The Diamond of Drury Lane

  JULIA GOLDING

  CAT IN LONDON

  First published 2006

  by Egmont UK Ltd

  239 Kensington High Street, London W8 6SA

  This edition published 2010

  Text copyright © 2006 Julia Golding

  The moral rights of the author have been asserted

  ISBN 978 1 4052 3758 1

  eBook ISBN 978 1 7803 1088 6

  A CIP catalogue record for this title is available from the British Library

  Printed and bound in the UK by CPI Mackays, Chatham ME5 8TD

  www.egmont.co.uk

  www.juliagolding.co.uk

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher and copyright owner.

  For Peggy Chowns . . . my great

  Great-Aunt who loves reading

  THE CRITICS

  ‘Cat Royal has no Rivals!’ . . . R. B. SHERIDAN

  ‘Capital! (Apart from the bit about one’s underwear)’

  . . . GEORGE, H.R.H. THE PRINCE OF WALES

  ‘Far too dangerous to be put in the hands of innocent

  children! Burn every copy!’ . . . THOMAS BOWDLER.

  ‘Too short’ . . . JAMES BOSWELL.

  ‘I have made it required reading for every midshipman’

  . . . ADMIRAL NELSON

  ‘Write on, sister’ . . . MARY WOLLSTONECRAFT

  ‘Scandalous’ . . . HANNAH MORE

  ‘It made me realize what bliss it is to be alive today, but

  to be young is very heaven!’ . . . WILLIAM WORDSWORTH

  ‘Utterly insane!’ . . . H.M. KING GEORGE III

  ‘Revolutionary stuff. Charge her with something quick!’

  . . . the RT. HON. PRIME MINISTER, WILLIAM PITT

  ‘Electrifying!’ . . . BENJAMIN FRANKLIN

  ‘I haven’t had time to read it, but I’m sure it is very

  good anyway’ . . . GEORGE WASHINGTON

  ‘This book should be banned’

  . . . the LORD CHAMBERLAIN

  A NOTE TO THE READER

  Be warned, that the story you are about to read is not for the squeamish. I intend to bring you life as I live it. This is not the world of the drawing room and country estate, but backstage at Drury Lane and on the streets of London. If you want to survive in my neighbourhood, you have to be prepared to use coarse language that packs a verbal punch. I include a glossary at the back to assist you. But are you bold enough to follow me? If so, read on.

  Catherine ‘Cat’ Royal

  LIST OF PRINCIPAL CHARACTERS

  PROLOGUE

  A Riot

  Act I

  SCENE 1 A Balloon Ride

  SCENE 2 Gang Leader

  SCENE 3 A Triumph

  Act II

  SCENE 1 The Duke’s Children

  SCENE 2 High Society

  SCENE 3 Bow St Butcher v. Camden Crusher

  SCENE 4 Billy ‘Boil’ Shepherd

  Act III

  SCENE 1 A Reward

  SCENE 2 The Rookeries

  SCENE 3 Backstage

  SCENE 4 Snowballs

  Act IV

  SCENE 1 Friends

  SCENE 2 Pawnbroker

  SCENE 3 Attack

  Act V

  SCENE 1 Dresses

  SCENE 2 The Thames

  SCENE 3 Gaol

  SCENE 4 Champagne

  EPILOGUE

  Diamond

  GLOSSARY

  PRINCIPAL CHARACTERS

  IN THE THEATRE

  MISS CATHERINE ‘CAT’ ROYAL . . . ward of the theatre

  MR PEDRO HAWKINS . . . gifted African violinist, former slave

  MR SHERIDAN . . . playwright, politician, theatre owner

  MR JOHNNY SMITH . . . the new prompt with a secret

  COVENT GARDEN MARKET

  MR SYD FLETCHER . . . boxer, leader of the Butcher’s boys

  MR BILLY ‘BOIL’ SHEPHERD . . . leader of rival gang, handy

  with the razor

  MR JONAS MILLER . . . hog-grubber clerk

  THE DUKE’S HOUSEHOLD

  LORD FRANCIS . . . son of a duke who wants to be a chimney sweep

  LADY ELIZABETH . . . intelligent and pretty daughter of duke

  DUKE OF AVON . . . pro-reform peer and friend of Mr Sheridan

  MR MARZI-PAIN MARCHMONT . . . acquaintance of Lord Francis, a real pain in the a**e

  THE EARL OF RANWORTH . . . a nice old gent

  Actors, boatmen, rioters, boxing spectators, maids, etc.

