I'd never come across this kind of emotion in any other field of research, at least not to this extent. It was puzzling.
The people who go into Elizabethan studies don't set out to prove that Queen Elizabeth I was a fool. They don't personally dislike her. They don't make snickering remarks about her, or spend their careers trying to pick apart her historical reputation. They approach her in other ways. They don't even apply this sort of dislike or suspicion or contempt to other Elizabethan figures. If they do, the person is usually not the focus of the study. Occasionally a scholar studies a villain, yes. But even then, the author generally ends up arguing for the good points of a villain or for his or her place in history, or for some mitigating circumstance, that redeems the study itself. People studying disasters in history may be highly critical of the rulers or the milieu at the time, yes. But in general scholars don't spend their lives in the company of historical figures whom they openly despise.
But there are New Testament scholars who detest and despise Jesus Christ. Of course, we all benefit from freedom in the academic community; we benefit from the enormous size of biblical studies today and the great range of contributions that are being made. I'm not arguing for censorship. But maybe I'm arguing for sensitivity—on the part of those who read these books. Maybe I'm arguing for a little wariness when it comes to the field in general. What looks like solid ground might not be solid ground at all.
Another point bothered me a great deal.
All these skeptics insisted that the Gospels were late documents, that the prophesies in them had been written after the Fall of Jerusalem. But the more I read about the Fall of Jerusalem, the more I couldn't understand this.
The Fall of Jerusalem was horrific, and involved an enormous and cataclysmic war, a war that went on and on for years in Palestine, followed by other revolts and persecutions, and punitive laws. As I read about this in the pages of S. G. F. Brandon, and in Josephus, I found myself amazed by the details of this appalling disaster in which the greatest Temple of the ancient world was forever destroyed.
I had never truly confronted these events before, never tried to comprehend them. And now I found it absolutely impossible that the Gospel writers could not have included the Fall of the Temple in their work had they written after it as critics insist.
It simply didn't and doesn't make sense.
These Gospel writers were in a Judeo-Christian cult. That's what Christianity was. And the core story of Judaism has to do with redemption from Egypt, and redemption from Babylon. And before redemption from Babylon there was a Fall of Jerusalem in which the Jews were taken to Babylon. And here we have this horrible war. Would Christian writers not have written about it had they seen it? Would they not have seen in the Fall of Jerusalem some echo of the Babylonian conquest? Of course they would have. They were writing for Jews and Gentiles.
The way the skeptics put this issue aside, they simply assumed the Gospels were late documents because of these prophesies in the Gospels. This does not begin to convince.
Before I leave this question of the Jewish War and the Fall of the Temple, let me make this suggestion. When Jewish and Christian scholars begin to take this war seriously, when they begin to really study what happened during the terrible years of the siege of Jerusalem, the destruction of the Temple, and the revolts that continued in Palestine right up through Bar Kokhba, when they focus upon the persecution of Christians in Palestine by Jews; upon the civil war in Rome in the 60s which Kenneth L. Gentry so well describes in his work Before Jerusalem Fell; as well as the persecution of Jews in the Diaspora during this period—in sum, when all of this dark era is brought into the light of examination—Bible studies will change.
Right now, scholars neglect or ignore the realities of this period. To some it seems a two-thousand-year-old embarrassment and I'm not sure I understand why.
But I am convinced that the key to understanding the Gospels is that they were written before all this ever happened. That's why they were preserved without question though they contradicted one another. They came from a time that was, for later Christians, catastrophically lost forever.
As I continued my quest, I discovered a scholarship quite different from that of the skeptics—that of John A. T. Robinson, in The Priority of John. In reading his descriptions, which took seriously the words of the Gospel itself, I saw what was happening to Jesus in the text of John.
It was a turning point. I was able to enter the Fourth Gospel, and see Jesus alive and moving. And what eventually emerged for me from the Gospels was their unique coherence, their personalities—the inevitable stamp of individual authorship.
Of course John A. T. Robinson made the case for an early date for the Gospels far better than I ever could. He made it brilliantly in 1975, and he took to task the liberal scholars for their assumptions then in Redating the New Testament, but what he said is as true now as it was when he wrote those words.
