A Bride of the Plains

  "My son! my son!"

  "Benkó! my son!"

  "János!"

  "Endre!"

  A few heartrending cries as each revolution of the wheels takes the lads a little further away from their homes.

  "Elsa, you will wait for me?" comes as a final, appealing cry from Andor.

  He stands in the door of the carriage, which he holds wide open, and through a mist of tears which he no longer tries to suppress he sees Elsa standing there, quite still—a small image of beauty and of sorrow. The sun glints upon her hair, it shines and sparkles like living gold; her hands are clasped tightly together, and with her full, many-hued petticoats round her slim waist and tiny red-shod feet she looks like a flower.

  The crowd below moves alongside of the train—for the first minute or so they all keep up with it, close to the carriage at the door of which can still be seen the head of son or brother or sweetheart. But now the engine puts on more speed, the wheels revolve more quickly—some of the crowd fall away, unable to run so fast.

  Only the mothers try to keep up—the old women, some of them bare-footed, stolid, looking straight before them—hardly looking at the train, just running . . . alongside the train first of all, then they must needs fall back—but[Pg 42] still they run along the metals, even though the train moves away so quickly now that soon even a mother could not distinguish her son's head, like a black pin-point leaning out of the carriage window.

  So they run:—one or two women run thus for over a kilomètre, they run long after the train has disappeared from view.

  But Elsa stood quite still. She did not try to run after the train.

  Through the noise of the puffing engine, the final cries of farewell, through all the noise and the bustle, Andor's cry rose above all, his final appeal to her to be true:

  "Elsa! you will wait for me?"

  * * *

  [Pg 43]

  CHAPTER IV

  "Now that he is dead."

  Stranger, if you should ever be driving on the main road between Szeged and Arad, tell your driver to pull up at the village of Marosfalva; its one broad street runs inland at right angles from the road; you will then have on your right two or three bits of meadowland overshadowed by willow trees, which slope down to the Maros; beyond the Maros lies the great plain—the fields of maize and pumpkin, of hemp and sunflower. And who knows what lies beyond the fields?

  But on your left will be the village of Marosfalva with the wayside inn and public bar, kept by Ignácz Goldstein, standing prominently at the corner immediately facing you. Two pollarded acacias are planted near the door of the inn, above the lintel of which a painted board scribbled over with irregular lettering invites the traveller to enter. A wooden verandah, with tumble-down roof and worm-eaten supporting beams, runs along two sides of the house, and from the roof hang a number of gaily-coloured and decorated earthenware pots and jars.

  The open space in front of the inn and the whole of the length of the one street of Marosfalva are very dusty and dry in the summer, in the autumn and spring they are a sea and river of mud, and in the winter the snow hides the deep, frozen crevasses; but place and street are as God made them, and it is not man's place to interfere. To begin with, the cattle and geese and pigs must[Pg 44] all pass this way on their way to the water, so of course it is impossible to do anything with the ground even if one were so minded.

  The inn is the only house in Marosfalva which boldly faces the street, all the others seem to be looking at it over their shoulders, the front of one house facing the back of its neighbour, with a bit of garden or yard between, and so on, the whole kilomètre length of the street.

  But each house has its wooden verandah, which shields the living rooms against the glare of the sun in summer, and shelters them from snow and rain in winter. These wooden verandahs are in a greater or lesser state of repair and smartness, and under the roof of every verandah hang rows of the same quaintly-decorated and picturesque earthenware jars.

  Round every house, too, there are groups of gay sunflowers and of dull green hemp, and the roofs, thatched with maize-stalks, are ornamented along the top with wooden carvings which stand out clear and fantastic against the intense blue of the sky.

  Then, stranger, if you should alight at the top of the street and did wander slowly down its dusty length, you will presently see it widen out just in front of the church. It stands well there, doesn't it?—at one end of this open place, with its flat, whitewashed façade and tower—red-roofed and crowned with a metal cross that glints in the sun—the whole building so like in shape to a large white hen, with head erect and crimson comb and wings spread out flat to the ground.

