The Space Between

  She glanced at Michael, startled, then looked where he was looking--toward the door of his house. The door had swung open, and three people were coming down the marble steps, smiling and waving, calling out.

  "Who's that?" Joan whispered, leaning close to Michael. The one short fellow in the striped apron must be a butler; she'd read about butlers. But the other man was a gentleman, limber as a willow tree and wearing a coat and waistcoat striped in lemon and pink--with a hat decorated with ... well, she supposed it must be a feather, but she'd pay money to see the bird it came off. By comparison, she had hardly noticed the woman, who was dressed in black. But now she saw that Michael had eyes only for the woman.

  "Le--" he began, and choked it back. "Le--Leonie. Leonie is her name. My wife's sister."

  Joan looked sharp then, because from the look of Michael Murray, he'd just seen his wife's ghost. But Leonie seemed flesh and blood, slender and pretty, though her own face bore the same marks of sorrow as did Michael's, and her face was pale under a small, neat black tricorne with a tiny curled blue feather.

  "Michel," she said. "Oh, Michel!" And with tears brimming from eyes shaped like almonds, she threw herself into his arms.

  Feeling extremely superfluous, Joan stood back a little and glanced at the gentleman in the lemon-striped waistcoat--the butler had tactfully withdrawn into the house.

  "Charles Pepin, mademoiselle," he said, sweeping off his hat. Taking her hand, he bowed low over it, and now she saw the band of black mourning he wore around his bright sleeve. "A votre service."

  "Oh," she said, a little flustered. "Um. Joan MacKimmie. Je suis ... er ... um ..."

  "Tell him not to do it," said a sudden small, calm voice inside her head, and she jerked her own hand away as though he'd bitten her.

  "Pleased to meet you," she gasped. "Excuse me." And, turning, threw up into one of the bronze yew pots.

  *

  Joan had been afraid it would be awkward, coming to Michael's bereaved and empty house, but had steeled herself to offer comfort and support, as became a distant kinswoman and a daughter of God. She might have been miffed, therefore, to find herself entirely supplanted in the department of comfort and support--quite relegated to the negligible position of guest, in fact, served politely and asked periodically if she wished more wine, a slice of ham, some gherkins ... but otherwise ignored, while Michael's servants, sister-in-law, and ... she wasn't quite sure of the position of M. Pepin, though he seemed to have something personal to do with Leonie--perhaps someone had said he was her cousin?--all swirled round Michael like perfumed bathwater, warm and buoyant, touching him, kissing him--well, all right, she'd heard of men kissing one another in France, but she couldn't help staring when M. Pepin gave Michael a big wet one on both cheeks--and generally making a fuss over him.

  She was more than relieved, though, not to have to make conversation in French, beyond a simple merci or s'il vous plait from time to time. It gave her a chance to settle her nerves--and her stomach, and she would say the wine was a wonder for that--and to keep a close eye on Monsieur Charles Pepin.

  "Tell him not to do it." And just what d'ye mean by that? she demanded of the voice. She didn't get an answer, which didn't surprise her. The voices weren't much for details.

  She couldn't tell whether the voices were male or female; they didn't seem either one, and she wondered whether they might maybe be angels--angels didn't have a sex, and doubtless that saved them a lot of trouble. Joan of Arc's voices had had the decency to introduce themselves, but not hers, oh, no. On the other hand, if they were angels and told her their names, she wouldn't recognize them anyway, so perhaps that's why they didn't bother.

  Well, so. Did this particular voice mean that Charles Pepin was a villain? She squinted closely at him. He didn't look it. He had a strong, good-looking face, and Michael seemed to like him--after all, Michael must be a fair judge of character, she thought, and him in the wine business.

  What was it Monsieur Charles Pepin oughtn't to do, though? Did he have some wicked crime in mind? Or might he be bent on doing away with himself, like that poor wee gomerel on the boat? There was still a trace of slime on her hand, from the seaweed.

  She rubbed her hand inconspicuously against the skirt of her dress, frustrated. She hoped the voices would stop once she was in the convent. That was her nightly prayer. But if they didn't, at least she might be able to tell someone there about them without fear of being packed off to a madhouse or stoned in the street. She'd have a confessor, she knew that much. Maybe he could help her discover what God had meant, landing her with a gift like this, and no explanation what she was to do with it.