  London, January 1790

  Curtain rises.

  A RIOT

  Reader, you are set to embark on an adventure about one hidden treasure, two bare-knuckle boxers, three enemies and four hundred and thirty-eight rioters. It is told by an ignorant and prejudiced author . . . me. My name is Cat Royal, though how I came to be called this, I will explain later. For the moment I will start with the riot, for that was where the story really began.

  It was the opening night of Mr Salter’s new play, The Mad Father. I sat as usual curled up behind a curtain in the manager’s box, watching the audience as much as I watched the stage. I love a full house: there is always so much to see. The vast auditorium was packed: all London was there from the flash dandies in the Pit to the ha’penny harlots high up in the gods. Candles blazed in the chandeliers, catching on the jewels and polished fans of the ladies in the boxes. It was a gorgeous display.

  Tonight the mood of the crowd was dangerous. There was a low buzz in the room like a hive of angry bees threatening to swarm. The theatre owner, Mr Sheridan, was sitting hunched over the box rail, looking like thunder. In the candlelight, the red flush across his face burned brighter than ever. His dark eyes glinted. I am never quite sure what he is thinking but I guessed that this evening he must be feeling very foolish. In my humble opinion, it had been a mad idea for him to agree to put the play on in the first place, but even I didn’t dare mention this to him. I had seen it in rehearsal . . . an arsy-varsy affair, not a patch on Mr Sheridan’s own comedies, which were guaranteed to have the audience in fits of laughter. Mr Salter’s play by contrast was not worth a fart.

  Prejudiced though I was against it, I was alarmed to see that the gentlemen of the Pit were exceedingly bored after the first act. Mr Kemble, our leading actor, had to struggle against a hostile shower of orange peel. I could tell that it would not be long before a more dangerous rain of bottles and rotten vegetables would fall. Some of the audience were climbing over the benches in an attempt to reach the forestage. Leading the vanguard was vile Jonas Miller from the lawyer’s office across the road. You should know, Reader, that he is a real hog-grubber that one. He thinks so highly of his own taste that he believes he has a right to praise or damn a play by forcing the actors off the stage. Ducking out of the shadows of the box, I filched Mr Sheridan’s opera glasses from his hand and took a swift look at the other parts of the House. The galleries, particularly the footmen in the gods, were on the point of revolt, giving a crude Anne’s fan to the actors with their white-gloved hands, wigs askew as they pushed and shoved to reach the rail. The ladies were gathering their shawls about them in anticipation of the riot to come. I noticed one party directly opposite was already on its feet, heading for the exit.

  ‘It’s not looking pretty, Cat,’ Mr Sheridan remarked over his shoulder. He too had read the signs. ‘I suggest we make a tactical retreat before the oranges are aimed in my direction.’

  With a nod of agreement, I uncurled from my comfortable lookout. Jonas and his cronies had now reached the spikes guarding the stage f
rom audience invasions. Poor Mr Kemble faltered in his speech, sensing that he was about to be upstaged by the frenzy of an audience demanding their money back.

  ‘I hope Kemble can turn the play around and stop them ripping up the benches: it cost hundreds of pounds to repair the damage after the last riot,’ Mr Sheridan muttered half to himself as I followed him down the dark corridors leading backstage. ‘I can’t afford it. Mr Salter is costing me far more than he’s worth.’

  I rejoiced inwardly to hear my enemy so criticised by his employer. Ever since Mr Salter got off the Norwich mail coach and knocked on the door of Drury Lane looking for work as a playwright, he has been no friend of mine. In my defence, I should point out that he started it by calling me a ‘dirty beggar’ and suggesting that the Foundlings Hospital was a more suitable place for an orphan like myself than a theatre. Since then, I am not ashamed to admit that it has been open war between us. And as he has been angling for the job of prompt for weeks after Old Carver got too deaf to carry on, he knows that I’ve been using all my influence with Mr Sheridan and Mr Kemble to stop him getting the job.

