We'll Always Have Paris: Stories

  ‘Jesus, God, I hate to give up without a fight.’

  ‘Nothing to fight but wind and dust. We could give it a decent fight with the relief ship, but that doesn’t seem to be—’

  ‘Captain, sir!’ someone shouted.

  ‘Eh?’ The captain and psychiatrist turned.

  ‘Look there, sir! In the sky! The relief rocket!’

  This was no more than the truth. The men ran out of the ship and the tents. The sun was set and the wind was cold, but they stood there, straining their eyes up, watched the fire grow large, larger, larger. The Second Rocket beat a drum and let out a long plume of red color. It landed. It cooled. The men of the First Rocket ran across the sea bottom toward it, yelling.

  ‘Well?’ asked the captain, standing back. ‘What does this mean? Do we go or stay?’

  ‘I think,’ said the psychiatrist, ‘that we’ll stay.’

  ‘For twenty-four hours?’

  ‘For a little longer than that,’ Walton replied.

  * * *

  They hoisted immense crates out of the Second Rocket.

  ‘Careful! Careful there!’

  They held up blueprints and wielded hammers and pries and levers. The psychiatrist supervised. ‘This way! Crate 75? Here. Box 067? Here! That’s it. Open ’er up. Tab A into Slot B. Tab B into Slot C. Right, fine, good!’

  They put it all up before dawn. In eight hours they assembled the miracles out of boxes and crates. They took away the serpentines, wax papers, cardboards, brushed and dusted every part and portion of the whole. When the time came, the men of the First Rocket stood on the outer rim of the miracle, gazed in at it, incredulous and awed.

  ‘Ready, Captain?’

  ‘I’ll be damned! Yes!’

  ‘Throw the switch.’

  The captain threw the switch.

  The little town lit up.

  ‘Good Lord!’ said the captain.

  He walked into the single main street of the town.

  It was a street of no more than six buildings on a side, false fronts, strung with bright red, yellow, green lights. Music played from a half-dozen hidden jukeboxes, somewhere. Doors slammed. A man in a white smock emerged from a barbershop, blue shears and a black comb in hand. A peppermint-stick pole rotated slowly behind him. Next was a drugstore, a magazine rack out front, newspapers fluttering in the wind, a fan turning in the ceiling, the snakelike hiss of soda water sounding inside. As they passed the door they looked in. A girl smiled there, a crisp green starched cap on her head.

  A pool hall, with green tables, like jungle glades, soft, inviting. Billiard balls, multicolored, triangled, waiting. Across the street, a church, with candied-root-beer, strawberry, lemon-glass windows. A man there, too, in dark suit, white collar. Next to that, a library. Next to that, a hotel. SOFT BEDS. FIRST NIGHT FREE. AIR-CONDITIONING. A clerk behind a desk with his hand on a silver bell. But the place they were going to, that drew them like the smell of water draws cattle across a dusty prairie, was the building at the head of the street.

  THE MILLED BUCK SALOON.

  A man with greased, curled hair, his shirtsleeves gartered with red elastic above his hairy elbows, leaned against a post there. He vanished behind swinging doors. When they hit the swinging doors, he was polishing the bar and tipping rye into thirty glasses all lined up glittering on the beautiful long bar. A crystal chandelier blazed warmly overhead. There was a stairway leading up and a number of doors above, on a balcony, and the faintest smell of perfume.

  They all went to the bar. They were quiet. They took up the rye and drank it straight down, not wiping their mouths. Their eyes stung.

  The captain said, in a whisper, to the psychiatrist, standing by the door, ‘Good God! The expense!’

  ‘Film sets, knockdowns, collapsibles. A real minister next door in the church of course. Three real barbers. A piano player.’

  The man at the yellow-toothed piano began to play ‘St. Louis Woman with Your Diamond Rings.’

  ‘A druggist, two fountain girls, a pool-hall proprietor, shoeshine boy, rack boy, two librarians, odds and ends, workmen, electricians, et cetera. Totals up another two million dollars. The hotel is all real. Every room with bath. Comfort. Good beds. Other buildings are three-quarters false front. All of it so beautifully constructed, with slots and tabs, a child could put up the whole toy-works in an hour.’

  ‘But will it work?’

