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    Tropic of Squalor: Poems

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      Dedication

      For Dev & Sarah & Amy every dang day,

      for Don DeLillo & Philip Roth on holy days,

      & (wincingly enough) for Jesus:

      you all keep me kneeling down and looking up

      Epigraph

      Carl Jung carved this Latin inscription above the door to his Swiss house: Vocatus atque non vocatus deus aderit.

      “Summoned or not summoned, the god will be there.”

      Contents

      Cover

      Title Page

      Dedication

      Epigraph

      The Organ Donor’s Driver’s License Has a Black Check

      Loony Bin Basketball

      The Burning Girl

      Illiterate Progenitor

      Read These

      Discomfort Food for the Unwhole

      The Devil’s Delusion

      Dear Oklahoma Teen Smashed on Reservation Road

      The Age of Criticism

      Exurbia

      Lord, I Was Faithless

      Suicide’s Note: An Annual

      The Awakening (after Milosz)

      How God Speaks

      Face Down

      The Child Abuse Tour

      The Less Holy Bible

      I. Genesis: Animal Planet

      II. Numbers: Poison Profundis

      III. Leviticus: In Dreams Begin Responsibilities

      IV. Exodus: Bolt Action

      V. Chronicles: Hell’s Kitchen

      VI. Wisdom: The Voice of God

      VII. Judges: Awe and Disorder

      VIII. Obadiah: A Perfect Mess

      IX. Ecclesiastes: Amok Run

      X. Psalms: Carnegie Hall Rush Seats

      XI. Hey Jude: Prophetic Interlude by the Ghost of Walt Whitman

      XII. Malachi: Truckload of Nails

      XIII. Hebrews: The Mogul

      XIV. Lamentations: The More Deceived

      XV. Kings: The Obscenity Prayer

      XVI. Marks and Johns: The Blessed Mother Complains to the Lord Her God about the Abundance of Brokenness She Receives

      XVII. Acts: The Like Button

      XVIII. Petering: Recuperation from the Sunk Love Under the Aegis of Christ and Isaac Babel

      XIX. Philemon: Notes from the Underground

      XX. Revelation: The Messenger

      Coda Toward the New New Covenant: Death Sentence

      Acknowledgments

      About the Author

      Also by Mary Karr

      Copyright

      About the Publisher

      The Organ Donor’s Driver’s License Has a Black Check

      Forgive me, black ant at the base of my yoga mat:

      if the Buddhists are right, and you had a soul,

      I’m a killer. And you, young buck whose suede neck

      through the rifle’s scope I might otherwise

      have stroked. Forgive me juicy burger medium rare.

      I fell off the vegan wagon for want of you.

      I devoured your iron to fuel my weak blood.

      Jet-lagged from the Paris flight, I slumped

      and felt your sacrifice worthy. How’d you go?

      A bolt through the skull and your big corpus

      on the blood-gelled floor of the abattoir.

      Countless ducks flying their arrowheads

      across the gray sky found their emerald necks

      in my bird dog’s mouth. I liked what Dean said

      to the squirrel we found thrashing on the path

      off the quad. He’d stopped to look down—

      his lips blue from his failing heart as if he had eaten

      nothing but Bomb Pops for a week. Some beast

      must have crunched down on the squirrel’s neck,

      and Dean bent like a waiter to say (sans

      irony) I honor your struggle, little brother.

      Loony Bin Basketball

      (for Phil Jackson)

      The gym opened out

      before us like a vast arena, the bleached floorboards

      yawned toward a vanishing point, staggered seats high

      as the Mayan temple I once saw devoured by vines.

      Each of us was eaten up inside — all citizens of lost

      and unmapped cities.

      Frank hugged the pimply ball

      over his belly like an unborn child. Claire

      dressed for day care in daffodil yellow and jelly shoes.

      David’s gaze was an emperor’s surveying a desiccated

      battlefield. Since he viewed everything that way, we all

      saw him the same.

      The psych techs in cloroxed white

      were giant angels who set us running drills, at which

      we sucked. The zones we set out to defend were watery

      at every edge. We missed close chest passes, easy combos.

      Our metronomes run different tempos,

      John proclaimed.

      Then Claire started seeing

      dashes stutter through the air behind the ball.

      Then speed lines on our backs, and then her own head

      went wobbly as a spinning egg. She’d once tracked

      planetary orbits for NASA and now sat sidelined

      by her eyes’ projections.

      Only Bill had game.

      Catatonic Bill whose normal talent was to schlub

      days in a tub chair — his pudding face scarred

      with chicken pox — using his hand for an ashtray,

      belly for an armrest. Now all that peeled away, and he

      emerged, clean as an egg.

