This has gone.
Greek and Latin are disappearing. In many countries the Bible, and religion — going. A girl I know, taken to Paris to broaden her mind, which needed it, though she was doing brilliantly in examinations, revealed that she had never heard of Catholics and Protestants, knew nothing of the history of Christianity or any other religion. She was taken to hear mass in Notre Dame, told that this ceremony had been a basis of European culture for centuries, and she should at least know about it — and she dutifully sat through it, rather as she might a tea ceremony in Japan, and afterwards enquired, “Are these people some kind of cannibal then?” So much for what seems enduring.
There is a new kind of educated person, who may be at school and university for twenty, twenty-five years, who knows everything about a specialty (computers, the law, economics, politics) but knows about nothing else — no literature, art, history — and may be heard enquiring, “But what was the Renaissance, then?” “What was the French Revolution?”
Even fifty years ago this person would have been seen as a barbarian. To have acquired an education with nothing of the old humanist background — impossible. To call oneself educated without a background of reading — impossible.
Reading, books, the literary culture, was respected, desired, for centuries. Reading was and still is in what we call the Third World, a kind of parallel education, which once everyone had, or aspired to. Nuns and monks in their convents and monasteries, aristocrats at their meals, women at their looms and their sewing, were read to, and the poor people, even if all they had was a Bible, respected those who read. In Britain until quite recently trade unions and workers' movements fought for libraries, and perhaps the best example of the pervasiveness of the love for reading is that of the workers in the tobacco and cigar factories of Cuba whose trade unions demanded that the workers should be read to as they worked. The material was agreed to by the workers, and included politics and history, novels and poetry. A favorite of their books was The Count of Monte Christo. A group of workers wrote to Dumas and asked if they might use the name of his hero for one of their cigars.
Perhaps there is no need to labor this point to anyone present here, but I do feel we have not yet grasped that we are living in a fast fragmenting culture. Pockets of the old excellences remain, in a university, a school, the classroom of an old-fashioned teacher in love with books, perhaps a newspaper or a journal. But a culture that once united Europe and its overseas offshoots has gone.
We may get some idea of the speed with which cultures may change by looking at how languages change. English as spoken in America or the West Indies is not the English of England. Spanish is not the same in Argentina and in Spain. The Portuguese of Brazil is not the Portuguese of Portugal. Italian, Spanish, French, grew out of Latin not in thousands of years but in hundreds. It is a very short time since the Roman world disappeared, leaving behind its legacy of our languages.
One interesting little irony about the present situation is that a lot of the criticism of the old culture was in the name of Elitism, but what is happening is that everywhere are enclaves, pockets, of the old kind of reader and reading and it is easy to imagine one of the new barbarians walking by chance into a library of the old kind, in all its richness and variety and understanding suddenly what has been lost, what he — or she — has been deprived of.
So what is going to happen next in this tumultuously changing world? I think we are all of us fastening our seat belts and holding on tight.
I drafted what I have just read before the events of the 11th September. We are in for a war, it seems, a long one, which by its nature cannot have an easy end. We all know that enemies exchange more than gunfire and insults. In this country, Spain, you know this better perhaps than anyone. When feeling gloomy about the world I often think about that time here, in Spain, in the early Middle Ages — in Cordova, in Toledo, in Granada, in other southern cities — Christians, Moslems, Jews, lived harmoniously together: poets, musicians, writers, sages, all together, admiring each other, helping each other. It went on for three centuries. This wonderful culture went on for three centuries. Has anything like it been seen in the world? What has been, can be again.
I think the educated person of the future will have a wider basis than anything we can imagine now.
— Doris Lessing
About the Author
Doris Lessing was born of British parents in Persia in 1919 and moved with her family to Southern Rhodesia when she was five years old. She went to England in 1949 and has lived there ever since. She is the author of more than thirty books-novels, stories, reportage, poems, and plays. Doris Lessing lives in London.
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By the same author
NOVELS
The Grass is Singing
The Golden Notebook
Briefing for a Descent into Hell
The Summer Before the Dark
Memoirs of a Survivor
Diary of a Good Neighbour
If the Old Could . . .
The Good Terrorist
Playing the Game: a Graphic Novel (illustrated by Charlie Adlard)
Love, Again
Mara and Dann
The Fifth Child
Ben, in the World
‘Canopus in Argos: Archives’ series
Re: Colonised Planet 5, Shikasta
The Marriages Between Zones Three, Four and Five
The Sirian Experiments
The Making of the Representative for Planet 8
Documents Relating to the Sentimental Agents in the Volyen Empire
‘Children of Violence’ novel-sequence
Martha Quest
A Proper Marriage
A Ripple from the Storm
Landlocked
The Four-Gated City
OPERAS
The Marriages Between Zones Three, Four and Five (Music by Philip Glass)
The Making of the Representative for Planet 8 (Music by Philip Glass)
SHORT STORIES
Five
The Habit of Loving
A Man and Two Women
The Story of a Non-Marrying Man and Other Stories
Winter in July
The Black Madonna
This was the Old Chief’s Country (Collected African Stories, Vol. 1)
The Sun Between Their Feet (Collected African Stories, Vol. 2)
To Room Nineteen (Collected Stories, Vol. 1)
The Temptation of Jack Orkney (Collected Stories, Vol. 2)
London Observed
The Old Age of El Magnifico
Particularly Cats
Rufus the Survivor
POETRY
Fourteen Poems
DRAMA
Each His Own Wilderness
Play with a Tiger
The Singing Door
NON-FICTION
In Pursuit of the English
Going Home
A Small Personal Voice
Prisons We Choose to Live Inside
The Wind Blows Away Our Words
African Laughter
AUTOBIOGRAPHY
Under My Skin: Volume I
Walking in the Shade: Volume II
Credits
Jacket design by Susan Degan
Copyright
This is a work of fiction. Names, characters, places and incidents either are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental and beyond the intent of either the author or the publisher.
THE SWEETEST DREAM. Copyright © 2002 by Doris Lessing. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, revers
e engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
EPub © Edition ISBN: 9780061760334
First published in the United Kingdom in 2001
by Flamingo, an imprint of HarperCollins Publishers.
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Doris Lessing, The Sweetest Dream
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