Blind Willow, Sleeping Woman

  She herself was not particularly fond of opera. “I don’t hate it,” she said. “It’s just too long.”

  Next to the record shelves stood a very impressive stereo set. Its big, foreign-made tube amp hunched down heavily, waiting for orders like a well-trained crustacean. There was no way to prevent it from standing out among the room’s other, more modest furnishings. It had a truly exceptional presence. One’s eyes could not help fixing on it. But he had never once heard it producing sound. She had no idea where to find the power switch, and he never thought to touch the thing.

  “There’s nothing wrong at home,” she told him—any number of times. “My husband is good to me, I love my daughter, I think I’m happy.” She sounded calm, even serene, as she said this, without a hint that she was making excuses for her life. She spoke of her marriage with complete objectivity, as though discussing traffic regulations or the international date line. “I think I’m happy, there’s nothing wrong.”

  So why the hell is she sleeping with me? he wondered. He gave it lots of thought but couldn’t come up with an answer. What did it even mean for there to be “something wrong” with a marriage? He sometimes thought of asking her directly, but he didn’t know how to start. How should he say it? “If you’re so happy, why the hell are you sleeping with me?” Should he just come out with it like that? He was sure it would make her cry, though.

  She cried enough as it was. She would cry for a long, long time, making tiny sounds. He almost never knew why she was crying. But once she started, she wouldn’t stop. Try and comfort her as he might, she would not stop crying until a certain amount of time had gone by. In fact, he didn’t have to do anything at all; once a certain amount of time had gone by, her crying would come to an end. Why were people so different from one another? he wondered. He had been with any number of women, all of whom would cry, or get angry, each in her own special way. They had points of similarity, but those were far outnumbered by the differences. It seemed to have nothing to do with age. This was his first experience with an older woman, but the difference in age didn’t bother him as much as he had expected it to. Far more meaningful than age differences, he felt, were the different tendencies that each individual possessed. He couldn’t help thinking that this was an important key for unlocking the riddle of life.

  After she finished crying, usually, the two of them would make love. Only after crying would she be the one to initiate it. Otherwise, he had to be the one. Sometimes she would refuse him. Without a word, she would shake her head. Then her eyes would look like white moons floating at the edge of a dawn sky—flat, suggestive moons that shimmered at the single cry of a bird at dawn. Whenever he saw her eyes looking like that, he knew there was nothing more he could say to her. Rejected, he felt neither anger nor displeasure. That’s how it goes, he thought, nothing more. Sometimes it even made him feel relieved deep inside. They would sit at the kitchen table, drinking coffee, chatting quietly. They spoke in fragments most of the time. Neither was a great talker, and they had little in common to talk about. He could never remember what it was that they had been saying, just that it had been in little pieces. And all the while, one commuter train after another would go past the window.

  Their lovemaking was always something hushed and tranquil. It had nothing that could properly be called the joys of the flesh. Of course it would be false to say that they knew nothing of the pleasure that obtains when a man and a woman join their bodies. But mixed with this were far too many other thoughts and elements and styles. It was different from any sex he had experienced before. It made him think of a small room—a nice, neat room that was a comfortable place to be. It had strings of many colors hanging from the ceiling, strings of different shapes and lengths, and each string, in its own way, sent a thrill of enticement through him. He wanted to pull one, and the strings wanted to be pulled by him. But he didn’t know which one to pull. He felt that he might pull a string and have a magnificent spectacle open up before his eyes, but that, just as easily, everything could be ruined in an instant. And so he hesitated, and while he lingered in confusion another day would end.

  The strangeness of this situation was almost too much for him. He believed that he had lived his life with his own sense of values. But when he was in this room, hearing the trains go by and holding the silent older woman in his arms, he couldn’t help but feel that he was wandering through chaos. Again and again he would ask himself, “Am I in love with her?” But he could never reach an answer with complete conviction. All he could understand were the colored strings hanging from the little room’s ceiling. They were right there.

  When this strange lovemaking ended, she would always glance at the clock. Lying in his arms, she would avert her face slightly and look at the black clock radio by the head of the bed. In those days, clock radios didn’t have lighted digital displays but little numbered panels that would flip over with a tiny click. When she looked at the clock, a train would pass the window. It was strange: whenever she looked at the clock, without fail there would be the sound of a train going by. It was like a predestined conditioned reflex: she would look; a train would go by.

  She was checking the clock to make sure it was not time for her four-year-old daughter to be coming home from kindergarten. He had happened to catch a glimpse of the girl exactly once. She seemed to be a sweet little child. That was the only impression she left him with. He had never seen the opera-loving husband who worked for a travel bureau. Fortunately.

  It was an afternoon in May when she first asked him about his talking to himself. She had cried that day—again. And then they had made love—again. He couldn’t recall what had made her cry. She had probably just felt like crying. He sometimes wondered if she had become involved with him just so that she could cry in someone’s arms. Maybe she can’t cry alone, and that’s why she needs me.

