Comanche Moon

  They say if a Mexican scorpion bites you on your foot it will rot all your toes off." They hobbled the horses and kept them close by. There was no question of a fire, but they had a few scraps of cold venison in their saddlebags and ate that.

  "Why would he ask for a thousand cattle if he was planning to leave?" Call asked.

  "Maybe he didn't," Gus suggested. "That vaquero who showed up in Austin might have been lying, hoping to get a thousand free cattle for himself. I expect he just wanted to start a ranch." "If so, he was a bold vaquero," Call said. "He came right into Austin. We could have hung him." "The more scared I get, the more I feel like poking a whore," Augustus said.

  "How scared are you?" Call asked.

  "Not very, but I could still use a poke," Augustus said.

  When he thought about the matter he realized that he had almost no apprehension, even though they were close to the Black Vaquero's camp.

  "I know why I ain't scared, Woodrow," he said. "Long Bill ain't haunting us no more.

  He was following along for a while but he's not here now." "Well, he never liked Mexico," Call observed. "Maybe that's why." "Either that or he just decided it was too far to travel," Augustus said.

  It was after the old crippled woman began to bring him food that Scull's mind slipped.

  At first the food she brought him was only corn-- ears of young corn which she pitched down into the pit.

  The kernels were only just forming on the corn, it was so young; but Scull ate it greedily, ripping off the husks and biting and sucking the young kernels for their milky juice. The cobs he threw in a pile. He had been so hungry he was about to eat the dead snakes; the corn and the cool water revived him; it was then, though, with his strength returning and his ankle not so sore, that he began to speak in Greek. He looked up at the old woman to thank her, to say "gracias," and instead reeled off a paragraph of Demosthenes that he had learned at the knee of his tutor, forty years ago. It was only later, in the night, when the pit was dark, that he realized what he had done.

  At first his lapse amused him. It was a curious thing; he would have to discuss it with someone at Harvard, if he survived. He believed it was probably the eyelids. The sun, unobstructed, burned through forty years of memory and revealed, again, a boy sitting in a chilly room in Boston, a Greek grammar in his lap, while a tutor who looked not unlike Hickling Prescott put him through his verbs.

  The next morning it happened again. He woke to the smell of tortillas cooking--then the old woman rolled up a handful and lowered them to him in the jug that she used to bring him water. Scull hopped up and began to quote Greek--one of Achilles' wild imprecations from the Iliad, he couldn't recall which book. The old woman did not seem startled or frightened by the strange ^ws coming from the filthy, almost naked man in the pit. She looked down at him calmly, as if it were a normal thing for a white man in a pit in the Mexican mountains to be spouting Greek hexameters.

  The old woman didn't seem to care what language he spoke, English and Greek being equally unintelligible to her; but Scull cared.

  It wasn't merely damage done by the sun that was causing him to slip suddenly into Greek; it was the Scull dementia, damage from the broken seed. His father, Evanswood Scull, intermittently mad but a brilliant linguist, used to stomp into the nursery, thundering out passages in Latin, Greek, Icelandic, and Old Law French, a language which it was said that he was the only man in America to have a thorough mastery of.

  Now the aberration of the father had reappeared in the son, and at a most inconvenient time. In the night he suddenly woke up twitching in the brain and poured out long speeches from the Greek orators, speeches he had never been able to remember as a boy, an ineptness that caused him to be put back a form in the Boston Latin School. Yet those same speeches had been, all along, imprinted in his memory as if on a tablet--he had merely to look up at the old woman to ask for water to pour out, instead, a speech to the citizens of Athens on some issue of civic policy. He couldn't choke off these orations, either; his tongue and his lungs worked on, in defiance of his brain.

  Scull began to try and curb himself; he needed to devise a way to get out of the pit before Ahumado came back, or, if not Ahumado, some other pistolero who would shoot him for sport. His tongue might soar with the great Greek syllables, but even that noble language wasn't going to raise him fifteen feet, to the pit's edge. He thought he might encourage the old woman to look around--maybe someone had left a length of rope somewhere. If she could find a rope and anchor it somehow, he felt sure he could pull himself up.

  He was handicapped, though, by the insistent Scull malady. When he saw her old face above him he would try to make a polite request in Spanish, of which he knew a sufficiency, but before he could utter a single phrase in Spanish the Greek would come pouring out, a cascade, a flood, surging out of him like a well erupting, a torrent of Greek that he couldn't check or slow.

  She'll think I'm a devil, he thought. I might yet get free if I could just choke off this Greek.

  Xitla, for her part, leaned over the edge and listened to the white man as long as he wanted to talk. She could make no sense of the ^ws but the way he spoke reminded her of the way young men, heart-stricken by her beauty, had sung to her long ago. She thought the white man might be singing to her in a strange tongue he used for songs of love. He spoke with passion, his thin body quivering. He was almost naked; sometimes Xitla could see his member; she began to wonder if the white man was in love with her, as all men had been once. Since Ahumado had run over her with the horse and broken her back, few men had wanted to couple with her--a regret. Always Xitla had had men to couple with her; many of them, it was true, were not skilled at coupling, but at least they wanted her. But once the men knew that Ahumado hated her, they withdrew, even the drunken ones, for fear that he would tie them to the post and have Goyeto skin them. Xitla had not been ready to stop coupling when the men began to ignore her; she did not want to be like the other old women, who talked all day about the act that no one now wanted to do with them. Xitla had coupled happily with many men and thought she could still do so pleasurably if only she had a man with a strong member to be with.

