The White Princess

  He comes to my room every evening, sometimes bringing a syllabub straight from the kitchen for me to drink while it is warm, as if we did not have a hundred servants to do my bidding. I laugh at him, carrying the little jug and the cup, neat as a groom of the servery.

  “Well, you’re used to having people do things for you,” he says. “You were raised in a royal household with dozens of servants waiting around the room for something to do. But in Brittany I had to serve myself. Sometimes we had no house servants. Actually, sometimes we had no house, we were all but homeless.”

  I go to my chair by the fire, but that is not good enough for the mother of the next prince.

  “Sit on the bed, sit on the bed, put your feet up,” he urges, and helps me up, taking my shoes and pressing the cup in my hands. Like a pair of little merchants snug in their town house, we eat our supper alone together. Henry puts a poker into the heart of the fire and when it is hot, plunges it into a jug of small ale. The drink seethes and he pours it out while it is steaming and tastes it.

  “I can tell you my heart turned to stone at York,” he says to me frankly. “Freezing cold wind and a rain that could cut through you, and the faces of the women like stone itself. They looked at me as if I had personally murdered their only son. You know what they’re like—they love Richard as dearly as if he rode out only yesterday. Why do they do that? Why do they cling to him still?”

  I bury my face in the syllabub cup so that he cannot see my swift betraying flinch of grief.

  “He had that York gift, didn’t he?” he presses me. “Of making people love him? Like your father King Edward did? Like you have? It’s a blessing, there’s no real sense to it. It’s just that some men have a charm, don’t they? And then people follow them? People just follow them?”

  I shrug. I can’t trust my voice to speak of why everyone loved Richard, of the friends who would have laid down their lives for him and who, even now after his death, still fight his enemies for love of his memory. The common soldiers who will still brawl in taverns when someone says that he was a usurper. The fishwives who will draw a knife on anyone who says he was hunchbacked or weak.

  “I don’t have it, do I?” Henry asks me bluntly. “Whatever it is—a gift or a trick or a talent. I don’t have it. Everywhere we went, I smiled and waved and did all that I could, all that I should. I acted the part of a king sure of his throne even though I sometimes felt like a penniless pretender with no one who believes in me but a besotted mother and a doting uncle, a pawn for the big players who are the kings of Europe. I’ve never been someone deeply beloved by a city, I’ve never had an army roar my name. I’m not a man who is followed for love.”

  “You won the battle,” I say dryly. “You had enough men follow you on the day. That’s all that matters, that one day. As you tell everyone: you’re king. You’re king by right of conquest.”

  “I won with hired troops, paid by the King of France. I won with an army loaned to me from Brittany. One half of them were mercenaries and the other half were murderous criminals pulled out of the jails. I didn’t have men that served me for love. I’m not beloved,” he says quietly. “I don’t think I ever will be. I don’t have the knack of it.”

  I lower the cup and for a moment our eyes meet. In that one accidental exchange I can see that he is thinking that he is not even loved by his own wife. He is—simply—loveless. He spent his youth waiting for the throne of England, he risked his life fighting for the throne of England, and now he finds it is a hollow crown indeed; there is no heart at the center. It is empty.

  I can think of nothing to fill the awkward silence. “You have adherents,” I offer.

  He gives a short bitter laugh. “Oh yes, I have bought some: the Courtenays and the Howards. And I have the friends that my mother has made for me. I can count on a few friends from the old days, my uncle, the Earl of Oxford. I can trust the Stanleys, and my mother’s kin.” He pauses. “It’s an odd question for a husband to ask his wife, but I could think of nothing else when they told me that Lovell had come against me. I know that he was Richard’s friend. I see that Francis Lovell loves Richard so much that he fights on even when Richard is dead. It made me wonder: can I count on you?”

  “Why would you even ask?”

  “Because they all tell me that you loved Richard too. And I know you well enough now to be sure that you were not guided by ambition to be his queen, you were driven by love. So that’s why I ask you. Do you love him still? Like Lord Lovell? Like the women of York? Do you love him despite his death? Like York does, like Lord Lovell does? Or can I count on you?”