After Robinson I made many great discoveries, among them Richard Bauckham who in The Gospels for All Christians soundly refutes the idea that isolated communities produced the Gospels and shows what is obvious, that they were written to be circulated and read by all.
The work of Martin Hengel is brilliant in clearing away assumptions, and his achievements are enormous. I continue to study him.
The scholarship of Jacob Neusner cannot be praised enough. His translations of the Mishnah and the Tosefta are of inestimable value, and his essays are brilliant. He is a giant. Among the Jewish scholars Gésa Vermes and David Flusser certainly ought to be read. David Flusser drew my attention to things in Luke's Gospel which I hadn't seen before.
General books I found important that cover the entire development of Jesus in the arts include a great survey book by Charlotte Allen called The Human Christ, which discusses how the early quest for the historical Jesus influenced the motion-picture images of Jesus and Jesus in novels. The work of Luke Timothy Johnson has always been helpful, and so also the scholarship of Raymond E. Brown, and John E Meier. The work of Sean Freyne on Galilee is extremely important as is the work of Eric M. Meyers.
Let me mention Larry Hurtado's Lord Jesus Christ, and Craig L. Blomberg's The Historical Reliability of John's Gospel, and the work of Craig S. Keener which I've only begun to read. I gready admire Kenneth L. Gentry, Jr.
Roger Aus always teaches me something though I disagree with his conclusions completely. Mary S. Thompson's work is wonderful.
Highly recommended are the works of Robert Alter and Frank Kermode on the Bible as literature, and Mimesis by Erich Auerbach. In general, I must praise the work of Ellis Rivkin, Lee I. Levine, Martin Goodman, Claude Tresmon-tant, Jonathan Reed, Bruce J. Malina, Kenneth Bailey, D. Moody Smith, C. H. Dodd, D. A. Carson, Leon Morris, R. Alan Culpepper, and the great Joachim Jeremias. My special thanks to BibleGateway.com.
I learned something from every single book I examined.
The scholar who has given me perhaps some of my most important insights and who continues to do so through his enormous output is N. T. Wright. N. T. Wright is one of the most brilliant writers I've ever read, and his generosity in embracing the skeptics and commenting on their arguments is an inspiration. His faith is immense, and his knowledge vast.
In his book The Resurrection of the Son of God, he answers solidly the question that has haunted me all my life. Christianity achieved what it did, according to N. T. Wright, because Jesus rose from the dead.
It was the fact of the resurrection that sent the apostles out into the world with the force necessary to create Christianity. Nothing else would have done it but that.
Wright does a great deal more to put the entire question into historical perspective. How can I do justice to him here? I can only recommend him without reservation, and go on studying him.
Of course my quest is not over. There are thousands of pages of the abovementioned scholars to be read and reread.
There is so much of Josephus and Philo and Tacitus and Cicero and Julius
Caesar that I have yet to cover. And there are so many texts on archaeology—I must go back to Freyne and Eric Meyers in Galilee, and things are being dug up in Palestine, and new books on the Gospels are being printed as I write.
But I see now a great coherence to the life of Christ and the beginning of Christianity that eluded me before, and I see also the subtle transformation of the ancient world because of its economic stagnation and the assault upon it of the values of monotheism, Jewish values melded with Christian values, for which it was not perhaps prepared.
There are also theologians who must be studied, more of Teilhard de Chardin, and Rahner, and St. Augustine.
Now somewhere during my journey through all of this, as I became disillusioned with the skeptics and with the flimsy evidence for their conclusions, I realized something about my book.
It was this. The challenge was to write about the Jesus of the Gospels, of course!
Anybody could write about a liberal Jesus, a married Jesus, a gay Jesus, a Jesus who was a rebel. The "Quest for the Historical Jesus" had become a joke because of all the many definitions it had ascribed to Jesus.
The true challenge was to take the Jesus of the Gospels, the Gospels which were becoming ever more coherent to me, the Gospels which appealed to me as elegant first-person witness, dictated to scribes no doubt, but definitely early, the Gospels produced before Jerusalem fell—to take the Jesus of the Gospels, and try to get inside him and imagine what he felt.
