The Portrait of a Lady
‘‘Good night! I wish you all success, and shall be very glad to contribute to it!’’
She turned away, and he watched her, as she slowly ascended. Then, with his hands always in his pockets, he went back to the empty drawing-room.
6
ISABEL ARCHER was a young person of many theories; her imagination was remarkably active. It had been her fortune to possess a finer mind than most of the persons among whom her lot was cast; to have a larger perception of surrounding facts, and to care for knowledge that was tinged with the unfamiliar. It is true that among her contemporaries she passed for a young woman of extraordinary profundity; for these excellent people never withheld their admiration from a reach of intellect of which they themselves were not conscious, and spoke of Isabel as a prodigy of learning, a young lady reputed to have read the classic authors—in translations. Her paternal aunt, Mrs. Varian, once spread the rumour that Isabel was writing a book—Mrs. Varian having a reverence for books—and averred that Isabel would distinguish herself in print. Mrs. Varian thought highly of literature, for which she entertained that esteem that is connected with a sense of privation. Her own large house, remarkable for its assortment of mosaic tables and decorated ceilings, was unfurnished with a library, and in the way of printed volumes contained nothing but half a dozen novels in paper, on a shelf in the apartment of one of the Miss Varians. Practically, Mrs. Varian’s acquaintance with literature was confined to the New York Interviewer; as she very justly said, after you had read the Interviewer, you had no time for anything else. Her tendency, however, was rather to keep the Interviewer out of the way of her daughters; she was determined to bring them up seriously, and they read nothing at all. Her impression with regard to Isabel’s labours was quite illusory; the girl never attempted to write a book, and had no desire to be an authoress. She had no talent for expression, and had none of the consciousness of genius; she only had a general idea that people were right when they treated her as if she were rather superior. Whether or no she were superior, people were right in admiring her if they thought her so; for it seemed to her often that her mind moved more quickly than theirs, and this encouraged an impatience that might easily be confounded with superiority. It may be affirmed without delay that Isabel was probably very liable to the sin of self-esteem; she often surveyed with complacency the field of her own nature; she was in the habit of taking for granted, on scanty evidence, that she was right; impulsively, she often admired herself. Meanwhile her errors and delusions were frequently such as a biographer interested in preserving the dignity of his heroine must shrink from specifying. Her thoughts were a tangle of vague outlines, which had never been corrected by the judgement of people who seemed to her to speak with authority. In matters of opinion she had had her own way, and it had led her into a thousand ridiculous zigzags. Every now and then she found out she was wrong, and then she treated herself to a week of passionate humility. After this she held her head higher than ever again; for it was of no use, she had an unquenchable desire to think well of herself. She had a theory that it was only on this condition that life was worth living; that one should be one of the best, should be conscious of a fine organization (she could not help knowing her organization was fine), should move in a realm of light, of natural wisdom, of happy impulse, of inspiration gracefully chronic. It was almost as unnecessary to cultivate doubt of one’s self as to cultivate doubt of one’s best friend; one should try to be one’s own best friend, and to give one’s self, in this manner, distinguished company. The girl had a certain nobleness of imagination which rendered her a good many services and played her a great many tricks. She spent half her time in thinking of beauty, and bravery, and magnanimity; she had a fixed determination to regard the world as a place of brightness, of free expansion, of irresistible action; she thought it would be detestable to be afraid or ashamed. She had an infinite hope that she should never do anything wrong. She had resented so strongly, after discovering them, her mere errors of feeling (the discovery always made her tremble, as if she had escaped from a trap which might have caught her and smothered her), that the chance of inflicting a sensible injury upon another person, presented only as a contingency, caused her at moments to hold her breath. That always seemed to her the worst thing that could happen to one. On the whole, reflectively, she was in no uncertainty about the things that were wrong. She had no taste for thinking of them, but whenever she looked at them fixedly she recognized them. It was wrong to be mean, to be jealous, to be false, to be cruel; she had seen very little of the evil of the world, but she had seen women who lied and who tried to hurt each other. Seeing such things had quickened her high spirit; it seemed right to scorn them. Of course the danger of a high spirit is the danger of inconsistency—the danger of keeping up the flag after the place has surrendered; a sort of behaviour so anomalous as to be almost a dishonour to the flag. But Isabel, who knew little of the sorts of artillery to which young ladies are exposed, flattered herself that such contradictions would never be observed in her own conduct. Her life should always be in harmony with the most pleasing impression she should produce; she would be what she appeared, and she would appear what she was. Sometimes she went so far as to wish that she should find herself some day in a difficult position, so that she might have the pleasure of being as heroic as the occasion demanded. Altogether, with her meagre knowledge, her inflated ideals, her confidence at once innocent and dogmatic, her temper at once exacting and indulgent, her mixture of curiosity and fastidiousness, of vivacity and indifference, her desire to look very well and to be if possible even better; her determination to see, to try, to know; her combination of the delicate, desultory, flame-like spirit and the eager and personal young girl; she would be an easy victim of scientific criticism, if she were not intended to awaken on the reader’s part an impulse more tender and more purely expectant.
