Scenes From Provincial Life: Boyhood, Youth, Summertime

  What the man is particularly keen to find out is what he will do next. Is his talk about lack of friendship merely a cover for a move from IBM to one of IBM’s competitors in the field of business machines? Have promises been made to him, have inducements been offered?

  He could not be more earnest in his denials. He does not have another job lined up, with a rival or anyone else. He has not been interviewed. He is leaving IBM simply to get out of IBM. He wants to be free, that is all.

  The more he talks, the sillier he sounds, the more out of place in the world of business. But at least he is not saying, ‘I am leaving IBM in order to become a poet.’ That secret, at least, is still his own.

  Out of the blue, in the midst of all this, comes a phone call from Caroline. She is on vacation on the south coast, in Bognor Regis, and at a loose end. Why does he not catch a train and spend Saturday with her?

  She meets him at the station. From a shop on the Main Street they hire bicycles; soon they are cycling along empty country lanes amid fields of young wheat. It is unseasonably warm. Sweat pours from him. His clothes are wrong for the occasion: grey flannels, a jacket. Caroline wears a brief tomato-coloured tunic and sandals. Her blonde hair flashes, her long legs gleam as she turns the pedals; she looks like a goddess.

  What is she doing in Bognor Regis, he asks? Staying with an aunt, she replies, a long-lost English aunt. He does not inquire further.

  They stop at the roadside, cross a fence. Caroline has brought sandwiches; they find a spot in the shade of a chestnut tree and have their picnic. Afterwards, he senses she would not mind if he made love to her. But he is nervous, out here in the open where at any moment a farmer or even a constable might descend on them and demand to know what they think they are up to.

  ‘I’ve resigned from IBM,’ he says.

  ‘That’s good. What will you do next?’

  ‘I don’t know. I’ll just drift for a while, I think.’

  She waits to hear more, waits to hear his plans. But he has no more to offer, no plans, no ideas. What a dullard he is! Why does a girl like Caroline bother to keep him in tow, a girl who has acclimatized to England, made a success of her life, left him behind in every way? Only one explanation occurs to him: that she still sees him as he was in Cape Town, when he could still present himself as a poet to be, when he was not yet what he has become, what IBM has made of him: a eunuch, a drone, a worried boy hurrying to catch the 8.17 to the office.

  Elsewhere in Britain, employees who resign are given a send-off – if not a gold watch then at least a get-together during the tea break, a speech, a round of applause and good wishes, whether sincere or insincere. He has been in the country long enough to know that. But not at IBM. IBM is not Britain. IBM is the new wave, the new way. That is why IBM is going to cut a swathe through the British opposition. The opposition is still caught up in old, slack, inefficient British ways. IBM, on the contrary, is lean and hard and merciless. So there is no send-off for him on his last day at work. He clears his desk in silence, says his goodbyes to his programmer colleagues. ‘What will you be doing?’ asks one of them cautiously. All have clearly heard the friendship story; it makes them stiff and uncomfortable. ‘Oh, I’ll see what comes up,’ he replies.

  It is an interesting feeling, waking up the next morning with nowhere in particular to go. A sunny day: he catches a train to Leicester Square, does a tour of the bookshops on Charing Cross Road. He has a day’s growth of stubble; he has decided to wear a beard. With a beard he will perhaps not look so out of place among the elegant young men and beautiful girls who pour out of the language schools and ride the Underground. Then let chance take its course.

  From now on, he has decided, he will put himself in chance’s way at every turn. Novels are full of chance meetings that lead to romance – romance or tragedy. He is ready for romance, ready even for tragedy, ready for anything, in fact, so long as he will be consumed by it and remade. That is why he is in London, after all: to be rid of his old self and revealed in his new, true, passionate self; and now there is no impediment to his quest.

  The days pass and he simply does as he wishes. Technically speaking, his position is illegal. Clipped to his passport is the work permit that allows him to reside in Britain. Now that he has no work, the permit has lost its power. But if he lies low, perhaps they – the authorities, the police, whoever is responsible – will overlook him.

