Oldtown Folks

Old Crab had been up early in his design of "carting the 'hull lot ever to the poor-house," but made a solemn pause when his wife drew him into the little chamber. Death has a strange dignity, and whatsoever child of Adam he lays his hand on is for the time ennobled, - removed from the region of the earthly and commonplace to that of the spiritual and mysterious. And when Crab found, by searching the little bundle of the deceased, that there was actually money enough in it to buy a coffin and pay 'Zekiel Stebbins for digging the grave, he began to look on the woman as having made a respectable and edifying end, and the whole affair as coming to a better issue than he had feared.

  And so the event was considered in the neighborhood, in a melancholy way, rather an interesting and auspicious one. It gave something to talk about in a region where exciting topics were remarkably scarce. The Reverend Jabez Periwinkle found in it a moving Providence which started him favorably on a sermon, and the funeral had been quite a windfall to all the gossips about; and now remained the question, What was to be done with the children?

  "Now that we are diggin' the 'taters," said old Crab, "that 'ere chap might be good for suthin', pickin' on 'em out o' the hills. Poor folks like us can't afford to keep nobody jest to look at, and so he 'll have to step spry and work smart to airn his keep." And so at early dawn, the day after the funeral, the little boy was roused up and carried into the fields with the men.

  But "this 'ere" - that is to say, a beautiful little girl of seven years - had greatly puzzled the heads of the worthy gossips of the neighborhood. Miss Asphyxia Smith, the elder sister of old Crab, was at this moment turning the child round, and examining her through a pair of large horn spectacles, with a view to "taking her to raise," as she phrased it.

  Now all Miss Asphyxia's ideas of the purpose and aim of human existence were comprised in one word, - work. She was herself a working machine, always wound up and going, - up at early cock-crowing, and busy till bedtime, with a rampant and fatiguing industry that never paused for a moment. She conducted a large farm by the aid of a hired man, and drove a flourishing dairy, and was universally respected in the neighborhood as a smart woman.

  Latterly, as her young cousin, who had shared the toils of the house with her, had married and left her, Miss Asphyxia had talked of "takin' a child from the poor-house, and so raisin' her own help"; and it was with the view of this "raisin' her help," that she was thus turning over and inspecting the little article which we have spoken of.

  Apparently she was somewhat puzzled, and rather scandalized that Nature should evidently have expended so much in a merely ornamental way on an article which ought to have been made simply for service. She brushed up a handful of the clustering curls in her large, bony hand, and said, with a sniff, "These 'll have to come right off to begin with; gracious me, what a tangle!"

  "Mother always brushed them out every day," said the child.

  "And who do you suppose is going to spend an hour every day brushing your hair, Miss Pert?" said Miss Asphyxia. "That ain't what I take ye for, I tell you. You 've got to learn to work for your living; and you ought to be thankful if I 'm willing to show you how."

  The little girl did not appear particularly thankful. She bent her soft, pencilled eyebrows in a dark frown, and her great hazel eyes had gathering in them a cloud of sullen gloom. Miss Asphyxia did not mind her frowning, - perhaps did not notice it. She had it settled in her mind, as a first principle, that children never liked anything that was good for them, and that, of course, if she took a child, it would have to be made to come to her by forcible proceedings promptly instituted. So she set her little subject before her by seizing her by her two shoulders and squaring her round and looking in her face, and opened direct conversation with her in the following succinct manner.

  "What 's your name?"

  Then followed a resolved and gloomy silence, as the large bright eyes surveyed, with a sort of defiant glance, the inquisitor.

  "Don't you hear?" said Miss Asphyxia, giving her a shake.

  "Don't be so ha'sh with her," said the little old woman. "Say, my little dear, tell Miss Asphyxia your name," she added, taking the child's hand.

  "Eglantine Percival,'' said the little girl, turning towards the old woman, as if she disdained to answer the other party in the conversation.

  "Wh-a-t?" said Miss Asphyxia. "If there ain't the beatin'est name ever I heard. Well, I tell you I ain't got time to fix my mouth to say all that 'ere every time I want ye, now I tell ye."

  "Mother and Harry called me Tina," said the child.

