The Seven Storey Mountain: Fiftieth-Anniversary Edition

  However, I still roamed about the museums, especially the one in the Baths of Diocletian, which had also been, at one time, a Carthusian monastery—probably not a very successful one—and I studied Rome in a big learned book that I had bought, together with an old second-hand Baedeker in French.

  And after spending the day in museums and libraries and bookstores and among the ruins, I would come home again and read my novels. In fact, I was also beginning to write one of my own, although I did not get very far with it as long as I was at Rome.

  I had a lot of books with me—a strange mixture: Dryden, the poems of D. H. Lawrence, some Tauchnitz novels, and James Joyce’s Ulysses in a fancy India-paper edition, slick and expensive, which I lent to someone, later on, and never got back.

  Things were going on as they usually did with me. But after about a week—I don’t know how it began—I found myself looking into churches rather than into ruined temples. Perhaps it was the frescoes on the wall of an old chapel—ruined too—at the foot of the Palatine, at the edge of the Forum, that first aroused my interest in another and a far different Rome. From there it was an easy step to Sts. Cosmas and Damian, across the Forum, with a great mosaic, in the apse, of Christ coming in judgement in a dark blue sky, with a suggestion of fire in the small clouds beneath His feet. The effect of this discovery was tremendous. After all the vapid, boring, semi-pornographic statuary of the Empire, what a thing it was to come upon the genius of an art full of spiritual vitality and earnestness and power—an art that was tremendously serious and alive and eloquent and urgent in all that it had to say. And it was without pretentiousness, without fakery, and had nothing theatrical about it. Its solemnity was made all the more astounding by its simplicity—and by the obscurity of the places where it lay hid, and by its subservience to higher ends, architectural, liturgical and spiritual ends which I could not even begin to understand, but which I could not avoid guessing, since the nature of the mosaics themselves and their position and everything about them proclaimed it aloud.

  I was fascinated by these Byzantine mosaics. I began to haunt the churches where they were to be found, and, as an indirect consequence, all the other churches that were more or less of the same period. And thus without knowing anything about it I became a pilgrim. I was unconsciously and unintentionally visiting all the great shrines of Rome, and seeking out their sanctuaries with some of the eagerness and avidity and desire of a true pilgrim, though not quite for the right reason. And yet it was not for a wrong reason either. For these mosaics and frescoes and all the ancient altars and thrones and sanctuaries were designed and built for the instruction of people who were not capable of immediately understanding anything higher.

  I never knew what relics and what wonderful and holy things were hidden in the churches whose doors and aisles and arches had become the refuge of my mind. Christ’s cradle and the pillar of the Flagellation and the True Cross and St. Peter’s chains, and the tombs of the great martyrs, the tomb of the child St. Agnes and the martyr St. Cecelia and of Pope St. Clement and of the great deacon St. Lawrence who was burned on a gridiron.... These things did not speak to me, or at least I did not know they spoke to me. But the churches that enshrined them did, and so did the art on their walls.

  And now for the first time in my life I began to find out something of Who this Person was that men called Christ. It was obscure, but it was a true knowledge of Him, in some sense, truer than I knew and truer than I would admit. But it was in Rome that my conception of Christ was formed. It was there I first say Him, Whom I now serve as my God and my King, and Who owns and rules my life.

  It is the Christ of the Apocalypse, the Christ of the Martyrs, the Christ of the Fathers. It is the Christ of St. John, and of St. Paul, and of St. Augustine and St. Jerome and all the Fathers—and of the Desert Fathers. It is Christ God, Christ King, “for in Him dwelleth the fulness of the Godhead corporeally, and you are filled in Him, Who is the Head of all principality and power ... For in Him were all things created in heaven and on earth, visible and invisible, whether thrones or dominations or principalities or powers, all things were created by Him and in Him. And He is before all, and by Him all things consist ... because in Him it hath well pleased the Father that all fulness should dwell... Who is the image of the invisible God, the first-born of every creature...”1 “The first-begotten of the dead, and the prince of the kings of the earth, Who hath loved us, and washed us from our sins in His own Blood, and hath made us a kingdom and priests to God His Father. ”2