It was one of her theories that Isabel Archer was very fortunate in being independent, and that she ought to make some very enlightened use of her independence. She never called it loneliness; she thought that weak; and besides, her sister Lily constantly urged her to come and stay with her. She had a friend whose acquaintance she had made shortly before her father’s death, who offered so laudable an example of useful activity that Isabel always thought of her as a model. Henrietta Stackpole had the advantage of a remarkable talent; she was thoroughly launched in journalism, and her letters to the Interviewer, from Washington, Newport, the White Mountains, and other places, were universally admired. Isabel did not accept them unrestrictedly, but she esteemed the courage, energy, and good humour of her friend, who, without parents and without property, had adopted three of the children of an infirm and widowed sister, and was paying their school-bills out of the proceeds of her literary labour. Henrietta was a great radical, and had clear-cut views on most subjects; her cherished desire had long been to come to Europe and write a series of letters to the Interviewer from the radical point of view—an enterprise the less difficult as she knew perfectly in advance what her opinions would be, and to how many objections most European institutions lay open. When she heard that Isabel was coming, she wished to start at once; thinking, naturally, that it would be delightful the two should travel together. She had been obliged, however, to postpone this enterprise. She thought Isabel a glorious creature, and had spoken of her, covertly, in some of her letters, though she never mentioned the fact to her friend, who would not have taken pleasure in it and was not a regular reader of the Interviewer. Henrietta, for Isabel, was chiefly a proof that a woman might suffice to herself and be happy. Her resources were of the obvious kind; but even if one had not the journalistic talent and a genius for guessing, as Henrietta said, what the public was going to want, one was not therefore to conclude that one had no vocation, no beneficent aptitude of any sort, and resign one’s self to being trivial and superficial. Isabel was resolutely determined not to be superficial. If one should wait expectantly and trustfully, one would find some happy work to on
e’s hand. Of course, among her theories, this young lady was not without a collection of opinions on the question of marriage. The first on the list was a conviction that it was very vulgar to think too much about it. From lapsing into a state of eagerness on this point she earnestly prayed that she might be delivered; she held that a woman ought to be able to make up her life in singleness, and that it was perfectly possible to be happy without the society of a more or less coarse-minded person of another sex. The girl’s prayer was very sufficiently answered; something pure and proud that there was in her—something cold and stiff, an unappreciated suitor with a taste for analysis might have called it—had hitherto kept her from any great vanity of conjecture on the subject of possible husbands. Few of the men she saw seemed worth an expenditure of imagination, and it made her smile to think that one of them should present himself as an incentive to hope and a reward of patience. Deep in her soul—it was the deepest thing there—lay a belief that if a certain light should dawn, she could give herself completely; but this image, on the whole, was too formidable to be attractive. Isabel’s thoughts hovered about it, but they seldom rested on it long; after a little it ended by frightening her. It often seemed to her that she thought too much about herself; you could have made her blush, any day in the year, by telling her that she was selfish. She was always planning out her own development, desiring her own perfection, observing her own progress. Her nature had for her own imagination a certain garden-like quality, a suggestion of perfume and murmuring boughs, of shady bowers and lengthening vistas, which made her feel that introspection was, after all, an exercise in the open air, and that a visit to the recesses of one’s mind was harmless when one returned from it with a lapful of roses. But she was often reminded that there were other gardens in the world than those of her virginal soul, and that there were, moreover, a great many places that were not gardens at all—only dusky, pestiferous tracts, planted thick with ugliness and misery. In the current of that easy eagerness on which she had lately been floating, which had conveyed her to this beautiful old England and might carry her much further still, she often checked herself with the thought of the thousands of people who were less happy than herself—a thought which for the moment made her absorbing happiness appear to her a kind of immodesty. What should one do with the misery of the world in a scheme of the agreeable for one’s self? It must be confessed that this question never held her long. She was too young, too impatient to live, too unacquainted with pain. She always returned to her theory that a young woman whom after all every one thought clever should begin by getting a general impression of life. This was necessary to prevent mistakes, and after it should be secured she might make the unfortunate condition of others an object of special attention.