  ‘Look at their faces, beginning to relax already.’

  ‘Why didn’t you tell me?!’

  ‘Because, if it’d got out, spending money this silly, ridiculous way, the papers would’ve jumped me–senators, Congress, God would have gotten in the act. It’s silly, damn silly, but it works. It’s Earth. That’s all I care about. It’s Earth. It’s a piece of Earth the men can hold in their hand and say, “This is Illinois, this is a town I knew. These are buildings I knew. This is a little piece of Earth that’s here for me to hold on to until we bring more of it up and make the loneliness run away forever.”’

  ‘Ingenious, devilish, clever.’

  The men ordered a second rye all around, smiling.

  ‘The men on our ship, Captain, are from fourteen small towns. Picked them that way. One of each of these buildings in this little street here is from one of those towns. The bartender, ministers, grocery-store owner, all thirty of the people on the Second Rocket, are from those towns.’

  ‘Thirty? Besides the relief crew?’

  The psychiatrist glanced happily at the steps leading up to the balcony and the series of shut doors. One of the doors opened a trifle and a beautiful blue eye gazed out for a moment.

  ‘We’ll rush in more lights and more towns every month, more people, more Earth. Priority on familiarity. Familiarity breeds sanity. We’ve won the first round. We’ll keep winning if we keep moving.’

  Now the men were beginning to laugh and talk and slap one another on the shoulders. Some of them walked out and across the street for a haircut, some went to play pool, some to buy groceries, some into the quiet church, you could hear organ music for a moment just before the piano player here in the crystal-chandeliered saloon began ‘Frankie and Johnny.’ Two men walked laughingly up the stairs to the doors along the balcony.

  ‘I’m no drinking man, Captain. How about a pineapple malt at the drugstore over the way?’

  ‘What? Oh. I was thinking…Smith.’ The captain turned. ‘Back in the ship. Do you think–I mean–could we get Smith, bring him here, with us, would it do any good, would he like it, mightn’t it make him happy?’

  ‘We could certainly try,’ said the doctor.

  The pianist was playing, very loud, ‘That Old Gang of Mine.’ Everybody singing, some of them starting to dance, and the city like a jewel blazing in the wilderness, darkness all around. Mars lonely, the sky black and full of stars, the wind rushing, the moons rising, the seas and old cities dead. But the barber pole whirled brightly, and the church windows were the color of Coca-Cola and lemonade and boysenberry phosphate.

  The piano was tinkling ‘Skip to My Lou’ half an hour later when the captain, the psychiatrist, and a third man walked into the drugstore and sat.

  ‘Three pineapple malts,’ said the captain.

  And they sat, reading magazines, turning slowly on the stools, until the girl behind the fountain set three beautiful pineapple malts at their elbows.

  They all reached for the straws.

  Un-pillow Talk

  ‘Good Lord.’

  ‘Good Lord, indeed!’

  They fell back and stared at the ceiling. There was a long pause in which they regained their breath.

  ‘That was wonderful,’ she said.

  ‘Wonderful,’ he said.

  There was another pause while they examined the ceiling.

  Finally she said, ‘Wonderful, but—’

  ‘What do you mean “but”?’ he said.

  ‘It was wonderful,’ she said. ‘But now we’ve ruined everything.’

  ‘Ruined?’
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  ‘Our friendship,’ she said. ‘It was such a great thing and now we’ve lost it.’

  ‘I don’t believe that,’ he said.

  She examined the ceiling in even more detail.

  ‘Yes,’ she said, ‘it was so marvelous. It went on for a long time. What was it, a year? And now, like damn fools, we’ve killed it.’

  ‘We weren’t damn fools,’ he said.

  ‘That’s how I see it. In a moment of weakness.’

  ‘No, passion,’ he said.

  ‘No matter how you put it,’ she said, ‘we’ve spoiled everything. How long ago was it? A year? We were great pals, fine buddies, went to the library together, played tennis, drank beer instead of champagne, and now we let one little hour throw it all overboard.’

  ‘I don’t buy that,’ he said.

  ‘Think about it,’ she said. ‘Stop and examine the last hour and the last year. You’ve gotta come around to my way of thinking.’

  He watched the ceiling to see if he could see there any of the things she had just said.