  The saints of those forgotten days had left upon the walls of their churches words which by the peculiar grace of God I was able in some measure to apprehend, although I could not decode them all. But above all, the realest and most immediate source of this grace was Christ Himself, present in those churches, in all His power, and in His Humanity, in His Human Flesh and His material, physical, corporeal Presence. How often I was left entirely alone in these churches with the tremendous God, and knew nothing of it—except I had to know something of it, as I say, obscurely. And it was He Who was teaching me Who He was, more directly than I was capable of realising.

  These mosaics told me more than I had ever known of the doctrine of a God of infinite power, wisdom, and love Who had yet become Man, and revealed in His Manhood the infinity of power, wisdom and love that was His Godhead. Of course I could not grasp and believe these things explicitly. But since they were implicit in every line of the pictures I contemplated with such admiration and love, surely I grasped them implicitly—I had to, in so far as the mind of the artist reached my own mind, and spoke to it his conception and his thought. And so I could not help but catch something of the ancient craftsman’s love of Christ, the Redeemer and Judge of the World.

  It was more or less natural that I should want to discover something of the meaning of the mosaics I saw—of the Lamb standing as though slain, and of the four-and-twenty elders casting down their crowns. And I had bought a Vulgate text, and was reading the New Testament. I had forgotten all about the poems of D. H. Lawrence except for the fact that he had four poems about the Four Evangelists, based on the traditional symbols from Ezechiel and the Apocalypse of the four mystical creatures. One evening, when I was reading these poems, I became so disgusted with their falseness and futility that I threw down the book and began to ask myself why I was wasting my time with a man of such unimportance as this. For it was evident that he had more or less completely failed to grasp the true meaning of the New Testament, which he had perverted in the interests of a personal and home-made religion of his own which was not only fanciful, but full of unearthly seeds, all ready to break forth into hideous plants like those that were germinating in Germany’s unweeded garden, in the dank weather of Nazism.

  So for once I put my favorite aside. And I read more and more of the Gospels, and my love for the old churches and their mosaics grew from day to day. Soon I was no longer visiting them merely for the art. There was something else that attracted me: a kind of interior peace. I loved to be in these holy places. I had a kind of deep and strong conviction that I belonged there: that my rational nature was filled with profound desires and needs that could only find satisfaction in churches of God. I remember that one of my favorite shrines was that of St. Peter in Chains, and I did not love it for any work of art that was there, since the big attraction, the big “number,” the big “feature” in that place is Michelangelo’s Moses. But I had always been extreme!}’ bored by that horned and pop-eyed frown and by the crack in the knee. I’m glad the thing couldn’t speak, for it would probably have given out some very heavy statements.

  Perhaps what was attracting me to that Church was the Apostle himself to whom it is dedicated. And I do not doubt that he was praying earnestly to get me out of my own chains: chains far heavier and more terrible than ever were his.

  Where else did I like to go? St. Pudenziana, St. Praxed’s, above all St. Mary Major and the Lateran, although as soon as the atmosphere got heavy with baroque me
lodrama I would get frightened, and the peace and the obscure, tenuous sense of devotion I had acquired would leave me.

  So far, however, there had been no deep movement of my will, nothing that amounted to a conversion, nothing to shake the iron tyranny of moral corruption that held my whole nature in fetters. But that also was to come. It came in a strange way, suddenly, a way that I will not attempt to explain.

