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    Further Chronicles of Avonlea

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    with her lovely hair hanging down over my arm, and my

      heart aching so for her that it hurt bitter. She didn't

      feel as bad as I did, because she'd made up her mind

      what to do and was resigned. She was going to marry

      Mark Foster, but her heart was in France, in that grave

      nobody knew of, where the Huns had buried Owen Blair -

      if they had buried him at all. And she went over all

      they had been to each other, since they were mites of

      babies, going to school together and meaning, even

      then, to be married when they grew up; and the first

      words of love he'd said to her, and what she'd dreamed

      and hoped for. The only thing she didn't bring up was

      the time he thrashed Mark Foster for bringing her

      apples. She never mentioned Mark's name; it was all

      Owen - Owen - and how he looked, and what might have

      been, if he hadn't gone off to the awful war and got

      shot. And there was me, holding her and listening to it

      all, and her stepma sleeping sound and triumphant in

      the next room.

      When she had talked it all out she lay down on her

      pillow again. I got up and went downstairs to light the

      fire. I felt terrible old and tired. My feet seemed to

      drag, and the tears kept coming to my eyes, though I

      tried to keep them away, for well I knew it was a bad

      omen to be weeping on a wedding day.

      Before long Isabella Clark came down; bright and

      pleased-looking enough, she was. I'd never liked

      Isabella, from the day Phillippa's father brought her

      here; and I liked her less than ever this morning. She

      was one of your sly, deep women, always smiling smooth,

      and scheming underneath it. I'll say it for her,

      though, she had been good to Phillippa; but it was her

      doings that my dearie was to marry Mark Foster that

      day.

      "Up betimes, Rachel," she said, smiling and speaking me

      fair, as she always did, and hating me in her heart, as

      I well knew. "That is right, for we'll have plenty to

      do to-day. A wedding makes lots of work."

      "Not this sort of a wedding," I said, sour-like. "I

      don't call it a wedding when two people get married and

      sneak off as if they were ashamed of it - as well they

      might be in this case."

      "It was Phillippa's own wish that all should be very

      quiet," said Isabella, as smooth as cream. "You know

      I'd have given her a big wedding, if she'd wanted it."

      "Oh, it's better quiet," I said. "The fewer to see

      Phillippa marry a man like Mark Foster the better."

      "Mark Foster is a good man, Rachel."

      "No good man would be content to buy a girl as he's

      bought Phillippa," I said, determined to give it in to

      her. "He's a common fellow, not fit for my dearie to

      wipe her feet on. It's well that her mother didn't live

      to see this day; but this day would never have come, if

      she'd lived."

      "I dare say Phillippa's mother would have remembered

      that Mark Foster is very well off, quite as readily as

      worse people," said Isabella, a little spitefully.

      I liked her better when she was spiteful than when she

      was smooth. I didn't feel so scared of her then.

      The marriage was to be at eleven o'clock, and, at nine,

      I went up to help Phillippa dress. She was no fussy

      bride, caring much what she looked like. If Owen had

      been the bridegroom it would have been different.

      Nothing would have pleased her then; but now it was

      only just "That will do very well, Aunt Rachel,"

      without even glancing at it.

      Still, nothing could prevent her from looking lovely

      when she was dressed. My dearie would have been a

      beauty in a beggarmaid's rags. In her white dress and

      veil she was as fair as a queen. And she was as good as

      she was pretty. It was the right sort of goodness, too,

      with just enough spice of original sin in it to keep it

      from spoiling by reason of over-sweetness.

      Then she sent me out.

      "I want to be alone my last hour," she said. "Kiss me,

      Aunt Rachel - Mother Rachel."

      When I'd gone down, crying like the old fool I was, I

      heard a rap at the door. My first thought was to go out

      and send Isabella to it, for I supposed it was Mark

      Foster, come ahead of time, and small stomach I had for

      seeing him. I fall trembling, even yet, when I think,

      "What if I had sent Isabella to that door?"