  Ahead on the horizon looms the problem of money. His savings will not last indefinitely. He has nothing worth selling. Prudently he gives up buying books; he walks, when the weather is good, rather than catching trains; he lives on bread and cheese and apples.

  Chance does not bestow any of her blessings on him. But chance is unpredictable, one must give chance time. For the day when chance will at last smile on him he can only wait in readiness.

  Fourteen

  With freedom to do as he pleases, he has soon read to the end of the sprawling corpus of Ford’s writings. The time is nigh for him to deliver his judgment. What will he say? In the sciences one is permitted to report negative results, failures to confirm hypotheses. How about the arts? If he has nothing new to say about Ford, would the correct, the honourable action be to confess he has made a mistake, resign his studentship, return his bursary; or, in place of a thesis, would it be permissible to turn in a report on what a let-down his subject has been, how disappointed he is in his hero?

  Briefcase in hand, he strolls out of the British Museum and joins the crowd passing down Great Russell Street: thousands of souls, not one of whom cares a fig what he thinks of Ford Madox Ford or anything else. When he first arrived in London he used to stare boldly into the faces of these passers-by, searching out the unique essence of each. Look, I am looking at you! he was saying. But bold stares got him nowhere in a city where, he soon discovered, neither men nor women met his gaze but, on the contrary, coolly evaded it.

  Each refusal of his gaze felt like a tiny knife-prick. Again and again he was being noted, found wanting, turned down. Soon he began to lose his nerve, to flinch even before the refusal came. With women he found it easier to look covertly, steal looks. That, it would seem, was how looking was done in London. But in stolen looks there was – he could not rid himself of the feeling – something shifty, unclean. Preferable not to look at all. Preferable to be incurious about one’s neighbours, indifferent.

  In the time he has been here he has changed a great deal; he is not sure it is for the better. During the winter just past there were times when he thought he would die of cold and misery and loneliness. But he has pulled through, after a fashion. By the time the next winter arrives, cold and misery will have less purchase on him. Then he will be on his way to becoming a proper Londoner, hard as stone. Turning to stone was not one of his aims, but it may be what he will have to settle for.

  All in all, London is proving to be a great chastener. Already his ambitions are more modest than they used to be, much more modest. Londoners disappointed him, at first, with the poverty of their ambitions. Now he is on his way to joining them. Each day the city chastens him, chastises him; like a beaten dog, he is learning.

  Not knowing what, if anything, he wants to say about Ford, he lies abed later and later in the mornings. When finally he sits down at his desk he is unable to concentrate. Summertime contributes to his confusion. The London he knows is a city of winter where one plods through each day with nothing to look forward to but nightfall and bedtime and oblivion. Through these balmy summer days, which seem made for ease and pleasure, the testing continues: what part is being tested he is no longer sure. Sometimes it seems he is being tested simply for testing’s sake, to see whether he will endure the test.

  About quitting IBM he has no regrets. But now he has no one at all to speak to, not even Bill Briggs. Day after day goes by when not a word passes his lips. He begins to mark them off with an S in his diary: days of silence.

  Outside the Underground station he bumps by mistake against a little old man sell
ing newspapers. ‘Sorry!’ he says. ‘Watch where you’re going!’ snarls the man. ‘Sorry!’ he repeats.

  Sorry: the word comes heavily out of his mouth, like a stone. Does a single word of indeterminate grammatical class count as speech? Has what has occurred between himself and the old man been an instance of human contact, or is it better described as mere social interaction, like the touching of antennae between ants? To the old man, certainly, it was nothing. All day long the old man stands there with his stack of papers, muttering angrily to himself; he is always waiting for a chance to abuse some passer-by. Whereas in his own case the memory of that single word will persist for weeks, perhaps for the rest of his life. Bumping into people, saying ‘Sorry!’, getting abused: a ruse, a cheap way of forcing a conversation. How to trick loneliness.

