John Dies at the End

  John was looking off across the parking lot now where a massive, customized RV sat like a beached whale. Behind it was an eighteen-wheeler, painted white with neon outlines, some kind of logo airbrushed on the side. He asked, “I wonder what’s in there.”

  Big Jim said, “Shipment of fags probably.”

  The asshole’s a comedian all of a sudden.

  This seemed to anger Molly, who stared out the windshield and went into a barking frenzy. I reached back and, for the first time in my life, smacked a dog across the nose with an envelope full of cash. Jennifer said, “Thank you.”

  John said, “There might be some clothes in that RV. We could change, look normal. Get Dave an overcoat to conceal the gun. Then charge into the Luxor, find Justin and open a can of kill-ass.”

  “We can’t break into somebody’s RV,” I said.

  John squinted at the logo on the side of the truck.

  “That RV doesn’t belong to a person. It belongs to Elton John. You know, the band.”

  Jen said, “Seriously?”

  Molly retreated to the rear and started biting at the luggage the newlyweds had stacked in it. They probably had packed some sausages in there or something.

  John said, “Yeah, look at the sign. I bet the truck is their concert stuff.”

  Jim said, “Elton John is a guy, not a band.”

  “Please, don’t get him started,” I said. “There was that one video where he was in different outfits and—”

  “For the last time, those were all different guys, Dave. I looked it up. They’re brothers.”

  “Oh, Jesus, forget it. Who cares.” I gripped the shotgun and considered shooting myself in the head.

  A slow smile spread over John’s face. He turned to me and said the five most horrifying words he knows.

  “Dave, I have a plan.”

  IF THE ALIENS who helped the Egyptians build the pyramids returned to Earth and opened a casino, it would look like the Luxor Las Vegas. The thing was a massive, gleaming, black glass pyramid with a line of white lights that pulsed up its four corners.

  We had just pulled into the Luxor parking lot and were watching two cop cars and a tow truck messing with Justin’s abandoned beer hauler, which had been carelessly run up onto the curb. The cops and tow guy all looked a little confused by the scene.

  I said, “Let’s go.”

  We filed out of the SUV and strode toward the front entrance, giving the cops a wide berth. Jennifer looked up at it and whispered to me, “I don’t like this place.”

  “You already said that.”

  “It looks like—like the end of the world. Somehow. Like those huge, scary future buildings in Blade Runner, black with the fire coming out the tops and all that.”

  Big Jim said, “Yeah, yeah, and those gigantic big screens with huge Asian women on them. I watched that movie when I was a kid and I started cryin’.” Big Jim adjusted his cape.

  The entrance was ahead, opened wide like a maw, the guts inside showing gleaming solid gold.

  “You know what else scared me?” Jen said, reaching up to scratch where a bundle of black feathers was tickling her neck. “In de pen dence Day. That alien invasion movie. The first part, where the aliens come and they look up between the buildings and the sky is gone and, like, all they see is metal. Just as far as you can see, that steel ship looming up there. I remember thinking, that’s what the end of the world will look like. It won’t be wars or a meteor. It’ll be something we never could have thought of . . .”

  Awe choked off her voice. We all had entered the lobby and stopped in our tracks. The cavernous inner chamber of the Luxor was gold upon gold, gold floors, gold walls, gold ceiling. The place was a temple, and there was no question who God was.

  The lobby was a pulsing crowd of people and we were pushed ahead by the current. Everyone stared at us as they passed, eyes flicking from me to Jen to John’s naked ass. I nervously adjusted the guitar strap around my neck.

  The shotgun was at my side, concealed under my coat. We probably drew the eyes of a dozen security guys working the floor. But at the sight of us, not a single one of them was thinking, “gun.” They were thinking “retards,” sure, but not “gun.”

  John said, “Over there.”

  He had found an entrance labeled EGYPTIAN BALLROOM, outside of which were two huge stand-up posters featuring a smiling fifty something man who must have been Dr. Marconi, since his name was boldly displayed under the picture.

