The Penguin Complete Novels of Nancy Mitford
‘Pray, who is that beautiful young lady?’
‘My daughter Louisa, sir.’
‘Ah, yes, very charming, but I really meant the one in white taffeta.’
‘That is my youngest daughter Linda, Your Royal Highness.’
‘Please present her to me.’
They would then whirl away in a waltz so accomplished that the other dancers would stand aside to admire. When they could dance no more they would sit for the rest of the evening absorbed in witty conversation.
The following day an A.D.C., asking for her hand –
‘But she is so young!’
‘His Royal Highness is prepared to wait a year. He reminds you that Her Majesty the Empress Elizabeth of Austria was married at sixteen. Meanwhile, he sends this jewel.’
A golden casket, a pink and white cushion, a diamond rose.
My daydreams were less exalted, equally improbable, and quite as real to me. I imagined my farmer carrying me away from Alconleigh, like young Lochinvar, on a pillion behind him to the nearest smith, who then declared us man and wife. Linda kindly said that we could have one of the royal farms, but I thought this would be a great bore, and that it would be much more fun to have one of our own.
Meanwhile, preparations for the ball went forward, occupying every single member of the household. Linda’s and my dresses, white taffeta with floating panels and embroidered bead belts, were being made by Mrs Josh, whose cottage was besieged at all hours to see how they were getting on. Louisa’s came from Reville, it was silver lamé in tiny frills, each frill edged with blue net. Dangling on the left shoulder, and strangely unrelated to the dress, was a large pink silk overblown rose. Aunt Sadie, shaken out of her accustomed languor, was in a state of exaggerated preoccupation and worry over the whole thing; we had never seen her like this before. For the first time, too, that any of us could remember, she found herself in opposition to Uncle Matthew. It was over the following question: The nearest neighbour to Alconleigh was Lord Merlin; his estate marched with that of my uncle, and his house at Merlinford was about five miles away. Uncle Matthew loathed him, while, as for Lord Merlin, not for nothing was his telegraphic address Neighbourtease. There had, however, been no open breach between them; the fact that they never saw each other meant nothing, for Lord Merlin neither hunted, shot, nor fished, while Uncle Matthew had never in his life been known to eat a meal in anybody else’s house. ‘Perfectly good food at home,’ he would say, and people had long ago stopped asking him. The two men, and indeed their two houses and estates afforded an absolute contrast. Alconleigh was a large, ugly, north-facing, Georgian house, built with only one intention, that of sheltering, when the weather was too bad to be out of doors, a succession of bucolic squires, their wives, their enormous families, their dogs, their horses, their father’s relict, and their unmarried sisters. There was no attempt at decoration, at softening the lines, no apology for a façade, it was all as grim and as bare as a barracks, stuck upon the high hillside. Within, the keynote, the theme, was death. Not death of maidens, not death romantically accoutred with urns and weeping willows, cypresses and valedictory odes, but the death of warriors and of animals, stark, real. On the walls halberds and pikes and ancient muskets were arranged in crude patterns with the heads of beasts slaughtered in many lands, with the flags and uniforms of bygone Radletts. Glass-topped cases contained, not miniatures of ladies, but miniatures of the medals of their lords, badges, penholders made of tiger’s teeth, the hoof of a favourite horse, telegrams announcing casualties in battle, and commissions written out on parchment scrolls, all lying together in a timeless jumble.
Merlinford nestled in a valley of south-westerly aspect, among orchards and old mellow farmhouses. It was a villa, built at about the same time as Alconleigh, but by a very different architect, and with a very different end in view. It was a house to live in, not to rush out from all day to kill enemies and animals. It was suitable for a bachelor, or a married couple with one, or at most two, beautiful, clever, delicate children. It had Angelica Kauffman ceilings, a Chippendale staircase, furniture by Sheraton and Hepplewhite; in the hall there hung two Watteaus; there was no entrenching tool to be seen, nor the head of any animal.
