I had always, since I was a kid, seen bumps and burns and disappointments. It was a case of delighting in their clear-cut form, and in their unity with the rest of things, and the way they—how shall I put it?—deepened and quickened the universe." Here, I remember, John paused, then repeated, "Yes, deepened and quickened the universe,—that's the main point. But it wasn't a case of understanding that they did so, but just seeing and feeling that they did so."

  I asked him if what he meant was some kind of coming face to face with God. He laughed, and said, "What do I know about God? No more than the Archbishop of Canterbury, and that's nothing whatever."

  He said that when McWhist and Norton came upon him in the cave he was "still desperately puzzling things out," and that their presence filled him just for a moment with the old disgust at their species, but that he had really done with all that long ago, and when he saw them there, looking so blank, he remembered his first close meeting with the stag. And suddenly the stag seemed to symbolize the whole normal human species, as a thing with a great beauty and dignity of its own, and a rightness of its own, so long as it was not put into situations too difficult for it. Homo sapiens, poor thing, had floundered into a situation too difficult for him, namely the present world-situation. The thought of Homo sapiens trying to run a mechanized civilization suddenly seemed to him as ludicrous and pathetic as the thought of a stag in the driving-seat of a motor-car.

  I took this opportunity of asking him about the "miracle" with which he had so impressed his visitors. He laughed again. "Well," he said, "I had been discovering all sorts of odd powers. For instance I found that by a kind of telepathy I could get in touch with Pax and talk to her. It's true. You can ask her about it. Also I could sometimes feel what you were thinking about, though you were too dull to catch my messages and respond to me. And I had made queer little visits to events in my own past life. I just lived them again, with full vividness, as though they were 'now.' And in a telepathic way I had begun to get something very like evidence that after all I was not the only one of my kind in the world, that there were in fact quite a number of us scattered about in different countries. And then again, when McWhist and Norton appeared in the cave I found that by looking at them I could read the whole of their past lives in their faces, and I saw how thoroughly sound they both were within the limitations of their kind! And I think I saw something about their future, something that I won't tell you. Then, when it was necessary to impress them, I suddenly got the idea of lifting the roof and clearing away the blizzard so that we could see the stars. And I knew perfectly well that I could do it, so I did it."

  I looked at John with misgiving. "Oh yes," he said, "I know you think I'm mad, and that all I did was to hypnotize them. Well, put it that I hypnotized myself too, for I saw the whole thing as clearly as they did. But, believe me, to say I hypnotized us all is no more true and no less true than to say I actually shifted the rock and the blizzard. The truth of the matter was something much more subtle and tremendous than any plain little physical miracle could ever be. But never mind that. The important thing was that, when I did see the stars (riotously darting in all directions according to the caprice of their own wild natures, yet in every movement confirming the law), the whole tangled horror that had tormented me finally presented itself to me in its true and beautiful shape. And I knew that the first, blind stage of my childhood had ended."

  I had indeed sensed a change in John. Even physically he had altered strikingly during his six months' absence. He was harder, more close-knit; and there were lines on his face suggestive of ordeals triumphantly passed. Mentally, though still capable of a most disconcerting impishness, he had also acquired that indefinable peacefulness and strength which is quite impossible to the adolescent of the normal species, and is very seldom acquired even by the mature. He himself said that his "discovery of sheer evil" had fortified him. When I asked, "how fortified?" he said, "My dear, it is a great strength to have faced the worst and to have felt it a feature of beauty. Nothing ever after can shake one."

  He was right. By what magic he did it I do not know, but in all his future, and in the final destruction of all that he most cherished, he accepted the worst not with resignation, merely, but with a strange joy that must remain to the rest of us incomprehensible.

