The Fall

  Jackson understood this, in part, because he was an obsessive himself. He carried a full book on Phade, quite similar in appearance to the “piece books” taggers carried, featuring their graffiti outlines in a black-cover Cachet sketchbook. As one of five officers assigned to the GHOST unit within the Vandals Taskforce—the Graffiti Habitual Offender Suppression Team—he was responsible for maintaining a graffiti offender databank cross-referencing tags and throw-ups with addresses. People who consider graffiti a kind of “street art” think of brightly colored, Wild Style bubble bombs on building murals and subway cars. They don’t think of tagging crews etching storefronts, competing for high-profile—and often dangerous—“gets.” Or, more often, marking gang territory, establishing name recognition and intimidation.

  The other four GHOST cops had stopped showing up for shifts. Some radio reports had NYPD officers deserting the city like the New Orleans cops after Hurricane Katrina, but Jackson couldn’t believe that. Something else was happening—something beyond this sickness spreading throughout the boroughs. You’re sick, you bang in. You get your shift covered so you don’t leave a brother to pick up your slack. These claims of abandonment and cowardice offended him like some incompetent tagger’s clumsy-ass signature over a freshly painted wall. Jackson would believe this crazy vampire shit people were talking before he’d accept that his guys had turned tail and skedaddled to Jersey.

  He got inside his unmarked car and drove down the quiet street to Coney Island. He did this three days a week, at least. It was his favorite spot growing up, but his parents didn’t take him there nearly as much as he’d have liked. While he’d abandoned his pledge to go every day when he was a grown-up, he went often enough for lunch to make it okay.

  The boardwalk was empty, as he had expected. The autumn day was certainly warm enough, but with the mad flu, amusement was the last thing on people’s minds. He hit Nathan’s Famous and found the place deserted but not locked up. Abandoned. He had worked at this very hot-dog stand after high school, so he went back behind the counter and into the kitchen. He shooed away two rats, then wiped down the cooking surface. The fridge was still cold inside, so he pulled out two beef dogs. He found the buns and a cellophane-covered tin of red onions. He liked onions, especially the way the vandals winced when he got up in their face after lunch.

  The dogs cooked fast, and he stepped outside to eat. The Cyclone and the Wonder Wheel were still and quiet, seagulls perched on the uppermost railings. Another seagull flew close, then darted away from the top of the wheel at the last moment. Jackson looked closer and realized that the critters sitting atop the structure weren’t birds at all.

  They were rats. Lots of rats, dotting the top edges of the structure. Trying to grab birds. What in the hell?

  He continued down the boardwalk, passing Shoot the Freak, one of Coney Island’s landmark attractions. From a railed promontory, he looked down into the alley-like shooting gallery cluttered with fencing, spattered barrels, and assorted mannequin heads and bowling pins set upon rusted racks for target practice. Along the railing were six paintball guns chained to a table. The sign listed the prices, promising a LIVE HUMAN TARGET.

  The brick side walls were decorated with graffiti, creating more character. But among the fake white Krylon tags and weak bubble throw-ups, Jackson noticed another of Phade’s designs. Another six-limbed figure, this one in black and orange. And, near it, in the same colors, a design of lines and dots similar to the code he had been seeing all over town.

  Then he saw the freak. The freak was dressed in heavy black armor, like riot gear, covering his entire body. A helmet and mask with protective goggles hid his face. The orange-painted shield he normally carried in order to deflect paintball projectiles stood against a low section of chain-link fence.

  The freak stood at the far corner of the shooting alley, a can of spray paint in its gloved hand, marking up the wall.

  “Hey!” Jackson called down to him.

  The freak didn’t acknowledge him. It kept right on tagging.

  “Hey!” called Jackson, louder now. “NYPD! I wanna talk to you!”

  Still no response or reaction.

  Jackson picked up each of the carbine-like paintball guns, hoping for a free shot. He found one with a handful of orange balls still inside its opaque plastic feeder. He shouldered the weapon and fired low, the carbine kicking and the paintball exploding in the dirt at the freak’s boot.