  The only possibility was the white man, but before any coupling could take place she would have to get the white man out of Ahumado's scorpion pit and feed him something better than the young green corn.

  Xitla didn't know how she was going to do either thing until she remembered Lorenzo, a small caballero who was more skilled than anyone else at breaking horses. About a mile south of the cliff was a spot of bare, level ground, where Lorenzo took the young horses he worked with. There was a big post in the center of the clearing; often Lorenzo would leave the horses roped to the post for a day or two, so that they would have time to realize that he, not they, was in control. Lorenzo left a long rope tied to the snubbing post; perhaps it was still there. With such a rope she could help the white man get out of the pit.

  It was a gamble, though. Xitla knew it would take her all day to hobble to the post and back.

  There was an irritable old bear who lived somewhere down the canyon, and an old cougar too. If the old bear caught her he would probably eat her, which would put an end to her coupling, for sure.

  Still, Xitla decided to try and secure the rope. With all the people gone the old bear might come into camp and eat her anyway. In the early morning she lowered the white man some tortillas and a jug of water and set out for the place where Lorenzo trained his horses.

  By midday she regretted her decision. Her bent back pained her so badly that she could only hobble a few steps at a time. Xitla realized she could not go to the post and make it back to the camp by nightfall. The hunting animals would be out--the bear and the puma--if one of them smelled her they would kill her; the pumas in the great canyon were particularly bold. Several women had been attacked while waiting by the cliffso for their lovers to appear.

  All day, Xitla crept on, stopping frequently to rest and ease her back. She did not want to
be eaten by a puma or a bear. Long before she reached the spot where Lorenzo trained the horses the shadows had begun to fill the canyon.

  When she got to the place Xitla saw at once that she had not travelled in vain: the rope that was used to restrain the young horses was still tied to the hitching post. It was a good long rope, as she had remembered. She could tie one end to the skinning post and throw the other end to the white man, so that he could pull himself up. Maybe he would continue to sing his strange love song to her; maybe his member would rise up with the song.

  On the way back, though, hobbling slowly through the darkness with the coiled rope, Xitla felt a deep fear growing in her. At first she thought it was fear of the bear or the puma, but, as she crept along, pain from her back shooting down her leg, Xitla realized she had made a terrible mistake. She had allowed the white man's strange love song to drive judgment and reason out of her head; an old vanity and the memory of coupling had driven out her reason just as the shadows were driving the last light out of the canyon. Because she remembered a time when vaqueros would ride one hundred miles just to look on her beauty, she had forgotten that she was an old bent woman nearing the end of her time.

  Now that Xitla was caught in the darkness, far from camp, she realized that she had been a fool.

  What was it to couple with a man anyway? A little sweat, a jerk, a sigh. The pain shooting down her legs grew more intense. Now she had put herself at the mercy of Bear and Puma, that was bad; but now, as she crept along, a worse fear came, the fear of Ahumado. He was dying somewhere. Xitla knew he must have gone to the south, to their home, to seek the Tree of Medicines; but something was eating at his leg and he would not reach the tree. The pain in her leg came from Ahumado; perhaps Spider had bitten him, or Snake, or Scorpion. A poison was killing Ahumado; those who tasted the poison leaf died of poison when their time arrived. But Ahumado's time was Xitla's time too, and she would suffer it without even the protection of her little shelter at the camp. It was Ahumado who had made the prisoner show her his member and turn her head, Ahumado who had made the white man sing her love songs in the old tongue--perh the ^ws Scull used were in the language of the first human beings, ^ws which no one could resist. Because of it, she had been lured away, far from her little store of herbs and plants, things that might have helped her scare away Bear and Puma--all for a rope to save the white man, for a jerk and a sigh.

  Ahumado had made it all happen, so that, as he was dying, a death more cruel than his own would come to Xitla.

  She crawled faster, carrying the rope, although she knew well that such haste was foolish. Her fear grew so strong that she threw away the rope she had come so far to get. The rope was only another trick of Ahumado's; its loop was the loop of time that would close and catch her soon.

  It was all a joke of Ahumado's, Xitla realized. He had put the white man in the pit to tempt her, to awaken her loins again, to draw her away from camp, where she had herbs and leaves to protect her. She had the black leaves that made a bad smell when burned--if she put them in the fire, then Puma would let her alone.

  Puma did not like the smell the black leaves made when they were burned.

  Xitla was only halfway back to camp when the night began to end. She had travelled slowly; often she had to stop and rest. Now the light of day was beginning to whiten the sky overhead; when the light sank into the canyon Xitla saw something near the canyon wall, not far ahead. At first she thought it was Puma. She yelled and yelled at it, hoping to scare it away. Puma would sometimes run from people who yelled.

