Middlesex

  She was referring to the service band on the Iron Duke. Every night, as officers dined, the band began playing on the ship’s deck. Strains of Vivaldi and Brahms floated out over the water. Over brandy, Major Arthur Maxwell of His Majesty’s Marines and his subordinates passed around binoculars to observe the situation ashore.

  “Jolly crowded, what?”

  “Looks like Victoria Station on Christmas Eve, sir.”

  “Look at those poor wretches. Left to fend for themselves. When word gets out about the Greek commissioner’s leaving, it’s going to be pandemonium.”

  “Will we be evacuating refugees, sir?”

  “Our orders are to protect British property and citizens.”

  “But, surely, sir, if the Turks arrive and there’s a massacre . . .”

  “There’s nothing we can do about it, Phillips. I’ve spent years in the Near East. The one lesson I’ve learned is that there is nothing you can do with these people. Nothing at all! The Turks are the best of the lot. The Armenian I liken to the Jew. Deficient moral and intellectual character. As for the Greeks, well, look at them. They’ve burned down the whole country and now they swarm in here crying for help. Nice cigar, what?”

  “Awfully good, sir.”

  “Smyrna tobacco. Finest in the world. Brings a tear to my eyes, Phillips, the thought of all that tobacco lying in those warehouses out there.”

  “Perhaps we could send a detail to save the tobacco, sir.”

  “Do I detect a note of sarcasm, Phillips?”

  “Faintly, sir, faintly.”

  “Good Lord, Phillips, I’m not heartless. I wish we could help these people. But we can’t. It’s not our war.”

  “Are you certain of that, sir?”

  “What do you mean?”

  “We might have supported the Greek forces. Seeing as we sent them in.”

  “They were dying to be sent in! Venizelos and his bunch. I don’t think you fathom the complexity of the situation. We have interests here in Turkey. We must proceed with the utmost care. We cannot let ourselves get caught up in these Byzantine struggles.”

  “I see, sir. More cognac, sir?”

  “Yes, thank you.”

  “It’s a beautiful city, though, isn’t it?”

  “Quite. You are aware of what Strabo said of Smyrna, are you not? He called Smyrna the finest city in Asia. That was back in the time of Augustus. It’s lasted that long. Take a good look, Phillips. Take a good long look.”

  By September 7, 1922, every Greek in Smyrna, including Lefty Stephanides, is wearing a fez in order to pass as a Turk. The last Greek soldiers are being evacuated at Chesme. The Turkish Army is only thirty miles away—and no ships arrive from Athens to evacuate the refugees.

  Lefty, newly moneyed and befezzed, makes his way through the maroon-capped crowd at the quay. He crosses tram tracks and heads uphill. He finds a steamship office. Inside, a clerk is bending over passenger lists. Lefty takes out his winnings and says, “Two seats to Athens!”

  The head remains down. “Deck or cabin?”

  “Deck.”

  “Fifteen hundred drachmas.”

  “No, not cabin,” Lefty says, “deck will be fine.”

  “That is deck.”

  “Fifteen hundred? I don’t have fifteen hundred. It was five hundred yesterday.”

  “That was yesterday.”

  On September 8, 1922, General Hajienestis, in his cabin, sits up in bed, rubs first his right leg and then his left, raps his knuckles against them, and stands up. He goes above deck, walking with great dignity, much as he will later proceed to his death in Athens when he is executed for losing the war.

  On the quay, the Greek civil governor, Aristedes Sterghiades, boards a launch to take him out of the city. The crowd hoots and jeers, shaking fists. General Hajienestis takes the scene in calmly. The crowd obscures the waterfront, his favorite café. All he can see is the marquee of the movie theater at which, ten days earlier, he’d been to see Le Tango de la Mort. Briefly—and possibly this is another hallucination—he smells the fresh jasmine of Bournabat. He breathes this in. The launch reaches the ship and Sterghiades, ashen-faced, climbs aboard.

  And then General Hajienestis gives his only military order of the past few weeks: “Up anchors. Reverse engines. Full steam ahead.”

  On shore, Lefty and Desdemona watched the Greek fleet leaving. The crowd surged toward the water, raised its four hundred thousand hands, and shouted. And then it fell silent. Not one mouth uttered a sound as the realization came home that their own country had deserted them, that Smyrna now had no government, that there was nothing between them and the advancing Turks.