  In the meantime, Monsieur Pepin would bear watching; she should maybe say something to Michael before she left. Aye, what? she thought, helpless.

  Still, she was glad to see that Michael grew less pale as they all carried on, vying to feed him tidbits, refill his glass, tell him bits of gossip. She was also pleased to find that she mostly understood what they were saying, as she relaxed. Jared--that would be Jared Fraser, Michael's elderly cousin, who'd founded the wine company, and whose house this was--was still in Germany, they said, but was expected at any moment. He had sent a letter for Michael, too; where was it? No matter, it would turn up ... and Madame Nesle de La Tourelle had had a fit, a veritable fit, at court last Wednesday, when she came face-to-face with Mademoiselle de Perpignan wearing a confection in the particular shade of pea green that was de La Tourelle's alone, and God alone knew why, because she always looked like a cheese in it, and had slapped her own maid so hard for pointing this out that the poor girl flew across the rushes and cracked her head on one of the mirrored walls--and cracked the mirror, too, very bad luck that, but no one could agree whether the bad luck was de La Tourelle's, the maid's, or de Perpignan's.

  Birds, Joan thought dreamily, sipping her wine. They sound just like cheerful wee birds in a tree, all chattering away together.

  "The bad luck belongs to the seamstress who made the dress for de Perpignan," Michael said, a faint smile touching his mouth. "Once de La Tourelle finds out who it is." His eye lighted on Joan then, sitting there with a fork--an actual fork, and silver, too!--in her hand, her mouth half open in the effort of concentration required to follow the conversation.

  "Sister Joan--Sister Gregory, I mean--I'm that sorry, I was forgetting. If ye've had enough to eat, will ye have a bit of a wash, maybe, before I deliver ye to the convent?"

  He was already rising, reaching for a bell, and before she knew where she was, a maidservant had whisked her off upstairs, deftly undressed her, and, wrinkling her nose at the smell of the discarded garments, wrapped Joan in a robe of the most amazing green silk, light as air, and ushered her into a small stone room with a copper bath in it, then disappeared, saying something in which Joan caught the word "eau."

  She sat on the wooden stool provided, clutching the robe about her nakedness, head spinning with more than wine. She closed her eyes and took deep breaths, trying to put herself in the way of praying. God was everywhere, she assured herself, embarrassing as it was to contemplate him being with her in a bathroom in Paris. She shut her eyes harder and firmly began the rosary, starting with the Joyful Mysteries.

  She'd got through the Visitation before she began to feel steady again. This wasn't quite how she'd expected her first day in Paris to be. Still, she'd have something to write home to Mam about, that was for sure. If they let her write letters in the convent.

  The maid came in with two enormous cans of steaming water and upended these into the bath with a tremendous splash. Another came in on her heels, similarly equipped, and between them they had Joan up, stripped, and stepping into the tub before she'd so much as said the first word of the Lord's Prayer for the third decade.

  They said French things to her, which she didn't understand, and held out peculiar-looking instruments to her in invitation. She recognized the small pot of soap and pointed at it, and one of them at once poured water on her head and began
to wash her hair!

  She had for months been bidding farewell to her hair whenever she combed it, quite resigned to its loss, for whether she must sacrifice it immediately, as a postulant, or later, as a novice, plainly it must go. The shock of knowing fingers rubbing her scalp, the sheer sensual delight of warm water coursing through her hair, the soft wet weight of it lying in ropes down over her breasts--was this God's way of asking if she'd truly thought it through? Did she know what she was giving up?

  Well, she did, then. And she had thought about it. On the other hand ... she couldn't make them stop, really; it wouldn't be mannerly. The warmth of the water was making the wine she'd drunk course faster through her blood, and she felt as though she were being kneaded like toffee, stretched and pulled, all glossy and falling into languid loops. She closed her eyes and gave up trying to remember how many Hail Marys she had yet to go in the third decade.

