The God of Small Things

  Had he seen her? Was he really mad? Did he know that she was there? They had never been shy of each other’s bodies, but they had never been old enough (together) to know what shyness was.

  Now they were. Old enough.

  Old.

  A viable dieable age.

  What a funny word old was on its own, Rahel thought, and said it to herself Old.

  Rahel at the bathroom door. Slim-hipped. (“Tell her she’ll need a cesarean!” a drunk gynecologist had said to her husband while they waited for their change at the gas station.) A lizard on a map on her faded T-shirt. Long wild hair with a glint of deep henna red sent unruly fingers down into the small of her back. The diamond in her nostril flashed. Sometimes. And sometimes not. A thin, gold, serpent-headed bangle glowed like a circle of orange light around her wrist. Slim snakes whispering to each other, head to head. Her mother’s melted wedding ring. Down softened the sharp lines of her thin, angular arms.

  At first glance she appeared to have grown into the skin of her mother. High cheekbones. Deep dimples when she smiled. But she was longer, harder, flatter, more angular than Ammu had been. Less lovely perhaps to those who like roundness and softness in women. Only her eyes were incontestably more beautiful. Large. Luminous. Drownable in, as Larry McCaslin had said and discovered to his cost.

  Rahel searched her brother’s nakedness for signs of herself. In the shape of his knees. The arch of his instep. The slope of his shoulders. The angle at which the rest of his arm met his elbow. The way his toe-nails tipped upwards at the ends. The sculpted hollows on either side of his taut, beautiful buns. Tight plums. Men’s bums never grow up. Like school satchels, they evoke in an instant memories of childhood. Two vaccination marks on his arm gleamed like coins. Hers were on her thigh.

  Girls always have them on their thighs, Ammu used to say.

  Rahel watched Estha with the curiosity of a mother watching her wet child. A sister a brother. A woman a man. A twin a twin.

  She flew these several kites at once.

  He was a naked stranger met in a chance encounter. He was the one that she had known before Life began. The one who had once led her (swimming) through their lovely mother’s cunt.

  Both things unbearable in their polarity. In their irreconcilable far-apartness.

  A raindrop glistened on the end of Estha’s earlobe. Thick, silver in the light, like a heavy bead of mercury. She reached out. Touched it. Took it away.

  Estha didn’t look at her. He retreated into further stillness. As though his body had the power to snatch its senses inwards (knotted, egg-shaped), away from the surface of his skin, into some deeper more inaccessible recess.

  The silence gathered its skins and slid, like Spider Woman, up the slippery bathroom wall.

  Estha put his wet clothes in a bucket and began to wash them with crumbling, bright blue soap.

  CHAPTER 4

  ABHILASH TALKIES

  Abhilash Talkies advertised itself as the first cinema hall in Kerala with a 70mm CinemaScope screen. To drive home the point, its façade had been designed as a cement replica of a curved CinemaScope screen. On top (cement writing, neon lighting) it said Abhilash Talkies in English and Malayalam.

  The toilets were called HIS and HERS. HERS for Ammu, Rahel and Baby Kochamma. His for Estha alone, because Chacko had gone to see about the bookings at the Hotel Sea Queen.

  “Will you be okay?” Ammu said, worried.

  Estha nodded.

  Through the red Formica door that closed slowly on its own, Rahel followed Ammu and Baby Kochamma into HERS. She turned to wave across the slipperoily marble floor at Estha Alone (with a comb), in his beige and pointy shoes. Estha waited in the dirty marble lobby with the lonely, watching mirrors till the red door took his sister away. Then he turned and padded off to HIS.

  In HERS, Ammu suggested that Rahel balance in the air to piss. She said that Public Pots were Dirty. Like Money was. You never knew who’d touched it Lepers. Butchers. Car Mechanics. (Pus. Blood. Grease.)

  Once when Kochu Maria took her to the butcher’s shop, Rahel noticed that the green five-rupee note that he gave them had a tiny blob of red meat on it. Kochu Maria wiped the blob away with her thumb. The juice left a red smear. She put the money into her bodice. Meat-smelling blood money.

  Rahel was too short to balance in the air above the pot, so Ammu and Baby Kochamma held her up, her legs hooked over their arms. Her feet pigeon-toed in Bata sandals. High in the air with her knickers down. For a moment nothing happened, and Rahel looked up at her mother and baby grandaunt with naughty (now what?) questionmarks in her eyes.

