Ring of Fire II

  Marla didn't even consider selecting one of the smaller pianos, though it would have been easier to move. She focused her attention on the larger grand and baby grand instruments. Franz remembered going with her on her rounds of various houses and churches. There were over half a dozen baby grands in Grantville, and she played each one extensively. He also remembered their conversation as they left the last house.

  "Well, that was disappointing," she said, as they walked down the sidewalk from the house. "I haven't heard a baby grand yet that I really liked, but that one was just bad."

  "So what will you do?" Franz asked.

  "I don't have any choice. I have to have one of the big grands."

  "Tell me again where they are."

  "First Baptist Church has a Baldwin, the Methodist church has a recent model Steinway, and Marcus Wendell tells me there's an old Steinway in the High Street Mansion," Marla said.

  "Do you know them well?"

  "The ones in the churches I do. I haven't seen or played the old Steinway, but from what Marcus tells me, it needs some pretty extensive work done to it."

  "So which one do you want?"

  "I don't have time to wait on the mansion's piano to get fixed. Besides, Girolamo Zenti is having a bidding war with Bledsoe and Riebeck for it, and who knows how long it will take to settle that. It will have to be one of the church pianos. I'll take whichever one I can get," Marla answered, "but I want the Steinway. The Baldwin's tone is too dark, and although it's a lot newer than the mansion's piano, it's still old enough that I'm a little afraid to move it very far. No, it has to be the Methodist Steinway. It's going to put a big hole in the church's music program though," she said in a worried tone, concerned about her home church. "I hope that Reverend Jones will forgive me."

  Ingram had once warned Franz that when Marla 'shifted into high gear,' she was hard to keep up with. Franz learned exactly what the older man had meant over the next three days, his recollection of which was a little blurred. He moved in Marla's wake, watching mostly in silence from behind her shoulder as she went from office to office and person to person, asking, pleading, demanding and negotiating. Her concern about the effect of this requisition on her home church didn't stop her from making it all the same.

  At the end of it, Marla had forged an agreement between several parties wherein the Methodist church agreed to release their grand piano for shipment to Magdeburg. In exchange, the church was to receive some compensation from Mary Simpson's arts league, the use of the best of the baby grand pianos (which happened to be owned by a member of the church, who was also to be compensated), and an option to purchase a new grand from Bledsoe & Riebeck at cost when their new company was able to begin manufacturing them. The arts league agreed to pay the costs to transport the requisitioned instrument to Magdeburg, and the government agreed to give Bledsoe & Riebeck a tax deduction for the difference between the cost of the replacement piano and the price for which they would normally have sold it.

  It was the piano that dictated when they would leave for Magdeburg. Their friends Ingram Bledsoe and Friedrich Braun first had to build a shipping crate for it. And of course, Marla was hovering at their shoulders while they were doing so, anxious that it should be perfect so that no harm should come to her beloved Steinway. It was well designed, well constructed and definitely well padded. She finally agreed it was time to encase the piano and prepare to leave. At that point Ingram, for the first time since Franz had become acquainted with him, became firm with her. His words were, "Marla, if you're here, you will drive us all batty. Even if you don't say anything, you'll make us so nervous there will be an accident. Now, be a good girl and go with Franz, and let us pack your baby up for you."

  Franz smiled as he remembered the expression on Marla's face. She was surprised more than anything that a man she considered to be like a favorite uncle would speak so to her, but she did understand the sense of it, and reluctantly—very reluctantly—came away with Franz.

  The next morning they went to the church to find that the piano was packed, wrapped in one of those marvelous sheets of plastic—Ingram called it a "tarp"—and sealed with some also marvelous sticky stuff. When he asked Ingram what it was, he thought he didn't hear the answer correctly. "Duck tape?" It gave rise to a number of interesting mental images.

  "Duct tape. Duct with a 't,' " Ingram said. "The late-twentieth century's answer to twine and baling wire." And then Ingram had to explain what baling wire was.

  Several large and brawny men had been recruited to remove the crate from the church and load it onto the wagon that was going to carry it to the river. Franz remembered his surprise at the size of the crate. He had expected it to be quite large, but it was only about eight or nine feet long, about six feet wide and about four feet high. When he remarked on this, Friedrich looked at him with a supercilious expression—"Of course, the legs come off"—as if Franz were a dunce. Before Franz could hit him, the call came to lift the crate, so his sarcastic friend escaped without lumps.

  The crate was lifted with a great deal of heaving, straining and grunting; and with a great deal more it was walked out the doors of the church meeting hall, through the entry and out into the daylight. It had to be lifted even higher to place it into the bed of the wagon, so along with the heaving and grunting, Franz remembered hearing words muttered that properly should not be spoken near a church. It took all their strength, but it was finally loaded onto the wagon and on its way to the riverside.