Then there were the legends—the Apocrypha—including the tantalizing tales in the Infancy Gospel of Thomas describing a boy Jesus who could strike a child dead, bring another to life, turn clay birds into living creatures, and perform other miracles. I'd stumbled on them very early in my research, in multiple editions, and never forgotten them. And neither had the world. They were fanciful, some of them humorous, extreme to be sure, but they had lived on into the Middle Ages, and beyond. I couldn't get these legends out of my mind.
Ultimately I chose to embrace this material, to enclose it within the canonical framework as best I could. I felt there was a deep truth in it, and I wanted to preserve that truth as it spoke to me. Of course that is an assumption. But I made it. And perhaps in assuming that Jesus did manifest supernatural powers at an early age I am somehow being true to the declaration of the Council of Chalcedon, that Jesus was God and Man at all times.
I am certainly trying to be true to Paul when he said that Our Lord emptied himself for us, in that my character has emptied himself of his Divine awareness in order to suffer as a human being.
This is a book I offer to all Christians—to the fundamentalists, to the Roman Catholics, to the most liberal Christians in the hope that my embrace of more conservative doctrines will have some coherence for them in the here and now of the book. I offer it to scholars in the hope that they will perhaps enjoy seeing the evidence of the research that's gone into it, and of course I offer it to those whom I so gready admire who have been my teachers though I've never met them and probably never will.
I offer this book to those who know nothing of Jesus Christ in the hope that you will see him in these pages in some form. I offer this novel with love to my readers who've followed me through one strange turn after another in the hope that Jesus will be as real to you as any other character I've ever launched into the world we share.
After all, is Christ Our Lord not the ultimate supernatural hero, the ultimate outsider, the ultimate immortal of them all?
If you've followed me this far, I thank you. I could append to this a bibliography of stifling length but I will not.
Let me in conclusion thank several people who have been my support and inspiration throughout these years:
Fr. Dennis Hayes, my spiritual director, who has answered my theological questions with patience always.
Fr. Joseph Callipare, whose sermons on the Gospel of John were brilliant and wonderful. My time spent in his parish in Florida was one of the most beautiful periods of my research and work.
Fr. Joseph Cocucci, whose letters and discussions on theology with me have been inspiring and truly great.
The Redemptorist Fathers, the priests of my parish in New Orleans, whose sermons have sustained me, and whose example has been a shining light. I leave them with regret. My father's education in the Redemptorist Seminary at Kirkwood, Missouri, no doubt changed the course of his life. My debt to the Redemptorists can never be paid.
Fr. Dean Robins and Fr. Curtis Thomas of the Nativity of Our Lord Parish, who have been welcoming to me as a new parishioner. I leave them with regret.
Br. Becket Ghioto, whose letters have been patient, wise, and full of wonderful insights and answers.
And last, but hardly least, Amy Troxler, my friend and companion, who has answered so many fundamental questions for me, and listened to my endless ravings, who has been with me to Mass, and brought me Communion when I couldn't go, who has been more of a help to me than I can ever say. It was Amy who was there for me on the afternoon in 1998 when I asked if she knew a priest who could hear my confession, who could help me go back to the Church. It was Amy who found the priest and took me to see him. It was Amy's example during those early months of attending the Mass in English that helped me so much to adjust to a liturgy that was wholly different from that which I'd left behind. I leave Amy as I leave New Orleans with the deepest regret.
My beloved staff, my dearest friends, my editor Vicky Wilson who read and commented on this manuscript much to its benefit, my family, I thank them all. I live in the environment of their nourishing love. I am blessed.
As for my son, this novel is dedicated to him. That says it all.
6 a.m., February 24, 2005
ALSO BY ANNE RICE
Interview with the Vampire
The Feast of All Saints
Cry to Heaven
The Vampire Lestat
The Queen of the Damned
The Mummy
The Witching Hour
The Tale of the Body Thief
Lasher
Taltos
Memnoch the Devil
Servant of the Bones
Violin
Pandora
The Vampire Armand
Vittorio, The Vampire
Merrick
Blood and Gold
Blackwood Farm
Blood Canticle
Anne Rice, Christ the Lord: Out of Egypt
(Series: Christ The Lord # 1)
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