B Is for Burglar

  I reached the Grices' house and pulled up across the street, taking a moment to study the house and yard. In the darkness, the fire damage was hidden, but the place still exuded that aura of ruin and abandonment. There was no sign of the car out front. No lights anywhere in the house. No pedestrians on the street.

  I left the keys in the ignition and got out of the car, leaving the door ajar. I wanted to be able to ease back in and take off without a lot of fumbling around, if it came to that. I opened the trunk and took out the tools I thought I'd need. As soon as I determined that nobody was coming, I crossed the street and cut through the Grices' side yard.

  I moved quietly along the walk, surveying windows as I passed. Most of the windows at the front of the house had been broken out by the fire and boarded back up again, but there were two near the back of the house that were still intact. I chose one and jimmied it open. It was pitch-black, and the neighborhood was quiet except for crickets chirring in the grass. I knew I should give myself an escape route, but I couldn't take the chance. If the two of them showed up, they'd spot any open windows or doors. I'd just have to work fast and hope my guess about the murder weapon was correct. I didn't have time for mistakes.

  I climbed into the kitchen and pulled the window shut. The floor crackled with broken glass as I passed through. My flashlight streaked across blackened doorframes, smoke-tinged walls, into a hallway dense with shadow. I held my breath, listening. The silence was flat, one-dimensional. The electricity was turned off and I missed the soft hum of machinery. No refrigerator, no furnace, no wall clock, no water heater ticking from the other room. Some vague phrase about the silence of the tomb came to mind, but I pushed it away.

  I moved forward, startled as a shard of glass popped underfoot. Was someone moving around upstairs? I swung the light across the ceiling, half expecting footsteps to appear up there like visible dents. The imagination has primitive, cartoonlike qualities, as any child can testify. I moved again. There was some illumination farther on, a pale light spilling in from the house next door. I paused at the window that looked directly into the living room across the way. Mr. Snyder was watching a television show, images flickering silently. The only other window on this side of the house was a small one just off the kitchen near the rear. I had a theory now about the banging May Snyder heard that night and I was about to test it out. I glanced toward the room where she slept, but it was already dark. I wondered if that's what old age is about – sleeping longer and longer hours until one day you simply don't bother to wake.

  I ran my fingers along the window frame, shining the light across the fire-warped paint, a shriveled and puckered white, like dead skin. I could see where the wood had been damaged before. I could see where it had been secured with nails again: bang-bang-bang. I propped the flashlight on the window sill. It took me a few minutes to get the flashlight angled properly so I could see what I was doing and still have both hands free to work. I edged the narrow curve of the crowbar into the window frame and pried it loose with a crack so deafening it made my heart skip. I believed Elaine had been killed with a sash weight that had been tucked back in the window frame and nailed into place. The notion had come to me in one of those flashes of insight when I heard the weights in my own bathroom window thump dully against the studs.

  It was nice. It had a certain domestic tidiness about it that Marty must have liked. If the house had burned down entirely that night, then who would ever have figured it out? The bulldozers would have mowed down what was left of the house, rubble loaded into high-siders, hauled off to the dump. Even now, even as it was, who was going to know? In a way, she was foolish to come back for it. Why not just leave it where it was? She was being pushed into a panic, probably anxious to tie up loose ends so that she could feel safe wherever she went. They might catch her, but what could they prove? The murder weapon probably had her prints all over it. Maybe it still bore strands of Elaine's hair or fragments of broken teeth and bones, microscopic particles of flesh. I wondered what she planned to do with the grisly thing. Bury it somewhere perhaps... toss it off the end of a pier. I jammed a big screwdriver into the tight crack between the framing and the strip of wood that held it in place. Window parts must have names, I thought, but I didn't know what they were. I was just imitating Becky's carpentry. The result was the same. I had the frame dismantled, exposing both sets of weights, the cord connecting them, and the pulleys that regulated the raising and lowering of the sash. I hauled both sets into view, four weights all together, careful not to touch anything. Shit, prints weren't going to show up on these things. The metal was covered with a thin film of sawdust and grime. Moisture in the wall had generated so much rust that any latent prints had probably been obliterated now. It wasn't going to help that six months had passed. Flecks of dried blood would still show up on a microscopic exam, but I wasn't sure what else. I shone the flashlight along the sash. At the tip were two glinting blond hairs caught in a knot of dark brown. I could feel my lips purse with distaste. I eased a small plastic Baggie over the tip and secured it with tape. I advanced the blade in the utility knife I'd brought with me and slashed through the cords, clanging the weights together inadvertently as I lowered them into a big plastic bag. Lieutenant Dolan and his trusty crime-scene crew would have fits if they saw me manhandling evidence this way, but I didn't have any choice. I tossed the utility knife in the plastic bag along with the rest of my tools, plastic rustling with my every move – which is why I didn't hear Leonard and Marty until they had already reached the back steps.