  He is in the vale of testing and not doing very well. Yet he cannot be the only one to be tested. There must be people who have passed through the vale and come out on the other side; there must be people who have dodged the testing entirely. He too could dodge the test if he preferred. He could run away to Cape Town, for instance, and never come back. But is that what he wants to do? Surely not, not yet.

  Yet what if he stays on and fails the test, fails disgracefully? What if, alone in his room, he begins to cry and cannot cease? What if one morning he finds that he lacks the courage to get up, finds it easier to spend the day in bed – that day and the next, and the next, in sheets that get grubbier and grubbier? What happens to people like that, people who cannot stand up to the testing, and crack?

  He knows the answer. They are shipped off somewhere to be taken care of – to some hospital, home, institution. In his case he will simply be shipped back to South Africa. The English have enough of their own to take care of, enough people who fail the testing. Why should they take care of foreigners too?

  He hovers before a doorway in Greek Street, Soho. Jackie – Model, says the card above the bell. He is in need of human intercourse: what could be more human than sexual intercourse? Artists have frequented prostitutes since time immemorial and are none the worse for it, that he knows from his reading. In fact, artists and prostitutes are on the same side of the social battle-lines. But Jackie – Model: is a model in this country always a prostitute, or in the business of selling oneself are there gradations, gradations no one has told him about? Might model in Greek Street stand for something quite specialized, for specialized tastes: a woman posing naked under a light, for instance, with men in raincoats standing around in the shadows, gazing shiftily at her, leering? Once he has rung the bell, will there be a way of inquiring, finding out what is what, before he is entirely sucked in? What if Jackie herself turns out to be old or fat or ugly? And what of the etiquette? Is this how one visits someone like Jackie – unannounced – or is one expected to telephone beforehand and make an appointment? How much does one pay? Is there a scale that every man in London knows, every man except him? What if he is identified at once as a hick, a dummy, and overcharged?

  He falters, retreats.

  In the street a man in a dark suit passes by who seems to recognize him, seems about to stop and speak. It is one of the senior programmers from his IBM days, someone he did not have much contact with, but always thought well disposed towards him. He hesitates, then with an embarrassed nod hurries past.

  ‘So what are you doing with yourself these days – leading a life of pleasure?’ – that is what the man would say, smiling genially. What could he say in return? That we cannot always be working, that life is short, we must taste its pleasures while we can? What a joke, and what a scandal too! For the stubborn, mean lives that his ancestors lived, sweating in their dark clothes in the heat and dust of the Karoo, to eventuate in this: a young man sauntering around a foreign city, eating up his savings, whoring, pretending to be an artist! How can he so casually betray them and then hope to escape their avenging ghosts? It was not in the nature of those men and women to be gay and have pleasure, and it is not in his. He is their child, foredoomed from birth to be gloomy and suffer. How else does poetry come anyway, except out of suffering, like blood squeezed from a stone?

  South Africa is a wound within him. How much longer before the wound stops bleeding? How much longer will he have to grit his teeth and endure before he is able to say, ‘Once upon a time I used to live in South Africa but now I live in England’?

  Now and again, for an instant, it is given to him to see himself from the outside: a whispering, worried boy-man, so dull and ordinary that one would not spare him a second glance. These flashes of illumination disturb him; rather than holding on to them, he tries to bury them in darkness, forget them. Is the self he sees at such moments merely what he appears to be, or is it what he really is? What if Oscar Wilde is right, and there is no deeper truth than appearance? Is it possible to be dull and ordinary not only on the surface but to one’s deepest depths, and yet be an artist? Might T. S. Eliot, for instance, be secretly dull to his depths, and might Eliot’s claim that the artist’s personality is irrelevant to his work be nothing but a stratagem to conceal his own dullness?

  Perhaps; but he does not believe it. If it comes down to a choice between believing Wilde and believing Eliot, he chooses to believe Eliot. If Eliot chooses to seem dull, chooses to wear a suit and work in a bank and call himself J. Alfred Prufrock, it must be as a disguise, as part of the necessary cunning of the artist in the modern age.