  A lady sat at a table with a laptop PC and stacks of programs and brochures fanned out on a table. There were two guys in suits with thin cell phone headsets on, guarding the door.

  We strode toward them. My heart skipped a beat. This is as far as we had planned.

  As we neared I glanced through the partially opened door to see if anything was happening in there, such as Lucifer crashing up through the floor. He wasn’t.

  What I could see was that the ballroom was huge, a floor like half a football field. In the center was an enormous ice sculpture that had to have been fifteen feet high. It was an angel with its wings spread, hands upstretched to the ceiling. It must have had water pumping up through it because a rain of liquid rolled off its crystalline wings like a waterfall, splashing into a pool at its feet. The crowd sat in rows of folding chairs around it. Every seat was taken. Each member of the audience had their eyes closed.

  The amplified voice of Dr. Marconi drifted into the lobby:

  “Okay, everyone. Settle down. I know this is frightening for some of you but what we’re dealing with is real, real as the person sitting next to you. But I need all of you, all of your concentration, all of that power, that openness of the mind for this to work. Now we’ve just heard from Betty, who says her husband disappeared under mysterious circumstances last year. His name is Harold Alexander. Let’s all concentrate on Harold Alexander. Now clear your minds. Each of you picture, in your head, an apple . . .”

  I had left the six thousand dollars from my envelope with a ponytailed roadie who gave us fifteen minutes alone with the concert truck while he went off to smoke. The guitar slung over my back was made entirely of a crystal-clear glass or polymer. I was wearing a white leather overcoat trimmed in long, luxuriant green fur and an enormous white sombrero edged in a pattern of fiber-optic lights.

  Jennifer had donned a tailed white tuxedo/ringmaster coat over her T-shirt and shorts, the coat long enough to leave only bare legs emerging from the hem. A black feather boa gave her an outfit that sort of looked intentional. Big Jim was wearing an incredibly tight roadie jumpsuit with a flashy Elton John logo on the back. He had a huge Casio keyboard under his arm and pulled a dolly behind him loaded down with two black boxes the size of footlockers.

  John wore a black jockstrap, a pair of white chaps and a small purple Robin Hood cap that covered his groin. He was naked from the waist up save for a tight leather vest and a bundle of gold chains. We all wore sunglasses.

  As we arrived at the table, Marconi’s voice boomed, “Now, now, everyone be calm. Who’s next? Does anyone else have someone they’d like to contact?”

  The guards and check-in lady stared at us in confused amusement as we approached. The lady at the table, trying to suppress a smile, finally said, “Uh, do you have tickets?”

  John said, “No. We’re Elton John.”

  “We’re, uh, the band,” I said, cutting him off quickly. “We’re playing in there after the séance. Show us the back entrance and we’ll—”

  “Dave!” shouted John. “Look!”

  It was Shitload. He was at the far end of the ballroom, shuffling between seats, moving toward the stage. He wore an ill-fitting suit jacket, jeans and a cowboy hat that we knew covered a lumpy head wound.

  “Yo, I gots an old homey I’d like you to contact for me, fool,” he said as he approached Marconi.

  Dr. Marconi’s smile faltered at the sight of Shitload, limping with joints bent at odd angles, his body puffy and stretched as if ready to burst. The jacket didn
’t completely conceal the gaping shotgun wound in his midsection.

  Shitload said, “His name is Korrok the Slavemaster from the eighth plane, also known in some realms as Baa’aaa’aaa’aab and in others as the Lord Zanthk All-Bzzki’l Shadd’uuul’l L’luuu’ddahs L’ikzzb-lla Khtnaz.”

  The guards and the door lady all turned their attention to him, not sure if this was part of the show but sensing something was about to go way, way wrong.

  I stepped up to the door and ran my hand along my side, felt the long, rigid shotgun hidden behind my overcoat. I was about to tell Door Lady that we were in the midst of an emergency that only rock and roll could solve and thus had to be let in at once.

  “GUN!”

  It was the guard to my left. I looked down, realized six inches of shotgun barrel was exposed where my coat had folded back.

