September
“Do you fish?”
“Yes. I have a beat on the Croy, about two miles upstream from the village, and there’s a loch up in the hills. It’s good to go up there for the evening rise. Take the boat out. It’s very peaceful. And when it’s winter and dark at four, I have a workshop down in the basement. There’s always something that needs repairing. I mend gates, renew skirtings, build cupboards for Isobel, put up shelves. And other things. I like to work with wood. It’s basic, very therapeutic. Perhaps instead of joining the Army I should have been a joiner.”
“Were you with a Scottish regiment?”
“I was a Queen’s Loyal Highlander for fifteen years. We spent two of those in Berlin with the American forces…”
The conversation moved on, from Berlin to the Eastern Bloc, and so to politics and international affairs. They had another nightcap, lost track of time. When they finally decided to call it a day, it was past one o’clock in the morning.
“I’ve kept you up.” Joe Hardwicke was apologetic.
“Not at all.” Archie took the empty glasses and went to place them on the tray that stood on the grand piano. “…I’m not much of a sleeper. The shorter the night, the better.”
“I…” Joe hesitated. “I hope you don’t think I’m being impertinent, but I see that you’re lame. Did you have an accident?”
“No. My leg was shot off in Northern Ireland.”
“You have an artificial leg?”
“Yes. Aluminium. Marvellous piece of engineering. Now, what time do you want breakfast? Would eight-fifteen do you? That would give you time before the car comes to collect you and take you to Gleneagles. And shall I call you in the morning?”
“If you would. About eight o’clock. I sleep like the dead in this mountain air.”
Archie moved to open the door. But Joe Hardwicke was offering to dispose of the tray of drinks. Could he perhaps carry it to the kitchen for Archie? Archie was grateful but firm. “Not at all. House rule. You’re guests. Not allowed to lift a finger.”
They went out into the hall. “Thank you,” said Joe Hardwicke, standing at the foot of the staircase.
“Thank you. Goodnight. And sleep well.”
He stayed at the foot of the stairs until the American had disappeared and Archie had heard the opening and the shutting of his bedroom door. Then he returned to the drawing room, settled the fire, put on the fireguard, drew back the heavy curtains, checked the window catches. Outside, the garden lay washed in moonlight. He heard an owl. He went out of the room, leaving the drinks tray where it was, switched off lights. He crossed the hall to the dining room. The table had been cleared of all traces of dinner, and was now set for breakfast. He felt guilty, for this was, by tradition, his job, and Isobel had accomplished it all alone, while he had sat talking.
He went on to the kitchen. Here again, all was neat and orderly. His two black Labrador bitches slumbered by the Aga in their round baskets. Disturbed, they woke and raised their heads. Thump, thump, went their tails.
“Have you been out?” he asked them. “Did Isobel take you out before she went to bed?”
Thump, thump. They were content and comfortable. There was nothing left for him to do.
Bed. He found himself, all at once, very tired. He climbed the staircase, switching off lights as he went. In his dressing-room, he took off his clothes. His dinner jacket, his bow-tie, his studded white shirt. Shoes and socks. Trousers were the most complicated, but he had perfected a routine for their removal. The tall mirror in his wardrobe reflected his image, but he made a point of not looking at it, because he so hated to see himself unclothed; the livid stump of his thigh, the shining metal of the leg, the screws and hinges, the belts and strappings that kept it in place — all revealed, shameless and somehow obscene.
Quickly he reached for and pulled on his night-shirt, easier to deal with than pyjamas. He went to the adjoining bathroom, peed, and cleaned his teeth. In their vast bedroom, no lights burned but moonlight flowed through the uncurtained window. On her side of the wide double bed, Isobel slept. But as he moved across the room, she stirred and woke.
“Archie?”
He sat down on his side of the bed.
“Yes.”
“What time is it?”
“About twenty past one.”
She thought about this. “Were you talking?”
“Yes. I’m sorry. I should have been helping you.”
“It doesn’t matter. They were nice.”
