Wise Blood

  First, he removed the rug from the floor and hung it out the window. This was a mistake because when he went to pull it back in, there were only a few long strings left with a carpet tack caught in one of them. He imagined that it must have been a very old rug and he decided to handle the rest of the furniture with more care. He washed the bed frame with soap and water and found that under the second layer of dirt, it was pure gold, and this affected him so strongly that he washed the chair. It was a low round chair that bulged around the legs so that it seemed to be in the act of squatting. The gold began to appear with the first touch of water but it disappeared with the second and with a little more, the chair sat down as if this were the end of long years of inner struggle. Enoch didn’t know if it was for him or against him. He had a nasty impulse to kick it to pieces, but he let it stay there, exactly in the position it had sat down in, because for the time anyway, he was not a foolhardy boy who took chances on the meanings of things. For the time, he knew that what he didn’t know was what mattered.

  The only other piece of furniture in the room was a washstand. This was built in three parts and stood on bird legs six inches high. The legs had clawed feet that were each one gripped around a small cannon ball. The lowest part was a tabernacle-like cabinet which was meant to contain a slop-jar. Enoch didn’t own a slop-jar but he had a certain reverence for the purpose of things and since he didn’t have the right thing to put in it, he left it empty. Directly over this place for the treasure, there was a gray marble slab and coming up from behind it was a wooden trellis-work of hearts, scrolls and flowers, extending into a hunched eagle wing on either side, and containing in the middle, just at the level of Enoch’s face when he stood in front of it, a small oval mirror. The wooden frame continued again over the mirror and ended in a crowned, horned headpiece, showing that the artist had not lost faith in his work.

  As far as Enoch was concerned, this piece had always been the center of the room and the one that most connected him with what he didn’t know. More than once after a big supper, he had dreamed of unlocking the cabinet and getting in it and then proceeding to certain rites and mysteries that he had a very vague idea about in the morning. In his cleaning up, his mind was on the washstand from the first, but as was usual with him, he began with the least important thing and worked around and in toward the center where the meaning was. So before he tackled the washstand, he took care of the pictures in the room.

  These were three, one belonging to his landlady (who was almost totally blind but moved about by an acute sense of smell) and two of his own. Hers was a brown portrait of a moose standing in a small lake. The look of superiority on this animal’s face was so insufferable to Enoch that, if he hadn’t been afraid of him, he would have done something about it a long time ago. As it was, he couldn’t do anything in his room but what the smug face was watching, not shocked because nothing better could be expected and not amused because nothing was funny. If he had looked all over for one, he couldn’t have found a roommate that irritated him more. He kept up a constant stream of inner comment, uncomplimentary to the moose, though when he said anything aloud, he was more guarded. The moose was in a heavy brown frame with leaf designs on it and this added to his weight and his self-satisfied look. Enoch knew the time had come when something had to be done; he didn’t know what was going to happen in his room, but when it happened, he didn’t want to have the feeling that the moose was running it. The answer came to him fully prepared: he realized with a sudden intuition that taking the frame off him would be equal to taking the clothes off him (although he didn’t have on any) and he was right because when he had done it, the animal looked so reduced that Enoch could only snicker and look at him out the corner of his eye.

  After this success he turned his attention to the other two pictures. They were over calendars and had been sent him by the Hilltop Funeral Home and the American Rubber Tire Company. One showed a small boy in a pair of blue Doctor Denton sleepers, kneeling at his bed, saying, “And bless daddy,” while the moon looked in at the window. This was Enoch’s favorite painting and it hung directly over his bed. The other pictured a lady wearing a rubber tire and it hung directly across from the moose on the opposite wall. He left it where it was, pretty certain that the moose only pretended not to see it. Immediately after he finished with the pictures, he went out and bought chintz curtains, a bottle of gilt, and a paint brush with all the money he had saved.

  This was a disappointment to him because he had hoped that the money would be for some new clothes for him, and here he saw it going into a set of drapes. He didn’t know what the gilt was for until he got home with it; when he got home with it, he sat down in front of the slop-jar cabinet in the washstand, unlocked it, and painted the inside of it with the gilt. Then he realized that the cabinet was to be used FOR something.

  Enoch never nagged his blood to tell him a thing until it was ready. He wasn’t the kind of a boy who grabs at any possibility and runs off, proposing this or that preposterous thing. In a large matter like this, he was always willing to wait for a certainty, and he waited for this one, certain at least that he would know in a few days. Then for about a week his blood was in secret conference with itself every day, only stopping now and then to shout some order at him.

  On the following Monday, he was certain when he woke up that today was the day he was going to know on. His blood was rushing around like a woman who cleans up the house after the company has come, and he was surly and rebellious. When he realized that today was the day, he decided not to get up. He didn’t want to justify his daddy’s blood, he didn’t want to be always having to do something that something else wanted him to do, that he didn’t know what it was and that was always dangerous.

  Naturally, his blood was not going to put up with any attitude like this. He was at the zoo by nine-thirty, only a half-hour later than he was supposed to be. All morning his mind was not on the gate he was supposed to guard but was chasing around after his blood, like a boy with a mop and a bucket, beating something here and sloshing down something there, without a second’s rest. As soon as the second-shift guard came, Enoch headed toward town.

