The Collected Stories of Robert Silverberg, Volume 4: Trips: 1972-73

  Late the following afternoon, as they pass through cooler stream-broken country thick with tall, scrubby gray-green vase-shaped trees, they come upon a monstrosity, a shaggy shambling thing twelve or fifteen feet high, standing upright on ponderous hind legs and balancing itself on an incredibly thick, heavy tail. It leans against a tree, pulling at its top branches with long forelimbs that are tipped with ferocious claws like a row of sickles; it munches voraciously on leaves and twigs. Briefly it notices them, and looks around, studying them with small stupid yellow eyes; then it returns to its meal.

  “A rarity,” Gracchus says. “I know hunters who have been all over this park without ever running into one. Have you ever seen anything so ugly?”

  “What is it?” Sybille asks.

  “Megatherium. Giant ground sloth. South American, really, but we weren’t fussy about geography when we were stocking this place. We have only four of them, and it costs God knows how many thousands of dollars to shoot one. Nobody’s signed up for a ground sloth yet. I doubt anyone will.”

  Sybille wonders where the beast might be vulnerable to a bullet: surely not in its dim peanut-sized brain. She wonders, too, what sort of sportsman would find pleasure in killing such a thing. For a while they watch as the sluggish monster tears the tree apart. Then they move on.

  Gracchus shows them another prodigy at sundown: a pale dome, like some huge melon, nestling in a mound of dense grass beside a stream. “Ostrich egg?” Mortimer guesses.

  “Close. Very close. It’s a moa egg. World’s biggest bird. From New Zealand, extinct since about the eighteenth century.”

  Nerita crouches and lightly taps the egg. “What an omelet we could make!”

  “There’s enough there to feed seventy-five of us,” Gracchus says. “Two gallons of fluid, easy. But of course we mustn’t meddle with it. Natural increase is very important in keeping this park stocked.”

  “And where’s mama moa?” Sybille asks. “Should she have abandoned the egg?”

  “Moas aren’t very bright,” Gracchus answers. “That’s one good reason why they became extinct. She must have wandered off to find some dinner. And—”

  “Good God,” Zacharias blurts.

  The moa has returned, emerging suddenly from a thicket. She stands like a feathered mountain above them, limned by the deep blue of twilight: an ostrich, more or less, but a magnified ostrich, an ultimate ostrich, a bird a dozen feet high, with a heavy rounded body and a great thick hose of a neck and taloned legs sturdy as saplings. Surely this is Sinbad’s rukh, that can fly off with elephants in its grasp! The bird peers at them, sadly contemplating the band of small beings clustered about her egg; she arches her neck as though readying for an attack, and Zacharias reaches for one of the rifles, but Gracchus checks his hand, for the moa is merely rearing back to protest. It utters a deep mournful mooing sound and does not move. “Just back slowly away,” Gracchus tells them. “It won’t attack. But keep away from the feet; one kick can kill you.”

  “I was going to apply for a license on a moa,” Mortimer says.

  “Killing them’s a bore,” Gracchus tells him. “They just stand there and let you shoot. You’re better off with what you signed up for.”

  What Mortimer has signed up for is an aurochs, the vanished wild ox of the European forests, known to Caesar, known to Pliny, hunted by the hero Siegfried, altogether exterminated by the year 1627. The plains of East Africa are not a comfortable environment for the aurochs and the herd that has been conjured by the genetic necromancers keeps to itself in the wooded highlands, several days’ journey from the haunts of quaggas and ground sloths. In this dark grove the hunters come upon troops of chattering baboons and solitary big-eared elephants and, in a place of broken sunlight and shadow, a splendid antelope, a bull bongo with a fine curving pair of horns. Gracchus leads them onward, deeper in. He seems tense: there is peril here. The porters slip through the forest like black wraiths, spreading out in arching crab-claw patterns, communicating with one another and with Gracchus by whistling. Everyone keeps weapons ready in here. Sybille half expects to see leopards draped on overhanging branches, cobras slithering through the undergrowth. But she feels no fear.

  They approach a clearing.

  “Aurochs,” Gracchus says.

  A dozen of them are cropping the shrubbery: big short-haired long-horned cattle, muscular and alert. Picking up the scent of the intruders, they lift their heavy heads, sniff, glare. Gracchus and Ngiri confer with eyebrows. Nodding, Gracchus mutters to Mortimer, “Too many of them. Wait for them to thin off.” Mortimer smiles. He looks a little nervous. The aurochs has a reputation for attacking without warning. Four, five, six of the beasts slip away, and the others withdraw to the edge of the clearing, as if to plan strategy; but one big bull, sour-eyed and grim, stands his ground, glowering. Gracchus rolls on the balls of his feet. His burly body seems, to Sybille, a study in mobility, in preparedness.