  Chapter 26

  * * *

  The key rattled in the lock and my head whipped up. Fear shot through me like a jolt of electricity and my heart started thudding so hard it made my whole neck pulse. My single advantage was that I knew about them before they knew about me. I snatched up the flashlight, tucking the plastic-wrapped packet of weights under my arm. I was already on the move, assessing my options with a brain that felt slow and cold, as though plunged in an icy surf. My temptation was to head up to the second floor, but I scotched the impulse. There was no cover up there and no access to the roof.

  I eased to my left, toward the kitchen, my hearing opened to the full. I could pick up low conversational tones out there. They were probably trying to get their bearings just shining a flashlight here and there. If Marty hadn't been in the house since the night of the fire, she might be reacting to the damage, momentarily repelled as I had been by the charring, decay, and ruin. They hadn't figured it out yet, but soon they would. The minute they saw that window frame, they'd start looking for me.

  The basement door was ajar, a vertical black slot against the gloom of the hallway. I allowed myself one flicker of light from the flashlight and slipped through the crack, descending as quickly as I could without making noise. I knew the slanted basement doors leading out to the side yard were padlocked shut, but at least I'd find someplace to hide down there. I hoped.

  Down I went, pausing at the bottom of the stairs so that I could orient myself. Above me, I heard the snap and crunch of footsteps. It was pitch-bloody-black where I was. It felt like the darkness was lying on the surface of my eyes, a thick, black mask that no light could penetrate. I had to risk the flashlight again. Even after so short a time, I felt myself recoil from the glare, turning my head abruptly to shield my eyes. I blinked, willing my eyes to adapt. Oh God, how was I going to get out of this?

  I did a quick search, raking the beam in a 360-degree arc. I had to hide the sash weights and there wasn't much time. They might catch me, but I didn't want them to get their hands on the murder weapon, which is exactly what they'd come to fetch. I crossed to the furnace which stood massive and dead, looking somehow as ominous as a tank down there. I eased the door open and shoved the weights in, jamming the packet down between the outer wall and the housing for the gas jets. The hinge gave a harsh shriek as I pushed the door shut. I froze, glancing up automatically, as though I might make a visual assessment of how far the sound had carri
ed.

  Silence overhead. They had to be in the hall by now, had to have seen the damage I'd left. Now they were listening for me as I listened for them. In the dark of an old house like this, sound can be as deceptive as the voice of a ventriloquist.

  Frantically, I scanned for someplace to hide. Every nook and cranny I spotted was too small or too shallow to do me any good. Overhead, a floorboard creaked. It wasn't going to take them long. There were two of them. They'd split up. One would go upstairs and one would come down.

  I cut left, tiptoeing across the basement to the short concrete stairwell that led to the outside world. I crouched and crept upward, squeezing into the narrow space at the top. My hunched back was right up against the wood doors, my legs drawn up under me. With the electricity shut down in the house, they'd be forced to search by flashlight and maybe they'd miss me. I hoped I'd be hard to spot wedged up here, but I couldn't be sure. In the meantime, the only thing that separated me from freedom was that slanted expanse of wood at my back. I could smell the damp night air through the cracks. The sweet scent of the jasmine near the house blended unpleasantly with the musk of soot and old paint. My heart was pounding in my chest, anxiety flying through me with such force that my lungs hurt. I held the flashlight like a club and stilled my breathing to some infinitesimal sibilance.