  (And did I mention how in summer the streets of Smyrna were lined with baskets of rose petals? And how everyone in the city could speak French, Italian, Greek, Turkish, English, and Dutch? And did I tell you about the famous figs, brought in by camel caravan and dumped onto the ground, huge piles of pulpy fruit lying in the dirt, with dirty women steeping them in salt water and children squatting to defecate behind the clusters? Did I mention how the reek of the fig women mixed with pleasanter smells of almond trees, mimosa, laurel, and peach, and how everybody wore masks on Mardi Gras and had elaborate dinners on the decks of frigates? I want to mention these things because they all happened in that city that was no place exactly, that was part of no country because it was all countries, and because now if you go there you’ll see modern high-rises, amnesiac boulevards, teeming sweatshops, a NATO headquarters, and a sign that says Izmir . . .)

  Five cars, bedecked with olive branches, burst the city gates. Cavalry gallop fender to fender. The cars roar past the covered bazaar, through cheering throngs in the Turkish Quarter where every streetlamp, door, and window streams red cloth. By Ottoman law, Turks must occupy a city’s highest ground, so the convoy is high above the city now, heading down. Soon the five cars pass through the deserted sections where houses have been abandoned or where families hide. Anita Philobosian peeks out to see the beautiful, leaf-covered vehicles approaching, the sight so arresting she starts to unfasten the shutters before her mother pulls her away . . . and there are other faces pressed to slats, Armenian, Bulgarian, and Greek eyes peeking out of hideaways and attics to get a look at the conqueror and divine his intentions; but the cars move too fast, and the sun on the cavalry’s raised sabers blinds the eyes, and then the cars are gone, reaching the quay, where horses charge into the crowd and refugees scream and scatter.

  In the backseat of the last car sits Mustafa Kemal. He is lean from battle. His blue eyes flash. He hasn’t had a drink in over two weeks. (The “diverticulitis” Dr. Philobosian had treated the pasha for was just a cover-up. Kemal, champion of Westernization and the secular Turkish state, would remain true to those principles to the end, dying at fifty-seven of cirrhosis of the liver.)

  And as he passes he turns and looks into the crowd, as a young woman stands up from a suitcase. Blue eyes pierce brown. Two seconds. Not even two. Then Kemal looks away; the convoy is gone.

  And now it is all a matter of wind. 1 a.m., Wednesday, September 13, 1922. Lefty and Desdemona have been in the city seven nights now. The smell of jasmine has turned to kerosene. Around the Armenian Quarter barricades have been erected. Turkish troops block the exits from the quay. But the wind remains blowing in the wrong direction. Around midnight, however, it shifts. It begins blowing southwesterly, that is, away from the Turkish heights and toward the harbor.

  In the blackness, torches gather. Three Turkish soldiers stand in a tailor shop. Their torches illuminate bolts of cloth and suits on hangers. Then, as the light grows, the tailor himself becomes visible. He is sitting at his sewing machine, right shoe still on the foot treadle. The light grows brighter still to reveal his face, the gaping eye sockets, the beard torn out in bloody patches.

  All over the Armenian Quarter fires bloom. Like a million fireflies, sparks fly across the dark city, inseminating every place they land with a germ of fire. At his house on Suyane Street, Dr.
Philobosian hangs a wet carpet over the balcony, then hurries back inside the dark house and closes the shutters. But the blaze penetrates the room, lighting it up in stripes: Toukhie’s panicked eyes; Anita’s forehead, wrapped with a silver ribbon like Clara Bow’s in Photoplay; Rose’s bare neck; Stepan’s and Karekin’s dark, downcast heads.

  By firelight Dr. Philobosian reads for the fifth time that night “ ‘. . . is respectfully recommended . . . to the esteem, confidence, and protection . . .’ You hear that? ‘Protection . . .’ ”

  Across the street Mrs. Bidzikian sings the climactic three notes of the “Queen of the Night” aria from The Magic Flute. The music sounds so strange amid the other noises—of doors crashing in, people screaming, girls crying out—that they all look up. Mrs. Bidzikian repeats the B flat, D, and F two more times, as though practicing the aria, and then her voice hits a note none of them has ever heard before, and they realize that Mrs. Bidzikian hasn’t been singing an aria at all.