  The freak didn’t flinch. It finished its tag and then dropped the empty can and started toward the underside of the railing where Jackson stood.

  “Hey, asshole, I said I wanna talk to you.”

  The freak did not stop. Jackson unloaded three blasts at its chest, exploding red. Then the freak passed below Jackson’s angle of fire, heading underneath him.

  Jackson went to the railing, lifting himself over it and dangling a moment before dropping down. From there, he had a better view of the freak’s handiwork.

  It was Phade. No doubt in Jackson’s mind. His pulse quickened and he started for the only door.

  Inside was a tiny changing room, the floor spattered with paint. Beyond was a narrow hallway, and along it he saw, discarded, the freak’s helmet, gloves, goggles, body armor overalls, and other gear.m Jackson realized then what he had only previously begun to understand: Phade wasn’t just an opportunist using the riots as cover to blanket the city with his tags. No—Phade was linked to the unrest somehow. His markings, his throw-ups: he was part of this.

  At the end, he turned into a small office with a counter and a phone, stacks of paintball loads in egg cartons, and broken carbines.

  On the swivel chair was an open backpack stuffed with Krylon cans and loose markers. Phade’s gear.

  Then a noise behind him and he whipped around. There was the tagger, shorter than Jackson had imagined, wearing a paint-stained hoodie, a silver-on-black Yankees cap, and an aerosol mask.

  “Hey,” said Jackson, all he could think to say at first. It had been such a long hunt, he never expected to find his man so abruptly. “I wanna talk to you.”

  Phade said nothing, staring, his eyes dark and low beneath the brim of his ball cap. Jackson moved to the side in case Phade was thinking of ditching his backpack and trying to make a run for it.

  “You’re a pretty slippery character,” Jackson said. Jackson had his camera in his jacket pocket, ready as ever. “First of all, take off the face mask and hat. I want you to smile for the birdie.”

  Phade moved slowly—not at all, at first, but then its paint-spattered hands came up, pulling back its hood, removing its cap, and pulling down its aerosol mask.

  The camera remained at Jackson’s eye, but he never pushed the button. What he saw through the lens surprised him at first—then transfixed him.

  This wasn’t Phade at all. Couldn’t be. This was a Puerto Rican girl.

  She had red paint around her mouth, as though she had been huffing it, getting high. But no: huffed paint leaves an even, thin coat around the mouth. These were thick drops of red, some of it dried below her chin. Her chin dropped then, and the stinger lashed out, the vampire artist leaping onto Jackson’s chest and shoulders and driving him back against the counter, drinking him dry.

  The Flatlands

  FLATLANDS WAS A neighborhood near the southern shore of Brooklyn between Canarsie and the coastal Marine Park. As with most New York City neighborhoods, it had undergone many significant demographical changes throughout the twentieth century. The library currently offered French-Creole books for Haitian residents and immigrants from other Caribbean nations, as well as reading programs in coordination with local yeshivas for children from Orthodox Jewish families.

  Fet’s shop was a small storefront in a strip mall around the corner from Flatlands Avenue. No electricity, but Fet’s old telephone still gave out a dial tone. The front of the store was used mostly for storage, and not designed to service walk-in customers; in fact, the rat sign over the door was specifically meant to disc
ourage window shoppers. His workshop and garage were in back; that was where they loaded in the most essential items from Setrakian’s basement armory—books, weapons, and other wares.

  The similarity between Setrakian’s basement armory and Fet’s workshop was not lost on Eph. Fet’s enemies were rodents and insects, and, for that reason, the space was filled with cages, telescoping syringe poles, black-light wands, and miners’ helmets for night hunting. Snake tongs, animal control poles, odor eliminators, dart guns, even throw nets. Powders, trapping gloves, and a lab area over a small sink, with some rudimentary veterinary equipment for taking blood or sampling captured prey.