  I became aware of a hard knot pressing into my thigh. Car keys. I shifted my weight, extending my right leg with care, reluctant to allow so much as a whisper of tennis shoe on gritty concrete step. I placed the flashlight ever so carefully on the stair below me and inched the keys out, holding onto the bunch to prevent their jingling together. Attached to my key ring was a small ornamental metal disk, maybe the size of a fifty-cent piece with no rim, the closest thing to a tool I had access to at this point. I thought with longing of the utility knife, the crowbar, and hammer wrapped in plastic and wedged down in the furnace along with the weights. I ran my left hand up along the wood just above my head, feeling for the hinge. It was shaped like an airplane wing, maybe six inches long, and flat. The screws protruded unevenly, some loosened with age, some gone.

  I tried using the edge of the disk like a screwdriver, but the heads of the screws had been painted over and the groove was too shallow now to afford any leverage. I hunched, pushing up. I sensed a little give. Hands shaking with hope, I sorted through the keys, picking out the VW key, which was longer than the rest. I eased it between the hinge and the wood and applied a slight pressure. The hinge yielded a bit. If I could work a little slack into the hinge, maybe the door could be forced up and wrenched free. I pried at it, pressing my lips tight to keep from wheezing with the effort.

  I paused. All I could hear was my own breathing, labored now as I struggled to loosen the hinge. The wood was pine, old and rotting and soft. I shifted my weight again, trying to give myself more room to work. The basement door creaked.

  I heard the soft scratch of a shoe on the basement stair.

  And then I heard the panting and I knew who it was. Slowly I turned my head to the right. I could see the dim yellow glow from a flashlight, one of those big jobs the size of a lunchbox, throwing out a wide square beam of light. The batteries were weak, washing back only pale illumination. Even so, I recognized the woman I'd met in Florida. Pat Usher... Marty Grice. She wasn't looking good. The tawny hair seemed lifeless and her eyes were in deep shadow, cheekbones exaggerated by the angle of the light. She swung the beam to the far wall. I held my breath, wondering if there was any chance whatever she'd bypass my hiding place. She moved out of my line of sight for a moment. I didn't dare move. The tension made my bones ache. I could feel my legs start to shake, that uncontrollable trembling made up of stress and muscle cramp and the need to move. It was the drive toward flight turned inward, my body locked in place with no hope of relief. The flashlight beam made a slow turn in my direction, illuminating item by item everything in its path. She was going to pick me up any second and I did the only thing I could. I launched myself upward like a surfacing whale, pushing the locked doors with such force that they nearly sprung apart. I simply didn't have enough purchase and she was too quick. I strained, shoving upward again.

  She must have crossed the room like a shot. My upward motion had taken me almost into an upright position, the doors bulging outward with a cracking sound. My feet were snatched out from under me and I went down, cracking my head on the concrete step. Her flashlight had careened off to one side, its fading beam aimed ineffectually now at the wall, the light as pointless as a television picture after sign-off. In the thick dark of the basement, there was just enough illumination to work to my disadvantage.

  I scrambled sideways, pushing to my feet again. She flew at me, nearly climbing my frame, her arms locked around my head. I staggered backward, thrown off-balance by the sudden weight. I tried to heave her sideways, skinning her off by bashing with her into the stairs. She was on me like an octopus-tentacles, suckers, and ravaging mouth. I was going down. I tried driving into her with my elbow, but there was no way to connect with enough force to do her any harm. I got one hand up, grabbing her by the hair, tucking forward abruptly so that her own weight carried her to the concrete with a soft grunt.