  It wasn't until the maids had hauled her, pink and steaming, out of the bath and wrapped her in a most remarkable huge fuzzy kind of towel that she emerged abruptly from her sensual trance. The cold air coalesced in her stomach, reminding her that all this luxury was indeed a lure of the devil--for lost in gluttony and sinful bathing, she'd forgot entirely about the young man on the ship, the poor despairing sinner who had thrown himself into the sea.

  The maids had gone for the moment. She dropped at once to her knees on the stone floor and threw off the coddling towels, exposing her bare skin to the full chill of the air in penance.

  "Mea culpa, mea culpa, mea maxima culpa," she breathed, knocking a fist against her bosom in a paroxysm of sorrow and regret. The sight of the drowned young man was in her mind, soft brown hair fanned across his cheek, eyes half closed, seeing nothing--and what terrible thing was it that he'd seen, or thought of, before he jumped, that he'd screamed so?

  She thought briefly of Michael, the look on his face when he spoke of his poor wife--perhaps the young brown-haired man had lost someone dear and couldn't face his life alone?

  She should have spoken to him. That was the undeniable, terrible truth. It didn't matter that she didn't know what to say. She should have trusted God to give her words, as he had when she'd spoken to Michael.

  "Forgive me, Father!" she said urgently, out loud. "Please--forgive me, give me strength!"

  She'd betrayed that poor young man. And herself. And God, who'd given her the terrible gift of sight for a reason. And the voices ...

  "Why did ye not tell me?" she cried. "Have ye nothing to say for yourselves?" Here she'd thought the voices those of angels, and they weren't--just drifting bits of bog mist, getting into her head, pointless, useless ... useless as she was, oh, Lord Jesus ...

  She didn't know how long she knelt there, naked, half drunk, and in tears. She heard the muffled squeaks of dismay from the French maids, who poked their heads in and just as quickly withdrew them, but paid no attention. She didn't know if it was right even to pray for the poor young man--for suicide was a mortal sin, and surely he'd gone straight to hell. But she couldn't give him up; she couldn't. She felt somehow that he'd been her charge, that she'd carelessly let him fall, and surely God would not hold the young man entirely responsible when it was she who should have been watching out for him.

  And so she prayed, with all the energy of body and mind and spirit, asking mercy. Mercy for the young man, for wee Ronnie and wretched auld Angus--mercy for poor Michael, and for the soul of Lillie, his dear wife, and their babe unborn. And mercy for herself, this unworthy vessel of God's service.

  "I'll do better!" she promised, sniffing and wiping her nose on the fluffy towel. "Truly, I will. I'll be braver. I will."

  *

  Michael took the candlestick from the footman, said good night, and shut the door. He hoped Sister almost-Gregory was comfortable; he'd told the staff to put her in the main guest room. He was fairly sure she'd sleep well. He smiled wryly to himself; unaccustomed to wine, and obviously nervous in company, she'd sipped her way through most of a decanter of Jerez sherry before he noticed, and was sitting in the corner with unfocused eyes and a small inward smile that reminded him of a painting he had seen at Versailles, a thing the steward had called La Gioconda.

  He couldn't very well deliver her to the convent in such a condition and had gently escorted her upstairs and given her into the hands of the chambermaids, both of whom regarded her with some wariness, as though a tipsy nun were a particularly dangerous commodity.

  He'd drunk a fair amount himself in the course of the afternoon and more at dinner. He and Charles had sat up late, talking and drinking rum punch. Not talking of anything in particular; he had just wanted not to be alone. Charles had invited him to go to the gaming rooms--Charles was an inveterate gambler--but was kind enough to accept his refusal and simply bear him company.

  The candle flame blurred briefly at thought of Charles's kindness. He blinked and shook his head, which proved a mistake; the contents shifted abruptly, and his stomach rose in protest at the sudden movement. He barely made it to the chamber pot in time and, once evacuated, lay numbly on the floor, cheek pressed to the cold boards.

  It wasn't that he couldn't get up and go to bed. It was that he couldn't face the thought of the cold white sheets, the pillows round and smooth, as though Lillie's head had never dented them, the bed never known the heat of her body.