  Sometimes, as a relief from walking the city streets, he retreats to Hampstead Heath. There the air is gently warm, the paths full of young mothers pushing prams or chatting to each other as their children gambol. Such peace and contentment! He used to be impatient of poems about budding flowers and zephyrous breezes. Now, in the land where those poems were written, he begins to understand how deep gladness can run at the return of the sun.

  Tired out, one Sunday afternoon, he folds his jacket into a pillow, stretches out on the greensward, and sinks into a sleep or half-sleep in which consciousness does not vanish but continues to hover. It is a state he has not known before: in his very blood he seems to feel the steady wheeling of the earth. The faraway cries of children, the birdsong, the whirr of insects gather force and come together in a paean of joy. His heart swells. At last! he thinks. At last it has come, the moment of ecstatic unity with the All! Fearful that the moment will slip away, he tries to put a halt to the clatter of thought, tries simply to be a conduit for the great universal force that has no name.

  It lasts no more than seconds in clock time, this signal event. But when he gets up and dusts off his jacket, he is refreshed, renewed. He journeyed to the great dark city to be tested and transformed, and here, on this patch of green under the mild spring sun, word of progress has, surprisingly, come. If he has not utterly been transfigured, then at least he has been blessed with a hint that he belongs on this earth.

  Fifteen

  He must find ways to save money. Lodging is his single biggest expense. He advertises in the classified section of the Hampstead local paper: ‘House-sitter available, responsible professional man, long or short term.’ To the two callers who respond he gives IBM as his work address and hopes they will not check up. The impression he tries to create is of rigid propriety. The act works well enough for him to be engaged to look after a flat in Swiss Cottage for the month of June.

  He will not, alas, have the flat to himself. The flat belongs to a divorced woman with a small daughter. While she is away in Greece, the child and the child’s nanny will be in his care. His duties will be simple: to attend to the mail, pay the bills, be at hand in case of emergencies. He will have one room as his own, and access to the kitchen.

  There is also an ex-husband in the picture. The ex-husband will appear on Sundays to take his daughter out. He is, as his employer or patroness puts it, ‘a bit hot-tempered’, and should not be allowed to ‘get away with anything’. What exactly might the husband want to get away with, he inquires? Keeping the child overnight, he is told. Sniffing through the flat
. Taking things. On no account, no matter what story he spins – she gives him a meaningful look – should he be allowed to take things.

  So he begins to understand why he is needed. The nanny, who comes from Malawi, no great distance from South Africa, is perfectly capable of cleaning the flat, doing the shopping, feeding the child, walking her to and from kindergarten. She is perhaps even capable of paying the bills. What she is not capable of is standing up to the man who until recently was her employer and whom she still refers to as the master. The job he has let himself in for is in fact that of a guard, guarding the flat and its contents from the man who until recently used to live here.

  On the first day of June he hires a taxi and moves, with his trunk and suitcase, from the seedy surroundings of Archway Road to the discreet elegance of Hampstead.

  The flat is large and airy; sunlight streams in through the windows; there are soft white carpets, bookcases full of promising-looking books. It is quite unlike what he has seen thus far in London. He cannot believe his luck.

  While he unpacks, the little girl, his new charge, stands at the door of his room watching his every movement. He has never had to look after a child before. Does he, because he is in a sense young, have a natural bond with children? Slowly, gently, wearing his most reassuring smile, he closes the door on her. After a moment she pushes it open and gravely continues to inspect him. My house, she seems to be saying. What are you doing in my house?

  Her name is Fiona. She is five years old. Later in the day he makes an effort to befriend her. In the living room, where she is playing, he gets down on his knees and strokes the cat, a huge, sluggish, neutered male. The cat tolerates the stroking as, it would appear, it tolerates all attentions.

  ‘Does the kitty want his milk?’ he asks. ‘Shall we get the kitty some milk?’

  The child does not stir, does not appear to hear him.