  The River Saale was not very wide or deep at the place where they were to embark, and those who had arranged for the barges had told Marla of the trouble they had in finding one that was large enough to carry the piano yet small enough to navigate the course of the river that far upstream. There were actually two barges awaiting them when they arrived at the riverside—one to carry the piano, and one to carry Marla and her friends and their bags and instruments. When she saw the barges, Marla almost had an apoplectic fit. The larger of the two was for the piano. It seemed as though it almost touched the banks on both sides of the river, yet when she looked at the crate it appeared to be wider than the barge. Ingram and Friedrich consulted with the barge master, then Ingram took out his . . . "tape measure," Franz thought it was called—another marvelous device—and measured the width of the barge cargo space, then measured the crate, and pronounced a judgment that it would fit. That calmed Marla to some extent, but she was still nervous as they wrapped the harness around the crate and attached the hoisting tackle.

  Franz still had a bruise from where Marla's long, strong pianist's fingers clamped on his arm while the crate with the almost invaluable and definitely irreplaceable Steinway was swayed up and out and eventually lowered to the deck of the first barge. She relaxed finally as the deck hands lashed down the crate. Piano and crate together only weighed about a thousand up-time pounds, so the barge didn't settle much in the water, which was a good thing—the river was not only narrow at this place, it was also shallow. In any event, the crate filled the craft from side to side. There might have been room for someone to step between it and the side of the barge, but that someone would have needed a very small foot.

  That was actually the most exciting part of the trip. The people were loaded on the second barge in a matter of minutes. Marla, of course, wanted to ride on the first barge with her "baby," but the barge master refused. He said that with the cargo area so full there was only room for his crew. He was right. There might have been five feet between the bow and the crate, and maybe a little more than that between the crate and the stern, which truly was barely enough room for himself, his brother and his two sons to work in. He offered to let her ride on top of the crate. Franz still wasn't sure if the barge master was jesting or not, the man's craggy face was so sober. He thought that Marla actually considered it, but she finally refused, to Franz's relief.

  "Well," Marla had said, "here we go." Their bags were being tossed from the dock to the deck of the second barge, so she led the way down the
gangplank, followed by Franz and the rest of those who were traveling with them, all clutching precious instrument cases under their arms. The mooring ropes were untied and thrown on deck, and the bargemen leaned into their poles to shove off into the river's current and begin the journey downstream to Magdeburg.

  Then the rain began.

  Franz's train of thought stopped abruptly when Mary Simpson returned. He shot to his feet.

  "Frau Simpson, how is Marla?" The worry in his tone matched the expression on his face. Mary settled into a nearby chair, crossed her legs and waved him back to his own seat.

  "Marla is just fine," she said, smiling. "She's changed into dry clothing and is getting warm. She was already starting to feel better when I left her."

  "But will she be all right?" he persisted.

  "Franz, she is fine." Mary's voice had a soothing note, and Franz finally relaxed back into the embrace of his chair.

  Now that his mind was easing, Franz became very aware of the presence of Mary Simpson. She reminded him of Marla. It wasn't a physical resemblance. Neither woman was classically beautiful; Mary's nose was somewhat aquiline, and Marla's chin was a shade too strong. Physically, Mary was a small woman, slightly built, whereas most down-timer men, including Franz himself, had to look up to meet Marla's eyes. And when it came to eyes, Marla's were blue and set in a pale complexion, while Mary's were gray and framed by slightly olive skin. At the moment, Mary's eyes were warm and smiling, but Franz could easily guess that if she became angry they would be storm cloud gray, to match the ice that could sometimes come to Marla's gaze. They both had black hair, but Marla's was glossy, long and straight, while Mary had short wavy black hair turning gray at the temples. That gray hair and the small wrinkles at the outside corners of her eyes were the only things that indicated that Mary was perhaps older than she appeared to be at first glance.

  Though there wasn't a strong likeness in appearance, the two women were even so similar in poise and grace. Just now, despite the fact that Mary was wearing trousers, Franz still felt an impression that earlier she had been gracefully moving in formal attire. Marla could move with sufficient poise at times that one would ignore the jeans and sweater that she might be wearing. Both women had a smile that could light a room and serve as a beacon of warmth. Right now Mrs. Simpson's smile was focused on him.

  "So, since you're here, Franz, I assume that the piano made the trip safely?"

  "Yes, Frau Simpson . . ."

  "Call me Mary, please."

  "Mary," Franz smiled a little, recalling his comparison of Mary and Marla, and how frequently he had heard another voice saying, "Call me Marla." Recollecting the question he had been asked, he continued, "Yes, the piano arrived safely. Even in her pain, Marla would not move from the docks until she saw it taken from the barge and loaded safely on a wagon."

