The Dice Man

  In short the dice decided things which really didn't matter. Most of my options tended to be from among the great middle way of my tastes and personality. I learned to like to play with the probabilities I gave the various options I would create. In letting the dice choose among possible women I might pursue for a night, for example, I might give Lil one chance in six, some new woman chosen at random two chances in six, and Arlene three chances in six. If I played with two dice the subtleties in probability were much greater.

  Two principles I always took care to follow. First: never include an option I might be unwilling to fulfill; second: always begin to fulfill the option without thought and without quibble. The secret of the successful dicelife is to be a puppet on the strings of the die.

  Six weeks after sinking into Arlene I began letting the dice diddle with my patients: it was a decisive step. I began creating as options that I comment aggressively to a patient as my insights arose; that I restudy some other standard analytic theory and method and adopt it for a specified number of hours with a patient; that I preach to my patients.

  Eventually I began also to include as an option that I give my patients assigned psychological exercises much as a coach gives his athletes physical exercises: shy girl assigned to date make-out artist; aggressive bully assigned to pick a fight with ninety-eight-pound weakling and purposely lose; studious grind assigned to see five movies, go to two dances and play bridge a minimum of five hours a day all week. Of course, most meaningful assignments involved a breach of the psychiatrist's code of ethics. In telling my patients what to do, I was booming legally responsible for any ill consequences which might result. Since everything a typical neurotic does eventually has ill consequences, my giving them assignments meant trouble. It meant, in fact, the probable end of my career, a thought which for some reason I found exhilarating. I was like a professional psychiatrist, the very jockstrap of my basic self; I was becoming belly to belly with whim.

  In the first few days the dice usually had me express freely my own feelings toward my patients - to break, in effect, the cardinal rule of all psychotherapy: do not judge. I began overtly condemning every shabby little weakness I could find in my sniveling, cringing patients. Great gob of God, that was fun. If you remember that for 'four years I had been acting like a saint, understanding, forgiving and accepting all sorts of human folly, cruelty and nonsense; that I had been thus repressing every normal reactive impulse, you can imagine the joy with which I responded to the dice letting me call my patients sadists, idiots, bastards, sluts, cowards and latent cretins. Joy. I had found another island of joy.

  My patients and colleagues didn't seem to appreciate my new roles. From this date my reputation began to decline and my notoriety to rise. My college professor of English at Yale, Orville Boggles, was the first troublemaker.

  A big, toothy man with tiny dull eyes, he had been coming to me off and on for six months to overcome a writing block. He hadn't been able to do more than sign his name for three years, and in order to maintain his academic reputation as a scholar he had been reduced to digging out term papers he had written as a sophomore at Michigan State, making small revisions and getting the articles published in quarterlies. Since no one read them past the second paragraph anyway, he hadn't been caught; in fact, on the basis of his impressive list of publications he had received tenure the year before he came to me.

  I had been unenthusiastically working on his ambivalent feelings toward his father, his latent homosexuality and his false image of himself, when under the impetus of the dictates of the dice I suddenly found myself one day exploding.

  `Boggles,' I said after he arrived one morning (I had always previously addressed him as Professor Boggles); `Boggles,' I said, `what say we cut the shit, and get down to basics? Why don't you consciously and publicly decide to quit writing?'

  Professor Boggles, who had just lain down and hadn't yet said a word, quivered like a huge sunflower leaf at the first breath of a storm.

  `I beg your pardon?'

  `Why try to write?'

  'It is a pleasure I have long enjoyed'

  `Merde.'

  'He sat up and looked toward the door as if he expected Batman to break in any moment and rescue him.

  `I came to you, not because I am neurotic, but in order to cure a very simple writing block. Now -'

  `You are a patient who came with a cold and who is dying of cancer.'

  `Now that you seem unable to cure the block you try to convince me not to write. I find this '

  'You find this uncomfortable. But just imagine all the fun you could be having if you gave up trying to publish? Have you looked at a tree in the last six years?'

  `I've seen many trees. I want to publish, and I don't know what you think you're doing this morning.'