  I shift slightly as if I am uncomfortable on the soft bed, sipping my drink. I gesture to my belly. “As you say, I am your wife. You can count on that. I am about to have your child. You can count on that.”

  He nods. “We both know how that came about. It was done to breed a child; it was not an act of love. You would have refused me if you could have done, and every night you turned your face away. But I have been wondering, while I was gone, facing such unfriendliness, facing a rebellion, whether loyalty might grow, whether trust can grow between us?”

  He does not even mention love.

  I glance away. I cannot meet his steady gaze, and I cannot answer his question. “All this I have already promised,” I say inadequately. “I said my marriage vows.”

  He hears the refusal in my voice. Gently he leans over and takes the empty cup from me. “I’ll leave it at that, then,” he says, and goes from my room.

  ST. SWITHIN’S PRIORY, WINCHESTER, SEPTEMBER 1486

  A rosy sun in saffron clouds is sinking below the sill of my window in the September evening as I wake from my afternoon nap and lie, enjoying the warmth on my face, knowing that this is my last day of sunshine. This evening I have to dress up, take the compliments of the court, receive their gifts, and go into confinement to await the birth of my baby. My confinement rooms will be darkened by shutters, my windows closed, even the feeble light of the candles will be shaded until the baby is born.

  If My Lady the King’s Mother was able publicly to declare when the baby was conceived—a full month before our wedding—she would have had me locked up four weeks ago. She has already written in her Royal Book that a queen must be confined a full six weeks before the expected date of a birth. She must give a farewell dinner and the court must escort her to the door of the confinement chamber. She must go in, and not come out again (God willing, writes the pious lady at this point) until six weeks after the birth of a healthy child, when the babe is brought out to be christened, and she emerges to be churched and can take her place at court once more. A stay in silence and darkness of a long three months’ duration. I read this, in her elegant black-ink handwriting, and I study her opinions about the quality of the tapestries on the walls and the hangings on the bed, and I think that only a barren woman would compose such a regime.

  My Lady the King’s Mother had only one child, her precious son Henry, and she has been barren since his birth. I think that if there were any chance that she would be put away from the world for three months every year, the orders on confinement would be very different. These rules are not to secure my privacy and rest, they are to keep me out of the way of the court so that she can take my place for three glorious long months every time her son gets me with child. It is as simple as that.

  But this time, wonderfully, the joke is on her, for since we have, all three of us, loudly and publicly declared that the baby is a honeymoon baby, the blessedly quick result of a January wedding, it should be born in the middle of October, and so by her own rules, I don’t have to go into confinement until now, the first week in September. If she had put me into darkness at seven and a half months, I should have missed all of August, but I have been free—big-bellied but gloriously free—and I have laughed up my sleeve for a month as I have seen this deception eat away at her.

  Now I expect to spend only a week or so before the birth in this gloomy twilight, banned from the
outside world, seeing no man but a priest through a shaded screen. Then I will have six long weeks of isolation after the birth. In my absence I know that My Lady will relish ruling the court, receiving congratulations on the birth of her grandchild, supervising the christening and ordering the feast, while I am locked in my rooms and no man—not even my husband, her son—can see me.

  My maid is bringing a green gown from the wardrobe for my official farewell. I wave it away, I am so very tired of wearing Tudor green, when the door bursts open and Maggie comes running into the room and flings herself on her knees before me. “Elizabeth, I mean Your Grace! Elizabeth! Oh, Elizabeth, save Teddy!”

  The baby seems to jump in alarm in my belly as I leap off the bed and catch at the hangings as the room swings dizzily around me. “Teddy?”

  “They’re taking him! They’re taking him away!”

  “Careful!” my sister Cecily warns at once, hurrying to my side and steadying me on my feet. I don’t even hear her.

  “Taking him where?”

  “To the Tower!” Maggie cries out. “To the Tower! Oh! Come quick and stop them. Please!”

  “Go to the king,” I throw at Cecily over my shoulder as I quickly head to the door. “Give him my compliments and ask if I may come to see him at once.” I grab my cousin Maggie’s arm and say, “Come on, I’ll come with you and stop them.”