  The presbytery is close by—you cannot miss it. It is a one-storied house, with a row of green-shuttered windows along the front and at the side a low gate which leads to a small garden at the back, and over which appears[Pg 45] a vista of brilliant perennials and a stiff row of purple asters.

  There is the tiny school-house, too, which in the late summer is made very gay in front with vividly coloured dahlias—an orgy of yellow and brick-red, of magenta and orange.

  If your driver has come along with you down the street, he will point out to you the house of Barna Jenö—mayor of the Commune of Marosfalva—a personage of vast consideration in the village—a consideration which he shares with Hóhér Aladár, who is the village justice of the peace, and with Erös Béla, who is my lord the Count's bailiff.

  Then lower down, beyond the church, is the big barn belonging to Ignácz Goldstein, where on special occasions, as well as on fine Sunday afternoons, the young folk meet for their simple-hearted, innocent amusements—for their dancing, their singing and their courtships, and further on still are the houses of the poorer peasants—of men like Kapus Benkó who has never saved a fillér and until lately, when he was stricken down with illness, had to work as a day labourer for wage, instead of owning a bit of land of his own and planting it up for his own enjoyment. Here the houses are much smaller and squalid-looking: they have no verandahs—only a narrow door and tiny, diminutive windows which are not made to open and shut. The pieces of ground around them are also planted, like the others, with hemp and with sunflowers, but even these look less majestic, less prosperous than those which surround the houses higher up the streets; their brown heads are smaller, more sparsely laden with the good oil-bearing seeds, and the stems of the hemp do not look as if they ever would make a thatch.

  The street itself is wide and a regular heat-trap in sum[Pg 46]mer: in the autumn and the spring it is ankle-deep in mud, and of course in the winter it is buried in snow. But in the late summer it is at its best, one or two heavy showers of rain have laid the dust, and the sunflowers and dahlias round the little school-house and by the presbytery are very gay—such a note of crude and vivid colour which even puts the decorated jars to shame.

  Also the sun has lost some of its unbearable heat; after four o'clock in the afternoon it is pleasant to sit or stand outside one's house for a bit of gossip with a neighbour. The brown-legged, black-eyed children, coolly clad in loose white shifts, bare-footed and bare-headed, can play outside now; the little girls, with bright-coloured kerchiefs tied round their heads, and pink or blue petticoats round their waists, vie with the dahlias in hue.

  On Sunday afternoons it is cool enough to dance in Ignácz Goldstein's barn. The black day in the calendar—the fourteenth of September—has come and gone, and the lads have gone with it: except for the weeping mothers and sweethearts the ordinary village life has resumed its peaceful course. But then, there are every year a few weeping mothers and sweethearts in Marosfalva or Kender or Görcz, just as there is everywhere else: the lads have to go and do their military service as soon as they come of age.

  And then others come back about this time, those who have completed their three years, and they must be made welcome with dancing and music—the things which a Hungarian peasant loves best in all the world.

  And as the days are still long a
nd the evenings warm there are the strolls hand-in-hand, arm-in-arm—after the dancing—up the village street as far as the slowly-flowing Maros. One or two of the lads who have come home after[Pg 47] three years have found their sweethearts waiting for them—but only one or two. Three years is a long, long time! Girls cannot afford to wait for husbands while their youth and good looks fly away so quickly. And the lads, too, are fickle; some of them have apparently forgotten amongst the more showy, more lively beauties of garrison towns, the doe-eyed girl to whom they had promised faith. They are ready, as soon as they come back, for new courtships, fresh love-making, another girl—with blue eyes this time, and fair hair instead of brown.

  Then, of course, there are those who never will come back. That awful, mysterious place called Bosnia has swallowed them up. There was fighting, it seems, in Bosnia, and many were killed: two lads from Marosfalva, one from Fekete and two from Kender.

  Bosnia must belong to the Crown of Hungary—whatever that may mean—the politicians say so, anyhow, and in order that the Crown of Hungary should have what rightly belongs to it the lads from our villages have to fight and get killed.

  "Is that just, I ask you?" so the mothers argue.