  `I'm letting down the mask, Boggles. I've been playing the psychiatrist game with you, pretending we were after big things like anal stage, object cathexis, latent heterosexuality and the like, but I've decided that you can only be cured by being initiated into the mysteries behind the facade, into the straight poop, so to speak. The straight poop, that's symbolism, Boggles, that's-'

  `I have no desire to be initiated.'

  `I know you don't. None of us do. But I'm letting you pay me thirty-five dollars per hour, and I want to give you your money's worth. First of all, I want you to resign from the university and announce to your department chairman, the board of trustees and to the press that you are going to Africa to re-establish contact with your animal origins.'

  `That's nonsense!'

  'Of course it is. That's the point. Think of the publicity you'll get: "Yale professor resigns to seek Truth."

  It'll get a lot more play than your last article in the Rhode Island Quarterly on "Henry James and the London Bus Service." Moreover-'

  'But why Africa?'

  `Because it has nothing to do with literature, academic advancement and full professorships: You won't be able to fool yourself that you're gathering material for an article. Spend a year in the Congo, try to get involved with a revolutionary group or a counterrevolutionary group, shoot a few people, familiarize yourself with the native drugs, let yourself get seduced by whatever comes alone, male, female, animal, vegetable, mineral. After that, if you still feel you want to write about Henry James for the quarterlies, I'll try to help you.'

  He was sitting on the edge of the couch looking at me with nervous dignity. He said `But why should you want me to stop wanting to write?'

  `Because as you are now, Boggles, and have been for forty-three years, you're a dead loss. Absolutely. I don't mean to sound critical, but absolutely. Deep down inside you know it, your colleagues know it and at all levels I know it. We've got to change you completely to make you worth taking money from. Normally I'd recommend that you have an affair with a student, but with your personality the only students who might open up for you would be worse off than you and no help.'

  Boggles had stood up but I went serenely on.

  `What you need is a more extensive personal experience with cruelty, with suffering, hunger, fear, sex. Once you've experienced more fully these basics there might be some hope of a major breakthrough. Until then none.'

  Old Boggles had his overcoat on now and with a toothy grimace was backing toward the door.

  'Good day, Dr. Rhinehart, I hope you're better soon,' he said.

  `And a good day to you, Boggles. I wish I could hope the same for you, but unless you get captured by the Congolese rebels, or get sick in the jungle for eight months or become a Kurtzian ivory trader, I'm afraid there's not much hope.'

  I rose from behind my desk to shake hands with him, but he backed out the door.

  Six days later I got a polite letter from the president of the American Association of Practicing Psychiatrists (AAPP) noting that a patient of mine, a Dr. Orville Boggles of Yale, had paranoic hallucinations about me and had sent a long, nasty, highly literary complaint to the AAPP about my behavior. I sent a note to Pres
ident Weinstein thanking him for his understanding and a note to Boggles suggesting that the length of his letter to the AAPP indicated progress vis-avis his writing block. I also gave him permission to try to have his letter published in the South Dakota Quarterly Review` Journal.

  Chapter Thirteen

  `Jerkins,' I said one morning to the masochist Milquetoast of Madison Avenue, `have you ever considered rape?'

  `I don't understand,' he said. `Forced carnal knowledge.'

  `I . . . don't understand how you mean that I should consider it.'

  `Have you ever daydreamed of killing someone or of raping someone?'

  `No. No, I never have. I feel almost no aggression toward anyone.'

  He paused. `Except myself.'

  `I was afraid of that, Jerkins, that's why we'd better give serious consideration to rape, theft or murder.'

  Jerkins lay neatly and quietly on the couch through this whole interview, not once raising his voice or stirring a muscle.

  `You . . . you mean daydream about such actions?' he asked.

  `I mean commit them. As it is, Jerkins, you're becoming just another dirty old man, aren't you?'

  'P-p-pardon?'