Lord Merlin added continually to its beauties. He was a great collector, and not only Merlinford, but also his houses in London and Rome flowed over with treasures. Indeed, a well-known antique dealer from St James’s had found it worth his while to open a branch in the little town of Merlinford, to tempt his lordship with choice objects during his morning walk, and was soon followed there by a Bond Street jeweller. Lord Merlin loved jewels; his two black whippets wore diamond necklaces designed for whiter, but not slimmer or more graceful necks than theirs. This was a neighbour-tease of long standing; there was a feeling among the local gentry that it incited the good burghers of Merlinford to dishonesty. The neighbours were doubly teased, when year after year went by and the brilliants still sparkled on those furry necks intact.
His taste was by no means confined to antiques; he was an artist and a musician himself, and the patron of all the young. Modern music streamed perpetually from Merlinford, and he had built a small but exquisite playhouse in the garden, where his astonished neighbours were sometimes invited to attend such puzzlers as Cocteau plays, the opera ‘Mahagonny’, or the latest Dada extravagances from Paris. As Lord Merlin was a famous practical joker, it was sometimes difficult to know where jokes ended and culture began. I think he was not always perfectly certain himself.
A marble folly on a nearby hill was topped with a gold angel which blew a trumpet every evening at the hour of Lord Merlin’s birth (that this happened to be 9.20 p.m., just too late to remind one of the BBC news, was to be a great local grievance in years to come). The folly glittered by day with semi-precious stones, by night a powerful blue beam was trained upon it.
Such a man was bound to become a sort of legend to the bluff Cotswold squires among whom he lived. But, although they could not approve of an existence which left out of account the killing, though by no means the eating, of delicious game, and though they were puzzled beyond words by the aestheticism and the teases, they accepted him without question as one of themselves. Their families had always known his family, and his father, many years ago, had been a most popular M.F.H.; he was no upstart, no new rich, but simply a sport of all that was most normal in English country life. Indeed, the very folly itself, while considered absolutely hideous, was welcomed as a landmark by those lost on their way home from hunting.
The difference between Aunt Sadie and Uncle Matthew was not as to whether Lord Merlin should or should not be asked to the ball (that question did not arise, since all neighbours were automatically invited), but whether he should be asked to bring a house party. Aunt Sadie thought he should. Since her marriage the least wordly of women, she had known the world as a girl, and she knew that Lord Merlin’s house party, if he consented to bring one, would have great decorative value. She also knew that, apart from this, the general note of her ball would be utter and unrelieved dowdiness, and she became aware of a longing to look once more upon young women with well-brushed hair, London complexions, and Paris clothes. Uncle Matthew said: ‘If we ask that brute Merlin to bring his friends, we shall get a lot of aesthetes, sewers from Oxford, and I wouldn’t put it past him to bring some foreigners. I hear he sometimes has Frogs and even Wops to stay with him. I will not have my house filled with Wops.’
In the end, however, as usual, Aunt Sadie had her way, and sat down to write:
Dear Lord Merlin,
We are having a little dance for Louisa, etc …
while Uncle Matthew went gloomily off, having said his piece, and put on ‘Thora’.
Lord Merlin accepted, and said he would bring a party of twelve people, whose names he would presently submit to Aunt Sadie. Very correct, perfectly normal behaviour. Aunt Sadie was quite agreeably surprised that his letter, when ope
ned, did not contain some clockwork joke to hit her in the eye. The writing-paper did actually have a picture of his house on it, and this she concealed from Uncle Matthew. It was the kind of thing he despised.
A few days later there was another surprise. Lord Merlin wrote another letter, still jokeless, still polite, asking Uncle Matthew, Aunt Sadie and Louisa to dine with him for the Merlinford Cottage Hospital Ball. Uncle Matthew naturally could not be persuaded, but Aunt Sadie and Louisa went. They came back with their eyes popping out of their heads. The house, they said, had been boiling hot, so hot that one never felt cold for a single moment, not even getting out of one’s coat in the hall. They had arrived very early, long before anyone else was down, as it was the custom at Alconleigh always to leave a quarter of an hour too soon when motoring, in case there should be a puncture. This gave them the opportunity to have a good look round. The house was full of spring flowers, and smelt wonderful. The hot-houses at Alconleigh were full of spring flowers too, but somehow they never found their way into the house, and certainly would have died of cold if they had. The whippets did wear diamond necklaces, far grander ones than Aunt Sadie’s, she said, and she was forced to admit that they looked very beautiful in them. Birds of paradise flew about the house, quite tame, and one of the young men told Louisa that, if she came in the daytime, she would see a flock of multi-coloured pigeons tumbling about like a cloud of confetti in the sky.