He was unstrapping the harness, gently easing the padded leather cup away from his stump. When it was free, he bent to lay the hateful contraption on the floor beside the bed, the webbing arranged neatly, so that in the morning he could put it on again with the least possible inconvenience. Without it, he felt lopsided and strangely weightless, and his stump burned and ached. It had been a long day.
He lay beside Isobel and pulled the cool sheets up to his shoulders.
“Are you all right?” Her voice was drowsy.
“Yes.”
“Did you know that Verena Steynton’s going to throw a dance for Katy? In September.”
“Yes. Violet told me.”
“I shall have to get a new dress.”
“Yes.”
“I haven’t got anything to wear.”
She drifted back to sleep.
As soon as it started, he knew what was going to happen. It was always the same. Forsaken, bleak streets, plastered with graffiti. Dark skies and rain. He wore a flak jacket and drove one of the armoured Land-Rovers, but there was something amiss because he should have a companion and he was on his own.
All he had to do was to get to the safety of the barracks. The barracks was a requisitioned Ulster Constabulary police station, fortified to the hilt, and bristling with armoury. If he could get there, without them coming, he would be safe. But they were there. They always came. Four figures, spread out across the road ahead, shrouded by the rain. They had no faces, only black hoods, and their weapons were trained upon him. He reached for his rifle, but it had gone. The Land-Rover had stopped. He could not remember stopping it. The door was open and they were upon him, dragging him out. Perhaps this time they were going to beat him to death. But it was the same. It was the bomb. It looked like a brown paper parcel but it was a bomb, and they loaded it into the back of the Land-Rover, and he stood and watched them. And then he was back behind the wheel and the nightmare had truly begun. Because he was going to drive it in through the open gates of the barracks, and it would explode and kill every man in the place.
He was driving like a lunatic and it was still raining, and he could see nothing, but would soon be there. All he had to do was to get through the gates, drive the explosive vehicle into the bomb pit and somehow get out and run like Jesus before the bomb went off.
Panic was destroying him, and his ears roared with the sound of his own breathing. The gates swung up, he was through them, down the ramp, into the bomb pit. Its concrete walls rose on either side of him, shutting out the light. Escape. He tugged at the door handle but it was stuck. The door wouldn’t open, he was trapped, the bomb was ticking like a clock, lethal and murderous, and he was trapped. He screamed. Nobody knew he was there. He went on screaming…
He awoke, screaming like a woman, his mouth open, sweat streaming down his face…arms caught him…
“Archie.”
She was there, holding him. After a little, she drew him gently down on to the pillows. She comforted him like a child, with small sounds. She kissed his eyes. “It’s all right. It was a dream. You’re here. I’m here. It’s all over. You’re awake.”
His heart banged like a hammer and he streamed with sweat. He lay still in her embrace and gradually his breathing calmed. He reached for a glass of water, but she was there before him, holding it for him to drink, setting the glass back on the table when he had had enough.
When he was quiet, she said, with a ghost of a smile in her voice, “I hope you haven’t woken anybody up. They’l
l think I’m murdering you.”
“I know. I’m sorry.”
“Was it…the same?”
“Yes. Always the same. The rain, and the hoods and the bomb and that fucking pit. Why do I have nightmares about something that never happened to me?”
“I don’t know, Archie.”
“I want them to stop.”
“I know.”
He turned his head, burying his face in her soft shoulder. “If only they would stop, perhaps then I could make love to you again.”
AUGUST
12
Monday the Fifteenth
The arrival of the morning post at Croy was a movable feast. Tom Drystone, the postman, driving his scarlet van, covered, during the day, an enormous area. Long, winding single-track roads led up into the glens, to remote sheep farms and distant crofts. Young wives, isolated with small children, would watch for his coming while hanging out lines of washing in the cold, fresh wind. Old people, living on their own, depended on him to deliver their prescriptions, pause for a chat, even sit down and drink a cup of tea with them. In wintertime, he swapped his van for a Land-Rover, and only the worst of blizzards prevented him from somehow getting through and delivering the long-awaited letter from Australia, or a new blouse ordered from the Littlewoods catalogue, and when the howling north-west gales damaged telephone lines and power cables, he was very often the only source of communication with the outside world.