  `Spend most of your time lying on your crumb-filled bed reading porno and fantasizing about lovely girls who need you to save them. After they've narrowly missed being crushed by the landslide, or cut in two by the cultivator, or stabbed by the lunatic or burnt by the fire, you rescue them and they give you a spiritual kiss on the fingertips, right? But when do you reach a climax, Mr. Jerkins?'

  `I . . . I don't know what . . . I don't understand?'

  `Does the final pleasure come when you're comforting the rescued girl or when the flames are licking at her face, the knife scraping along her veins, the cultivator about to mash her potatoes ...? When?'

  `But I want to help people. I feel no aggression. Ever.'

  "Look, Jerkins,' I'm sated with your passivity, your day dreaming. Haven't you ever done anything?'

  `No opportunity has ever `Have you ever hurt another human?'

  'I can't. I don't want to. I want to save `First you've got to save yourself and that you can only do by breaking your inertia. I'm giving you an assignment for our Friday session. Will you do it for me?'

  `I don't know. I don't want to hurt people. My whole soul is based on that principle.'

  `I know it is. I know it is, and your soul's sick, remember? That's why you're here.'

  `Please, I don't want to rape any-'

  `You've noticed I have a new receptionist. I mean a second one?'

  [She was a middle-aged call girl I had hired expressly to date Mr. Jerkins.]

  'Er, yes, I have.'

  `She's lovely, isn't she?' `Yes, she is.'

  `And she's a nice person, too.'

  'Yes,' he said.

  `I want you to rape her.'

  `Oh no, no, I, no, it would not be a good idea.'

  `All right then, would you like to date her?'

  `But . . . is it ethical?'

  `What are you planning to do to her?'

  `I mean . . . she's your receptionist . . . I thought-'

  `Not at all. Her private life is her own business. [It certainly was.] I want you to date her. Tonight. Take her to dinner and invite her back to your apartment and see what happens. If you get the urge to rape her, go ahead. Tell her it's part of your therapy.'

  'Oh, no, no, I'd never want to do anything to hurt her. She seems such a lovely person.'

  'She is, which makes her all the more rapable. But have it your own way. Just do your best to fuel aggression.'

  'Do you really think it might help if I got a little aggressive?'

  `Absolutely. Change your whole life. With hard work you `might even make it to murder. But don't brood if at first all you can do is swear under your breath at pedestrians.'

  I stood up. `Now go. You'll need a couple of minutes to wheedle Rita into accepting a date.'

  It took him twenty, despite Rita's trying to say `yes' from the moment he told her his name. After three and a half weeks of Jerkins-style courting he finally managed to seduce her in the front seat of his Volkswagen, much to the relief of all concerned. To the further relief of the principals, they shifted to Jenkins's apartment for further indoor work. The only evidence I was able to garner that Jerkins was trying to express aggression was that once he accidentally bumped her nose with his elbow and didn't say he was sorry. Rita toed the old game of `Oh you're so masterful, hit me,' but Jerkins responded by assuring her that no matter how masterful he was he would never hit anyone. She urged him to bite her breasts, but he said something about having weak gums. She tried to irritate him into anger by using her body to arouse him and then deny the desires she had aroused, but Jerkins sulked until she gave in.

  Meanwhile he was trying every trick in the masochist's trade to try to make Rita break off with him. He stood her up on two occasions (Rita sent a bill for her time), accidentally broke her wristwatch (I got the bill) and as a lover usually had his orgasm when she was least expecting it and in the middle of a yawn. Nevertheless, Rita clung lovingly - three hundred dollars a week - on.

  At the end of a month of solid success with her, Jerkins was definitely more comfortable with women; he even flirted for five minutes with Miss Reingold. But he was also perilously close to a total nervous breakdown. Being unable to contact a venereal disease, make Rita pregnant, infuriate her, cause her to leave him or fail in any other obvious way, he was desperate. Of course, he'd compensated by accelerating the rate of failure in all other areas of his life. Twice he lost his wallet. He left the water in the bathtub running while he was out and flooded his apartment. Finally, one day he told me he'd lost so much money on the stock market since taking over his own investing, that he'd have to drop therapy.