  The only curious feature was a deep stack of Real Estate magazines lying around a gnarly La-Z-Boy recliner. Where others might keep a stash of porn tucked away in their workshop, Fet had these. “I like the pictures,” he said. “The houses with their warm lights on, against the blue dusk. So beautiful. I like to try to imagine the lives of people who might live inside such a place. Happy people.”

  Nora entered, taking a break from unloading, drinking from a bottle of water, one hand on her hip. Fet handed Eph a heavy key ring.

  “Three locks for the front door, three for the back.” He demonstrated, showing the order of the keys as they were organized along the ring. “These open the cabinets—left to right.”

  “Where are you off to?” asked Eph, as Fet headed for the door.

  “Old man’s got something for me to do.”

  Nora said, “Pick us up some takeout on your way back.”

  “Those were the days,” said Fet, moving out to the second van.

  Setrakian brought Fet the item he had carried in his lap from Manhattan. A small bundle of rags, with something wrapped inside. He handed it to Fet.

  “You will return underground,” said Setrakian. “Find those ducts that connect to the mainland, and close them.”

  Fet nodded, the old man’s request as good as an order. “Why alone?”

  “You know those tunnels better than anyone else. And Zachary needs time with his father.”

  Fet nodded. “How is the kid?”

  Setrakian sighed. “For him, there is first the abject horror of the circumstances, the terror of this new reality. And then there is the Unheimlich. The uncanny. I speak here of the mother. The familiar and the foreign together, and the feeling of anxiety it inspires. Drawing him, and yet repulsing him.”

  “You might as well be talking about the doc, too.”

  “Indeed. Now, about this task—you must be swift.” He pointed to the package. “The timer will give you three minutes. Only three.”

  Fet peeked inside the oil-stained rags: three sticks of dynamite and a small mechanical timer. “Jesus—it looks like an egg timer.”

  “So it is. 1950s analog. Analog avoids mistakes, you see. Crank it all the way to the right, and then run. The small box underneath will generate the necessary spark to detonate the sticks. Three minutes. A soft-boiled egg. Do you think you can find a place to hide that fast down there?”

  Fet nodded. “I don’t see why not. How long ago did you assemble this?”

  “Some time ago,” said Setrakian. “It will still work.”

  “You had this around—in your basement?”

  “Volatile weapons I kept in the back of the cellar. A small vault, sealed, concrete wall and asbestos. Hidden from city inspectors. Or nosy exterminators.”

  Fet nodded, carefully wrapping up the explosive and tucking the package underneath his arm. He moved closer to Setrakian, speaking privately. “Level with me here, professor. I mean, what are we doing? Unless I’m missing something—I don’t see any way to stop this. Slow it down, sure. But destroying them one by one—that’s like trying to kill every rat in the city by hand. It’s spreading too fast.”

  “That much is true,” said Setrakian. “We need a way to destroy more efficiently. But, by that same token, I do not believe the Master to be satisfied with exponential exposure.”

  Fet digested the big words, then nodded. “Because hot diseases burn out. That’s what the doc said. They run out of hosts.”

  “Indeed,” Setrakian said, with a tired expression. “There is a greater plan at work. What it is—I hope we never have to find out.”

  “Whatever it is,” said Fet, patting the rags beneath his arm, “count on me to be right at your side.”

  Setrakian watched Fet climb into the van and drive off. He liked the Russian, even if he suspected that the exterminator enjoyed the killing only too much. There are men who bloom in chaos. You call them heroes or villains, depending on which side wins the war, but until the battle call they are but normal men who long for action, who lust for the opportunity to throw off the routine of their normal lives like a cocoon and come into their own. They sense a destiny larger than themselves, but only when structures collapse around them do these men become warriors.

  Fet was one of them. Unlike Ephraim, Fet had no question about his calling or his deeds. Not that he was stupid or uncaring—quite the contrary. He had a sharp, instinctive intelligence and was a natural tactician. And once set on a course, he never faltered, never stopped.

  A great ally to have at one’s side for the Master’s final call.