  “Now,” he says.

  In the same moment the bull aurochs charges, moving with extraordinary swiftness, head lowered, horns extended like spears. Mortimer fires. The bullet strikes with a loud whonking sound, crashing into the shoulder of the aurochs, a perfect shot, but the animal does not fall, and Mortimer shoots again, less gracefully ripping into the belly, and then Gracchus and Ngiri are firing also, not at Mortimer’s aurochs but over the heads of the others, to drive them away, and the risky tactic works, for the other animals go stampeding off into the woods. The one Mortimer has shot continues toward him, staggering now, losing momentum, and falls practically at his feet, rolling over, knifing the forest floor with its hooves.

  “Kufa,” Ngiri says. “Piga nyati m’uzuri, bwana.”

  Mortimer grins. “Piga.”

  Gracchus salutes him. “More exciting than moa,” he says.

  “And these are mine,” says Nerita three hours later, indicating a tree at the outer rim of the forest. Several hundred large pigeons nest in its boughs, so many of them that the tree seems to be sprouting birds rather than leaves. The females are plain—light brown above, gray below—but the males are flamboyant, with rich, glossy blue plumage on their wings and backs, breasts of a wine-red chestnut color, iridescent spots of bronze and green on their necks, and weird, vivid eyes of a bright, fiery orange. Gracchus says, “Right. You’ve found your passenger pigeons.”

  “Where’s the thrill in shooting pigeons out of a tree?” Mortimer asks.

  Nerita gives him a withering look. “Where’s the thrill in gunning down a charging bull?” She signals to Ngiri, who fires a shot into the air. The startled pigeons burst from their perches and fly in low circles. In the old days, a century and a half ago in the forests of North America, no one troubled to shoot passenger pigeons on the wing: the pigeons were food, not sport, and it was simpler to blast them as they sat, for that way a single hunter might kill thousands of birds in one day. Thus it took only fifty years to reduce the passenger pigeon population from uncountable sky-blackening billions to zero. Nerita is more sporting. This is a test of her skill, after all. She aims her shotgun, shoots, pumps, shoots, pumps. Stunned birds drop to the ground. She and her gun are a single entity, sharing one purpose. In moments it is all over. The porters retrieve the fallen birds and snap their necks. Nerita has the dozen pigeons her license allows: a pair to mount, the rest for tonight’s dinner. The survivors have returned to their tree and stare placidly, unreproachfully, at the hunters.

  “They breed so damned fast,” Gracchus mutters. “If we aren’t careful, they’ll be getting out of the preserve and taking over all of Africa.”

  Sybille laughs. “Don’t worry. We’ll cope. We wiped them out once and we can do it again, if we have to.”

  Sybille’s prey is a dodo. In Dar, when they were applying for their licenses, the others mocked her choice: a fat flightless bird, unable to run or fight, so feeble of wit that it fears nothing. She ignored them. She wants a dodo because to her it is the essence of extinction, the prototype of all that is dead
and vanished. That there is no sport in shooting foolish dodos means little to Sybille. Hunting itself is meaningless for her.

  Through this vast park she wanders as in a dream. She sees ground sloths, great auks, quaggas, moas, heath hens, Javan rhinos, giant armadillos, and many other rarities. The place is an abode of ghosts. The ingenuities of the genetic craftsmen are limitless; someday, perhaps, the preserve will offer trilobites, tyrannosaurs, mastodons, saber-toothed cats, baluchitheria, even—why not?—packs of Australopithecines, tribes of Neanderthals. For the amusement of the deads, whose games tend to be somber. Sybille wonders whether it can really be considered killing, this slaughter of laboratory-spawned novelties. Are these animals real or artificial? Living things, or cleverly animated constructs? Real, she decides. Living. They eat, they metabolize, they reproduce. They must seem real to themselves, and so they are real—realer, maybe, than dead human beings who walk again in their own castoff bodies.

  “Shotgun,” Sybille says to the closest porter.