  I was in my room. It was night. The light was on. Suddenly it seemed to me that Father, who had now been dead more than a year, was there with me. The sense of his presence was as vivid and as real and as startling as if he had touched my arm or spoken to me. The whole thing passed in a flash, but in that flash, instantly, I was overwhelmed with a sudden and profound insight into the misery and corruption of my own soul, and I was pierced deeply with a light that made me realize something of the condition I was in, and I was filled with horror at what I saw, and my whole being rose up in revolt against what was within me, and my soul desired escape and liberation and freedom from all this with an intensity and an urgency unlike anything I had ever known before. And now I think for the first time in my whole life I really began to pray—praying not with my lips and with my intellect and my imagination, but praying out of the very roots of my life and of my being, and praying to the God I had never known, to reach down towards me out of His darkness and to help me to get free of the thousand terrible things that held my will in their slavery.

  There were a lot of tears connected with this, and they did me good, and all the while, although I had lost that first vivid, agonizing-sense of the presence of my father in the room, I had him in my mind, and I was talking to him as well as to God, as though he were a sort of intermediary. I do not mean this in any way that might be interpreted that I thought he was among the saints. I did not really know what that might mean then, and now that I do know I would hesitate to say that I thought he was in Heaven. Judging by my memory of the experience I should say it was “as if” he had been sent to me out of Purgatory. For after all, there is no reason why the souls in Purgatory should not help those on earth by their prayers and influence, just like those in Heaven: although usually they need our help more than we need theirs. But in this case, assuming my guess has some truth in it, things were the other way ’round.

  However, this is not a thing on which I would place any great stress. And I do not offer any definite explanation of it. How do I know it was not merely my own imagination, or something that could be traced to a purely natural, psychological cause—I mean the part about my father? It is impossible to say. I do not offer any explanation. And I have always had a great antipathy for everything that smells of necromancy—table-turning and communications with the dead—and I would never deliberately try to enter in to any such thing. But whether it was imagination or nerves or whatever else it may have been, I can say truly that I did feel, most vividly, as if my father were present there, and the consequences that I have described followed from this, as though he had communicated to me without words an interior light from God, about the condition of my own soul—although I wasn’t even sure I had a soul.

  The one thing that seems to me morally certain is that this was really a grace, and a great grace. If I had only followed it through, my life might have been very different and much less miserable for the years that were to come.

  Before now I had never prayed in the churches I had visited. But I remember the morning that followed this experience. I remember how I climbed the deserted Aventine, in the spring sun, with my soul broken up with contrition, but broken and clean, painful but sanitary like a lanced abscess, like a bone broken and re-set. And it was true contrition, too, for I don’t think I was capable of mere attrition, since I did not believe in hell. I went to the Dominicans’ Church, Santa Sabina. And it was a very definite experience, something that amounted to a capitulation, a surrender, a conversion, not without struggle, even now, to walk deliberately into the church with no other purpose than to kneel down and pray to God. Ordinarily, I never knelt in these churches, and never paid any formal or official attention to Whose house it was. But now I took holy water at the door and went straight up to the altar rail and knelt down and said, slowly, with all the belief I had in me, the Our Father.

  It seems almost unbelievable to me that I did no more than this, for the memory remains in me as that of such an experience that it would seem to have implied at least a half hour of impassioned prayer and tears. The thing to remember is that I had not prayed at all for some years.

  Another thing which Catholics do not realize about converts is the tremendous, agonizing embarrassment and self-consciousness which they feel about praying publicly in a Catholic Church. The effort it takes to overcome all the strange imaginary fears that everyone is looking at you, and that they all think you are crazy or ridiculous, is something that costs a tremendous effort. And that day in Santa Sabina, although the church was almost entirely empty, I walked across the stone floor mortally afraid that a poor devout old Italian woman was following me with suspicious eyes. As I knelt to pray, I wondered if she would run out and accuse me at once to the priests, with scandalous horror, for coming and praying in their church—as if Catholics were perfectly content to have a lot of heretic tourists walking about their churches with complete indifference and irreverence, and would get angry if one of them so far acknowledged God’s presence there as to go on his knees for a few seconds and say a prayer!