‘Merlin dyes them every year, and they are dried in the linen cupboard.’
‘But isn’t that frightfully cruel?’ said Louisa, horrified.
‘Oh, no, they love it. It makes their husbands and wives look so pretty when they come out.’
‘What about their poor eyes?’
‘Oh, they soon learn to shut them.’
The house party, when they finally appeared (some of them shockingly late) from their bedrooms, smelt even more delicious than the flowers, and looked even more exotic than the birds of paradise. Everybody had been very nice, very kind to Louisa. She sat between two beautiful young men at dinner, and turned upon them the usual gambit:
‘Where do you hunt?’
‘We don’t,’ they said.
‘Oh, then why do you wear pink coats?’
‘Because we think they are so pretty.’
We all thought this dazzlingly funny, but agreed that Uncle Matthew must never hear of it, or he might easily, even now, forbid the Merlinford party his ball.
After dinner the girls had taken Louisa upstairs. She was rather startled at first to see printed notices in the guest rooms:
OWING TO AN UNIDENTIFIED CORPSE IN THE CISTERN VISITORS ARE REQUESTED NOT TO DRINK THE BATH WATER.
VISITORS ARE REQUESTED NOT TO LET OFF FIREARMS, BLOW BUGLES, SCREAM OR HOOT, BETWEEN THE HOURS OF MIDNIGHT AND 6 A.M.
and, on one bedroom door:
MANGLING DONE HERE
But it was soon explained to her that these were jokes.
The girls had offered to lend her powder and lipstick, but Louisa had not quite dared to accept, for fear Aunt Sadie would notice. She said it made the others look simply too lovely.
As the great day of the Alconleigh ball approached, it became obvious that Aunt Sadie had something on her mind. Everything appeared to be going smoothly, the champagne had arrived, the band, Clifford Essex’s third string, had been ordered, and would spend the few hours of its rest in Mrs Craven’s cottage. Mrs Crabbe, in conjunction with the Home Farm, Craven, and three women from the village who were coming in to help, was planning a supper to end all suppers. Uncle Matthew had been persuaded to get twenty oil-stoves, with which to emulate the caressing warmth of Merlinford, and the gardener was preparing to transfer to the house every pot-plant that he could lay his hands on. (‘You’ll be dyeing the White Leghorns next,’ said Uncle Matthew, scornfully.)
But, in spite of the fact that the preparations seemed to be going forward without a single hitch, Aunt Sadie’s brow was still furrowed with anxiety, because she had collected a large house party of girls and their mammas, but not one single young man. The fact was that those of her own contemporaries who had daughters were glad to bring them, but sons were another matter. Dancing partners, sated with invitations at this time of the year, knew better than to go all the way down to Gloucestershire to a house as yet untried, where they were by no means certain of finding the warmth, the luxury and fine wines which they looked upon as their due, where there was no known female charmer to tempt them, where they had not been offered a mount, and where no mention had been made of a shoot, not even a day with the cocks.
Uncle Matthew had far too much respect for his horses and his pheasants to offer them up to be messed about by any callow unknown boy.
So here was a horrible situation. Ten females, four mothers and six girls, were advancing from various parts of England, to arrive at a household consisting of four more females (not that Linda and I counted, still, we wore skirts and not trousers, and were really too old to be kept all the time in the schoolroom) and only two males, one of whom was not yet in tails.