  Town was the last place he wanted to be because anything could happen there. All the time his mind had been chasing around it had been thinking how as soon as he got off duty he was going to sneak off home and go to bed.

  By the time he got into the center of the business district he was exhausted and he had to lean against Walgreen’s window and cool off. Sweat crept down his back and provoked him to itch so that in just a few minutes he appeared to be working his way across the glass by his muscles, against a background of alarm clocks, toilet waters, candies, sanitary pads, fountain pens, and pocket flashlights, displayed in all colors to twice his height. He appeared to be working his way to a rumbling noise which came from the center of a small alcove that formed the entrance to the drug store. Here was a yellow and blue, glass and steel machine, belching popcorn into a cauldron of butter and salt. Enoch approached, already with his purse out, sorting his money. His purse was a long gray leather pouch, tied at the top with a drawstring. It was one he had stolen from his daddy and he treasured it because it was the only thing he owned now that his daddy had touched (besides himself). He sorted out two nickels and handed them to a pasty boy in a white apron who was there to serve the machine. The boy felt around in its vitals and filled a white paper bag with the corn, not taking his eye off Enoch’s purse the while. On any other day Enoch would have tried to make friends with him but today he was too preoccupied even to see him. He took the bag and began stuffing the pouch back where it had come from. The youth’s eye followed to the very edge of the pocket. “That thang looks like a hawg bladder,” he observed enviously.

  “I got to go now,” Enoch murmured and hurried into the drug store. Inside, he walked abstractedly to the back of the store, and then up to the front again by the other aisle as if he wanted any person who might be looking for him to see he was there. He
paused in front of the soda fountain to see if he would sit down and have something to eat. The fountain counter was pink and green marble linoleum and behind it there was a red-headed waitress in a lime-colored uniform and a pink apron. She had green eyes set in pink and they resembled a picture behind her of a Lime-Cherry Surprise, a special that day for ten cents. She confronted Enoch while he studied the information over her head. After a minute she laid her chest on the counter and surrounded it by her folded arms, to wait. Enoch couldn’t decide which of several concoctions was the one for him to have until she ended it by moving one arm under the counter and bringing out a Lime-Cherry Surprise. “It’s okay,” she said, “I fixed it this morning after breakfast.”

  “Something’s going to happen to me today,” Enoch said.

  “I told you it was okay,” she said. “I fixed it today.”

  “I seen it this morning when I woke up,” he said, with the look of a visionary.

  “God,” she said, and jerked it from under his face. She turned around and began slapping things together; in a second she slammed another—exactly like it, but fresh—in front of him.

  “I got to go now,” Enoch said, and hurried out. An eye caught at his pocket as he passed the popcorn machine but he didn’t stop. I don’t want to do it, he was saying to himself. Whatever it is, I don’t want to do it. I’m going home. It’ll be something I don’t want to do. It’ll be something I ain’t got no business doing. And he thought of how he had had to spend all his money on drapes and gilt when he could have bought him a shirt and a phosphorescent tie. It’ll be something against the law, he said. It’s always something against the law. I ain’t going to do it, he said, and stopped. He had stopped in front of a movie house where there was a large illustration of a monster stuffing a young woman into an incinerator.

  I ain’t going in no picture show like that, he said, giving it a nervous look. I’m going home. I ain’t going to wait around in no picture show. I ain’t got the money to buy a ticket, he said, taking out his purse again. I ain’t even going to count thisyer change.

  It ain’t but forty-three cent here, he said, that ain’t enough. A sign said the price of a ticket for adults was forty-five cents, balcony, thirty-five. I ain’t going to sit in no balcony, he said, buying a thirty-five cent ticket.

  I ain’t going in, he said.

  Two doors flew open and he found himself moving down a long red foyer and then up a darker tunnel and then up a higher, still darker tunnel. In a few minutes he was up in a high part of the maw, feeling around, like Jonah, for a seat. I ain’t going to look at it, he said furiously. He didn’t like any picture shows but colored musical ones.

  The first picture was about a scientist named The Eye who performed operations by remote control. You would wake up in the morning and find a slit in your chest or head or stomach and something you couldn’t do without would be gone. Enoch pulled his hat down very low and drew his knees up in front of his face; only his eyes looked at the screen. That picture lasted an hour.

  The second picture was about life at Devil’s Island Penitentiary. After a while, Enoch had to grip the two arms of his seat to keep himself from falling over the rail in front of him.

  The third picture was called, “Lonnie Comes Home Again.” It was about a baboon named Lonnie who rescued attractive children from a burning orphanage. Enoch kept hoping Lonnie would get burned up but he didn’t appear to get even hot. In the end a nice-looking girl gave him a medal. It was more than Enoch could stand. He made a dive for the aisle, fell down the two higher tunnels, and raced out the red foyer and into the street. He collapsed as soon as the air hit him.