  “Rose, get my bag.”

  “Nishan, no,” his wife objects. “If they see you come out, they’ll know we’re hiding.”

  “No one will see.”

  The flames first registered to Desdemona as lights on the ships’ hulls. Orange brushstrokes flickered above the waterline of the U.S.S. Litchfield and the French steamer Pierre Loti. Then the water brightened, as though a school of phosphorescent fish had entered the harbor.

  Lefty’s head rested on her shoulder. She checked to see if he was asleep. “Lefty. Lefty?” When he didn’t respond, she kissed the top of his head. Then the sirens went off.

  She sees not one fire but many. There are twenty orange dots on the hill above. And they have an unnatural persistence, these fires. As soon as the fire department puts out one blaze, another erupts somewhere else. They start in hay carts and trash bins; they follow kerosene trails down the center of streets; they turn corners; they enter bashed-in doorways. One fire penetrates Berberian’s bakery, making quick work of the bread racks and pastry carts. It burns through to the living quarters and climbs the front staircase where, halfway up, it meets Charles Berberian himself, who tries to smother it with a blanket. But the fire dodges him and races up into the house. From there it sweeps across an Oriental rug, marches out to the back porch, leaps nimbly up onto a laundry line, and tightrope-walks across to the house behind. It climbs in the window and pauses, as if shocked by its good fortune: because everything in this house is just made to burn, too—the damask sofa with its long fringe, the mahogany end tables and chintz lampshades. The heat pulls down wallpaper in sheets; and this is happening not only in this apartment but in ten or fifteen others, then twenty or twenty-five, each house setting fire to its neighbor until entire blocks are burning. The smell of things burning that aren’t meant to burn wafts across the city: shoe polish, rat poison, toothpaste, piano strings, hernia trusses, baby cribs, Indian clubs. And hair and skin. By this time, hair and skin. On the quay, Lefty and Desdemona stand up along with everyone else, with people too stunned to react, or still half-asleep, or sick with typhus and cholera, or exhausted beyond caring. And then, suddenly, all the fires on the hillside form one great wall of fire stretching across the city and—it’s inevitable now—start moving down toward them.

  (And now I remember something else: my father, Milton Stephanides, in robe and slippers, bending over to light a fire on Christmas morning. Only once a year did the need to dispose of a mountain of wrapping paper and cardboard packaging overrule Desdemona’s objections to using our fireplace. “Ma,” Milton would warn her, “I’m going to burn up some of this garbage now.” To which Desdemona would cry, “Mana!” and grab her cane. At the hearth, my father would pull a long match from the hexagonal box. But Desdemona would already be moving away, heading for the safety of the kitchen, where the oven was electric. “Your yia yia doesn’t like fires,” my father would tell us. And, lighting the match, he would hold it to paper covered with elves and Santas as flames leapt up, and we ignorant, American children went crazy throwing paper, boxes, and ribbons into the blaze.)

  Dr. Philobosian stepped out into the street, looked both ways, and ran straight across through the door opposite. He climbed to the landing, where he could see the top of Mrs. Bidzikian’s head from behind as she sat in the living room. He ran to her, telling her not to worry, it was Dr. Philobosian from across the street. Mrs. Bidzikian seemed to nod, but her head didn’t come back up. Dr. Philobosian knelt beside her. Touching her neck, he felt a weak pulse. Gently he pulled her out of the chair and laid her on the floor. As he did so, he heard footsteps on the stairway. He hurried across the room and hid behind the drapes just as the soldiers stormed in.

  For fifteen minutes, they ransacked the apartment, taking whatever the first band had left. They dumped out drawers and slit open sofas and clothing, looking for jewelry or money hidden inside. After they were gone, Dr. Philobosian waited a full five minutes before stepping out from behind the drapes. Mrs. Bidzikian’s pulse had stopped. He spread his handkerchief over her face and made the sign of the cross over her body. Then he picked up his doctor’s bag and hurried down the stairs again.