  I will mention one other point that emerged in my long talk with John. It will be remembered that after performing his "miracle" he apologized for it. I questioned him on this matter, and he said something like this: "To enjoy exercising one's powers is healthy. Children enjoy learning to walk. Artists enjoy painting pictures. As a baby I exulted in the tricks I could do with numbers, and later in my inventions, and recently in killing my stag. And of course the full exercise of one's powers really is part of the life of the spirit. But it is only a part, and sometimes we are inclined to take it as the whole purpose of our existence, especially when we discover new powers. Well, in Scotland, when I began to come into all those queer powers that I mentioned just now, I was tempted to regard the exercise of them as the true end of my life. I said to myself, 'Now at last, in these wonderful ways, I shall indeed advance the spirit.' But after the momentary exaltation of lifting the rock I saw clearly that such acts were in no sense the goal of the spirit, but just a by-play of its true life, amusing, and sometimes useful, and often dangerous, but never themselves the goal."

  "Then tell me," I said, perhaps rather excitedly, "what is the goal, the true life of the spirit?" John suddenly grinned like a boy of ten, and laughed that damnably disturbing laugh of his, "I'm afraid I can't tell you, Mr. Journalist," he said, "It is time your interview was concluded. Even if I knew what the true life of the spirit was. I couldn't put it into English, or any 'sapient' language. And if I could, you wouldn't understand." After a pause he added, "Perhaps we might safely say this much about it anyhow. It's not doing any one particular kind of thing, like miracles, or even good deeds. It's doing everything that comes along to be done, and doing it not only with all one's might but with—spiritual taste, discrimination, full consciousness of what one is doing. Yes, it's that. And it's more. It's—praise of life, and of all things in their true setting." Once more he laughed, and said, "What stuff! To describe the spiritual life, we should have to remake language from the foundations upwards."

  CHAPTER XIII

  JOHN SEEKS HIS KIND

  FOR many weeks after his return from the wilderness John spent a good deal of his time at home, or in the neighbouring city. Apparently he was content to sink back into the interests of the normal adolescent. He resumed his friendship with Stephen, and with Judy. Often he took the child to a picture show, a circus, or any entertainment suited to her years. He acquired a motor-bicycle, on which, upon the very day of the purchase, Judy was treated to a wild ride. The neighbours said that John's holiday had done him good. He was much more normal now. With his brother and sister too, on the rare occasions when he met them, John became more fraternal. Anne was now married, Tom was a successful young architect. The two brothers had generally maintained
a relation of restrained hostility to one another, but now hostility seemed to have mellowed into mutual tolerance. After a family reunion Tom remarked, "Our infant prodigy's positively growing up." Doc was delighted by John's new companionableness, and often talked to him at great length. Their main topic was John's future, Doc was anxious to persuade him to take to medicine and become "a greater Lister." John used to attend to these exhortations thoughtfully, seeming to be almost persuaded, once Pax was present. She shook her head, smilingly but reprovingly at John. "Don't believe him, Doc," she said, "he's pulling your leg." In this period, by the way, John and Pax often went together to a theatre or concert. Indeed, mother and son were now seeing a great deal of each other. Pax's interest in the drama, and in "persons," seemed to afford him an unfailing common platform. Occasionally they even went up to London together for a week-end, "to see the shows."

  There came a time when I began to feel a certain curiosity as to the meaning of this prolonged period of relaxation. John's behaviour seemed now almost completely normal. There was, indeed, one unusual but unobstrusive feature about it. In the midst of conversation or any other activity he would sometimes give a noticeable start of surprise. He would then perhaps repeat the immediately preceding remark, whether his own or the other person's; and then he would look around him with amused interest. I fancied that for some time after such an incident he was more alert than before it. Not that in the earlier stage he had seemed at all absent-minded. He was at all times thoroughly adjusted to his surroundings. But after these curious jerks the current of his life seemed to reach a higher tension.

  One evening I accompanied the three Wainwrights to the local Repertory Theatre. During an interval, while we were drinking coffee in the foyer and discussing the play, John gave a more violent start than usual, spilling his coffee into the saucer. He laughed, and looked about him with surprised interest. After a moment's awkward silence, in which Pax regarded her boy with veiled solicitude, John continued his comments on the play, but (as it seemed to me) with new penetration. "My point is just this," he said. "The thing's too lifelike to be really alive. It's not a portrait but a death-mask."