  Tears ran sideways over the bridge of his nose and dripped on the floor. There was a snuffling noise, and Plonplon came squirming out from under the bed and licked his face, whining anxiously. After a little while, he sat up and, leaning against the side of the bed with the dog in one arm, reached for the decanter of port that the butler had left--by instruction--on the table beside it.

  *

  The smell was appalling. Rakoczy had wrapped a woolen comforter about his lower face, but the odor seeped in, putrid and cloying, clinging to the back of the throat, so that even breathing through the mouth didn't preserve you from the stench. He breathed as shallowly as he could, though, picking his way carefully past the edge of the cemetery by the narrow beam of a dark lantern. The mine lay well beyond it, but the stench carried amazingly when the wind blew from the east.

  The chalk mine had been abandoned for years; it was rumored to be haunted. It was. Rakoczy knew what haunted it. Never religious--he was a philosopher and a natural scientist, a rationalist--he still crossed himself by reflex at the head of the ladder that led down the shaft into those spectral depths.

  At least the rumors of ghosts and earth demons and the walking dead would keep anyone from coming to investigate strange light glowing from the subterranean tunnels of the workings, if it was noticed at all. Though just in case ... he opened the burlap bag, still redolent of rats, and fished out a bundle of pitchblende torches and the oiled-silk packet that held several lengths of cloth saturated with salpetre, salts of potash, blue vitriol, verdigris, butter of antimony, and a few other interesting compounds from his laboratory.

  He found the blue vitriol by smell and wrapped the cloth tightly around the head of one torch, then--whistling under his breath--made three more torches, each impregnated with different salts. He loved this part. It was so simple, and so astonishingly beautiful.

  He paused for a minute to listen, but it was well past dark and the only sounds were those of the night itself--frogs chirping and bellowing in the distant marshes by the cemetery, wind stirring the leaves of spring. A few hovels sat a half mile away, only one with firelight glowing dully from a smoke hole in the roof. Almost a pity there's no one but me to see this. He took the little clay firepot from its wrappings and touched a coal to the cloth-wrapped torch. A tiny green flame flickered like a serpent's tongue, then burst into life in a brilliant globe of ghostly color.

  He grinned at the sight, but there was no time to lose; the torches wouldn't last forever, and there was work to be done. He tied the bag to his belt and, with the green fire crackling softly in one hand, climbed down into darkness.

  He paused at the bottom, brea
thing deep. The air was clear, the dust long settled. No one had been down here recently. The dull white walls glowed soft, eerie under the green light, and the passage yawned before him, black as a murderer's soul. Even knowing the place as well as he did, and with light in his hand, it gave him a qualm to walk into it.

  Is that what death is like? he wondered. A black void that you walked into with no more than a feeble glimmer of faith in your hand? His lips compressed. Well, he'd done that before, if less permanently. But he disliked the way that the notion of death seemed always to be lurking in the back of his mind these days.

  The main tunnel was large, big enough for two men to walk side by side, and the roof was high enough above him that the roughly excavated chalk lay in shadow, barely touched by his torch. The side tunnels were smaller, though. He counted the ones on the left and, despite himself, hurried his step a little as he passed the fourth. That was where it lay, down the side tunnel, a turn to the left, another to the left--was it "widdershins" the English called it, turning against the direction of the sun? He thought that was what Melisande had called it when she'd brought him here....

  The sixth. His torch had begun to gutter already, and he pulled another from the bag and lit it from the remains of the first, which he dropped on the floor at the entrance to the side tunnel, leaving it to flare and smolder behind him, the smoke catching at his throat. He knew his way, but even so, it was as well to leave landmarks, here in the realm of everlasting night. The mine had deep rooms, one far back that showed strange paintings on the wall, of animals that didn't exist but had an astonishing vividness, as though they would leap from the wall and stampede down the passages. Sometimes--rarely--he went all the way down into the bowels of the earth, just to look at them.

  The fresh torch burned with the warm light of natural fire, and the white walls took on a rosy glow. So did the painting at the end of the corridor, this one different: a crude but effective rendering of the Annunciation. He didn't know who had made the paintings that appeared unexpectedly here and there in the mines--most were of religious subjects, a few most emphatically not--but they were useful. There was an iron ring in the wall by the Annunciation, and he set his torch into it.