  Leaving the noise of the bellowing, braying audience behind, Mr Sheridan ducked into the shadowy labyrinth behind stage and made his way deftly around the scenery, ropes and barrels that littered his path. This was the world never seen by the paying public . . . workshops, storerooms, dressing rooms and cellars: the underbelly of the theatre. You could get lost in here for hours. But Mr Sheridan did not put a foot wrong; we both knew this place like the back of our hands. We passed Mr Salter who was quivering in the wings, his old tie wig scrunched up in his hands as he gazed in agony at the destruction of his hopes on stage. Mr Sheridan barely spared him a glance but pressed on without offering a word of comfort, a bitter smile on his lips. He seemed to have forgotten I was with him as he was now striding along, hands clasped behind his back, whistling ‘Rule, Britannia’ under his breath, horribly out of tune. His mind had clearly turned to other things. And there were many things that he could be thinking about . . . in addition to owning the theatre, he is a member of parliament, a leading figure in opposition to Prime Minister Pitt’s government, as well as best friend of the Prince of Wales. He has made himself into one of the first men in the country . . . which is no mean feat for an Irish actor’s son, you must agree. I admire him more than anyone I know . . . though even I am not blind to his shortcomings. You could not spend five minutes among my friends backstage without knowing that his inability to pay wages is probably his chief fault. He is distinctly devious about money matters and always in trouble with someone about his failure to pay up.

  With all this on his plate, I could not even begin to imagine what business might be on his mind, but that did not stop me trying to find out. Curious to know where he was going in this purposeful manner, I followed him, slinking behind like his shadow.

  Perhaps he was only going for a breath of fresh air? Sure enough, Mr Sheridan stopped at the stage door and said a few friendly words to Caleb, the doorkeeper, offering him a pinch from his snuffbox, which the old man gratefully received. I lingered in a dark corner, wondering if there would be anything more interesting to see. A stray rioter perhaps?

  ‘Has my visitor arrived yet?’ Mr Sheridan asked Caleb quietly, though I thought his expressive eyes twinkled with more than usual interest to hear the answer.

  ‘No, sir,’ Caleb replied hoarsely. ‘Not a sight nor sound of anybody round the back tonight. All the excitement’s out front from what I ’ear.’ The night breeze carried with it the sound of breaking glass and raucous voices; the protest at Mr Salter’s execrable writing had spilled over on to the street.

  ‘Oh, he’ll be here all right,’ said Mr Sheridan, looking out into the bleak January evening. ‘He has no choice but be here. Go get yourself a drink, Caleb. I’ll watch the door for a few minutes.’ There was a chink as he dropped some coins into the doorkeeper’s gnarled palm.

  ‘Thank ’ee very much, sir,’ wheezed Caleb. ‘I don’t mind if I do.’ He shuffled off in the direction of Bow Street in search of a warming mug of porter.

  As soon as the old man had limped out of sight, there was a cough in the darkness beyond the doors. Mr Sheridan took a step outside.

  ‘Marchmont, is that you?’ he called.

  Something scuffled over to our right behind a stack of barrels but it was too black to see anything. A rat?

  ‘Anyone there?’ challenged Mr Sheridan, moving towards the sound.

  A gentleman stepped out of the night behind his back. He was much taller and slighter than the stocky Mr Sheridan, swathed in a black cloak and had a three-cornered hat pulled low on his brow, giving him a most villainous appearance. I shrank behind the door curtain, keeping out of sight but within call in case Mr Sheridan should need help.

  ‘Sherry, my old friend, of course it’s me. Why, were you expecting someone else?’ the man replied. His thin, high-pitched voice would have sent a shiver down my spine if I hadn’t already been trembling in the bitter wind blowing through the open door. I hid further in the folds of the door curtain, trying not to sneeze as my nose rubbed against the musty material.

  Mr Sheridan ignored his question. He shifted uneasily, looking about him into the shadows.

  ‘Do you have the diamond?’ he asked, speaking so low I could barely hear him.

  I swallowed my expression of surprise. No wonder he had sent Caleb away! He did not want anyone to hear this. This was evidently a conversation on which I should not be eavesdropping . . . that of course made it all the more tempting to listen.

