The Delicate Prey: And Other Stories
There was a path leading into the forest. Roberto went ahead to lead the way, hacking at stray vines and bushes with his machete. Chalía followed, sitting listlessly in the saddle, calmed by the sudden entrance into the green world of silence and comparative coolness.
They rode slowly upward through the forest for a quarter of an hour or so without saying anything to each other. When they came to a gate Roberto opened it without dismounting and waited for Chalía to pass through. As she went by him she smiled and said: “How nice it is here.”
He replied, rather curtly, she thought: “Yes, Señorita.”
Ahead, the vegetation thinned, and beyond lay a vast, open, slightly undulating expanse of land, decorated here and there, as if by intent, with giant white-trunked ceiba trees. The hot wind blew across this upland terrain, and the cry of cicadas was in the air. Chalía halted her horse and jumped down. The tiny thistlelike plants that covered the ground crackled under her boots. She seated herself carefully in the shade at the very edge of the open land.
Roberto tied the two horses to a tree and stood looking at her with the alert, hostile eyes of the Indian who faces what he does not understand.
“Sit down. Here,” she said.
Stonily he obeyed, sitting with his legs straight on the earth in front of him, his back very erect. She rested her hand on his shoulder. “Quécolor,” she murmured.
She did not expect him to answer, but he did, and his voice sounded remote. “It is not my fault, señorita.”
She slipped her arm around his neck and felt the muscles grow tense. She rubbed her face over his chest; he did not move or say anything. Wit h her eyes shut and her head pressing hard against him, she felt as if she were hanging to consciousness only by the ceaseless shrill scream of the cicadas. She remained thus, leaning over more heavily upon him as he braced himself with his hands against the earth behind him. His face had become an impenetrable mask; he seemed not to be thinking of anything, not even to be present.
Breathing heavily, she raised her head to look at him, but found she did not have the courage to reach his eyes with her gaze. Instead she watched his throat and finally whispered, “It doesn’t matter what you think of me. It’s enough for me to hold you like this.”
He turned his head stiffly away from her face, looking across the landscape to the mountains. Gruffly he said, “My brother could come by this place. We must go back to the river.”
She tried to bury her face in his chest, to lose herself once more in the delicious sensation. Without warning, he moved quickly and stood up, so that she tumbled forward with her face against the ground.
The surprise of her little fall changed her mood instantly. She sprang up, dashed blindly for the nearer of the two horses, was astride it in an instant, and before he could cry, “It’s the bad horse!” had pounded the animal’s flanks with her heels. It raised its head wildly; with a violent bound it began to gallop over the countryside. At the first movement she realized dimly that there had been a change, that it was not the same horse, but in her excitement she let her observation stop there. She was delighted to be moving swiftly across the plain against the hot wind. Roberto was left behind.
“Idiota!” she screamed into the air. “Idiota! Idiota!” with all her might. Ahead of her a tremendous vulture, panic-stricken at the approaching hoof sounds, flapped clumsily away into the sky.
The saddle, having been strapped on for less vigorous action, began to slip. She gripped the pommel with one hand, and seizing her shirt with the other gave it a convulsive tug that ripped it completely open. A powerful feeling of exultation came to her as she glanced down and saw her own skin white in the sunlight.
In the distance to one side, she dimly saw some palm trees reaching above a small patch of lower vegetation. She shut her eyes: the palms looked like shiny green spiders. She was out of breath from the jolting. The sun was too hot. The saddle kept slipping further; she could not right it. The horse showed no sign of being aware of her existence. She pulled on the reins as hard as she could without falling over backward, but it had no effect on the horse, which continued to run at top speed, following no path and missing some of the trees by what seemed no more than inches.