  The sweethearts weep for awhile and then cast about for fresh fish out of the waters of Life. Sometimes there are mistakes: lads who have been reported killed turn up at the village on the appointed day, either hale and hearty or maimed and crippled. In either case they are welcome. But at times the mistake is the other way: no black report has come; the mothers, the fathers, the sweethearts, expect the young soldier home—he does not come. The others return on a given day—they arrive by train—Laczi or Benkó or Pál is not amongst them. Where is he? Well! they were not all in the same regiment; they have[Pg 48] seen little or nothing of one another during these three years.

  The anxious mothers rush to Barna Jenö—the mayor—and he drafts a letter of inquiry which is duly sent off to the proper authorities at Budapest. In the course of time—not very promptly—the reply comes. A letter of condolence, curtly worded: the name of Laczi or Benkó or Pál, as the case may be, was inadvertently omitted from the list of killed after the skirmish near Banialuka.

  Sometimes also the young soldier having received his discharge, does not care to return to his native village: he has lost his taste for pigs and geese, for digging and sowing; he has had a glimpse of life and wants to see some more; the emigration agents at Budapest are active and persuasive. "America is a land of gold," they say; "no further trouble but to stoop and pick up the gold just where it lies."

  And the lad listens and ponders. He will not go home, for he is afraid that his mother's tears will deter him from his purpose: he follows the advice of the emigration agent, expends his last fillér, sells his spare shirt and takes passage at Fiume on a big ship which conveys him to the land of riches.

  Oh! Those lads who go away like that come back sure enough! Broken in health and spirits, dying of that relentless and mysterious disease called "homesickness," they drift back after a few years to their villages, having amassed a little money perhaps, but having lost that vitality, that love of life and of enjoyment which is the characteristic of these sons of Hungary—the land of warmth and of sunshine, of generous wines and luscious corn.

  [Pg 49]And Erös Béla, walking arm-in-arm with Kapus Elsa on that warm Sunday afternoon, had talked much of Andor and of his untoward fate.

  The two young people had met outside the church after Benediction, they had strolled down as far as the Maros and back again into the village.

  The warm late September sunshine shed a golden glow upon the thatched roofs of the cottages and made every bright-coloured pot that hung under the verandahs gleam with many-hued and dazzling reflections. It touched the red roof of the little church with an additional coat of glittering crimson and caused the metal cross upon the spire to throw out vivid sparks of light.

  The festive air of a Sunday afternoon hung upon the village street, men and maids walked by arm-in-arm, the girls in their finery with cotton petticoats swinging out, and high-heeled boots clinking as they walked, the men with round felt hats tilted rakishly over one eye, their bronzed faces suffused in smiles, the song never for long absent from their lips.

  From the top of the street a flock of geese in charge of a diminutive maiden of ten was slowly waddling down toward the stream, shaking their grey and white feathers under the hot kiss of the sun, and behind them, in slow majesty, a herd of cows and oxen—snow-white, with graceful, tall horns, lyre-shaped and slender—ambled lazily along.

  Elsa and Béla had paused outside the house of Hóhér Aladár—who was the village justice of the peace and husband to Ilona, Béla's only sister.

  A mightily rich man was Hóhér Aladár, and Ilona was noted for being the most thrifty housewife in a country[Pg 50] where most housewives are thrifty, and for being a model cook in a land where good cooks abound.

  Her house was a pattern of orderliness and cleanliness: always immaculately whitewashed outside and the little shutters painted a vivid green, it literally shone with dazzling brightness on these hot summer afternoons. The woodwork of the verandah was elaborately carved, the pots that hung from the roof had not a chip or crack in them.

  No wonder that Erös Béla was proud of these housewifely qualities in his only sister, and that he loved to make a display of them before his fiancée whose own mother was so sadly lacking in them.