  I caught a quick impression of weaponry, warned by a whistling sound, but not soon enough to duck. I heard a sickening crack on impact. She'd come up with what looked like an ax handle, wielded with such force that I felt no pain at all at first. It was like that interval between lightning and thunder, and I wondered if there was some way to gauge the intensity of pain by how many seconds it took to register on the uncomprehending brain. The ax handle came whistling up at me again, and this time I got a hand up, protecting my face, taking the blow on my forearm. I didn't even associate the cracking sound with the pain that shuddered up my frame. My mouth came open, but no sound emerged. She drove down at me again, her eyes bright, her mouth pulled back in something that would pass for a smile among lunatics.

  I hunched, taking the blow on the shoulder this time. The pain was like heat licking up my side. My fingers closed around the handrail. I hung on to the stairs for dear life. A bright cloud was reducing my vision to a pinpoint, and I knew once the aperture closed I was dead. I sucked air in, shaking my head, noting with relief that the dark flooded back.

  I pulled my right fist back. With a low cry, I pushed off, driving forward with everything I had. I connected, and the blow rang all the way back down my arm. I felt the pain arc from my battered knuckles to her face, and she made a low sound I liked. She staggered back and I launched myself at her, getting a headlock on her that closed her throat. I swung her sideways, keeping her off-balance, moving backward at the same time so she couldn't get her feet under her. She was being hanged by the force of her own weight. I braced myself then and concentrated on narrowing the V of my arm where her neck was caught. I heard a loud pop, and for a moment, I thought I'd broken her neck. She sagged to the floor. I released my hold to keep from being pulled down on top of her. I looked down at her blankly and then looked up. Leonard was standing there with a .22 that was now aimed at me.

  Marty was wheezing. "You shot me, you fool." Her voice was hoarse.

  Leonard's gaze shifted to her with dumb amazement.

  I stepped back. The slug had caught her in the side; not a fatal wound but one that had taught her a little respect. She was on her knees, clutching at herself. She hurt and she made little mews of outrage and pain.

  I was winded, still heaving for air, but I felt the strange exhilaration of victory. I had almost killed her. I'd been seconds away from converting her live body to a quite corpselike state. Leonard couldn't shoot straight, so he'd felled her himself, thus spoiling the fun, but the battle had been mine. I wanted to laugh, until I caught the look on his face.

  The craziness that had consumed me for the last few minutes drained away, and I realized my troubles were starting all over again. I was dead on my feet. Somehow, I'd taken a. blow right across the mouth and I was tasting blood. I felt gingerly to
see if a tooth was broken, but everything seemed to be intact. It was a dumb time to worry about the possibility of a cap, but that's what I did.

  I was trying to pay attention, but it was very hard. I had this weird desire to grovel around on the floor with Marty, the two of us snuffling like wounded animals looking for a way to crawl off and hide. I would have to go after Leonard soon. Already too much time had passed, and I knew I was losing ground.

  He was staring at me without expression. I didn't know how to read him anyway.

  "Come on, Leonard. Let's pack it in."

  He said nothing. I tried to keep my tone conversational, as if I spent part of every day talking guys out of shooting me dead.

  "I'm tired and it's late. Let's go home. She needs help."

  Wrong move. Marty seemed to rouse herself, focusing on him. She didn't represent any kind of threat at this point, but he was teetering on the brink, maybe testing, as I had, the odd new sensation that death-dealing brought.

  "Shoot the bitch," she gasped at him. "Shoot!"

  I used every last ounce of strength I had, pulling myself together. He fired at me as I moved forward, but by then I was carried along by my own momentum. I yelled, "No!" and kicked him in the kneecap so hard I heard it crack. He dropped, warbling with pain like some kind of weird songbird. The gun skittered off across the floor. I thought Marty would try for it, but she only stared, making no move at all as I bent to retrieve it. I released the cylinder and popped it out. There were four more live rounds in the chamber. I snapped it back and made sure the safety was off, turning so that I could keep them both in my line of fire. Leonard was sitting up now, rocking back and forth. He looked at me with momentary venom.

  I extended the gun, aiming at his face. "I'll kill your ass if you move, Leonard. I've had a lot of practice of late and I'll drill you right between the eyes."