  Quickly, I whipped it out and pointed it at his face, freezing him in mid-lunge.

  John said, “It’s not a gun! It’s part of our act!” at the exact same moment I said, “I’m a cop! I’m undercover!”

  Then, over the loudspeaker:

  “AGGGHHH!! MY BALLS!!!”

  I spun and saw Dr. Marconi fall to the floor, grabbing his punched groin.

  Shitload loomed over him.

  Gasps rippled across the audience.

  I sprinted into the ballroom. Guards muscled past me, rushing the stage.

  Shitload punched the first guard in the groin so hard it flung his body back five feet. The other retreated.

  I raised the shotgun, leveling it at Shitload.

  “FREEZE!” I shouted, for some reason. A lady screamed at the sight of the gun. Shitload turned his back to us and leaned forward. His pants split. A fleshy, puckering protrusion formed and pushed its way through the slit, looking like the end of a flesh trumpet.

  FOONT!!

  With a bassy thump and a smell like burnt sulfur, Shitload farted himself far into the air.

  The crowd went wild, chairs clanging down all around us. I tracked Shitload with the barrel of the shotgun as he climbed a hazy contrail of shimmery methane. He landed atop the giant ice angel. Shitload crouched on one wing, raised his arms in a “touchdown” motion and said something at the top of his voice that was probably very profound and ominous but was drowned out by the absolute bedlam in the crowd below.

  I fired. Shitload exploded.

  Hey! That was easy!

  An eruption of blood and hamburger stained the wings of the angel red and pink. I felt a momentary euphoria of victory, ready to be carried off on shoulders. I should have known better.

  Out of Justin’s guts poured, not the white buzzing worms, but a shower of black specks that could have been coffee beans. They bounced and flecked off the wings of the angel and plinked into the water below.

  I edged up to the pool with the shotgun. Dark shapes started writhing and splashing below the surface.

  Oh shit.

  A soft hand landed on my shoulder and I turned to see the sharp, brown eyes of Albert Marconi.

  “Son, I think we need to get the people out of here.”

  Big Jim was behind him, still toting the keyboard. Marconi said, patiently, “Don’t you think? We haven’t much time.”

  I turned, ran, fired the shotgun into the air and shouted, “Bomb! There’s a bomb in the fountain! Everybody run for your lives! Please don’t not panic!”

  The words were completely lost in the stampede caused by my shotgun blast. I bumped into John in the crowd.

  “Where’s the bomb?”

  “There’s no bomb, there’s something in the—”

  “Guys!”

  It was Jen. She was yelling and pointing at the fountain. I turned just as one of the seven-legged wig monsters flung itself out of the pool, in a spray of water.

  The beast landed on the carpet on its little baby-like hands, looked around, meowed, then disappeared. In a blink it was clinging to the back of an elderly black woman, scorpion tail buried down into the base of her spine.

  Another of the little black beasts emerged. Another. Then three more. They crawled, leapt, clamped themselves onto victims. A fat guy went flailing past me with one of the things on his chest; a bearded man was trying to shake one off his leg.

  One of the wig monsters ran and jumped at Jim. He swatted it like a baseball with his Elton John keyboard, then bashed the heavy Casio in half over its prone body in a spray of white and black keys.

  Jen was on the other side of the fountain, kicking one of the beasts to death. I ran toward her, blew a wig monster in half, worked the pump and realized I had no more shots. I flung the gun at another one of the monsters, missed, hit an elderly man in a wheelchair instead, toppling him over.

  I was kicking through the sea of blue chairs, closing on Jen. Two of the wig beasts were bearing down on me. No, three. One of them crouched and launched itself at me—

  THONK

  The beast was batted away by a folding chair, wielded by John.

  He screamed “YEAH!” in a dead-on impersonation of pro wrestler “Macho Man” Randy Savage, grasping the folded chair by two legs. He swung again and flattened another of the beasts, screaming, “Have a seat, bitch!”

  There were at least a hundred of the wig monsters bouncing around the ballroom now. Victims littered the floor by the dozen.