      He was a lithe

      and licorice boy, eeling past all comers, each shot

      sheer net. He faked both ways, went left. Beneath the orange

      rim his midair pirouettes defied the gravity that I

      could barely sludge through. He scored beyond what even

      Claire could count,

      then he bent panting,

      hands on knees as the orderlies held out water cups,

      and the rest of us reached to pat his back or slap

      his sweaty hand, no one minding about the stench or his

      breath like old pennies. Then as quick as that

      he went.

      Inside his head

      some inner winch did reel him back from the front

      of his face bones where he’d been ablaze. He went back and

      back into that shadowed stare. Lucky we were to breathe

      his air. Breath is God’s intent to keep us living. He was

      the self I’d come in

      wanting to kill, and I left him there.

      The Burning Girl

      While the tennis ball went back and forth in time

      A girl was burning. While the tonic took its greeny

      Acid lime, a girl was burning. While the ruby sun fell

      From a cloud’s bent claws and Wimbledon was won

      And lost, we sprawled along the shore in chairs,

      We breathed the azure air alongside

      A girl with the thinnest arms all scarred and scored

      With marks she’d made herself—

      She sat with us in flames

      That not all saw or saw but couldn’t say at risk

      Of seeming impolite. And later we all thought

      Of the monk who’d doused himself with gas,

      Lit a match, then sat unmoving and alert amid

      Devouring light. She didn’t speak. She touched

      No aspect of our silly selves.

      We were a herd of hardly troubled rich.

      She was an almost ghost her mother saw

      Erasing the edges of herself each day

      Smudging the lines like charcoal while her parents

      Redrew her secretly into being over and

      Again each night and dawn and sleepless

    &nb
    sp; All years long. Having seen that mother’s love,

      I testify: It was ocean endless. One drop could’ve

      Brought to life the deadest Christ, and she

      Emptied herself into that blazing child with all her might

      And stared a hundred million miles into

      The girl’s slender, dwindling shape.

      Her father was the devoted king of helicopter pad

      And putting green. His baby burned as we

      All watched in disbelief.

      I was the facile friend insisting on a hug

      Who hadn’t been along for years of doctors, wards,

      And protocols. I forced her sadness close. I said

      C’mon let’s hug it out. Her arms were white

      Birch twigs that scissored stiffly at my neck till she

      Slid on. That night we watched

      Some fireworks on the dewy lawn for it was

      Independence Day. By morning she was gone.

      She was the flaming tower we all dared

      To jump from. So she burned.

      Illiterate Progenitor

      My father lived so far from the page,

      the only mail he got was marked OCCUPANT.

      The century had cored him with its war, and he paid

      bills in person, believed in flesh and the family plan.

      In that house of bookish females, his glasses slid on

      for fishing lures and carburetor work,

      the obits, my report cards, the scores.

      He was otherwise undiluted by the written word.

      At a card table, his tales could entrance a ring of guys

      till each Timex paused against each pulse,

      and they’d stare like schoolboys even as he wiped

      from the center the green bills anted up.

      Come home. I’m lonely, he wrote in undulating script.

      I’d left to scale some library’s marble steps like Everest

      till I was dead to the wordlessness

      he was mired in, which drink made permanent.

      He took his smoke unfiltered, milk unskimmed.

      He liked his steaks marbled, fatback on mustard greens,

      onions eaten like apples, split turnips dipped

      into rock salt, hot pepper vinegar on black beans.

      Read These

      (for DFW)

      The King did say

      and his arm swept the landscape’s foliage into bloom

      where he hath inscribed the secret mysteries of his love

      before at last taking himself away. His head away. His

      recording hand. So his worshipful subjects must imagine

      themselves in his loving fulfillment, who were no more

      than instruments of his creation. Pawns.

      Apparati. Away, he took himself and left us

      studying the smudged sky. Soft pencil lead.

      Once he was not a king, only a pale boy staring down

      from the high dive. The contest was seriousness

      he decided, who shaped himself for genus genius

      and nothing less. Among genii, whoever dies first wins.

      Or so he thought. He wanted the web browsers to ping

      his name in literary mention nonstop on the world wide web.

      He wanted relief from his head, which acted as spider

      and inner web weaver. The boy was a live thing tumbled in

      its thread and tapped and fed off, siphoned from. His head

      kecked back and howling from inside the bone castle from

      whence he came

      to hate the court he held.

      His loneliness was an invisible crown

      rounding his brow tighter than any turban,

      more binding than a wedding band,

      and he sat becircled by his tower

      on the rounding earth.

      Read these,

      did say the King, and put down his pen, hearing

      himself inwardly holding forth on the dullest

      aspects of the tax code

      with the sharpest possible wit. Unreadable

      as Pound on usury or Aquinas on sex.

      I know the noose made an oval portrait frame for his face.

      And duct tape around the base of the Ziploc

      bag was an air-tight chamber

      for the regal head—most serious relic,

      breathlessly lecturing in the hall of silence.