  At last he sighed.

  She heard the sigh and said, ‘Does that mean yes, you agree?’

  He nodded and she felt the nod.

  They both lay on their separate pillows, staring at the ceiling for a long while.

  ‘How do we get it back?’ she said. ‘It’s so stupid. We’ve known better than this with other people. We’ve seen how things can be killed and yet we went right ahead and killed it. Do you have any ideas? What do we do now?’

  ‘Get out of bed,’ he said, ‘and have an early breakfast.’

  ‘That won’t do it,’ she said. ‘Hold still for a while, maybe something will come to us.’

  ‘But I’m hungry,’ he said.

  ‘I’m more than hungry, I’m ravenous. For answers, that is.’

  ‘What are you doing? What’s that sound?’

  ‘I think I’m crying. What a terrible loss. Yes, I think I’m crying.’

  They lay for another long moment and then he stirred.

  ‘I’ve got a crazy idea,’ he said.

  ‘What?’

  ‘If we lie here with our heads on our pillows and look at the ceiling and talk about the last hour and then the last week to see how we led up to this, and then the last month and the whole last year, mightn’t that help?’

  ‘In what way?’ she said.

  ‘We’ll un-pillow talk,’ he said.

  ‘Un what?’

  ‘Un-pillow talk. We’ve heard of pillow talk all our lives, the talk that goes on late at night or early morning. Pillow talk between husbands and wives and lovers. But in this case maybe we can put everything in reverse. If we can talk our way back to where we were last night at ten o’clock, and then at six, and then at noon, maybe somehow we can talk the whole thing away. Un-pillow talk.’

  She made the smallest sound of laughter.

  ‘I guess we could try,’ she said. ‘What do we do?’

  ‘Well, we’ll just lie very straight and relax and look at the ceiling with our heads on our pillows and we’ll start to talk.’

  ‘What’s the first thing we talk about?’

  ‘Shut your eyes and just say anything you want to say.’

  ‘But not about tonight,’ she said. ‘If we talk about the last hour, we might get into even worse trouble.’

  ‘Forget the last hour,’ he said, ‘or remember it quickly, and then let’s get back to early in the evening.’

  She lay very straight and shut her eyes and held her fists at her sides.

  ‘I think it was the candles,’ she said.

  ‘The candles?’

  ‘I shouldn’t have bought them. I shouldn’t have lit them. It was our first candlelit dinner. Not only that, but champagne instead of beer; that was a big mistake.’

  ‘Candles,’ he said. ‘Champagne. Yeah.’

  ‘It was late. Usually you go home early. We break it up and get together early mornings to play tennis or to head to the library. But you stayed awfully late and we opened that second bottle of champagne.’

  ‘No more second bottles,’ he said.

  ‘I’ll throw out the candles,’ she said. ‘But before that, what kind of year has it been?’

  ‘Really great,’ he said. ‘I’ve never known a greater pal, a greater buddy, a greater companion.’

  ‘Same goes here,’ she said. ‘Where did we meet?’

  ‘You know. It was the library. I saw you prowling the stacks almost every day I was there, for about a week. You seemed to be looking for something. Maybe it wasn’t a book.’

  ‘Well then,’ she said. ‘Maybe it was you after all. I saw you wandering the stacks, saw you studying the books. The first thing you said to me was, “How about Jane Austen?” What a peculiar thing for a man to say. Most men don’t read Jane Austen, or if they did they wouldn’t admit it or open a conversation with a line like that.’

  ‘That wasn’t a line,’ he said. ‘I thought you looked like a reader of Jane Austen, or maybe even Edith Wharton. It was quite natural.’

  ‘From there,’ she said, ‘it really opened out. I remember we began to walk through the stacks together and you pulled out a special edition of Edgar Allan Poe to show me, and though I never was a Poe fan, the way you talked about him, the way you inspired me, I began to read the awful man the next day.’

  ‘So,’ he said, ‘it was Austen and Wharton and Poe. Those are great names for a literary company.’

  ‘And then you asked me if I played tennis and I said yes. You said you were better at badminton but you’d try tennis with me. So we played against each other and that was great…I think one of the mistakes we made was that this week, for the first time ever, we played doubles and we played together against the other two.’