  "Teny! Well, I should think so," said Miss Asphyxia. "That showed she 'd got a grain o' sense left, anyhow. She 's tol'able strong and well-limbed for her age," added that lady, feeling of the child's arms and limbs; "her flesh is solid. I think she 'll make a strong woman, only put her to work early and keep her at it. I could rub out clothes at the wash-tub afore I was at her age."

  "O, she can do considerable many little chores," said Old Crab's wife.

  "Yes," said Miss Asphyxia; "there can a good deal be got out of a child if you keep at 'em, hold 'em in tight, and never let 'em have their head a minute; push right hard on behind 'em, and you get considerable. That's the way I was raised."

  "But I want to play," said the little girl, bursting out in a sobbing storm of mingled fear and grief.

  "Want to play, do you? Well, you must get over that. Don't you know that that 's as bad as stealing? You have n't got any money, and if you eat folks's bread and butter, you 've got to work to pay for it; and if folks buy your clothes, you 've got to work to pay for them."

  "But I 've got some clothes of my own," persisted the child, determined not to give up her case entirely.

  "Well, so you have; but there ain't no sort of wear in 'em," said Miss Asphyxia, turning to Mrs. Smith. "Them two dresses o' hern might answer for Sundays and sich, but I 'll have to make 'er up a regular linsey working dress this fall, and check aprons; and she must set right about knitting every minute she is n't doing anything else. Did you ever learn how to knit?"

  "No," said the child.

  "Or to sew?" said Miss Asphyxia.

  "Yes; mother taught me to sew," said the child.

  "No! Yes! Hain't you learned manners? Do you say yes and no to people?"

  The child stood a moment, swelling with suppressed feeling; and at last she opened her great eyes full on Miss Asphyxia, said, "I don't like you. You ain't pretty, and I won't go you."

  "O now," said Mrs. Smith, "little girls must n't talk so; that 's naughty."

  "Don't like me? - ain't I pretty?" said Miss Asphyxia, with a short, grim laugh. "May be I ain't; but I know what I 'm about, and you 'd as goods know it first as last. I 'm going to take ye right out with me in the waggin, and you 'd best not have none of your cuttin's up. I keep a stick at home for naughty girls. Why, where do you suppose you 're going to get your livin' if I don't take you?"

  "I want to live with Harry," said the child, sobbing. "Where is Harry?"

  "Harry 's to work, - and there 's where he 's got to be," said Miss Asphyxia. "He's got to work with the men in the fields, and you 've got to come home and work with me."

  "I want to stay with Harry, - Harry takes care of me," said the child, in a piteous tone.

  Old Mother Smith now toddled to her milk-room, and, with a melting heart, brought out a doughnut. "There now, eat that," she said; "and mebbe, if you 're good, Miss Asphyxia will bring you down here some time."

  "O laws, Polly, you allers was a fool!" said Miss Asphyxia. "It's all for the child's good, and what 's the use of fussin' on her up? She 'll come to it when she knows she 's got to. 'T ain't no more than I was put to at her age, only the child 's been fooled with and babied."

  The little one refused the doughnut, and seemed to gather herself up in silent gloom.

  "Come, now, don't stand sulking; let me put your bonnet on," said Miss Asphyxia, in a brisk, metallic voice. "I can't be losin' the best part of my day with this nonsense!" And forthwith she clawed up the ch
ild in her bony grasp, as easily as an eagle might truss a chick-sparrow.

  "Be a good little girl, now," said the little gray woman, who felt a strange swelling and throbbing in her poor old breast. To be sure, she knew she was a fool; her husband had told her so at least three times every day for years; and Miss Asphyxia only confirmed what she accepted familiarly as the truth. But yet she could not help these unprofitable longings to coddle and comfort something, - to do some of those little motherly tendernesses for children which go to no particular result, only to make them happy; so she ran out after the wagon with a tempting seed-cake, and forced it into the child's hand.

  "Take it, do take it," she said; "eat it, and be a good girl, and do just as she tells you to."

  "I 'll see to that." said Miss Asphyxia. as she gathered up the reins and gave a cut to her horse, which started that quadruped from a dream of green grass into a most animated pace. Every creature in her service - horse, cow, and pig - knew at once the touch of Miss Asphyxia, and the necessity of being up and doing when she was behind them; and the horse, who under other hands would have been the slowest and most reflective of beasts, now made the little wagon spin and bounce over the rough, stony road, so that the child's short legs flew up in the air every few moments.