“Where shall I be in an hour?” she asked herself. “Dead, perhaps?” The idea of death did not frighten her the way it did some people. She was afraid of the night because she could not sleep; she was not afraid of life and death because she did not feel implicated to any extent in either one. Only other people lived and died, had their lives and deaths. She, being inside herself, existed merely as herself and not as a part of anything else. People, animals, flowers and stones were objects, and they all be-longed to the world outside. It was their juxtapositions that made hostile or friendly patterns. Sometimes she looked at her own hands and feet for several minutes, trying to fight off an indefinite sensation they gave her of belonging also to the world outside. But this never troubled her deeply. The impressions were received and accepted without question; at most she could combat them when they were too strong for her comfort.
Here in the hot morning sun, being pulled forward through the air, she began to feel that almost all of her had slipped out of the inside world, that only a tiny part of her was still she. The part that was left was full of astonishment and disbelief; the only discomfort now lay in having to accept the fact of the great white tree trunks that continued to rush by her.
She tried several times to make herself be elsewhere: in her rose garden at home, in the hotel dining room at Puntarenas, even as a last resort which might prove feasible since it too had been unpleasant, in her bed back at the ranch, with the dark around her.
With a great bound, the horse cleared a ditch. The saddle slipped completely around and hung underneath. Having no pommel to cling to, she kept on as best she could, clutching the horse’s flanks with her legs and always pulling on the reins. Suddenly the animal slowed down and stepped briskly into a thicket. There was a path of sorts; she suspected it was the same one they had used coming from the river. She sat listlessly, waiting to see where the horse would go.
Finally it came out into the river bed as she had expected, and trotted back to the ranch. The sun was directly overhead when they reached the paddock. The horse stood outside, waiting to be let in, but it seemed that no one was around. Making a great effort, she slid down to the ground and found she had difficulty in standing because her legs were trembling so. She was furious and ashamed. As she hobbled toward the house she was strongly hoping Lucha would not see her. A few Indian girls appeared to be the only people about. She dragged herself upstairs and shut herself in her room. The bed had been pushed back against the wall, but she did not have the force to pull it out into the center where she wanted it.
When Don Federico and the others returned, Lucha, who had been reading downstairs, went to the gate. “Where’s Chalía?” she cried.
“She was tired. One of the boys brought her back a while ago,” he said. “It’s just as well. We went halfway to Cañas.”
Chalía had her lunch in bed and slept soundly until late in the afternoon. When she emerged from her room onto the veranda, a woman was dusting the rocking chairs and arranging them in a row against the wall.
“Where’s my sister?” demanded Chalía.
“Gone to the village in the truck with the señor,” the woman replied, going to the head of the stairs and beginning to dust them one by one, as she went down backward.
Chalíva seated herself in a chair and put her feet up on the porch railing, reflecting as she did so that if Lucha had been there she would have disapproved of the posture. There was a bend in the river—the only part of it that came within sight of the house—just below her, and a portion of the bank was visible to her through the foliage from where she sat. A large breadfruit tree spread its branches out almost to the opposite side of the stream. There was a pool at the turn, just where the tree’s trunk grew out of the muddy bank. An Indian sauntered out of the undergrow
th and calmly removed his trousers, then his shirt. He stood there a moment, stark naked, looking at the water, before he walked into it and began to splash and swim. When he had finished bathing he stood again on the bank, smoothing his blue-black hair. Chalía was puzzled, knowing that few Indians would be so immodest as to bathe naked in full view of the upstairs veranda. With a sudden strange sensation as she watched him, she realized it was Roberto and that he was wholly conscious of her presence at that moment.
“He knows Rico is gone and that no one can see him from downstairs,” she thought, resolving to tell her brother when he came home. The idea of vengeance upon the boy filled her with a delicious excitement. She watched his deliberate movements as he dressed. He sat down on a rock with only his shirt on and combed his hair. The late afternoon sun shone through the leaves and gave his brown skin an orange cast. When finally he had gone away without once glancing up at the house, she rose and went into her room. Maneuvering the bed into the middle of the floor once more, she began to walk around it; her mood was growing more and more turbulent as she circled about the room.