Because of this, even if he had been a dour-faced man with no small talk and a sharp tongue on him, Tom’s daily appearance would always be welcome. But he was a cheerful fellow, born and bred in Tullochard, and so unfazed by anything that the wild country or the elements could throw at him. As well, when he was not being a postman, he was greatly admired for his ability to play the accordion, and was a kenspeckle figure at local ceilidhs, up on the platform with a glass of beer on the floor beside him, and leading the band in an endless round of jigs and reels. This catchy music went with him everywhere, because, as he delivered the mail, he whistled.
It was now the middle of August. A Monday. A blowy day with a good deal of cloud. Not hot but, at least, not raining. Isobel Balmerino, tied up in an apron, sat at one end of the kitchen table at Croy and plucked three brace of grouse. They had been shot on Friday and hung in the game larder for three days. They should, perhaps, hang a little longer, but she wanted to be shed of the messy job and have the grouse safely in the deep-freeze before the next lot of Americans arrived.
The kitchen was vast and Victorian, filled with every evidence of her busy life. A dresser was stacked with a set of chipped ironstone dinner-ware, a noticeboard was pinned with postcards, addresses, scribbled reminders to ring the plumber. The dogs’ baskets lay near the great four-oven Aga, and large bunches of drying flowers hung from hooks in the ceiling, once employed for curing hams. Over the Aga was a drying rack, on a pulley, where sodden tweeds were hoisted after a day on the hill, or ironed linen, still not quite dry, put to air. This was not a wholly satisfactory arrangement because if there were kippers for breakfast, then pillowcases smelled faintly of fish, but as Isobel had no airing cupboard, there was nothing to be done about it.
Once, a long time ago in old Lady Balmerino’s day, this pulley had been the source of a long-standing family joke. Mrs Harris was then resident cook; a splendid cook but not one troubled by any silly prejudices concerning hygiene. Her habit had been to keep, on the Aga, an enormous black iron stockpot simmering with bones and the remains of any vegetable she thought fit to scrape off a plate. With this, she made her famous soups. One year a house party stayed for the shooting. The weather was appalling, so the rack above the Aga constantly drooped with soaked jackets, knickerbockers, sweaters, and hairy stockings.The soup that fortnight got better and better, more and more tasty. Guests begged for recipes. “How do you do it, Mrs Harris? The flavour! Quite delicious.” But Mrs Harris simply bridled and smugly said that it was just a wee knack she’d picked up from her mother. The week ended and the house party left, tucking large tips into Mrs Harris’s boiled red hand as they left.When they had gone, the stockpot was finally emptied for scouring. At the bottom was found a felted and none-too-clean shooting stocking.
Four birds plucked and two to go. Feathers floated everywhere. Isobel gathered them cautiously, bundling them into newspaper, stowing the bundles into a black plastic dustbin bag. Spreading fresh newspaper and starting in on number five, she heard whistling.
The back door flew open, and Tom Drystone burst cheerfully in on her. The draught caused a cloud of feathers. Isobel let out a wail, and he hastily shut the door behind him.
“I see the Laird’s keeping you busy.” The feathers settled. Isobel sneezed. Tom slapped a pile of mail down on the dresser. “Can you not get young Hamish to give you a hand?”
“He’s away. Gone to Argyll for a week with a schoolfriend.”
“What kind of day did they have at Croy on Friday?”
“Disappointing, I’m afraid.”
“They got forty-three brace over at Glenshandra.”
“They were probably all ours, flown over the march fence to call on their friends. Do you want a cup of coffee?”
“No, not today, thanks. I’ve a full load on board. Council circulars. Well, I’ll be off…”
And he was away, whistling before he had even banged the door shut behind him.
Isobel went on tearing feathers out of the grouse. She longed to go and inspect the letters, see if there was anything exciting, but was firm with herself. She would finish the plucking first. Then she would clear away all the feathers. Then she would wash her hands and look at the mail. And then she would embark upon the bloody job of cleaning the birds.