  "You must hold on tight," was Miss Asphyxia's only comment on this circumstance. "If you fall out, you 'll break your neck."

  It was a glorious day of early autumn, the sun shining as only an autumn sun knows how to shine. The blue fields of heaven were full of fleecy flocks of clouds, drifting hither and thither at their lazy will. The-golden-rod and the aster hung their plumage over the rough, rocky road; and now and then it wound through a sombre piece of woods, where scarlet sumachs and maples flashed out among the gloomy green hemlocks with a solemn and gorgeous light. So very fair was the day, and so full of life and beauty was the landscape, that the child, who came of a beauty-loving lineage, felt her little heart drawn out from under its burden of troubles, and springing and bounding with that elastic habit of happiness which seems hard to kill in children.

  Once she laughed out as a squirrel, with his little chops swelled with a nut on each side, sat upon the fence and looked after them, and then whisked away behind the stone wall; and once she called out, "O, how pretty!" at a splendid clump of blue fringed gentian, which stood holding up its hundred azure vases by the wayside. "O, I do wish I could get some of that!" she cried out, impulsively.

  "Some of what?" said Miss Asphyxia.

  "O, those beautiful flowers!" said the child, leaning far out to look back.

  "O, that 's nothing but gentian," said Miss Asphyxia; "can't stop for that. Them blows is good to dry for weakness," she added. "By and by, if you 're good, mebbe I 'll let you get some on 'em."

  Miss Asphyxia had one word for all flowers. She called them all "blows," and they were divided in her mind, in a manner far more simple than any botanical system, into two classes; namely, blows that were good to dry, and blows that were not. Elder-blow, catnip, hoarhound, hardhack, gentian, ginseng, and various other vegetable tribes, she knew well and had a great respect for; but all the other little weeds that put on obtrusive colors and flaunted in the summer breeze, without any pretensions to further usefulness, Miss Asphyxia completely ignored. It would not be describing her state to say she had a contempt for them: she simply never saw or thought of them at all. The idea of beauty as connected with any of them never entered her mind - it did not exist there.

  The young cousin who shared her housework had, to be sure, planted a few flowers in a corner of the garden; there were some peonies and pinks and a rose-bush, which often occupied a spare hour of the girl's morning or evening; but Miss Asphyxia watched these operations with a sublime contempt, and only calculated the loss of potatoes and carrots caused by this unproductive beauty. Since the marriage of this girl, Miss Asphyxia had often spoken to her man about "clearing out them things"; but somehow he always managed to forget it, and the thriftless beauties still remained.

  It wanted but about an hour of noon when Miss Asphyxia set down the little girl on the clean-scrubbed floor of a great kitchen, where everything was even desolately orderly and neat. She swung her at once into a chair. "Sit there," she said, "till I 'm ready to see to ye." And then, marching up to her own room, she laid aside her bonnet, and, coming down, plunged into active preparations for the dinner.

  An irrepressible feeling of desolation came over the child. The elation produced by the ride died away; and, as she sat dangling her heels from the chair, and watching the dry, grim form of Miss Asphyxia, a sort of terror of her began slowly to usurp the place of that courage which had at first inspired the child to rise up against the assertion of so uncongenial a power.

  All the strange, dreadful events of the last few days mingled themselves, in her childish mind, in a weird mass of uncomprehended gloom and mystery. Her mother, so changed, - cold, stiff, lifeless, neither smiling nor speaking nor looking at her; the people coming to the house, and talking and singing and praying, and then putting her in a box in the ground, and saying that she was dead; and then, right upon that, to be torn from her brother, to whom she had always looked for protection and counsel, - all this seemed a weird, inexplicable cloud coming over her heart and darkening all her little life. Where was Harry? Why did he let them take her? Or perhaps equally dreadful people had taken him, and would never bring him back again.

  There was a tall black clock in a corner of the kitchen, that kept its invariable monotone of tick-tack, tick-tack, with a persistence that made her head swim; and she watched the quick, decisive movements of Miss Asphyxia with somewhat of the same respectful awe with which one watches the course of a locomotive engine.