  When he recovered himself, he was sitting against the wall of the picture show building and he was not thinking any more about escaping his duty. It was night and he had the feeling that the knowledge he couldn’t avoid was almost on him. His resignation was perfect. He leaned against the wall for about twenty minutes and then he got up and began to walk down the street as if he were led by a silent melody or by one of those whistles that only dogs hear. At the end of two blocks he stopped, his attention directed across the street. There, facing him under a street light, was a high rat-colored car and up on the nose of it, a dark figure with a fierce white hat on. The figure’s arms were working up and down and he had thin, gesticulating hands, almost as pale as the hat. “Hazel Motes!” Enoch breathed, and his heart began to slam from side to side like a wild bell clapper.

  There were a few people standing on the sidewalk near the car. Enoch didn’t know that Hazel Motes had started the Church Without Christ and was preaching it every night on the street; he hadn’t seen him since that day at the park when he had showed him the shriveled man in the glass case.

  “If you had been redeemed,” Hazel Motes was shouting, “you would care about redemption but you don’t. Look inside yourselves and see if you hadn’t rather it wasn’t if it was. There’s no peace for the redeemed,” he shouted, “and I preach peace, I preach the Church Without Christ, the church peaceful and satisfied!”

  Two or three people who had stopped near the car started walking off the other way. “Leave!” Hazel Motes cried. “Go ahead and leave! The truth don’t matter to you. Listen,” he said, pointing his finger at the rest of them, “the truth don’t matter to you. If Jesus had redeemed you, what difference would it make to you? You wouldn’t do nothing about it. Your faces wouldn’t move, neither this way nor that, and if it was three crosses there and Him hung on the middle one, that one wouldn’t mean no more to you and me than the other two. Listen here. What you need is something to take the place of Jesus, something that would speak plain. The Church Without Christ don’t have a Jesus but it needs one! It needs a new jesus! It needs one that’s all man, without blood to waste, and it needs one that don’t look like any other man so you’ll look at him. Give me such a jesus, you people. Give me such a new jesus and you’ll see how far the Church Without Christ can go!”

  One of the people watching walked off so there were only two left. Enoch was standing in the middle of the street, paralyzed.

  “Show me where this new jesus is,” Hazel Motes cried, “and I’ll set him up in the Church Without Christ and then you’ll see the truth. Then you’ll know once and for all that you haven’t been redeemed. Give me this new jesus, somebody, so we’ll all be saved by the sight of him!”

  Enoch began shouting without a sound. He shouted that way for a full minute while Hazel Motes went on.

  “Look at me!” Hazel Motes cried, with a tare in his throat, “and you look at a peaceful man! Peaceful because my blood has set me free. Take counsel from your blood and come into the Church Without Christ and maybe somebody will bring us a new jesus and we’ll all be saved by the sight of him!”

  An unintelligible sound spluttered out of Enoch. He tried to bellow, but his blood held him back. He whispered, “Listenhere, I got him! I mean I can get him! You know! Him! Him I shown you to. You seen him yourself!”

  His blood reminded him that the last time he had seen Haze Motes was when Haze Motes had hit him over the head with a rock. And he didn’t even know yet how he would steal it out of the glass case. The only thing he knew was that he had a place in his room prepared to keep it in until Haze was ready to take it. His blood suggested he just let it come as a surprise to Haze Motes. He began to back away. He backed across the street and over a piece of sidewalk and out into the other street and a taxi had to stop short to keep from hitting him. The driver put his head out the window and asked him how he got around so well when God had made him by putting two backs together instead of a back and a front.

  Enoch was too preoccupied to think about it. “I got to go now,” he murmured, and hurried off.

  CHAPTER 9

  Hawks kept his door bolted and whenever Haze knocked on it, which he did two or three times a day, the ex-evangelist sent his child out to him and bolted the door again behind her. It infuriated him to have Haze lurking in the house, thinking up some excuse to g
et in and look at his face; and he was often drunk and didn’t want to be discovered that way.

  Haze couldn’t understand why the preacher didn’t welcome him and act like a preacher should when he sees what he believes is a lost soul. He kept trying to get into the room again; the window he could have reached was kept locked and the shade pulled down. He wanted to see, if he could, behind the black glasses.

  Every time he went to the door, the girl came out and the bolt shut inside; then he couldn’t get rid of her. She followed him out to his car and climbed in and spoiled his rides or she followed him up to his room and sat. He abandoned the notion of seducing her and tried to protect himself. He hadn’t been in the house a week before she appeared in his room one night after he had gone to bed. She was holding a candle burning in a jelly glass and wore, hanging onto her thin shoulders, a woman’s nightgown that dragged on the floor behind her. Haze didn’t wake up until she was almost up to his bed, and when he did, he sprang from under his cover into the middle of the room.

  “What you want?” he said.

  She didn’t say anything and her grin widened in the candle light. He stood glowering at her for an instant and then he picked up the straight chair and raised it as if he were going to bring it down on her. She lingered only a fraction of a second. His door didn’t bolt so he propped the chair under the knob before he went back to bed.

  “Listen,” she said when she got back to their room, “nothing works. He would have hit me with a chair.”

  “I’m leaving out of here in a couple of days,” Hawks said, “you better make it work if you want to eat after I’m gone.” He was drunk but he meant it.