The post-van sped away. She heard footsteps approaching down the passage from the hall. Painful and uneven. Down the few stone steps, one at a time. The door opened and her husband appeared.
“Was that Tom?”
“Didn’t you hear the whistle?”
“I’m waiting for that letter from the Forestry Commission.”
“I haven’t looked yet.”
“Why didn’t you tell me you were doing those grouse?” Archie sounded more accusing than guilty. “I’d have come to help.”
“Perhaps you’d like to clean them for me?”
He made a distasteful face. He could shoot birds, and wring the neck of an injured runner. He could, if pressed, pluck them. But he was squeamish about cutting them open and pulling out their innards. This had always been a small cause of friction between himself and Isobel, and so he swiftly changed the subject. As she had known he would.
“Where is the mail?”
“He put it on the dresser.”
He limped over to collect it, brought it back to the other end of the table, well out of reach of the general mess. He sat down and leafed through the envelopes.
“Hell. It’s not here. I wish they’d put their skates on. But there’s one from Lucilla…”
“Oh, good, I hoped there would be…”
“…and something very large and stiff and thick, which might be a summons from the Queen.”
“Verena’s writing?”
“Could be.”
“That’s our invitation.”
“And two more, similar, to be forwarded on. One for Lucilla, and another for” — he hesitated — “Pandora.”
Isobel’s hands were still. Down the long, feather-strewn table, their eyes met. “Pandora? They’ve asked Pandora?”
“Apparently.”
“How extraordinary. Verena never told me she was going to ask Pandora.”
“No reason why she should.”
“We’ll have to send it on to her. Open ours and let’s see what it looks like.”
Archie did so. “Very impressive.” He raised his eyebrows. “Embossed, copperplate, and gold edges. The sixteenth of September. Verena’s left it pretty late, hasn’t she? I mean, that’s scarcely a month away.”
“There was a disaster. The pr
inters made a mistake. They printed the first batch of invitations on the wrong side of the paper, and so she sent them all back and they had to be done again.”
“How did she know they were printed on the wrong side?”
“Verena knows about things like that. She’s a perfectionist. What does it say?”
“It says, ‘Lord and Lady Balmerino. Mrs Angus Steynton. At Home. For Katy. Blah Blah. Dancing at ten. RSVP.’ ” He held it up.“Impressed?”
Without her glasses, Isobel screwed up her eyes and peered.
Mrs Angus Steynton
At Home
For Katy
Friday, 16th September 1988
RSVP
Corriehill, Tullochard,
Relkirkshire
Dancing 10 P.M.
“Very impressed. It’ll look splendid on the mantelpiece. The Americans will think we’ve been invited to something Royal. Now, read me Lucilla’s letter. That’s much more important.”
Archie slit the flimsy envelope with the French stamp and postmark and unfolded two sheets of cheap, lined, and very thin paper.
“Looks as though she’s written it on lavatory paper.”
“Read it.”
“Paris. August sixth. Darling Mum and Dad. Sorry I’ve been such ages in writing. No time for news. This is just a short note to let you know my movements. Am leaving here in a couple of days and going down to the south. I am travelling by bus, so no need to anguish about hitch-hiking. Going with an Australian boy I’ve met called Jeff Howland. Not an art student but a sheep-farmer from Queensland, with a year off to bum round Europe. He has friends in Ibiza, so we might possibly go there. I don’t know what we’ll do when we get to Ibiza, but if there is the chance of getting over to Majorca, would you like me to go and see Pandora? And if you would, will you send me her address because I’ve lost it. And I’m a bit short of cash, so could you possibly float me a loan till my next allowance comes through. Send all c/o Hans Bergdorf, PO Box 73, Ibiza. Paris has been heaven but only tourists here just now. Everybody else has disappeared to beaches or mountains. Saw a blissful Matisse exhibition the other day. Lots of love darlings, and DON’T WORRY. Lucilla. PS. Don’t forget the money.”