  It was late for Miss Asphyxia's dinner preparations, but she instituted prompt measures to make up for lost time. She flew about the kitchen with such long-armed activity and fearful celerity, that the child began instinctively to duck and bob her little head when she went by, lest she should hit her and knock her off her chair.

  Miss Asphyxia raked open the fire in the great kitchen chimney, and built it up with a liberal supply of wood; then she rattled into the back room, and a sound was heard of a bucket descending into a well with such frantic haste as only an oaken bucket under Miss Asphyxia's hands could be frightened into. Back she came with a stout black iron tea-kettle, which she hung over the fire; and then, flopping down a ham on the table, she cut off slices with a martial and determined air, as if she would like to see the ham try to help itself; and, before the child could fairly see what she was doing, the slices of ham were in the frying-pan over the coals, the ham hung up in its place, the knife wiped and put out of sight, and the table drawn out into the middle of the floor, and invested with a cloth for dinner.

  During these operations the child followed every movement with awe-struck eyes, and studied with trembling attention every feature of this wonderful woman.

  Miss Asphyxia was tall and spare. Nature had made her, as she often remarked of herself, entirely for use. She had allowed for her muscles no cushioned repose of fat, no redundant smoothness of outline. There was nothing to her but good, strong, solid bone, and tough, wiry, well-strung muscle. She was past fifty, and her hair was already well streaked with gray, and so thin that, when tightly combed and tied, it still showed bald cracks, not very sightly to the eye. The only thought that Miss Asphyxia ever had had in relation to the coiffure of her hair was that it was to be got out of her way. Hair she considered principally as something that might get into people's eyes, if not properly attended to; and accordingly, at a very early hour every morning, she tied all hers in a very tight knot, and then secured it by a horn comb on the top of her head. To tie this knot so tightly that, once done, it should last all day, was Miss Asphyxia's only art of the toilet, and she tried her work every morning by giving her head a shake, before she left her looking-glass, not unlike that of an unruly cow. If this process did not start the horn comb from its moorings, Miss Asphyxi
a was well pleased. For the rest, her face was dusky and wilted, - guarded by gaunt, high cheek-bones, and watched over by a pair of small gray eyes of unsleeping vigilance. The shaggy eyebrows that overhung them were grizzled, like her hair.

  It would not be proper to say that Miss Asphyxia looked ill-tempered; but her features could never, by any stretch of imagination, be supposed to wear an expression of tenderness. They were set in an austere, grim gravity, whose lines had become more deeply channelled by every year of her life. As related to her fellow-creatures, she was neither passionate nor cruel. We have before described her as a working machine, forever wound up to high-pressure working-point; and this being her nature, she trod down and crushed whatever stood in the way of her work, with as little compunction as if she had been a steam-engine or a power-loom.

  Miss Asphyxia had a full conviction of what a recent pleasant writer has denominated the total depravity of matter. She was not given to many words, but it might often be gathered from her brief discourses that she had always felt herself, so to speak, sword in hand against a universe where everything was running to disorder, - everything was tending to slackness, shiftlessness, unthrift, and she alone was left on the earth to keep things their places. Her hired men were always too late up in the morning, - always shirking, - always taking too long a nap at noon; everybody was watching to cheat her in every bargain; her horse, cow, pigs, - all her possessions, - were ready at the slightest winking of her eye, or relaxing of her watch, to fall into all sorts of untoward ways and gyrations; and therefore she slept, as it were, in her armor; and spent her life as a sentinel on duty.

  In taking a child, she had had her eyes open only to one patent fact, - that a child was an animal who would always be wanting to play, and that she must make all her plans and calculations to keep her from playing. To this end she had beforehand given out word to her brother; that, if she took the girl, the boy must be kept away. "Got enough on my hands now, without havin' a boy trainin' round my house, and upsettin' all creation," said the grim virgin.

  "Wal, wal," said Old Crab, "'t ain't best; they 'll be a consultin' together, and cuttin' up didos. I 'll keep the boy tight enough, I tell you."

  Little enough was the dinner that the child ate that day. There were two hulking, square-shouldered men at the table, who stared at her with great round eyes like oxen; and although Miss Asphyxia dumped down Indian pudding, ham, and fried potatoes before her, the child's eating was scarcely that of a blackbird.