  Hurriedly, I go barefoot down the long stone corridors, the herbs brushed by my trailing nightgown, then Maggie sprints ahead of me up the circular stone staircase to the nursery floor, where she and Edward and my little sisters Catherine and Bridget have their rooms with their tutors and their maids. But then I see her fall back, and I hear the noise of half a dozen heavy boots coming down the stairs. “You can’t take him!” I hear her say. “I have the queen here! You can’t take him.”

  As they come down the curve of the stair I see first the booted feet of the leading man, then his deep scarlet leggings, and then his bright scarlet tunic trimmed and quartered with gold lace: the uniform of the yeomen of the guard, Henry’s newly created personal troop. Behind him comes another, and another; they have sent a corps of ten men to collect a pale and shaking little boy of eleven. Edward is so afraid that the last man is holding him under the armpits so that he does not fall down the stairs; his feet are dangling, his skinny legs kicking as they half-carry him to where I am standing at the foot of the stairs. He looks like a doll with brown tousled curls and wide frightened eyes.

  “Maggie!” he cries, on seeing his sister. “Maggie, tell them to put me down!”

  I step forwards. “I am Elizabeth of York,” I say to the man at the front. “Wife of the king. This is my cousin, the Earl of Warwick. You shouldn’t even touch him. What d’you think you are doing?”

  “Elizabeth, tell them to put me down!” Teddy insists. “Put me down! Put me down!”

  “Release him,” I say to the man who is holding him.

  Abruptly the guard drops him, but as soon as Teddy’s feet touch the floor he collapses into a heap, weeping with frustration. Maggie is down beside him in a moment, hugging him to her shoulder, smoothing his hair, stroking his cheeks, petting him into quietness. He pulls back from her shoulder to look earnestly into her eyes. “They lifted me from my desk in the schoolroom,” he exclaims in his piping little-boy voice. He is shocked that anyone should touch him without his permission; he has been an earl all his life, he has only ever been gently raised and carefully served. For a moment, looking at his tearstained face I think of the two boys in the Tower who were lifted from their beds, and there was no one there to stop the men who came for them.

  “Orders of the king,” the commander of the yeomen says briefly to me. “He won’t be harmed.”

  “There has been a mistake. He has to stay here, with us, his family,” I reply. “Wait here, while I go to speak to His Grace the King, my husband.”

  “My orders are clear,” the man starts to argue, as the door opens and Henry appears in the doorway, dressed for riding, a whip in one hand, his expensive leather gloves in the other. My sister Cecily peeps around him to see Maggie and me, with young Edward struggling to his feet.

  “What’s this?” Henry demands, without a word of greeting.

  “There’s been some mistake,” I say. I am so relieved to see him that I forget to curtsey, but go quickly towards him and take his warm hand. “The yeomen thought they had to take Edward to the Tower.”

  “They do,” Henry says shortly.

  I am startled at his tone. “But my lord . . .”

  He nods at the yeoman. “Carry on. Take the boy.”

  Maggie gives a little yelp of dismay and flings her arm around Teddy’s neck.

  “My lord,” I say urgently. “Edward is my cousin. He has done nothing. He is studying in the nursery here with my sisters and his sister. He loves you as his king.”

  “I do,” Teddy says clearly. “I have promised. They told me to say that I promise, and so I did.”

  The yeomen have closed up around him again, but they are waiting for Henry to speak.

  “Please,” I say. “Please let Teddy stay here with all of us. You know he would never harm anyone. Certainly not you.”

  Henry takes me gently by the shoulder and leads me away from the rest of them. “You should be resting,” he says. “You should not have been disturbed by this. You should not be upset. You should be going into confinement. This was all supposed to happen after you had gone in.”

  “I’m very near to my time,” I whisper urgently to him. “As you know. Very near. Your mother says that I must stay calm, it might hurt the baby if I’m not calm. But I won’t be able to be calm if Teddy is taken from us. Please let him stay with us. I am feeling unhappy.” I take a swift glance at his piercing brown eyes which are scanning my face. “Very unhappy, Henry. I feel distressed. I am troubled. Please tell me that it’ll be all right.”