  There is the bird, ugly, waddling through the tall grass. Sybille accepts a weapon and sights along its barrel. “Wait,” Nerita says. “I’d like to get a picture of this.” She moves slantwise around the group, taking exaggerated care not to frighten the dodo, but the dodo does not seem to be aware of any of them. Like an emissary from the realm of darkness, carrying good news of death to those creatures not yet extinct, it plods diligently across their path. “Fine,” Nerita says. “Anthony, point at the dodo, will you, as if you’ve just noticed it? Kent, I’d like you to look down at your gun, study its bolt or something. Fine. And Sybille, just hold that pose—aiming—yes—”

  Nerita takes the picture.

  Calmly Sybille pulls the trigger.

  “Kazi imekwisha,” Gracchus says. “The work is finished.”

  Six

  Although to be driven back upon oneself is an uneasy affair at best, rather like trying to cross a border with borrowed credentials, it seems to be now the one condition necessary to the beginnings of real self-respect. Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignations with oneself: no winning smiles will do here, no prettily drawn lists of good intentions.

  Joan Didion: On Self-Respect

  “You better believe what Jeej is trying to tell you,” Dolorosa said. “Ten minutes inside the Cold Town, they’ll have your number. Five minutes.”

  Jijibhoi’s man was small, rumpled-looking, forty or fifty years old, with untidy long dark hair and wide-set smoldering eyes. His skin was sallow and his face was gaunt. Such other deads as Klein had seen at close range had about them an air of unearthly serenity, but not this one: Dolorosa was tense, fidgety, a knuckle-cracker, a lip-gnawer. Yet somehow there could be no doubt he was a dead, as much a dead as Zacharias, as Gracchus, as Mortimer.

  “They’ll have my what?” Klein asked.

  “Your number. Your number. They’ll know you aren’t a dead, because it can’t be faked. Jesus, don’t you even speak English? Jorge, that’s a foreign name. I should have known. Where are you from?”

  “Argentina, as a matter of fact, but I was brought to California when I was a small boy. In 1955. Look, if they catch me, they catch me. I just want to get in there and spend half an hour talking with my wife.”

  “Mister, you don’t have any wife any more.”

  “With Sybille,” Klein said, exasperated. “To talk with Sybille, my—my former wife.”

  “All right. I’ll get you inside.”

  “What will it cost?”

  “Never mind that,” Dolorosa said. “I owe Jeej here a few favors. More than a few. So I’ll get you the drug—”

  “Drug?”

  “The drug the Treasury agents use when they infiltrate the Cold Towns. It narrows the pupils, contracts the capillaries, gives you that good old zombie look. The agents always get caught and thrown out, and so will you, but at least you’ll go in there feeling that you’ve got a convincing disguise. Little oily capsule, one every morning before breakfast.”

  Klein looked at Jijibhoi. “Why do Treasury agents infiltrate the Cold Towns?”

  “For the same reasons they infiltrate anywhere else,” Jijibhoi said. “To spy. They are trying to compile dossiers on the financial dealings of the deads, you see, and until proper life-defining legislation is approved by Congress there is no precise way of compelling a person who is deemed legally dead to divulge—”

  Dolorosa said, “Next, the background. I can get you a card of residence from Albany Cold Town in New York. You died last December, okay, and they rekindled you back east because—let’s see—”

  “I could have been attending the annual meeting of the American Historical Association in New York,” Klein suggested. “That’s what I do, you understand, professor of contemporary history at UCLA. Because of the Christmas holiday my body couldn’t be shipped back to California, no room on any flight, and so they took me to Albany. How does that sound?”

  Dolorosa smiled. “You really enjoy making up lies, Professor, don’t you? I can dig that quality in you. Okay, Albany Cold Town, and this is your first trip out of there, your drying-off trip—that’s what it’s called, drying-off—you come out of the Cold Town like a new butterfly just out of its cocoon, all soft and damp, and you’re on your own in a strange place. Now, there’s a lot of stuff you’ll need to know about how to behave, little mannerisms, social graces, that kind of crap, and I’ll work on that with you tomorrow and Wednesday and Friday, three sessions; that ought to be enough. Meanwhile let me give you the basics. There are only three things you really have to remember while you’re inside:

  “(1) Never ask a direct question.

  “(2) Never lean on anybody’s arm. You know what I mean?

  “(3) Keep in mind that to a dead the whole universe is plastic, nothing’s real, nothing matters a hell of a lot, it’s all only a joke. Only a joke, friend, only a joke.”