  I flinched at the sound of a sharp gunshot, spun to see a middle-aged lady holding a little chrome pistol. She shot one of the things, killed it, took shots at another, missed. The beasts ganged up on her, three stinging her simultaneously. I heard someone shout, “Becky!” from behind me. A tall guy with a heavy brown beard pushed through the chairs. “BECKY! HONEEEEY!”

  He punted two of the creatures off his wife with several furious kicks, then John ran in and chaired the last one off, screaming, “You’ve been sentenced to get the chair, motherfucker!”

  The man helped his wife to her feet and said to me, “Those things! They’re blocking the exits!”

  I spun around, saw black clumps surrounding the doors we came in.

  “Shit!”

  The woman looked dazed. The man asked her if she was okay. She nodded, then calmly reached over with her left arm and tore the right arm out of its socket. It made a slimy sucking sound, like tearing the leg off a Thanksgiving turkey. There was no blood. The wound was instantly sealed by a thin, black layer of the soy sauce.

  She calmly walked back toward the fountain, casually carrying her arm like an umbrella. Her husband stood in dumbfounded silence. I heard John land two more blows with the chair.

  Another bite victim lay nearby, a young man writhing as if in a seizure. Eventually his legs kicked themselves free from the rest of his body. The limbs thumped along the floor on their own like two giant polyester snakes with shoes for heads. Right behind them was a loose head stuck to a single arm, furiously biting and clawing the carpet.

  I felt like we might not be in control of this situation any longer.

  I heard a scream that I had come to recognize as Jennifer’s. She was on her knees with Fred’s switchblade, surrounded by five dead wig monsters all bearing ragged stab wounds. I sprinted that way.

  I heard a metallic thump from behind me and heard John yell, “You wants the committee, asshole, then you best meet with the chair!” I pulled Jen to her feet.

  Around us, the disembodied human limbs were piling up, forming a circle around the fountain, fusing themselves to each other like Satan’s LEGO set. A wet, pink disembodied spine slithered past us like a snake.

  Dr. Marconi jogging toward us, shouting some instruction I couldn’t hear in the pandemonium. All around us the wig monsters were closing in, their dark shapes rolling in toward the fountain like oil down a drain.

  One of them jumped onto Jen’s back. I flung myself at it, grabbed it in a bear hug and ripped it off her. One of its little fists came around and started punching me in the face.

  I carried it to the fountain, stepping over a squishy pile of body parts. I shoved the
monster into the water, held it under, screamed “Die!” or something to that effect. After a few seconds it stopped moving and black sauce oozed out of it like an oil slick.

  Dr. Marconi got close enough so I could finally hear him. He said, “They’re trying to get into the water! Don’t let them!”

  I looked back down at the spreading black pool, heard a splash as another of the beasts jumped in, followed by another, the creatures returning to the pool from which they had sprung.

  Nothing good could come from that.

  Marconi said, “Follow me.”

  We sprinted toward a set of doors behind the stage, John smacking creatures with chairs as we went. Marconi unlocked the doors and we filed in. John stopped and spun in front of the open doorway. He faced at least half a dozen of the wig monsters, circling in on him. He whipped the chair around and actually split one of the things in half with the impact, spilling a spray of blood that was reflective, like mercury. John bellowed, “Anybody else want to donate blood to chair-ity?”

  He ducked into the door, stopped, thought for a moment, then flung the door open again. He swung the chair and bashed one monster right in the wig, screaming, “There’s some dessert! With a chair-y on top!”

  He came back in again, breathing heavily, slamming the door just as something thumped against it.

  I said, “How about we just stay in here until they all leave?”

  Dr. Marconi took off his glasses and cleaned them with a handkerchief.

  John said, “What’s happening to them out there? The bite victims?” He looked at Marconi. “We’ve got friends who took the soy sauce, the, uh, the venom those things out there spit out. Almost all of them died but not like—”

  “Out there you have a room full of true believers,” Marconi said, sadly. “There’s a shift that goes on, you see, physically and mentally and spiritually. They were ripe for this.”