  Next day I asked him what had happened when he spilt his coffee. We were in my flat. John had come to inquire if the post had brought information about some patent or other. I was at my writing-table. He was standing at the window, looking out across the deserted promenade to the wintry sea. He was chewing an apple that he had picked up from a dish on my table. "Yes," he said, "it's time you were told, even if you can't believe. At present I am looking for other people more or less like me, and to do it I become a sort of divided personality. Part of me remains where my body is, and behaves quite correctly, but the other, the essential I, goes off in search of them. Or if you like, I stay put all the time, but reach out in search of them. Anyhow, when I come back, or stop the search, I get a bit of a jolt, taking up the threads of ordinary life again."

  "You never seem to lose the threads," I said.

  "No," he answered, "The incoming 'I' comes slick into possession of all the past experiences of the residential one, so to speak. But the sudden jump from God knows where to here gives a bit of a jar, all the same."

  "And when you're away," I asked, "where do you go, what do you find?"

  "Well," he said, "I had better begin at the beginning. I told you before that when I was in Scotland I used to find myself in telepathic touch with people, and that some of the people seemed queer people, or people in a significant way more like me than you. Since I came home I've been working up the technique for tuning in to the people I want. Unfortunately it's much easier to pick up the thoughts of folk one knows well than of strangers. So much depends on the general form of the mind, the matrix in which the thoughts occur, so to speak. To get you or Pax I have only to think of you. I can get your actual consciousness, and if I want to, I can get a good bit of the deeper layers of you too."

  I was seized with horror, but I comforted myself with incredulity.

  "Oh, yes, I can," said John. "While I've been talking, half your mind was listening and the other half was thinking about a quarrel you had last night with —" I cut him short with an expostulation.

  "Righto, don't get excited," said John. " You haven't much to be ashamed of. And anyhow I don't want to pry. But just now,—well, you kept fairly shouting the stuff at roe, because while you were attending to me you were thinking about it. You'll probably soon learn how to shut me out at will."

  I grunted, and John continued: "As I was saying, it's much harder to get in touch with people one doesn't know, and at first I didn't know any of the people I was looking for. On the other hand, I found that the people of my sort make, so to speak, a much bigger 'noise' telepathically than the rest. At least they do when they want to, or when they don't care. But when they want not to, they can shut themselves off completely. Well, at last I managed to single out from the general buzz of telepathic 'noise,' made by the normal species, a few outstanding streaks or themes that seemed to have about them something or other of the special quality that I was looking for."

  John paused, and I interjected, "What sort of quality?"

  He looked at me for some seconds in silence, Believe it or not, but that prolonged gaze had a really terrifying effect on me. I am not suggesting that there was something magical about it. The effect was of the same kind as any normal facial expression may have. But knowing John as I did, and remembering the strange events of his summer in Scotland, I was no doubt peculiarly susceptible. I can only describe what I felt by means of an image. It was as though I was confronted with a mask made of some semi-transparent substance, and illuminated from within by a different and a spiritually luminous face. The mask was that of a grotesque child, half monkey, half gargoyle, yet wholly urchin, with its huge cat's eyes, its flat little nose, its teasing lips. The inner face,—obviously it cannot be described, for it was the same in every feature, yet wholly different. I can only say that it seemed to me to combine the august and frozen smile of a Buddha with the peculiar creepy grimness that the battered Sphinx can radiate when the dawn first touches its face. No, these images fail utterly. I cannot describe the symbolical intention that John's features forced upon me in those seconds. I can only say that I longed to look away and could not, or dared not. Irrational terror welled up in me. When one is under the dentist's drill, one may endure a few moments of real torture without flinching. But as the seconds pile up, it becomes increasingly difficult not to move, not to scream. And so with me, looked at by John. With this difference, that I was bound, and could not stir, that I had passed the screaming point and could not scream. I believe my terror was largely a wild dread that John was about to laugh, and that his laugh would annihilate me. But he did not laugh.