      Discomfort Food for the Unwhole

      To check out, we line up our carts,

      Each head bent over a shining phone.

      Through these squares of light, we tap

      Tap with opposable thumbs, and though each

      Human unit occupies a small space, a few

      Floor tiles, each believes that through the glow

      In her hands she can reach far, so from-this-place

      Far. Our sprawling alphabets include hearts

      Or dollar signs or cartoon thumbs turned up or down

      To vote some Barabbas alive or dead. But ours

      Is a city of I-beams and mirrored towers.

      Behind us stretch rows of iced Gulf shrimp, New

      Zealand lamb, the Russian sturgeon’s glistening

      Black eggs, dewy orchids misty from Brazil—

      So much from so many for so few and at such

      Spectacular cost, and yet we cannot lift our heads

      From our hands to look around. We cannot stop

      Ourselves—each face hung forward off the neck

      Of the corpse each self devours.

      The Devil’s Delusion

      I lie on my back in the lawnchair to study

      the trees claw up toward Heaven

      They have all the sap I lack

      It’s doubt I send rivering cloudways

      in great boiling torrents as if all creation

      were a bad stage set I could wave way away

      then I could cast my dark spells in a blink

      and a flaming fingersnap—and

      a universe de Mare pops up

      so I win the everlasting argument against all

      that was or will be or tiredly is

      As if my soul would not in that blink

      be obliterateAs if as the kids say

      Dear Oklahoma Teen Smashed on Reservation Road

      Dean’s heart had been long years stiffening in its cage,

      and he wheeled around a contraption

      like a bumpy vacuum cleaner or rolling luggage

      with shunts from the box to his chest

      into the very meat of him, and through a clear plastic circle

      strapped to his solar plexus,

      Dean’s hot blood went round and round in stutter step.

      I held it once to warm my hands.

      With each artificial throb, I composed an ode,

      not for Dean’s death, but for the boy

      who lived reckless enough to die and plant a part

      in the gasping poet’s flesh. Next,

      Dean phoned from the squeaking gurney

      being rolled toward the blue

      antiseptic light, the gods in green masks. Take

      care of Laurie, he said. I said,

      Don’t be a dick, this is not Terms of Endearment,

      and you’re not Debra Winger.

      Then click, he entered the ether. I lay in my house

      hearing ice cubes avalanche down

      the fridge chute and every clock whisper and his wife’s

      phone powered off. The boy was shocked

      into sinus rhythm and beats on in Dean’s otherwise

      scooped-out chest: Israel is built on bones.

      The Age of Criticism

      Franz calls to say my new book is quote

      the worst thing he’s ever read close quote.

      His hollering makes my plastic earpiece quiver.

      It’s not that bad, I claim. But have I compared it

      with the great prose works (Tolstoy, etcet.). Sure,

      I said, it sucks—at which he slams the receiver down.
    br />   The message Franz once left

      most everybody we knew—Your envy of my work

      must be terrible for you—his ex-girlfriend actually got printed

      on a tee shirt. He’d left her for a rich, adoring student

      that fall, and on New Year’s, Franz insulted Tom’s wife,

      so Tom chased him around a table laden with Triscuits

      and jug wines of the most sordid variety, till tall,

      barrel-chested Askald stopped Tom, palm

      to flannel-shirt chest, to say—with a drunk’s

      well-chewed precision—You’re wrecking my high.

      Tom then lunged out into the snow to walk it off.

      People started again stabbing cheese cubes

      with red and green toothpicks, and somebody’s blowsy wife

      who’d cornered the Nobel laureate went back

      to twirling a lock of just-then-graying hair

      over his forehead, while in the bedroom,

      her husband snored on a mattress sprawled

      with pea coats and thrift-store furs. Tom

      was supposed to die, but didn’t; Deborah wasn’t,

      but did. Candlelit and slim in oxblood riding boots,

      she wore a near see-through black silk blouse

      with loose coils of red hair tumbling down the back.

      She was about to dump the two smart guys who’d left

      their wives for her. Hearing her quote Baudelaire that night,

      I believed there might be no one more alluring alive.

      But she killed herself. Last April, widowed at sixty,

      she jumped off the high stadium of some snotty college

      where she taught, and whether she died from grief

      or scorn for self or someone gone, it still seems dumb.

      Even Askald’s sober now. And nobody invited Franz

      anywhere for years before cancer took him,

      though we often emailed each other his crisp,

      venomous posts to reviewers. Everybody

      claimed to forgive Franz because his father

      bailed and his stepdad beat him. And critics

      hoping to stave off one of his nasty, articulate

      rants persisted on calling him a genius because, hey,

      what if he was? But we all thought him an asshole,

      which makes us assholes too. That’s how criticism works.

      Sit in a room voting this word or that onto

      or off the page, you become a beauty cop,

      a scold, charged to carry that appraising gaze

     
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