      But go I did, and opened it, defiant-like, kind of

      hoping it was Mark Foster to see the tears on my face.

      I opened it - and staggered back like I'd got a blow.

      "Owen! Lord ha' mercy on us! Owen!" I said, just like

      that, going cold all over, for it's the truth that I

      thought it was his spirit come back to forbid that

      unholy marriage.

      But he sprang right in, and caught my wrinkled old

      hands in a grasp that was of flesh and blood.

      "Aunt Rachel, I'm not too late?" he said, savage-like.

      "Tell me I'm in time."

      I looked up at him, standing over me there, tall and

      handsome, no change in him except he was so brown and

      had a little white scar on his forehead; and, though I

      couldn't understand at all, being all bewildered-like,

      I felt a great deep thankfulness.

      "No, you're not too late," I said.

      "Thank God," said he, under his breath. And then he

      pulled me into the parlor and shut the door.

      "They told me at the station that Phillippa was to be

      married to Mark Foster to-day. I couldn't believe it,

      but I came here as fast as horse-flesh could bring me.

      Aunt Rachel, it can't be true! She can't care for Mark

      Foster, even if she had forgotten me!"

      "It's true enough that she is to marry Mark," I said,

      half-laughing, half-crying, "but she doesn't care for

      him. Every beat of her heart is for you. It's all her

      stepma's doings. Mark has got a mortgage on the place,

      and he told Isabella Clark that, if Phillippa would

      marry him, he'd burn the mortgage, and, if she

      wouldn't, he'd foreclose. Phillippa is sacrificing

      herself to save her stepma for her dead father's sake.

      It's all your fault," I cried, getting over my

      bewilderment. "We thought you were dead. Why didn't you

      come home when you were alive? Why didn't you write?"

      "I did write, after I got out of the hospital, several

      times," he said, "and never a word in answer, Aunt

      Rachel. What was I to think when Phillippa wouldn't

      answer my letters?"

      "She never got one," I cried. "She wept her sweet eyes

      out over you. Somebody must have got those letters."

      And I knew then, and I know now, though never a shadow

      of proof have I, that Isabella Clark had got them - and

      kept them. That woman would stick at nothing.

      "Well, we'll sift that matter some other time," said

      Owen impatiently. "There are other things to think of

      now. I must see Phillippa."

      "I'll manage it for you," I
    said eagerly; but, just as

      I spoke, the door opened and Isabella and Mark came in.

      Never shall I forget the look on Isabella's face. I

      almost felt sorry for her. She turned sickly yellow and

      her eyes went wild; they were looking at the downfall

      of all her schemes and hopes. I didn't look at Mark

      Foster, at first, and, when I did, there wasn't

      anything to see. His face was just as sallow and wooden

      as ever; he looked undersized and common beside Owen.

      Nobody'd ever have picked him out for a bridegroom.

      Owen spoke first.

      "I want to see Phillippa," he said, as if it were but

      yesterday that he had gone away.

      All Isabella's smoothness and policy had dropped away

      from her, and the real woman stood there, plotting and

      unscrupulous, as I'd always know her.

      "You can't see her," she said desperate-like. "She

      doesn't want to see you. You went and left her and

      never wrote, and she knew you weren't worth fretting

      over, and she has learned to care for a better man."

      "I did write and I think you know that better than most

      folks," said Owen, trying hard to speak quiet. "As for

      the rest, I'm not going to discuss it with you. When I

      hear from Phillippa's own lips that she cares for

      another man I'll believe it - and not before."

      "You'll never hear it from her lips," said I.

      Isabella gave me a venomous look.

      "You'll not see Phillippa until she is a better man's

      wife," she said stubbornly, "and I order you to leave

      my house, Owen Blair!"

      "No!"

      It was Mark Foster who spoke. He hadn't said a word;

      but he came forward now, and stood before Owen. Such a

      difference as there was between them! But he looked

      Owen right in the face, quiet-like, and Owen glared

      back in fury.

      "Will it satisfy you, Owen, if Phillippa comes down

      here and chooses between us?"