  Suddenly the spell broke, and I leapt up to put more coal on the fire. John was gazing out of the window, and saying, in his normal friendly voice, "Well, of course I can't tell you what that special quality is, can I? Think of it this way. It's seeing each thing, each event, on its eternal side, instead of merely as a dated thing; seeing it as a living leaf on the tree Yggdrasill, flushed with the sap of eternity, and not merely as a plucked and dried and dated specimen in the book of history."

  There was a long silence, then he continued his report. "The first trace of mentality like my own gave me a lot of trouble. I could only catch occasional glimpses of this fellow, and I couldn't make him take any notice of me. And the stuff that did come through to me was terribly incoherent and bewildering. I wondered whether this was the fault of my technique, or whether his was a mind too highly developed for me to understand. I tried to find out where he was, so that I could go and see him. He was evidently living in a large building with lots of rooms and many other people. But he had very little to do with the others, Looking out of his window, he saw trees and houses and a long grassy hill. He heard an almost continuous noise of trains and motor traffic. At least I recognized it as that, but it didn't seem to mean much to him. Clearly
, I thought, there's a main line and a main road quite close to where he lives. Somehow I must find that place. So I bought the motor-bike. Meanwhile I kept on studying him. I couldn't catch any of his thoughts, but only his perceptions, and the way he felt about them. One striking thing was his music. Sometimes when I found him he was outside the house in a sloping field with trees between it and the main road; and he would be playing a pipe, a sort of recorder, but with the octave very oddly divided, I discovered that each of his hands had five fingers and a thumb. Even so, I couldn't make out how he managed all the extra notes. The kind of music he played was extraordinarily fascinating to me. Something about it, the mental pose of it, made me quite sure the man was really my sort. I discovered, by the way, that he had the not very helpful name of James Jones. Once when I got him he was out in the grounds and near a gap in the trees, so that he could see the road. Presently a bus flashed past. It was a 'Green Line' bus, and it was labelled 'BRIGHTON.' I noticed with surprise that these words apparently meant nothing to James Jones. But they meant a lot to me, I went off on the bike to search the Green Line routes out of Brighton. It took me a couple of days to find the right spot—the big building, the grassy hill, and so on. I stopped and asked someone what the building was. It was a lunatic asylum."

  John's narrative was interrupted by my guffaw of relief. "Funny," he said, "but not quite unexpected. After pulling lots of wires I got permission to see James Jones, who was a relative of mine, I said. They told me at the Asylum that there was a family likeness, and when I saw James Jones I knew what they meant. He's a little old man with a big head and huge eyes, like mine. He's quite bald, except for a few crisp white curls above the ears. His mouth was smaller than mine (for the size of him) and it had a sort of suffering sweetness about it, specially when he let it do a peculiar compressed pout, which was a characteristic mannerism of his. Before I saw him they had told me a bit about him. He gave no trouble, they said, except that his health was very bad, and they had to nurse him a lot. He hardly ever spoke, and then only in monosyllables. He could understand simple remarks about matters within his ken, but it was often impossible to get him to attend to what was said to him. Yet oddly enough, he seemed to have a lively interest in everything happening around him. Sometimes he would listen intently to people's voices; but not, apparently, for their significance, simply for their musical quality. He seemed to have an absorbing interest in perceived rhythms of all sorts. He would study the grain of a piece of wood, poring over it by the hour; or the ripples on a duck-pond. Most music, ordinary music invented by Homo sapiens, seemed at once to interest and outrage him; though when one of the doctors played a certain bit of Bach, he was gravely attentive, and afterwards went off to play oddly twisted variants of it on his queer pipe. Certain jazz tunes had such a violent effect on him that after hearing one record he would sometimes be prostrate for days. They seemed to tear him with some kind of conflict of delight and disgust. Of course the authorities regarded his own pipe-playing as the caterwauling of a lunatic.