  "Good." Mary nodded. "I really wanted it to unload at the naval docks, but I couldn't get John to agree." Franz realized she was referring to her husband, John Simpson, admiral of the USE Navy. "He said that things were too tightly scheduled right now for him to spare that much time at one of their docks." She frowned a little, then shrugged. "He did agree that he would send one of his men to the civilian docks to oversee the unloading there and make sure that everything went well."

  "There was a Navy man at the dock, and he did indeed watch all the unloading," Franz said. "But everyone on the dock, including the Navy man, was watching another man out of the corners of their eyes. I do not know him. He did nothing but stand there in the rain, hands in pockets, and watch the unloading. He was not dressed well, but all the dockmen and bargemen acted as if he was an angel of the Lord. They walked wide circles around him, would not face him, and they worked at the unloading like men possessed. The crate was off its barge and on the wagon almost before we could climb up the gangplank from our barge to the dock. He did not introduce himself the whole time, even when the Navy man was telling the wagon driver where to take the crate and me how to find your house."

  "That must have been Gunther," Mary replied. In response to Franz's raised eyebrow she continued, "Gunther Achterhof, the head of the local Committee of Correspondence."

  Now both of Franz's eyebrows climbed to meet his hairline, and he gave a low whistle. Gunther Achterhof was building a reputation among the Committees of Correspondence. If Gretchen Higgins was the Moses of the CoC and Spartacus was Aaron the spokesman, then Gunther was reputed to be another Caleb, the fierce old man who at the age of eighty had told Joshua, "Give me the mountain with the wildest tribes to conquer," and then had gone out and done it. Remembering the stony face he had seen at the dock, Franz had no trouble believing everything he had heard about him.

  "Oh, yes," Mary smiled slightly, "right now John and I are in very good favor with the Committees, partly because of the Navy and partly because of some other things."

  Franz knew she referred to the events of the previous two weeks, where Magdeburg—indeed, much of northern Germany—seethed on the edge of open rebellion after the Battle of Wismar and the revelation of the self-sacrifice of Hans Richter. The actions of Admiral and Mrs. Simpson had been part of the lid that had kept that particular political pot from boiling over.

  "Right now, anything that either of us finds important," Mary continued, "the Committees take an interest in. I imagine Hilde, our housekeeper, told him about the piano." In response to Franz's quizzical expression, she laughed a little. "Oh, yes, Hilde keeps them informed. I don't mind. John doesn't bring anything secret home from work, and since they have appointed themselves to see to our security, better that they get their information straight from the house rather than from rumors or from having to guess." She uncrossed her legs and leaned forward a little. "Now, tell me how the trip went. The last word I had was from a week ago, where Marla said she had the Steinway—which was great news—and that she would be coming by barge and would be arriving sometime around now."

  Hilde had appeared with a tray carrying a coffee service while Mary was speaking. She poured two large cups of coffee as Mary finished and handed them to Franz and her mistress. She then took the wet coats from the hooks near the door and carried them away; to the kitchen Franz supposed, where they would be hopefully dried and warmed. Franz cradled the cup in his hands for a long moment, soaking up the warmth, especially in his crippled left hand, which was still aching from the cold. Finally, he took a sip and let it seep down his throat.

  "Aaah."

  Mary smiled over the rim of her own cup. "Yes, when you're cold and wet, a big cup of coffee is a good thing to have."

  Franz nodded agreement, took another long sip, then leaned back in his chair again. He briefly recounted everything that had occurred in requisitioning the piano and preparing it for shipment. Taking another sip of coffee, he continued with, "We unmoored and pushed away somewhat before noon, and the rain began not long afterward. The bargemen put up a canvas shelter in the middle of the barge where we were able to sit and stay mostly dry. Marla, however, constantly fretted over the piano, so she spent most of her time up near the bow, watching the other barge like a mother whose only child is marching off to battle. From time to time I would bring her back to the shelter, but before long she would be back up leaning on the bow rail, watching her beloved piano. She spent most of the trip there, even at night."

  "So how long did the trip take?"

  "Three days from the time the barges pushed away from their moorings near Grantville to the time we touched the dock here in Magdeburg," Franz replied. "The barge masters had their crews poling during the first few hours. Gerd Eugenson, the master on our barge, told me that they wanted to get along as fast as they could while the rain was keeping the water high. He warned me that if either barge ran aground on a shallow bottom we would all have to get in the water and help pull it free. God be praised that was not required.

  "Once we reached a place where the river was wider and deeper, they stowed the poles and we floated with the current. We only pulled to shore
one morning when fog arose, as the barge masters were concerned about running into objects they could not see. The rest of the time we floated, even at night. They would light lanterns and hang them on the prow and stern, and keep a lookout ahead. When I asked why, Master Gerd laughed and said that they were being paid by the trip, not the number of days.

  "We arrived at Magdeburg at last, and made our way past the activity of the Navy yard to the comparative quiet of the city docks, where we moored fast and unloaded. And so, we are here, safe and sound."