  I urged him to continue, but that afternoon he managed to get hit by a bulldozer while watching some construction and was hospitalized for six weeks. A few months later the dice told me to send him a bill for Rita's services and, I regret to report, he promptly paid it. I've tentatively listed his case as a failure.

  Other cases didn't work out too well either. With a woman plagued by compulsive promiscuity I tried the William James method number three for breaking habits: oversatiation. I convinced her to work at a busy Brooklyn brothel for a week, figuring that would be enough to drive anyone to chastity, but she stayed a month. With the money she earned she hired one of her male customers to accompany her on a vacation to Puerto Vallarta. I haven't seen her since, but have tentatively listed her case as a failure also.

  My analytic sessions became role-playing sessions without the dice. But instead of restricting such role playing to drama and play as in Moreno-like drama therapy, I restricted it to real life. Everything had to be done with real people in real life.

  In most cases over the next five months I assigned my patients to quit their jobs, leave their spouses, give up their hobbies, habits and homes, alter their religions, upset their sleeping, eating, copulation, thinking habits: in brief, to rediscover their unexpressed desires; to achieve their unfulfilled potential. But all this without telling them about the dice.

  Without introducing the patients to the use of the dice as in my later dice therapy, the results, as you have begun to see, were generally disastrous. In addition to two lawsuits, one patient committed suicide (thirty-five dollars an hour out of the window), one was arrested for leading to the delinquency of a minor, and a last disappeared at sea in a sailing canoe on his way to Tahiti. On the other hand, I had a few distinct successes.

  One man, a highly paid advertising executive, gave up his job and family and joined the Peace Corps, spent two years in Peru, wrote a book on faking land reform in underdeveloped countries, a book highly praised by everyone except the governments of Peru and the United States, and is now living in a cabin in Tennessee writing a book on the effects of advertising on underdeveloped minds. Whenever he's in New York he drops in to suggest I write a book about the u
nderdeveloped psyches of psychiatrists.

  My other successes were less obvious and immediate.

  There was Linda Reichman, for example. She was a slender, young rich girl who had spent her last four years living in Greenwich Village doing all the things rich, emancipated girls think they're expected to do in Greenwich Village. In four weeks of treatment prior to my own emancipation, I had learned that this was her third analysis, that she loved to talk about herself, particularly her promiscuity, with indifference to and cruelty toward men, and their stupid ineffectual efforts to hurt her. Her monologues were occasionally flooded by literary, philosophical and Freudian allusions and as abruptly empty of them. Each session she usually managed to say something intended to shock my bourgeois respectability.

  It was only three weeks after letting the dice dictate anarchy that I had a rather remarkable session with her. She'd come in even more keyed up than usual, swivel-hipped her rather swivelable hips across the room and flopped aggressively onto the couch. Much to my surprise she didn't say a thing for three minutes, for her an all-time record. Finally, with an edge to her voice, she said: `I get so sick and tired of this . . . shit. [Pause] I don't know why I come here. [Pause] You're about as much help as a chiropractor. Christ, what I'd give to meet a MAN some day. I meet nothing but ... ball-less masturbators. [Pause] What a ... stupid world it is. How do people get through their crummy lives? I've got money, brains, sex - I'm bored stiff. What keeps all those little clods without anything, what keeps all those little clods going? [Pause] I'd like to blast the whole thing ... fucking city to pieces. [Long pause.]'

  `I spent the weekend with Curt Rollins. For your info, he's just published a novel that the Partisan Review calls - and I quote - "as stunningly poetic a piece of fiction as has appeared in years." Unquote. [Pause] He's got talent. His prose is like lightning: cutting, darting, brilliant; he's a Joyce with the energy of Henry Miller. [Pause] He's working on a new novel about fifteen minutes in the life of a young boy who's just lost his father. Fifteen minutes - a whole novel. Curt's cute, too. Most girls throw themselves at him. [Pause] He needs money. [Pause] It's funny, he doesn't seem to like sex much. Wham bam, back to the old writing board. Wham-bam. [Pause] He liked the way I sucked him off though. But . . .