  Setrakian returned inside, pulling open a small crate full of yellowing newspaper. From inside he delicately retrieved some chemistry glassware—more alchemist’s kitchen than science lab. Zack was nearby, chewing on the last of their granola bars. He found a silver sword and hefted it, handling the weapon with appropriate care, finding it surprisingly heavy. Then he touched the crumbling hem of a chest plate made of thick animal hide, horsehair, and sap.

  “Fourteenth century,” Setrakian told him. “Dating from the beginning of the Ottoman Empire, and the era of the Black Plague. You see the neckpiece?” He pointed out the high front shield rising to the wearer’s chin. “From a hunter in the fourteenth century, his name lost to history. A museum piece, of no modern use to us. But I couldn’t leave it behind.”

  “Seven centuries ago?” said Zack, his fingertips running along the brittle shell. “That old? If they’ve been around for so long, and if they have so much power, then why did they stay hidden?”

  “Power revealed is power sacrificed,” said Setrakian. “The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.”

  Zack examined the side of the chest plate, where a cross had been tanned into the hide. “Are they devils?”

  Setrakian did not know how to answer that. “What do you think?”

  “I guess it depends.”

  “On what?”

  “On if you believe in God.”

  Setrakian nodded. “I think that is quite correct.”

  “Well?” said Zack. “Do you? Believe in God?”

  Setrakian winced, then hoped the boy had not seen it. “An old man’s beliefs matter little. I am the past. You, the future. What are your beliefs?”

  Zack moved on to a handheld mirror backed in true silver. “My mom said God made us in His image. And He created everything.”

  Setrakian nodded, understanding the question implicit in the boy’s response. “It is called a paradox. When two valid premises appear contradictory. Usually it means that one premise is faulty.”

  “But why would He make us so that… that we could turn into them?”

  “You should ask Him.”

  The boy said quietly, “I have.”

  Setrakian nodded, patting the boy on the shoulder. “He never answered me either. Sometimes it is up to us to discover the answers for ourselves. And sometimes we never do.”

  An awkward situation, and yet Zack appealed to Setrakian. The boy had a bright curiosity and an earnestness that reflected well upon his generation.

  “I am told boys your age like knives,” Setrakian said, locating one and presenting it to the boy. A four-inch, folding silver blade with a brown bone grip.

  “Wow.” Zack worked the locking m
echanism to close it, then opened it again. “I should probably check with my dad, make sure it’s okay.”

  “I believe it fits perfectly in your pocket. Why don’t you see?” He watched Zack collapse the blade and slide the grip into his pants pocket. “Good. Every boy should have a knife. Give it a name and it is yours forever.”

  “A name?” said Zack.

  “One must always name a weapon. You cannot trust that which you cannot call by name.”

  Zack patted his pocket, his gaze faraway. “That’s going to take some thinking.”

  Eph came over, noticing Zack and Setrakian together and sensing that something personal had passed between them.

  Zack’s hand went deep into his knife pocket, but he said nothing.

  “There is a paper bag in the front seat of the van,” said Setrakian. “It contains a sandwich. You must keep strong.”

  Zack said, “Not bologna again.”

  “My apologies,” said Setrakian, “but it was on special the last time I went to market. This is the last of it. I put on some nice mustard. Also there are two good Drake’s Cakes in the bag. You might enjoy one and then bring the other back for me.”

  Zack nodded, his father tousling his hair as he went to the rear exit. “Lock the van doors when you get in there, okay?”

  “I know…”

  Eph watched him go, seeing him climb inside the passenger door of the van parked right outside. To Setrakian, Eph said, “You okay?”

  “I am well enough. Here. I have something for you.”

  Eph received a lacquered wooden case. He opened the top, revealing a Glock in clean condition save for where the serial number had been filed off. Around it were five magazines of ammunition wedged into gray foam.

  Eph said, “This would appear to be highly illegal.”

  “And highly useful. Those are silver bullets, mind you. Specially made.”