  ‘Yes, that was a great mistake. As long as I opposed you, there was no chance for any candles or any champagne. Maybe that’s not strictly true, but you beating me all the time, I must admit, made it difficult.’

  She laughed quietly. ‘Well then, I have to admit that when we became a team on the court and won the game yesterday, not long after that, without thinking, I went out and bought the candles.’

  ‘Good God,’ he said.

  ‘Yes,’ she said. ‘Isn’t life strange?’ She paused and looked at the ceiling again. ‘Are we almost there?’

  ‘Where?’

  ‘Back where we should be. Back a year ago, a month ago, hell, even a week ago. I’d settle even for that.’

  ‘Keep talking,’ he said.

  ‘No, you,’ she said. ‘You’ve got to help.’

  ‘Well then, it was those days driving up the coast and back. We never stayed overnight. We just loved the drive in the open car with the wind and the sea and there was one hell of a lot of laughter.’

  ‘Yes,’ she said. ‘That’s it, isn’t it? When you think back about all your friends and all the most important times in your life, laughter is the greatest gift. We did much of that.’

  ‘You actually went to some of my lectures and didn’t fall asleep.’

  ‘How could I? You’ve always been brilliant.’

  ‘No,’ he said. ‘A genius, yes, but not brilliant.’

  She laughed again, quietly.

  ‘You’ve been reading too much Bernard Shaw lately.’

  ‘Does it show?’

  ‘Yes, but I don’t mind. Genius or brilliant, the talk has been fine.’

  ‘How are we doing?’ he said.

  ‘I think we’re getting close,’ she said. ‘I’m almost back to six months ago. If we keep going, it will be a year. And tonight will be just some sort of bright, wonderful, dumb memory.’

  ‘Well put,’ he said. ‘Keep talking.’

  ‘Another thing,’ she said. ‘In all our travels, from breakfast at the seaside to lunch in the mountains to dinner in Palm Springs, we were always home before midnight–me dropped off at the door and you driving off.’

  ‘That’s right. What wonderful trips. Well now,’ he said, ‘how do
you feel?’

  ‘I think I’m there,’ she said. ‘This un-pillow talk was a great idea.’

  ‘Are you back in the library and walking, all by yourself?’

  ‘Yes.’

  ‘I’ll follow after a while,’ he said. ‘Just one more thing.’

  ‘Yes?’

  ‘At noon tomorrow, tennis, but this time you’re across the net again and we play against each other, like in the old days, and I’ll win and you’ll lose.’

  ‘Don’t be so sure. Noon. Tennis. Just like the old times. Anything else?’

  ‘Don’t forget to buy the beer.’

  ‘Beer,’ she said. ‘Yes. Now what? Friends?’

  ‘What?’

  ‘Friends?’

  ‘Of course.’

  ‘Good. Now, I’m very tired; I need sleep, but I’m feeling better.’

  ‘Me, too,’ he said.

  ‘So, my head’s on the pillow, your head’s on yours, but before we go to sleep there’s one more thing.’

  ‘What?’

  ‘Can I hold your hand? Just that.’

  ‘Of course.’

  ‘Because I have a terrible feeling,’ she said, ‘that the bed might spin and you’ll be thrown off and I’ll wake up to find you’re not holding my hand.’

  ‘Hold on,’ he said.

  His hand touched hers. They lay very straight, very still.

  ‘Good night,’ he said.

  ‘Oh, yes, good, good night,’ she said.

  Come Away with Me

  Why Joseph Kirk did what he did, on impulse, he could not immediately say. He could only recall, instantaneously, similar incidents that had caused him to erupt years ago.

  At a small private dinner, when an obnoxious film producer had bragged about ‘selling out,’ implying that everyone did, Joseph Kirk had put down his knife and fork and ordered the producer away from the table. The producer obeyed.

  On another occasion, when a film actress verbally whiplashed her husband for half an hour in front of guests, Kirk had jumped up, told her how awful she was, and walked off to the next room to read a book. On the way out, later, she apologized and he looked the other way.

  Now, tonight, it had happened again. He heard himself saying an incredible thing. It was as if someone had handed him a grenade and, thoughtless, he had yanked the ring and gripped the damned thing, staring, as it went off.