  Now he pushed open the front door and stood aside to allow Elsa to enter, and as she did so the sweet scent of rosemary and lavender greeted her nostrils; she looked round her with unfeigned appreciation, and a little sigh—hardly of envy but wholly wistful—escaped her lips. The room was small and raftered and low, but little light came through the two small windows, built one on each side of the front door, but even in the dim light the furniture shone with polish, and the wooden floor bore every sign of persistent and vigorous scrubbing. There was a cloth of coloured linen upon the centre table, beautifully woven in a chess-board pattern of red and blue by Ilona's deft hands. The pewter and copper cooking utensils on and about the huge earthenware stove were resplendently bright, and the carved oak dower-chest—with open lid—displayed a dazzling wealth of snow-white linen—hand-woven and hand-embroidered—towels, sheets, pillow-cases, all lying in beautiful bundles, neatly tied with red ribbons and bows.

  Again Elsa sighed—in that quaint, wistful little way[Pg 51] of hers. If her mother had been as thrifty and as orderly as Ilona, then mayhap her own marriage with Erös Béla need never have come about. She could have mourned for Andor quietly by herself, and the necessity of a wealthy son-in-law would probably never have presented itself before her mother's mind.

  But now she followed Ilona into the best bedroom, the sanctum sanctorum of every Hungarian peasant home—the room that bears most distinctly the impress of the housewifely character that presides over it. And as Elsa stood upon the threshold of her future sister-in-law's precious domain, she forgot her momentary sadness in the hope of a brighter future, when she, too, would make her new home orderly and sweet-scented, with beautifully-polished furniture and floors radiant with cleanliness. The thought of what her own best bedroom would be like delighted her fancy. It was a lovely room, for Béla's house was larger by far than his sister's, the rooms were wider and more lofty, and the windows had large, clear panes of glass in them. She would have two beautiful bedsteads in the room, and the bedspreads would be piled up to the ceiling with down pillows and duvets covered in scarlet twill; she would have two beautiful spreads of crochet-work, a washstand with marble top, and white crockery, and there would be a stencilling of rose garlands on the colour-washed walls.

  So now her habitual little sigh was not quite so wistful as it had been before; the future need not after all be quite so black as she sometimes feared, and surely the good God would be kind to her in her married life, seeing that she obeyed His commandment and honoured her mother by doing what her mother wished.


  Ilona in the best bedroom was busy as usual with duster[Pg 52] and brush. She did not altogether approve of Béla's choice of a wife, and her greetings of Elsa were always of a luke-warm character, and were usually accompanied by lengthy lectures on housewifery and the general management of a kitchen.

  Elsa always listened deferentially to these lectures, with eyes downcast and an attitude of meekness; but in her own heart she was thankful that her future home would lie some distance out of the village and that Ilona would probably have but little time to walk out there very often.

  In the meanwhile, however, she hated these Sunday afternoon visits, with their attendant homilies from Ilona first, then from Aladár—who was self-important and dictatorial, and finally from Béla, who was invariably disagreeable and sarcastic whenever he saw his sister and his fiancée together.

  Fortunately, to-day Béla had said that she need not stay more than a few minutes.

  "We'll just pay our respects to Ilona and Aladár," he had said pompously, "and take another walk before the sun goes down."

  And Elsa—taking him at his word—had made but a meteoric appearance in her future sister-in-law's cottage—a hasty greeting, a brief peck on Ilona's two cheeks, and one on Aladár's bristly face, then the inevitable homily; and as soon as Ilona paused in the latter, in order to draw breath, Elsa gave her another peck, by way of farewell, explained hastily that her mother was waiting for her, and fled incontinently from the rigid atmosphere of the best bedroom.

  Béla and his brother-in-law had started on politics, and it took a little time before Elsa succeeded in persuading him to have that nice walk with her before the sun went[Pg 53] down. But now they were out again in the sunshine at last, and Elsa was once more able to breathe freely and with an infinity of relief.

  "I wonder," said Béla dryly, "if you are really taking in all the good advice which Ilona so kindly gives you from time to time. You can't do better than model yourself on her. She is a pattern wife and makes Aladár perfectly happy. I wonder," he reiterated, with something of a sneer, "if you will learn from her, or if your mother's influence will remain with you for ever?"