  Early in April he flew to Salt Lake City, rented a car, and drove out past Moab into the high plateau rimmed by red-rock mountains where the deads had built Zion Cold Town. This was Klein’s second visit to the necropolis. The other had been in the late summer of ’91, a hot, parched season when the sun filled half the sky and even the gnarled junipers looked dazed from thirst; but now it was a frosty afternoon, with faint pale light streaming out of the wintry western hills and occasional gusts of light snow whirling through the iron-blue air. Jijibhoi’s route instructions pulsed from the memo screen on his dashboard. Fourteen miles from town, yes; narrow paved lane turns off highway, yes; discreet little sign announcing PRIVATE ROAD, NO ADMITTANCE, yes; a second sign a thousand yards in, ZION COLD TOWN, MEMBERS ONLY, yes; and then just beyond that the barrier of green light across the road, the scanner system, the roadblocks sliding like scythes out of the underground installations, a voice on an invisible loudspeaker saying, “If you have a permit to enter Zion Cold Town, please place it under your left-hand windshield wiper.”

  That other time he had had no permit, and he had gone no farther than this, though at least he had managed a little colloquy with the unseen gatekeeper out of which he had squeezed the information that Sybille was indeed living in that particular Cold Town. This time he affixed Dolorosa’s forged card of residence to his windshield, and waited tensely, and in thirty seconds the roadblocks slid from sight. He drove on, along a winding road that followed the natural contours of a dense forest of scrubby conifers, and came at last to a brick wall that curved away into the trees as though it encircled the entire town. Probably it did. Klein had an overpowering sense of the Cold Town as a hermetic city, ponderous and sealed as old Egypt. There was a metal gate in the brick wall; green electronic eyes surveyed him, signaled their approval, and the wall rolled open.

  He drove slowly toward the center of town, passing through a zone of what he supposed were utility buildings—storage depots, a power s
ubstation, the municipal waterworks, whatever, a bunch of grim windowless one-story cinderblock affairs—and then into the residential district, which was not much lovelier. The streets were laid out on a rectangular grid; the buildings were squat, dreary, impersonal, homogeneous. There was practically no automobile traffic, and in a dozen blocks he saw no more than ten pedestrians, who did not even glance at him. So this was the environment in which the deads chose to spend their second lives. But why such deliberate bleakness? “You will never understand us,” Dolorosa had warned. Dolorosa was right. Jijibhoi had told him that Cold Towns were something less than charming, but Klein had not been prepared for this. There was a glacial quality about the place, as though it were wholly entombed in a block of clear ice: silence, sterility, a mortuary calm. Cold Town, yes, aptly named. Architecturally, the town looked like the worst of all possible cheap-and-sleazy tract developments, but the psychic texture it projected was even more depressing, more like that of one of those ghastly retirement communities, one of the innumerable Leisure Worlds or Sun Manors, those childless, joyless retreats where colonies of that other kind of living dead collected to await the last trumpet. Klein shivered.

  At last, another few minutes deeper into the town, a sign of activity, if not exactly of life: a shopping center, flat-topped brown stucco buildings around a U-shaped courtyard, a steady flow of shoppers moving about. All right. His first test was about to commence. He parked his car near the mouth of the U and strolled uneasily inward. He felt as if his forehead were a beacon, flashing glowing betrayals at rhythmic intervals:

  FRAUD INTRUDER INTERLOPER SPY

  Go ahead, he thought, seize me, seize the impostor, get it over with, throw me out, string me up, crucify me. But no one seemed to pick up the signals. He was altogether ignored. Out of courtesy? Or just contempt? He stole what he hoped were covert glances at the shoppers, half expecting to run across Sybille right away. They all looked like sleepwalkers, moving in glazed silence about their errands. No smiles, no chatter: the icy aloofness of these self-contained people heightened the familiar suburban atmosphere of the shopping center into surrealist intensity, Norman Rockwell with an overlay of Dali or De Chirico. The shopping center looked like all other shopping centers: clothing stores, a bank, a record shop, snack bars, a florist, a TV-stereo outlet, a theater, a five-and-dime. One difference, though, became apparent as Klein wandered from shop to shop: the whole place was automated. There were no clerks anywhere, only the ubiquitous data screens, and no doubt a battery of hidden scanners to discourage shoplifters. (Or did the impulse toward petty theft perish with the body’s first death?) The customers selected all the merchandise themselves, checked it out via data screens, touched their thumbs to charge plates to debit their accounts. Of course. No one was going to waste his precious rekindled existence standing behind a counter to sell tennis shoes or cotton candy. Nor were the dwellers in the Cold Towns likely to dilute their isolation by hiring a labor force of imported warms. Somebody here had to do a little work, obviously—how did the merchandise get into the stores?—but, in general, Klein realized, what could not be done here by machines would not be done at all.