She heard the truck door slam, and a moment later, voices downstairs. With her finger to her temple, where she always put it when her heart was beating very fast, she slipped out onto the veranda and downstairs. Don Federico was in the commissary, which he opened for a half hour each morning and evening. Chalía stepped inside the door, her mouth already open, feeling the words about to burst from her lungs. Two children were pushing their copper coins along the counter, pointing at the candy they wanted. By the lamp a woman was looking at a bolt of goods. Don Federico was on a ladder, getting down another bolt. Chalía’s mouth closed slowly. She looked down at her brother’s desk by the door beside her, where he kept his ledgers and bills. In an open cigar box almost touching her hand was a pile of dirty bank notes. She was back in the room before she knew it. She shut the door and saw that she had four ten-colon notes in her hand. She stuffed them into her breeches pocket.
At dinner they made fun of her for having slept all the afternoon, telling her that now she would lie awake again all night.
She was busy eating. “If I do, so much the worse,” she said, without looking up.
“I’ve arranged a little concert after dinner,” said Don Federico. Lucha was ecstatic. He went on: “The cowboys have some friends here, over from Bagaces, and Raul has finished building his marimba.”
The men and boys began to assemble soon after dinner. There was laughter, and guitars were strummed in the dark on the terrace. The two sisters went to sit at the end near the dining room, Don Federico was in the middle with the vaqueros, and the servants were ranged at the kitchen end. After several solo songs by various men with guitars, Raul and a friend began to play the marimba. Roberto was seated on the floor among the cowboys who were not performing.
“Suppose we all dance,” said Don Federico, jumping up and seizing Lucha. They moved about together at one end of the terrace for a moment, but no one else stirred.
“A bailar!” Don Federico shouted, laughing.
Several of the girls started to dance timidly in couples, with loud giggling. None of the men would budge. The marimba players went on pounding out the same piece over and over again. Don Federico danced with Chalía, who was stiff from her morning ride; soon she excused herself and left. Instead of going upstairs to bed she crossed onto the front veranda and sat looking across the vast moonlit clearing. The night was thick with eternity. She could feel it there, just beyond the gate. Only the monotonous, tinkling music kept the house within the confines of time, saved it from being engulfed. As she listened to the merrymaking progress, she had the impression that the men were taking more part in it. “Rico has probably opened them a bottle of rum,” she thought with fury.
At last it sounded as though everyone were dancing. Her curiosity having risen to a high pitch, she was about to rise and return to the terrace, when a figure appeared at the other end of the veranda. She needed no one to tell her it was Roberto. He was walking soundlessly toward her; he seemed to hesitate as he came up to her, then he squatted down by her chair and looked up at her. She had been right: he smelled of rum.
“Good evening, señorita.”
She felt impelled to remain silent. Nevertheless, she said, “Good evening.” She put her hand into her pocket, saying to herself that she must do this correctly and quickly.
As he crouched there with his face shining in the moonlight, she bent forward and passed her hand over his smooth hair. Keeping her fingers on the back of his neck, she leaned still further forward and kissed his lips. The rum was very strong. He did not move. She began to whisper in his ear, very low: “Roberto, I love you. I have a present for you. Forty colones. Here.”
He turned his head swiftly and said out loud, “Where?”
She put the bills into his hand, still holding his head, and whispered again: “Sh! Not a word to anyone. I must go now. I’ll give you more tomorrow night.” She let go of him.
He rose and went out the gate. She went straight upstairs to bed, and as she went to sleep the music was still going on.
Much later she awoke and lit her lamp. It was half past four. Day would soon break. Feeling full of an unaccustomed energy, Chalía dressed, extinguished the lamp and went outdoors, shutting the gate quietly behind her. In the paddock the horses stirred. She walked by it and started along the road to the village. It was a very silent hour: the night insects had ceased their noises and the birds had not yet begun their early-morning twitter. The moon was low in the sky, so that it remained behind the trees most of the time. Ahead of her Venus flared like a minor moon. She walked quickly, with only a twinge of pain now and then in her hip.