  “Come on,” Ammu said. “Sssss …”

  Sssss for the Sound of Soo-soo. Mmmmm for the Sound of Myooozick. Rahel giggled. Ammu giggled. Baby Kochamma giggled. When the trickle started they adjusted her aerial position. Rahel was unembarrassed. She finished and Ammu had the toilet paper.

  “Shall you or shall I?” Baby Kochamma said to Ammu.

  “Either way,” Ammu said. “Go ahead. You.”

  Rahel held her handbag. Baby Kochamma lifted her rumpled sari. Rahel studied her baby grandaunt’s enormous legs. (Years later during a history lesson being read out in school—The Emperor Bahur had a wheatish complexion and pillarlike thighs—this scene would flash before her; Baby Kochamma balanced like a big bird over a public pot. Blue veins like lumpy knitting running up her translucent shins. Fat knees dimpled. Hair on them. Poor little tiny feet to carry such a load!) Baby Kochamma waited for half of half a moment. Head thrust forward. Silly smile. Bosom swinging low. Melons in a blouse. Bottom up and out. When the gurgling, bubbling sound came, she listened with her eyes. A yellow brook burbled through a mountain pass.

  Rahel liked all this. Holding the handbag. Everyone pissing in front of everyone. Like friends. She knew nothing then, of how precious a feeling this was. Like friends. They would never be together like this again. Ammu, Baby Kochamma and she.

  When Baby Kochamma finished, Rahel looked at her watch.

  “So long you took, Baby Kochamma,” she said. “It’s ten to two.”

  Rub-a-dub-dub (Rahel thought),

  Three women in a tub,

  Tarry awhile said Slow…

  She thought of Slow being a person. Slow Kurien. Slow Kutty. Slow Mol. Slow Kochamma.

  Slow Kutty. Fast Verghese. And Kuriakose. Three brothers with dandruff.

  Ammu did hers in a whisper. Against the side of the pot so you couldn’t hear. Her father’s hardness had left her eyes and they were Ammu-eyes again. She had deep dimples in her smile and didn’t seem angry anymore. About Velutha or the spit bubble.

  That was a Good Sign.

  Estha Alone in HIS had to piss onto naphthalene balls and cigarette stubs in the urinal. To piss in the pot would be Defeat. To piss in the urinal, he was too short. He needed Height. He searched for Height, and in a corner of HIS, he found it. A dirty broom, a squash bottle half-full of a milky liquid (phenyl) with floaty black things in it. A limp floorswab, and two rusty tin cans of nothing. They could have been Paradise Pickle products. Pineapple chunks in syrup. Or slices. Pineapple slices. His honor redeemed by his grandmother’s cans, Estha Alone organized the rusty cans of nothing in front of the urinal. He stood on them, one foot on each, and pissed carefully, with minimal wobble. Like a Man. The cigarette stubs, soggy then, were wet now, and swirly. Hard to light. When he finished, Estha moved the cans to the basin in front of the mirror. He washed his hands and wet his hair. Then, dwarfed by the size of Ammu’s comb that was too big for him, he reconstructed his puff carefully. Slicked back, then pushed forward and swiveled sideways at the very end. He returned the comb to his pocket, stepped off the tins and put them back with the bottle and swab and broom. He bowed to them all. The whole shooting match. The bottle, the broom, the cans, the limp floorswab.

  “Bow,” he said, and smiled, because when he was younger he had been under the impression that you had to say “Bow” when you bowed. That you had to say it to do it.
r />   “Bow, Estha,” they’d say. And he’d bow and say, “Bow,” and they’d look at each other and laugh, and he’d worry.

  Estha Alone of the uneven teeth.

  Outside, he waited for his mother, his sister and his baby grandaunt. When they came out, Ammu said “Okay, Esthappen?”

  Estha said, “Okay,” and shook his head carefully to preserve his puff.

  Okay? Okay. He put the comb back into her handbag. Ammu felt a sudden clutch of love for her reserved, dignified little son in his beige and pointy shoes, who had just completed his first adult assignment. She ran loving fingers through his hair. She spoiled his puff.

  The Man with the steel Eveready Torch said that the picture had started, so to hurry. They had to rush up the red steps with the old red carpet. Red staircase with red spit stains in the red corner. The Man with the Torch scrunched up his mundu and held it tucked under his balls, in his left hand. As he climbed, his calf muscles hardened under his climbing skin like hairy cannonballs. He held the torch in his right hand. He hurried with his mind.