  Marchmont must have also noticed Mr Sheridan’s agitation for he laughed in a shrill neigh. ‘Don’t be so worried, old friend. The riot has distracted everyone, as you predicted. The diamond will be with you later tonight. We can slip our jewel across town without anyone noticing.’

  So Mr Sheridan had not been as deficient in taste as I thought: the choice of play was deliberate, I noted.

  ‘Good, good,’ said Mr Sheridan, relaxing a little. ‘Would you like to come in for something to take off the chill? I have a few bottles stashed away in my room.’

  ‘Of course you do,’ Marchmont said with a knowing leer at one of England’s most celebrated drinkers. ‘I dare say I could force down a drop of something. The river was damned cold tonight.’

  The two men stepped back into the theatre. I kept very still, hardly daring to breath. I would have got away with it too if the fastening of the man’s cloak had not snagged on the curtain. He turned to tug it free and caught sight of a pair of white-stockinged legs peeping out.

  ‘What’s this?’ Marchmont barked. I felt my arm seized in a fierce grip as I was wrenched into the open. Two fingers pinched my ear, dragging me upwards so I had to stand on tiptoes or part company with my earlobe. I squealed with the pain and tried to push him off. ‘A spy? What have you heard, girl?’

  Behind Marchmont I could see Mr Sheridan looking back at me, his face white with shock except for the inflamed patch across his nose that was flushed red like a warning flag.

  ‘Nothing!’ I lied.

  ‘I don’t believe you! Why were you hiding there? Who’s paid you to follow me, eh? Tell me quickly or you’ll find yourself at the bottom of the Thames with only the fish to spy on.’

  He twisted my ear, causing me to yelp in pain a second time.

  Mr Sheridan took a step forward and grabbed Marchmont’s wrist, making him release his grip.

  ‘Don’t frighten the child, Marchmont. It’s only my little Cat. No one’s paid her to spy on us.’ He turned to me, his eyes sparkling with anger at my presumption. ‘What are you doing here, Cat? What did you hear? Everything, I’ll be bound.’

  I nodded miserably, eyes trained on the shiny caps of his shoes. ‘Sorry, sir. I just followed you when we got backstage.’

  ‘And?’ he said threateningly.

  ‘And I stayed to see who you were meeting.’

  ‘And?’

  ‘And I heard you talking about the
diamond.’ I looked up to see if I could read my fate in his face.

  Surely he wouldn’t throw me out on to the streets after all these years? ‘But I promise I’ll not tell anyone, sir,’ I ended lamely.

  Mr Sheridan’s expression was enigmatic. I could not be sure but there seemed to a ghost of a smile hovering around his lips.

  ‘You’ll keep my jewel safe for me, won’t you, Cat?’

  I nodded my head vigorously. ‘Yes, sir.’

  ‘You’ll let me know if anyone comes sniffing around for my treasure . . . anyone that shouldn’t be here?’

  ‘Of course, sir.’

  Marchmont laid an unnaturally white hand on Mr Sheridan’s arm. ‘Is this wise, Sherry? The girl already knows too much. You should get rid of her.’

  Mr Sheridan ruffled my hair. ‘They’ve been saying that to me for years but somehow Drury Lane would not be the same without its Cat.’ He pushed me out of Marchmont’s reach. ‘Run along now and keep your ears open for me, won’t you?’

  ‘Yes, sir!’ I saluted him before darting away, eager to escape from the presence of Mr Marchmont. He made my skin crawl.

  The conversation I had overheard gave me plenty to think about that night as I settled down in the Sparrow’s Nest . . . the costume store on the top floor of the theatre where I was allowed to sleep. The place was misnamed . . . the magpie would have been a more suitable bird in view of the treasures that lay scattered through the wardrobe. It was like a museum of curiosities: the regalia of heathen kings lay next to those of Christian saints; presses were filled with the cast-offs of Roman emperors and Egyptian queens, now mingled in democratic abandon with the rags of mechanicals and shepherdesses. I made my bed on the couch with Lady Macduff ’s velvet cloak for my blanket, careful to blow out my candle as instructed, for one spark in here would set the whole theatre ablaze.