Something dark lying in the road ahead of her made her stop walking. It did not move. She watched it closely, stepping cautiously toward it, ready to run the other way. As her eyes grew accustomed to its form, she saw that it was a man lying absolutely still. And as she drew near, she knew it was Roberto. She touched his arm with her foot. He did not respond. She leaned over and put her hand on his chest. He was breathing deeply, and the smell of liquor was almost overpowering. She straightened and kicked him lightly in the head. There was a tiny groan from far within. This also, she said to herself, would have to be done quickly. She felt wonderfully light and powerful as she slowly maneuvered his body with her feet to the right-hand side of the road. There was a small cliff there, about twenty feet high. When she got him to the edge, she waited a while, looking at his features in the moonlight. His mouth was open a little, and the white teeth peeked out from behind the lips. She smoothed his forehead a few times and with a gentle push rolled him over the edge. He fell very heavily, making a strange animal sound as he hit.
She walked back to the ranch at top speed. It was getting light when she arrived. She went into the kitchen and ordered her breakfast, saying: “I’m up early.” The entire day she spent around the house, reading and talking to Lucha. She thought Don Federico looked preoccupied when he set out on his morning tour of inspection, after closing the commissary. She thought he still did when he returned; she told him so at lunch.
“It’s nothing,” he said. “I can’t seem to balance my books.”
“And you’ve always been such a good mathematician,” said Chalía.
During the afternoon some cowboys brought Roberto in. She heard the commotion in the kitchen and the servants’ cries of “Ay, Dios!” She went out to watch. He was conscious, lying on the floor with all the other Indians staring at him.
“What’s the matter?” she said.
One of the cowboys laughed. “Nothing of importance. He had too much—” the cowboy made a gesture of drinking from a bottle, “and fell off the road. Nothing but bruises, I think.”
After dinner Don Federico asked Chalía and Lucha into his little private office. He looked drawn, and he spoke more slowly than usual. As Chalía entered she saw that Roberto was standing inside the door. He did not look at her. Lucha and
Chalía sat down; Don Federico and Roberto remained standing.
“This is the first time anyone has done this to me,” said Don Federico, looking down at the rug, his hands locked behind him. “Roberto has stolen from me. The money is missing. Some of it is in his pocket still, more than his monthly wages. I know he has stolen it because he had no money yesterday and because,” he turned to Chalía, “because he can account for having it only by lying. He says you gave it to him. Did you give Roberto any money yesterday?”
Chalía looked puzzled. “No,” she said. “I thought of giving him a colon when he brought me back from the ride yesterday morning. But then I thought it would be better to wait until we were leaving to go back to the city. Was it much? He’s just a boy.”
Don Federico said: “It was forty colones. But that’s the same as forty centavos. Stealing . . .”
Chalía interrupted him. “Rico!” she exclaimed. “Forty colones! That’s a great deal! Has he spent much of it? You could take it out of his wages little by little.” She knew her brother would say what he did say, a moment later.
“Never! He’ll leave tonight. And his brother with him.”
In the dim light Chalía could see the large purple bruise on Roberto’s forehead. He kept his head lowered and did not look up, even when she and Lucha rose and left the room at a sign from their brother. They went upstairs together and sat down on the veranda.
“What barbarous people they are!” said Lucha indignantly. “Poor Rico may learn some day how to treat them. But I’m afraid one of them will kill him first.”
Chalía rocked back and forth, fanning herself lazily. “With a few more lessons like this he may change,” she said. “What heat!”
They heard Don Federico’s voice below by the gate. Firmly it said, “Adiós.” There were muffled replies and the gate was closed. Don Federico joined his sisters on the veranda. He sat down sadly.
“I didn’t like to send them away on foot at night,” he said, shaking his head. “But that Roberto is a bad one. It was better to have him go once and for all, quickly. Juan is good, but I had to get rid of him too, of course.”