  “It started longago,” he said.

  So they’d missed the beginning. Missed the rippled velvet curtain going up, with lightbulbs in the clustered yellow tassels. Slowly up, and the music would have been “Baby Elephant Walk” from Hatari. Or “Colonel Bogey’s March.”

  Ammu held Estha’s hand. Baby Kochamma, heaving up the steps, held Rahel’s. Baby Kochamma, weighed down by her melons, would not admit to herself that she was looking forward to the picture. She preferred to feel that she was only doing it for the children’s sake. In her mind she kept an organized, careful account of Things She’d Done For People, and Things People Hadn’t Done For Her.

  She liked the early nun-bits best, and hoped they hadn’t missed them. Ammu explained to Estha and Rahel that people always loved best what they Identified most with. Rahel supposed she Identified most with Christopher Plummer, who acted as Baron von Trapp. Chacko didn’t Identify with him at all and called him Baron von Clapp-Trapp.

  Rahel was like an excited mosquito on a leash. Flying. Weightless. Up two steps. Down two. Up one. She climbed five flights of red stairs for Baby Kochamma’s one.

  I’m Popeye the sailor man dum dum

  I live in a cara-van dum dum

  I open the door

  And fall-on the floor

  I’m Popeye the sailor man dum dum

  Up two. Down two. Up one. Jump, jump.

  “Rahel,” Ammu said, “you haven’t Learned your Lesson yet. Have you?”

  Rahel had: Excitement Always Leads to Tears. Dum dum.

  They arrived at the Princess Circle lobby. They walked past the Refreshments Counter where the orangedrinks were waiting. And the lemondrinks were waiting. The orange too orange. The lemon too lemon. The chocolates too melty.

  The Torch Man opened the heavy Princess Circle door into the fan-whirring, peanut-crunching darkness. It smelled of breathing people and hairoil. And old carpets. A magical, Sound of Music smell that Rahel remembered and treasured. Smells, like music, hold memories. She breathed deep, and bottled it up for posterity.

  Estha had the tickets. Little Man. He lived in a cara-van. Dum dum.

  The Torch Man shone his light on the pink tickets. Row J. Numbers 17, 18, 19, 20. Estha, Ammu, Rahel, Baby Kochamma. They squeezed past irritated people who moved their legs this way and that to make space. The seats of the chairs had to be pulled down. Baby Kochamma held Rahel’s seat down while she climbed on. She wasn’t heavy enough, so the chair folded her into itself like sandwich stuffing, and she watched from between her knees. Two knees and a fountain. Estha, with more dignity than that, sat on the edge of his chair.

  The shadows of the fans were on the sides of the screen where the picture wasn’t.

  Off with the torch. On with the World Hit.

  The camera soared up in the skyblue (car-colored) Austrian sky with the clear, sad sound of church bells.

  Far below, on the ground, in the courtyard of the abbey, the cobblestones were shining. Nuns walked across it. Like slow cigars. Quiet nuns clustered quietly around their Reverend Mother, who never read their letters. They gathered like ants around a crumb of toast. Cigars around a Queen Cigar. No hair on their knees. No melons in their blouses. And their breath like peppermint. They had complaints to make to their Reverend Mother. Sweetsinging complaints. About Julie Andrews, who was still up in the hills, singing The hills are alive with the sound of music, and was, once again, late for Mass.

  She climbs a tree and scrapes her knee

  The nuns sneaked musically.

  Her dress has got a tear

  She waltzes on her way to Mass

  And whistles on the stair…

  People in the audience were turning around.

  “Shhh!” they said.

  Shh! Shh! Shh!

  And underneath her wimple

  She has curlers in her hair

  There was a voice from outside the picture. It was clear and true, cutting through the fan-whirring, peanut-crunching darkness. There was a nun in the audience. Heads twisted around like bottle caps. Black-haired backs of heads became faces with mouths and mustaches. Hissing mouths with teeth like sharks. Many of them. Like stickers on a card.

  “Shhhh!” they said together. It was Estha who was singing. A nun with a puff. An Elvis Pelvis Nun. He couldn’t help it.

  “Get him out of here!” The Audience said, when they found him.

  Shutup or Getout Getout or Shutup.