  That day she locked the door, closed the curtains, and brought the telephone next to the bed. Then they joined their bodies. Gently, quietly, as always. The doorbell rang, but she ignored it. It seemed not to startle her at all. She shook her head as if to say, “Never mind, it’s nothing.” The bell rang several more times, but soon the person gave up and went away. Just as she had said, it was nothing. Maybe a salesman. But how could she know? he wondered. A train rumbled by now and then. A piano sounded in the distance. He vaguely recognized the melody. He had heard it once, long ago, in music class, but he couldn’t recall it exactly. A vegetable seller’s truck clattered by out front. She closed her eyes, inhaled deeply, and he came—with the utmost gentleness.

  He went to the bathroom for a shower. When he came back drying himself with a bath towel, he found her lying facedown in bed with her eyes closed. He sat down next to her and, as always, caressed her back as he let his eyes wander over the titles of the opera records.

  Soon she left the bed, got properly dressed, and went to the kitchen to make coffee. It was a short time later that she asked him, “Is that an old habit, the way you talk to yourself like that?”

  “Like what?” She had taken him off guard. “You mean, while we’re…?”

  “No no. Not then. Just anytime. Like, when you’re taking a shower, or when I’m in the kitchen and you’re by yourself, reading the newspaper kind of thing.”

  “I had no idea,” he said, shaking his head. “I never noticed. I talk to myself?”

  “You do. Really,” she said, toying with his lighter.

  “It’s not that I don’t believe you,” he said, the discomfort of it affecting his voice. He put a cigarette in his mouth, took the lighter from her hand, and used it to light up. He had started smoking Seven Stars a short time earlier. It was her husband’s brand. He had always smoked Hope regulars. Not that she had asked him to switch to her husband’s brand; he had thought of taking the precaution himself. It would just make things easier, he had decided. Like on the TV melodramas.

  “I used to talk to myself a lot, too,” she said. “When I was little.”

  “Oh,
really?”

  “But my mother made me stop. ‘A young lady does not talk to herself,’ she used to say. And whenever I did it, she got so angry! She’d lock me in a closet—which, for me, was about the scariest place I could imagine—all dark and moldy-smelling. Sometimes she’d smack me on the knees with a ruler. It worked. And it didn’t take very long. I stopped talking to myself—completely. Not a word. After a while, I couldn’t have done it if I had wanted to.”

  He couldn’t think of anything to say to this, and so he said nothing. She bit her lip.

  “Even now,” she said, “if I feel I’m about to say something, I just swallow my words. It’s like a reflex. Because I got yelled at so much when I was little. But, I don’t know, what’s so bad about talking to yourself? It’s natural. It’s just words coming out of your mouth. If my mother were still alive, I almost think I’d ask her, ‘What’s so bad about talking to yourself?’”

  “She’s dead?”

  “Uh-huh. But I wish I had gotten it straight with her. I wish I had asked her, ‘Why did you do that to me?’”

  She was playing with her coffee spoon. She glanced at the clock on the wall. The moment she did that, a train went by outside.

  She waited for the train to pass. Then she said, “I sometimes think that people’s hearts are like deep wells. Nobody knows what’s at the bottom. All you can do is imagine by what comes floating to the surface every once in a while.”

  Both of them thought about wells for a little while.

  “What do I talk about when I talk to myself?” he asked. “For example.”

  “Hmm,” she said, slowly shaking her head a few times, almost as if she were discreetly testing the range of movement of her neck. “Well, there’s airplanes…”

  “Airplanes?”

  “Uh-huh. You know. They fly through the sky.”

  He laughed. “Why would I talk to myself about airplanes, of all things?”

  She laughed, too. And then, using her index fingers, she measured the length of an imaginary object in the air. This was a habit of hers. One that he had picked up.

  “You pronounce your words so clearly, too. Are you sure you don’t remember talking to yourself?”

  “I don’t remember a thing.”

  She picked up the ballpoint pen lying on the table, and played with it for a few seconds, but then she looked at the clock again. It had done its job: in the five minutes since her last look, it had advanced five minutes’ worth.

  “You talk to yourself as if you were reciting poetry.”

  A hint of red came into her face as she said this. He found this odd: why should my talking to myself make her turn red?

  He tried out the words in rhythm: “I talk to myself / Almost as if / I were reciting / Po-e-try.”

  She picked up the pen again. It was a yellow plastic ballpoint pen with a logo marking the tenth anniversary of a certain bank branch.

  He pointed at the pen and said, “Next time you hear me talking to myself, take down what I say, will you?”

  She stared straight into his eyes. “You really want to know?”

  He nodded.

  She took a piece of notepaper and started writing something on it. She wrote slowly, but she kept the pen moving, never once resting or getting stuck for a word. Chin in hand, he looked at her long eyelashes the whole time. She would blink once every few seconds at irregular intervals. The longer he looked at them—these lashes which, until a few moments ago, had been wet with tears—the less he understood: what did his sleeping with her really mean? A strange sense of loss overtook him, as if one part of a complex system had been stretched and stretched until it became terribly simple: I might never be able to go anywhere else again. When this thought came to him, the horror of it was almost more than he could bear. His being, his very self, was going to melt away. Yes, it was true: he was as young as newly formed mud, and he talked to himself as if reciting poetry.