     

      "Yes, it will," said Owen.

      Mark Foster turned to me.

      "Go and bring her down," said he.

      Isabella, judging Phillippa by herself, gave a little

      moan of despair, and Owen, blinded by love and hope,

      thought his cause was won. But I knew my dearie too

      well to be glad, and Mark Foster did, too, and I hated

      him for it.

      I went up to my dearie's room, all pale and shaking.

      When I went in she came to meet me, like a girl going

      to meet death.

      "Is - it - time?" she said, with her hands locked tight

      together.

      I said not a word, hoping that the unlooked-for sight

      of Owen would break down her resolution. I just held

      out my hand to her, and led her downstairs. She clung

      to me and her hands were as cold as snow. When I opened

      the parlor door I stood back, and pushed her in before

      me.

      She just cried, "Owen!" and shook so that I put my arms

      about her to steady her.

      Owen made a step towards her, his face and eyes all

      aflame with his love and longing, but Mark barred his

      way.

      "Wait till she has made her choice," he said, and then

      he turned to Phillippa. I couldn't see my dearie's

      face, but I could see Mark's, and there wasn't a spark

      of feeling in it. Behind it was Isabella's, all pinched

      and gray.

      "Phillippa," said Mark, "Owen Blair has come back. He

      says he has never forgotten you, and that he wrote to

      you several times. I have told him that you have

      promised me, but I leave you freedom of choice. Which

      of us will you marry, Phillippa?"

      My dearie stood straight up and the trembling left her.

      She stepped back, and I could see her face, white as

      the dead, but calm and resolved.

      "I have promised to marry you, Mark, and I will keep my

      word," she said.

      The color came back to Isabella Clark's face; but

      Mark's did not change.

      "Phillippa," said Owen, and the pain in his voice made

      my old heart ache bitterer than ever, "have you ceased

      to love me?"

      My dearie would have been more than human, if she could

      have resisted the pleading in his tone. She said no

      word, but just looked at him for a moment. We all saw

      the look; her whole soul, full of love for Owen, showed

      out in it. Then she turned and stood by Mark.

      Owen never said a word. He went as white as death, and

      started for the door. But again Mark Foster put himself

      in the way.

      "Wait," he said. "She has made her choice, as I knew

      she would; but I have yet to make mine. And I choose to

      marry no woman whose love belongs to another living

      man. Phillippa, I thought Owen Blair was dead, and I

      believed that, when you were my wife, I could win your

      love. But I love you too well to make you miserable. Go

      to the man love - you are free!"

      "And what is to become of me?" wailed Isabella.

      "Oh, you! - I had forgotten about you," said Mark, kind

      of weary-like. He took a paper from his pocket, and

      dropped it in the grate. "There is the mortgage. That

      is all you care about, I think. Good-morning."

      He went out. He was only a common fellow, but, somehow,

      just then he looked every inch the gentleman. I would

      have gone after him and said something but - the look

      on his face - no, it was no time for my foolish old

      words!

      Phillippa was crying, with her head on Owen's shoulder.

      Isabella Clark waited to see the mortgage burned up,

      and then she came to me in the hall, all smooth and

      smiling again.

      "Really, it's all very romantic, isn't it? I suppose

      it's better as it is, all things considered. Mark

      behaved splendidly, didn't he? Not many men would have

      done as he did."

      For once in my life I agreed with Isabella. But I felt

      like having a good cry over it all - and I had it. I

      was glad for my dearie's sake and Owen's; but Mark

      Foster had paid the price of their joy, and I knew it

      had beggared him of happiness for life.

      Chapter XV

      Tannis Of The Flats

      FEW people in Avonlea could understand why Elinor Blair

      had never married. She had been one of the most

      beautiful girls in our part of the Island and, as a

      woman of fifty, she was still very attractive. In her

      youth she had had ever so many beaux, as we of our

      generation well remembered; but, after her return from

      visiting her brother Tom in the Canadian Northwest,

      more than twenty-five years ago, she had seemed to

      withdraw within herself, keeping all men at a safe,

      though friendly, distance. She had been a gay, laughing

      girl when she went West; she came back quiet and

      serious, with a shadowed look in her eyes which time

      could not quite succeed in blotting out.