  However, I prayed, then I looked about the church, and went into a room where there was a picture by Sassoferrato, and stuck my face out a door into a tiny, simple cloister, where the sun shone down on an orange tree. After that I walked out into the open feeling as if I had been reborn, and crossed the street, and strolled through the suburban fields to another deserted church where I did not pray, being scared by some carpenters and scaffolding. I sat outside, in the sun, on a wall and tasted the joy of my own inner peace, and turned over in my mind how my life was now going to change, and how I would become better.

  VII

  IT WAS A WAN HOPE, HOWEVER. BUT THE LAST WEEK OR TEN days that I was in Rome were very happy and full of joy, and on one of those afternoons I took the trolley out to San Paolo, and after that got on a small rickety bus which went up a country road into a shallow saucer of a valley in the low hills south of the Tiber, to the Trappist monastery of Tre Fontane. I went in to the dark, austere old church, and liked it. But I was scared to visit the monastery. I thought the monks were too busy sitting in their graves beating themselves with disciplines. So I walked up and down in the silent afternoon, under the eucalyptus trees, and the thought grew on me: “I should like to become a Trappist monk.”

  There was very little danger of my doing so, then. The thought was only a daydream—and I suppose it is a dream that comes to many men, even men who don’t believe in anything. Is there any man who has ever gone through a whole lifetime without dressing himself up, in his fancy, in the habit of a monk and enclosing himself in a cell where he sits magnificent in heroic austerity and solitude, while all the young ladies who hitherto were cool to his affections in the world come and beat on the gates of the monastery crying, “Come out, come out!”

  Ultimately, I suppose, that is what my dream that day amounted to. I had no idea what Trappist monks were, or what they did, except that they kept silence. In fact, I also thought they lived in cells like the Carthusians, all alone.

  In the bus, going back to San Paolo, I ran into a student from the American Academy whom I knew. He was riding with his mother, and introduced me to her, and we talked about the monastery, and I said I wished I were a monk. The student’s mother looked at me with a horror and astonishment so extreme that I was really a little shocked by it.

  The days went by. Letters came from America, telling me to take the boat and come there. Finally I bade farewell to the Italian typewriter salesman and the other inhabitants of the pensione, including the lady who ran the place and whose mother had been overwhelmed with though
ts of death when I played St. Louis Blues on the piano, sending in the maid to ask me to desist.

  With sorrow in my heart I saw the last of the Piazza Barberini and the big curved boulevard that ran into it; and the last of the Pincio gardens, and St. Peter’s dome in the distance and the Piazza di Spagna; but above all, I had sorrow and emptiness in my heart at leaving my beloved churches—San Pietro in Vincoli, Santa Maria Maggiore, San Giovanni in Laterano, Santa Pudenziana, Santa Prassede, Santa Sabina, Santa Maria sopra Minerva, Santa Maria in Cosmedin, Santa Maria in Trastevere, Santa Agnese, San Clemente, Santa Cecilia...

  The train crossed the Tiber. The little pyramid and the cypresses of the English cemetery where Keats was buried disappeared. I remembered some allusion in Plautus to a big hill of rubbish and potsherds that had once stood in this part of the city. Then we came out into the bare plain between Rome and the sea. In this distance were San Paolo, and the low hills that concealed the Trappist monastery of Tre Fontane. “O Rome,” I said in my heart, “will I ever see you again?”

  The first two months after I landed in New York, and went to the house in Douglaston, I continued to read the Bible surreptitiously—I was afraid someone might make fun of me. And since I slept on the sleeping porch, which opened on the upstairs hall through glass doors and which, in any case, I shared with my uncle, I no longer dared to pray on my knees before going to sleep, though I am sure everybody would have been pleased and edified. The real reason for this was that I did not have the humility to care nothing about what people thought or said. I was afraid of their remarks, even kind ones, even approving ones. Indeed, it is a kind of quintessence of pride to hate and fear even the kind and legitimate approval of those who love us! I mean, to resent it as a humiliating patronage.