  It was not until the animal began to glide toward her that Xitla saw it wasn't Puma, it wasn't Bear: it was Jaguar. Around her neck she had a little red stone; the stone had hung around her neck all her life. The red stone was Parrot. Xitla clutched it in her hand as Jaguar came. Xitla knew that Jaguar would not stop for Parrot. Jaguar was coming to eat her.

  But Ahumado too was dying--dying of poison somewhere to the south. He would not reach the Tree of Medicines. Xitla clutched the red stone tight and sent a message to Parrot. She wanted Parrot to find the body of Ahumado and peck out his eyes.

  When Scull realized the old woman was no longer in the camp above him, he fell, for the first time, into raw panic, a kind of explosion of nerves that caused him to hop wildly around the floor of the pit, cursing and yelping out strange ^ws; he emitted cries and bursts of language as if he were farting fear out of his mouth.

  He became afraid of himself; if he could have bitten himself to death at that time, he would have. He leapt on top of the mound of earth he had heaped over the three corpses and sprang at the wall of the pit several times, hoping to claw his way out of it by main force.

  But it was hopeless. He could not leap out of the pit. When he exhausted himself he fell back, his eyes raw and stinging with the dirt that fell in them when he leapt at the walls of the pit.

  Scull tried to calm himself but could not stifle his panic. He knew the old woman's absence might be only temporary; perhaps she had had to hobble a little farther than usual to gather the corn she brought him. Perhaps she had even journeyed to another village, to bring back someone who would help him out of the pit. He used all his force of mind to try and find a rational reason why the old woman's absence was temporary, but it was no use; the panic was violent and strong, so strong that he could not stop hopping around the pit, gibbering, mewling, cursing. There were many reasons why the old woman might only be gone temporarily, but Scull could not calm himself even for a second by thinking of them. He knew the old woman was dead, she would never be back, and he was alone, in a stinking pit in Mexico. His heart was beating against his ribs so hard he thought it might burst, and hoped it would; or that the arteries of his brain would pop and bring him a quicker death than starving, day by day, amid the scorpions and fleas --for fleas were one of the worst torments of the pit.

  They were in his hair, his armpits, everywhere. If he sat still and focused he could see them hopping on his bare leg. From time to time, crazed, he tried to catch them and squeeze them to death, but they mostly eluded him.

  With the old woman there Scull could manage a little hope, but now his nerves told him all was lost. The old woman was dead; he was stuck.

  He knew he should resign himself, but for hours he was fired with panic, like a motor, a dynamo.

  He jumped and jumped; it was as if lightning ran through him. He could not make himself stop jumping; he saw himself soaring with one miraculous jump all the way up, out of the pit. He jumped and gibbered all day, until dusk.

  Then he collapsed. When the sunlight of a new day woke him, he was too drained to move.

  He still had a little water, and a few scraps of food, but he didn't drink or eat, not for several hours; then, in a rush, he choked down all the food, drank all the water. Though he knew there would be no more he didn't care to ration what there was. He wanted to put sustenance behind him. He had, he thought, fought well; he had held out against torturous circumstances longer than many a man of his acquaintance would have, excepting only his second cousin Ariosto Scull. But the fight was over. He had seen many men--generals, captains, privates, bankers, widowers--arrive at the moment of surrender. Some came to it quickly, after only a short sharp agony; others held to their lives far longer than was seemly. But finally they gave up. He had seen it, on the battlefield, in hospital, in the cold toils of marriage or the great houses of commerce; finally men gave up. He thought he would never have to learn resignation, but that was hubris.

  It was time to give up, to stop fighting, to wait for death to ease in.

  Now he even regretted killing all the rattlesnakes. He should have left one or two alive. He could have provoked one or two to strike him; while not as rapid as the bite of the fer-de-lance that had killed his cousin Willy in a matter of seventeen minutes, three or four rattlesnake bites would probably be effective enough. Scull even went over and examined the dead snakes, thinking there might be a way to inject himself with the venom; it would ensure
a speedier end. But he had beaten the snakes until their heads were crushed and their fangs broken; anyway, the venom must have long since dried up.

  After his day of hopping and jumping, raging and gibbering, clawing at the walls and spewing fragments of old orations and Greek verse, Inish Scull settled himself as comfortably as he could against the wall of the pit and did nothing. He wished he had the will to stop his breath, but he didn't. Whether he wanted it or not, his breath came. It was a bright day; to look up at all with his lidless eyes was to invite the sun into his brain. Instead, he kept his head down. His hair was long enough to make a fair shade. He wanted to let go the habit of fighting, to die in calmness. He remembered again the Buddhist, sitting calmly in his orange robes by the Charles River. He had no orange robes, he was not a Buddhist, he was a Scull, Captain Inish Scull. He thought he had fought well in every war he had been able to find, but now was the day of surrender, the day when he had to snap the sword of his will, to cease all battling and be quiet, be calm; then, finally, would come the moment when his breath would stop.

  Call and Gus were moving cautiously into the canyon of the Yellow Cliffso when a great bird rose suddenly from behind a little cluster of desert mesquite. Five more rose as well, great bald vultures, so close to the two men that their horses shied.