  “Go and lie down in your room,” he says. “I’ll sort this out. You shouldn’t have been troubled. You shouldn’t have been told.”

  “I’ll go to my room,” I promise. “But I must have your word that Teddy stays with us. I’ll go, as soon as I know that Teddy can stay here.”

  With a sudden sense of dread I see My Lady the King’s Mother step into the room. “I will take you back to your bedchamber,” she offers. Some of her ladies-in-waiting come in behind her. “Come.”

  I hesitate. “Go on,” Henry says. “Go with my mother. I’ll settle things here and then come and see you.”

  “But Teddy stays with us,” I stipulate.

  Henry hesitates and as he does so, his mother steps quietly around me to stand behind me. She wraps me in her arms, holding me close. For a moment I think it is a loving embrace, then I feel the strength in her grip. Two of her ladies-in-waiting come up on either side of her and hold my arms. I am captured, to my absolute amazement, I am held. One of the ladies scoops up Maggie and two of them hold her as the yeomen of the guard lift Teddy bodily and carry him from the room.

  “No!” I scream.

  Maggie is struggling and kicking, lashing out to get to her brother.

  “No! You can’t take Teddy, he’s done nothing! Not the Tower! Not Teddy!”

  Henry throws one horrified glance at me, held by his mother, struggling to be free, and then turns and goes out of the room, following his guard.

  “Henry!” I scream after him.

  My Lady the King’s Mother puts a hard hand over my mouth to silence me and we hear the tramp of the guards’ feet going down the gallery and then down the stairs at the end. Then we hear the outer door bang. When there is silence, My Lady takes her hand from my mouth.

  “How dare you! How dare you hold me? Let me go!”

  “I will take you to your room,” she says steadily. “You must not be upset.”

  “I am upset!” I scream at her. “I am upset! Teddy can’t go to the Tower.”

  She does not even answer me but nods at her ladies to follow her and they guide me firmly
from the room. Behind me, Maggie has collapsed into tears, and the women who were holding her lower her gently to the ground and wipe her face and whisper to her that everything will be well. My sister Cecily is aghast at the sudden, smooth violence of the scene. I want her to go and fetch our mother, but she is stupid with shock, staring, from me to My Lady, as if the king’s mother had grown fangs and wings and was holding me prisoner.

  “Come,” My Lady says. “You should lie down.”

  She leads the way and the women release me to follow her. I walk behind her, struggling to regain my temper. “My Lady, I must ask you to intercede for my little cousin Edward,” I say to her stiff back, her white wimple, her rigid shoulders. “I beg you to speak to your son and ask him to release Teddy. You know Teddy is a young boy innocent of any bad thought. You made him your ward, any accusation of him is a reflection on you.”

  She says nothing, leading the way past the closed doors. I am following her blindly, searching for words that will make her stop, turn, agree, as she opens the double doors of a darkened room.

  “He is your ward,” I say. “He should be in your keeping.”

  She does not answer me. “Here. Come in. Rest.”

  I step inside. “Lady Margaret, I beg of you . . .” I start, and then I see that her ladies have followed us into the shadowy room and one of them has turned the key in the lock of the door and given it quietly to My Lady.

  “What are you doing?” I demand.

  “This is your confinement chamber,” she answers.

  Now, for the first time, I realize where she has led me. It is a long, beautiful room with tall arched windows, blocked with tapestries so that no light creeps in. One of the ladies-in-waiting is lighting the candles, their yellow flickering light illuminating the bare stone walls and the high arched ceiling. The far end of the room is sheltered by a screen, and I can see an altar and the candles burning before a monstrance, a crucifix, a picture of Our Lady. Before the screen are prayer stools and before them the fireplace and a grand chair and lesser stools arranged in a conversational circle. Chillingly, I see that my sewing is on the table by the grand chair, and the book that I was reading before I lay down for my nap has been taken from my bedchamber and is open beside it.