The telephone now became red-hot, telegrams flew in every direction. Aunt Sadie abandoned all pride, all pretence that things were as they should be, that people were asked for themselves alone, and launched a series of desperate appeals. Mr Wills, the vicar, consented to leave Mrs Wills at home, and dine, en garçon, at Alconleigh. It would be the first time they had been separated for forty years. Mrs Aster, the agent’s wife, also made the same sacrifice, and Master Aster, the agent’s son, aged not quite seventeen, was hurried off to Oxford to get himself a ready-made dress suit.
Davey Warbeck was ordered to leave Aunt Emily and come. He said he would, but unwillingly, and only after the full extent of the crisis had been divulged. Elderly cousins, and uncles who had been for many years forgotten as ghosts, were recalled from oblivion and urged to materialize. They nearly all refused, some of them quite rudely – they had, nearly all, at one time or another, been so deeply and bitterly insulted by Uncle Matthew that forgiveness was impossible.
At last Uncle Matthew saw that the situation would have to be taken in hand. He did not care two hoots about the ball, he felt no particular responsibility for the amusement of his guests, whom he seemed to regard as an onrushing horde of barbarians who could not be kept out, rather than as a group of delightful friends summoned for mutual entertainment and joyous revelry. But he did care for Aunt Sadie’s peace of mind, he could not bear to see her looking so worried, and he decided to take steps. He went up to London and attended the last sitting of the House of Lords before the recess. His journey was entirely fruitful.
‘Stromboli, Paddington, Fort William, and Curtley have accepted,’ he told Aunt Sadie, with the air of a conjurer producing four wonderful fat rabbits out of one small wine-glass.
‘But I had to promise them a shoot – Bob, go and tell Craven I want to see him in the morning.’
By these complicated devices the numbers at the dinner-table would now be even, and Aunt Sadie was infinitely relieved, though inclined to be giggly over Uncle Matthew’s rabbits. Lord Stromboli, Lord Fort William, and the Duke of Paddington were old dancing partners of her own; Sir Archibald Curtley, Librarian of the House, was a well-known diner-out in the smart intellectual world, he was over seventy and very arthritic. After dinner, of course, the dance would be another matter. Mr Wills would then be joined by Mrs Wills, Captain Aster by Mrs Aster, Uncle Matthew and Bob could hardly be counted on as partners, while the House of Lords contingent were more likely to head for the bridge table than for the dancing floor.
‘I fear it will be sink or swim for the girls,’ said Aunt Sadie, dreamily.
In one way, however, it was all to the good. These old boys were Uncle Matthew’s own choice, his own friends, and he would probably be polite to them; in any case they would know what he was like before they came. To have filled the house with strange young men would, she knew,
have been taking a great risk. Uncle Matthew hated strangers, he hated the young, and he hated the idea of possible suitors for his daughters; Aunt Sadie saw rocks ahead, but this time they had been circumnavigated.
This then is a ball. This is life, what we have been waiting for all these years, here we are and here it is, a ball, actually going on now, actually in progress round us. How extraordinary it feels, such unreality, like a dream. But, alas, so utterly different from what one had imagined and expected; it must be admitted, not a good dream. The men so small and ugly, the women so frowsty, their clothes so messy and their faces so red, the oil-stoves so smelly, and not really very warm, but, above all, the men, either so old or so ugly. And when they ask one to dance (pushed to it, one cannot but suspect, by kind Davey, who is trying to see that we have a good time at our first party), it is not at all like floating away into a delicious cloud, pressed by a manly arm to a manly bosom, but stumble, stumble, kick, kick. They balance, like King Stork, on one leg, while, with the other, they come down, like King Log, on to one’s toe. As for witty conversation, it is wonderful if any conversation, even of the most banal and jerky description, lasts through a whole dance and the sitting out. It is mostly: ‘Oh, sorry – oh, my fault,’ though Linda did get as far as taking one of her partners to see the diseased stones.
We had never learnt to dance, and, for some reason, we had supposed it to be a thing which everybody could do quite easily and naturally. I think Linda realized there and then what it took me years to learn, that the behaviour of civilized man really has nothing to do with nature, that all is artificiality and art more or less perfected.