  The heat precedes the fire. Figs heaped along the quay, not loaded in time, begin to bake, bubbling and oozing juice. The sweetness mixes with the smell of smoke. Desdemona and Lefty stand as close to the water as possible, along with everyone else. There is no escape. Turkish soldiers remain at the barricades. People pray, raise their arms, pleading to ships in the harbor. Searchlights sweep across the water, lighting up people swimming, drowning.

  “We’re going to die, Lefty.”

  “No we’re not. We’re going to get out of here.” But Lefty doesn’t believe this. As he looks up at the flames, he is certain, too, that they are going to die. And this certainty inspires him to say something he would never have said otherwise, something he would never even have thought. “We’re going to get out of here. And then you’re going to marry me.”

  “We should never have left. We should have stayed in Bithynios.”

  As the fire approaches, the doors of the French consulate open. A marine garrison forms two lines stretching across the quay to the harbor. The Tricolor descends. From the consulate’s doors people emerge, men in cream-colored suits and women in straw hats, walking arm in arm to a waiting launch. Over the Marines’ crossed rifles, Lefty sees fresh powder on the women’s faces, lit cigars in the men’s mouths. One woman holds a small poodle under her arm. Another woman trips, breaking her heel, and is consoled by her husband. After the launch has motored away, an official turns to the crowd.

  “French citizens only will be evacuated. We will begin processing visas immediately.”

  When they hear knocking, they jump. Stepan goes to the window and looks down. “It must be Father.”

  “Go. Let him in! Quick!” Toukhie says.

  Karekin vaults down the stairs two at a time. At the door he stops, collects himself, and quietly unbolts the door. At first, when he pulls it open, he sees nothing. Then there’s a soft hiss, followed by a ripping noise. The noise sounds as though it has nothing to do with him until suddenly a shirt button pops off and clatters against the door. Karekin looks down as all at once his mouth fills with a warm fluid. He feels himself being lifted off his feet, the sensation bringing back to him childhood memories of being whisked into the air by his father, and he says, “Dad, my button,” before he is lifted high enough to make out the steel bayonet puncturing his sternum. The fire’s reflection leads along the gun barrel, over the sight and hammer, to the soldier’s ecstatic face.

  The fire bore down on the crowd at the quay. The roof of the American consulate caught. Flames climbed the movie theater, scorching the marquee. The crowd inched back from the heat. But Lefty, sensing his opportunity, was undeterred.

  “Nobody will know,” he said. “Who’s to know? There’s nobody left but us.”

  “It’s not right.”

  Roofs crashed, people screamed, as Lefty put his lips to his sister’
s ear. “You promised you’d find me a nice Greek girl. Well. You’re it.”

  On one side a man jumped into the water, trying to drown himself; on the other, a woman was giving birth, as her husband shielded her with his coat. “Kaymaste! Kaymaste!” people shouted. “We’re burning! We’re burning!” Desdemona pointed, at the fire, at everything. “It’s too late, Lefty. It doesn’t matter now.”

  “But if we lived? You’d marry me then?”

  A nod. That was all. And Lefty was gone, running toward the flames.

  On a black screen, a binocular-shaped template of vision sweeps back and forth, taking in the distant refugees. They scream without sound. They hold out their arms, beseeching.

  “They’re going to cook the poor wretches alive.”

  “Permission to retrieve a swimmer, sir.”

  “Negative, Phillips. Once we take one aboard we’ll have to take them all.”

  “It’s a girl, sir.”

  “How old?”

  “Looks to be about ten or eleven.”

  Major Arthur Maxwell lowers his binoculars. A triangular knot of muscle tenses in his jaw and disappears.

  “Have a look at her, sir.”

  “We mustn’t be swayed by emotions here, Phillips. There are greater things at stake.”

  “Have a look at her, sir.”

  The wings of Major Maxwell’s nose flare as he looks at Captain Phillips. Then, slapping one hand against his thigh, he moves to the side of the ship.

  The searchlight sweeps across the water, lighting up its own circle of vision. The water looks odd under the beam, a colorless broth littered with a variety of objects: a bright orange; a man’s fedora with a brim of excrement; bits of paper like torn letters. And then, amid this inert matter, she appears, holding on to the ship’s line, a girl in a pink dress the water darkens to red, hair plastered to her small skull. Her eyes make no appeal, staring up. Her sharp feet kick every so often, like fins.