  The Audience was a Big Man. Estha was a Little Man, with the tickets.

  “Estha for heaven’s sake, shut UP!!” Ammu’s fierce whisper said.

  So Estha shut UP. The mouths and mustaches turned away But then, without warning, the song came back, and Estha couldn’t stop it.

  “Ammu, can I go and sing it outside?” Estha said (before Ammu smacked him). “I’ll come back after the song.”

  “But don’t ever expect me to bring you out again,” Ammu said. “You’re embarrassing all of us.”

  But Estha couldn’t help it. He got up to go. Past angry Ammu. Past Rahel concentrating through her knees. Past Baby Kochamma. Past the Audience that had to move its legs again. Thiswayandthat. The red sign over the door said EXIT in a red light. Estha EXITed.

  In the lobby, the orangedrinks were waiting. The lemondrinks were waiting. The melty chocolates were waiting. The electric blue foamleather car-sofas were waiting. The Coming Soon! posters were waiting.

  Estha Alone sat on the electric blue foamleather car-sofa, in the Abhilash Talkies Princess Circle lobby, and sang. In a nun’s voice, as clear as clean water.

  But how do you make her stay

  And listen to all you say?

  The man behind the Refreshments Counter, who’d been asleep on a row of stools, waiting for the interval, woke up. He saw, with gummy eyes, Estha Alone in his beige and pointy shoes. And his spoiled puff. The Man wiped his marble counter with a dirtcolored rag. And he waited. And waiting he wiped. And wiping he waited. And watched Estha sing.

  How do you keep a wave upon the sand?

  Oh, how do you solve a problem like Maria?

  “Ay! Eda cherukka!” The Orangedrink Lemondrink Man said, in a gravelly voice thick with sleep. “What the hell d’you think you’re doing?”

  How do you hold a moonbeam in your hand?

  Estha sang.

  “Ay!” the Orangedrink Lemondrink Man said. “Look, this is my Resting Time. Soon I’ll have to wake up and work. So I can’t have you singing English songs here. Stop it.” His gold wristwatch was almost hidden by his curly forearm hair. His gold chain was almost hidden by his chest hair. His white Terylene shirt was unbuttoned to where the swell of his belly began. He looked like an unfriendly jeweled bear. Behind him there were mirrors for people to look at themselves in while they bought cold drinks and refreshments. To reorganize their puffs and settle their buns. The mirrors watched Estha.

  “I could file a Written Complaint against you,” the
Man said to Estha. “How would you like that? A Written Complaint?”

  Estha stopped singing and got up to go back in.

  “Now that I’m up,” the Orangedrink Lemondrink Man said, “now that you’ve woken me up from my Resting Time, now that you’ve disturbed me, at least come and have a drink. It’s the least you can do.”

  He had an unshaven, jowly face. His teeth, like yellow piano keys, watched little Elvis the Pelvis.

  “No thank you,” Elvis said politely. “My family will be expecting me. And I’ve finished my pocket money.”

  “Porketmunny?” The Orangedrink Lemondrink Man said with his teeth still watching. “First English songs, and now Porketmunny! Where d’you live? On the moon?”

  Estha turned to go.

  “Wait a minute!” the Orangedrink Lemondrink Man said sharply. “Just a minute!” he said again, more gently, “I thought I asked you a question.”

  His yellow teeth were magnets. They saw, they smiled, they sang, they smelled, they moved. They mesmerized.

  “I asked you where you lived,” he said, spinning his nasty web.

  “Ayemenem,” Estha said. “I live in Ayemenem. My grandmother owns Paradise Pickles & Preserves. She’s the Sleeping Partner.”

  “Is she, now?” the Orangedrink Lemondrink Man said. “And who does she sleep with?”

  He laughed a nasty laugh that Estha couldn’t understand. “Never mind. You wouldn’t understand.”

  “Come and have a drink,” he said. “A Free Cold Drink. Come. Come here and tell me all about your grandmother.”

  Estha went. Drawn by yellow teeth.

  “Here. Behind the counter,” the Orangedrink Lemondrink Man said. He dropped his voice to a whisper. “It has to be a secret because drinks are not allowed before the interval. It’s a Theater Offense. Cognizable,” he added after a pause.

  Estha went behind the Refreshments Counter for his Free Cold Drink. He saw the three high stools arranged in a row for the Orangedrink Lemondrink Man to sleep on. The wood shiny from his sitting.