England was a revelation to her, and she found herself as entertained as a child at a pantomime. In her infantine excursions to Europe she had seen only the Continent, and seen it from the nursery window; Paris, not London, was her father’s Mecca. The impressions of that time, moreover, had become faint and remote, and the old-world quality in everything that she now saw had all the charm of strangeness. Her uncle’s house seemed a picture made real; no refinement of the agreeable was lost upon Isabel; the rich perfection of Gardencourt at once revealed a world and gratified a need. The large, low rooms, with brown ceilings and dusky corners, the deep embrasures and curious casements, the quiet light on dark, polished panels, the deep greenness outside, that seemed always peeping in, the sense of well-ordered privacy, in the centre of a ‘‘property’’—a place where sounds were felicitously accidental, where the tread was muffled by the earth itself, and in the thick mild air all shrillness dropped out of conversation—these things were much to the taste of our young lady, whose taste played a considerable part in her emotions. She formed a fast friendship with her uncle, and often sat by his chair when he had had it moved out to the lawn. He passed hours in the open air, sitting placidly with folded hands, like a good old man who had done his work and received his wages, and was trying to grow used to weeks and months made up only of off-days. Isabel amused him more than she suspected—the effect she produced upon people was often different from what she supposed—and he frequently gave himself the pleasure of making her chatter. It was by this term that he qualified her conversation, which had much of the vivacity observable in that of the young ladies of her country, to whom the ear of the world is more directly presented than to their sisters in other lands. Like the majority of American girls, Isabel had been encouraged to express herself; her remarks had been attended to; she had been expected to have emotions and opinions. Many of her opinions had doubtless but a slender value, many of her emotions passed away in the utterance; but they had left a trace in giving her the habit of seeming at least to feel and think, and in imparting, moreover, to her words, when she was really moved, that artless vividness which so many people had regarded as a sign of superiority. Mr. Touchett used to think that she reminded him of his wife when his wife was in her teens. It was because she was fresh and natural and quick to understand, to speak—so many characteristics of her niece—that he had fallen in love with Mrs. Touchett. He never expressed this analogy to the girl herself, however; for if Mrs. Touchett had once been like Isabel, Isabel was not at all like Mrs. Touchett. The old man was full of kindness for her; it was a long time, as he said, since they had had any young life in the house; and our rustling, quickly moving, clear-voiced heroine was as agreeable to his sense as the sound of flowing water. He wished to do something for her; he wished she would ask something of him. But Isabel asked nothing but questions; it is true that of these she asked a great many. Her uncle had a great fund of answers, though interrogation sometimes came in forms that puzzled him. She questioned him immensely about England, about the British constitution, the English character, the state of politics, the manners and customs of the royal family, the peculiarities of the aristocracy, the way of living and thinking of his neighbours; and in asking to be enlightened on these points she usually inquired whether they corresponded with the descriptions in the books. The old man always looked at her a little, with his fine dry smile, while he smoothed down the shawl that was spread across his legs.
‘‘The books?’’ he once said; ‘‘well, I don’t know much about the books. You must ask Ralph about that. I have always ascertained for myself—got my information in the natural form. I never asked many questions even; I just kept quiet and took notice. Of course, I have had very good opportunities—better than what a young lady would naturally have. I am of an inquisitive disposition, though you mightn’t think it if you were to watch me; however much you might watch me, I should be watching you more. I have been watching these people for upwards of thirty-five years, and I don’t hesitate to say that I have acquired considerable information. It’s a very fine country on the whole—finer perhaps than what we give it credit for on the other side. There are several improvements that I should like to see introduced; but the necessity of them doesn’t seem to be generally felt as yet. When the necessity of a thing is generally felt, they usually manage to accomplish it; but they seem to feel pretty comfortable about waiting till then. I certainly feel more at home among them than I expected to when I first came over; I suppose it’s because I have had a considerable degree of success. When you are successful you naturally feel more at home.’’
‘‘Do you suppose that if I am successful I shall feel at home?’’ Isabel asked.
‘‘I should think it very probable, and you certainly will be successful. They like American young ladies very much over here; they show them a great deal of kindness. But you mustn’t feel too much at home, you know.’’
‘‘Oh, I am by no means sure I shall like it,’’ said Isabel, somewhat judicially. ‘‘I like the place very much, but I am not sure I shall like the people.’’
‘‘The people are very good people; especially if you like them.’’
‘‘I have no doubt they are good,’’ Isabel rejoined; ‘‘but are
they pleasant in society? They won’t rob me nor beat me; but will they make themselves agreeable to me? That’s what I like people to do. I don’t hesitate to say so, because I always appreciate it. I don’t believe they are very nice to girls; they are not nice to them in the novels.’’
‘‘I don’t know about the novels,’’ said Mr. Touchett. ‘‘I believe the novels have a great deal of ability, but I don’t suppose they are very accurate. We once had a lady who wrote novels staying here; she was a friend of Ralph’s, and he asked her down. She was very positive, very positive; but she was not the sort of person that you could depend on her testimony. Too much imagination—I suppose that was it. She afterwards published a work of fiction in which she was understood to have given a representation—something in the nature of a caricature, as you might say—of my unworthy self. I didn’t read it, but Ralph just handed me the book, with the principal passages marked. It was understood to be a description of my conversation; American peculiarities, nasal twang, Yankee notions, stars and stripes. Well, it was not at all accurate; she couldn’t have listened very attentively. I had no objection to her giving a report of my conversation, if she liked; but I didn’t like the idea that she hadn’t taken the trouble to listen to it. Of course I talk like an American—I can’t talk like a Hottentot. However I talk, I have made them understand me pretty well over here. But I don’t talk like the old gentleman in that lady’s novel. He wasn’t an American; we wouldn’t have him over there! I just mention that fact to show you that they are not always accurate. Of course, as I have no daughters, and as Mrs. Touchett resides in Florence, I haven’t had much chance to notice about the young ladies. It sometimes appears as if the young women in the lower class were not very well treated; but I guess their position is better in the upper class.’’