      Elinor had never talked much about her visit, except to

      describe the scenery and the life, which in that day

    >   was rough indeed. Not even to me, who had grown up next

      door to her and who had always seemed more a sister

      than a friend, did she speak of other than the merest

      commonplaces. But when Tom Blair made a flying trip

      back home, some ten years later, there were one or two

      of us to whom he related the story of Jerome Carey, - a

      story revealing only too well the reason for Elinor's

      sad eyes and utter indifference to masculine

      attentions. I can recall almost his exact words and the

      inflections of his voice, and I remember, too, that it

      seemed to me a far cry from the tranquil, pleasant

      scene before us, on that lovely summer day, to the

      elemental life of the Flats.

      The Flats was a forlorn little trading station fifteen

      miles up the river from Prince Albert, with a scanty

      population of half-breeds and three white men. When

      Jerome Carey was sent to take charge of the telegraph

      office there, he cursed his fate in the picturesque

      language permissible in the far Northwest.

      Not that Carey was a profane man, even as men go in the

      West. He was an English gentleman, and he kept both his

      life and his vocabulary pretty clean. But - the Flats!

      Outside of the ragged cluster of log shacks, which

      comprised the settlement, there was always a shifting

      fringe of teepees where the Indians, who drifted down

      from the Reservation, camped with their dogs and squaws

      and papooses. There are standpoints from which Indians

      are interesting, but they cannot be said to offer

      congenial social attractions. For three weeks after

      Carey went to the Flats he was lonelier than he had

      ever imagined it possible to be, even in the Great Lone

      Land. If it had not been for teaching Paul Dumont the

      telegraphic code, Carey believed he would have been

      driven to suicide in self-defense.

      The telegraphic importance of the Flats consisted in

      the fact that it was the starting point of three

      telegraph lines to remote trading posts up North. Not

      many messages came therefrom, but the few that did come

      generally amounted to something worth while. Days and

      even weeks would pass without a single one being

      clicked to the Flats. Carey was debarred from talking

      over the wires to the Prince Albert man for the reason

      that they were on officially bad terms. He blamed the

      latter for his transfer to the Flats.

      Carey slept in a loft over the office, and got his

      meals as Joe Esquint's, across the "street." Joe

      Esquint's wife was a good cook, as cooks go among the

      breeds, and Carey soon became a great pet of hers.

      Carey had a habit of becoming a pet with women. He had

      the "way" that has to be born in a man and can never be

      acquired. Besides, he was as handsome as clean-cut

      features, deep-set, dark-blue eyes, fair curls and six

      feet of muscle could make him. Mrs. Joe Esquint thought

      that his mustache was the most wonderfully beautiful

      thing, in its line, that she had ever seen.

      Fortunately, Mrs. Joe was so old and fat and ugly that

      even the malicious and inveterate gossip of skulking

      breeds and Indians, squatting over teepee fires, could

      not hint at anything questionable in the relations

      between her and Carey. But it was a different matter

      with Tannis Dumont.

      Tannis came home from the academy at Prince Albert

      early in July, when Carey had been at the Flats a month

      and had exhausted all the few novelties of his

      position. Paul Dumont had already become so expert at

      the code that his mistakes no longer afforded Carey any

      fun, and the latter was getting desperate. He had

      serious intentions of throwing up the business

      altogether, and betaking himself to an Alberta ranch,

      where at least one would have the excitement of roping

      horses. When he saw Tannis Dumont he thought he would

      hang on awhile longer, anyway.

      Tannis was the daughter of old Auguste Dumont, who kept

      the one small store at the Flats, lived in the one

      frame house that the place boasted, and was reputed to

      be worth an amount of money which, in half-breed eyes,

      was a colossal fortune. Old Auguste was black and ugly

     
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