  She stopped writing and thrust the paper toward him across the table. He reached out and took it from her.

  In the kitchen, the afterimage of some great thing was holding its breath. He often felt the presence of this afterimage when he was with her: the afterimage of a thing that had been lost. Something of which he had no memory.

  “I know it all by heart,” she said. “This is what you said to yourself about airplanes.”

  He read the words aloud:

  Airplane

  Airplane flying

  I, on the airplane

  The airplane

  Flying

  But still, though it flew

  The airplane’s

  The sky?

  “All of this?!” He was stunned.

  “Uh-huh, the whole thing,” she said.

  “Incredible! I can’t believe I said all this to myself and don’t remember any of it.”

  She gave her lower lip a little bite and flashed a tiny smile. “You did, though, just like that.”

  He let out a sigh. “This is too weird. I’ve never once thought about airplanes. I have absolutely no memory of this. Why, all of a sudden, would an airplane come popping out?”

  “I don’t know, but that is exactly what you were saying before in the shower. You may not have been thinking about airplanes, but somewhere deep in a forest, far away, your heart was thinking about them.”

  “Who knows? Maybe somewhere deep in a forest I was making an airplane.”

  With a small thunk, she set the ballpoint pen on the table, then raised her eyes and stared at him.

  They remained silent for some time. The coffee in their cups clouded up and grew cold. The earth turned on its axis while the moon imperceptibly shifted the force of gravity and turned the tides. Time flowed on in silence, and trains passed over the rails.

  He and she were thinking about the very same thing: an airplane. The airplane that his heart was making deep in the forest. How big it was, and its shape, and the color of its paint, and where it was going, and who would board it. They thought about the airplane that was waiting for someone deep in the forest.

  She cried again soon after that. This was the very first time that she had cried twice in the same day. It was also the last. It was a special thing for her. He reached across the table and touched her hair. There was something tremendously real about the way it felt. Like life itself, it was hard and smooth, and far away.

  Yes, he thought: in those days, I used to talk to myself as if reciting poetry.

  —TRANSLATED BY JAY RUBIN

  THE MIRROR

  All the stories you’ve been telling tonight seem to fall into two categories. There’s the type where you have the world of the living on one side, the world of death on the other, and some force that allows a crossing-over from one side to the other. This would include ghosts and the like. The second type involves paranormal abilities, premonitions, the ability to predict the future. All of your stories belong to one of these two groups.

  In fact, your experiences tend to fall almost totally under one of these categories or the other. What I mean is, people who see ghosts just see ghosts and never have premonitions. And those who have premonitions don’t see ghosts. I don’t know why, but there would appear to be some individual predilection for one or the other. At least that’s the impression I get.

  Of course some people don’t fall into either category. Me, for instance. In my thirty-odd years I’ve never once seen a ghost, never once had a premonition or prophetic dream. There was one time I was riding an elevator with a couple of friends and they swore they saw a ghost riding with us, but I didn’t see a thing. They claimed there was a woman in a gray suit standing right next to me, but there wasn’t any woman with us, at least as far as I could make out. The three of us were the only ones in the elevator. No kidding. And these two friends weren’t the type to deliberately play tricks on me. The whole thing was really weird, but the fact remains that I’ve still never seen a ghost.

  But there was one time—just the one time—when I had an ex
perience that scared me out of my wits. This happened over ten years ago, and I’ve never told anybody about it. I was afraid to even talk about it. I felt that if I did, it might happen all over again, so I’ve never brought it up. But tonight each of you has related his own scary experience, and as the host I can’t very well call it a night without contributing something of my own. So I’ve decided to just come right out and tell you the story. Here goes.

  I graduated from high school at the end of the 1960s, just when the student movement was in full swing. I was part of the hippie generation, and refused to go to college. Instead, I wandered all over Japan working at various manual labor jobs. I was convinced that was the most righteous way to live. Young and impetuous, I guess you’d call me. Looking back on it now, though, I think I had a pretty fun life back then. Whether that was the right choice or not, if I had it to do over again, I’m pretty sure I would.

  In the fall of my second year of roaming all over the country, I got a job for a couple of months as a night watchman at a junior high school. This was in a school in a tiny town in Niigata Prefecture. I’d gotten pretty worn out working over the summer and wanted to take it easy for a while. Being a night watchman isn’t exactly rocket science. During the day I slept in the janitor’s office, and at night all I had to do was go twice around the whole school making sure everything was okay. The rest of the time I listened to records in the music room, read books in the library, played basketball by myself in the gym. Being alone all night in a school isn’t so bad, really. Was I afraid? No way. When you’re eighteen or nineteen, nothing fazes you.

  I don’t imagine any of you have ever worked as a night watchman, so maybe I should explain the duties. You’re supposed to make two rounds each night, at nine p.m. and three a.m. That’s the schedule. The school was a fairly new three-story concrete building, with eighteen to twenty classrooms. Not an especially large school as these things go. In addition to the classrooms you had a music room, a home ec room, an art studio, a staff office, and the principal’s office. Plus a separate cafeteria, swimming pool, gym, and auditorium. My job was to make a quick check of all of these.