Atlas Shrugged

rush, half-running, half-sliding toward the long black form which he could now distinguish to be a human body. A scum of cotton was swimming against the moon, he could see the white of a hand and the shape of an arm lying stretched in the weeds, but the body lay still, with no sign of motion.

"Mr. Rearden ..."

It was a whisper struggling to be a cry, it was the terrible sound of eagerness fighting against a voice that could be nothing but a moan of pain.

He did not know which came first, it felt like a single shock: his thought that the voice was familiar, a ray of moonlight breaking through the cotton, the movement of falling down on his knees by the white oval of a face, and the recognition. It was the Wet Nurse.

He felt the boy's hand clutching his with the abnormal strength of agony, while he was noticing the tortured lines of the face, the drained lips, the glazing eyes and the thin, dark trickle from a small, black hole in too wrong, too close a spot on the left side of the boy's chest.

"Mr. Rearden ... I wanted to stop them ... I wanted to save you ..."

"What happened to you, kid?"

"They shot me, so I wouldn't talk ... I wanted to prevent"--his hand fumbled toward the red glare in the sky--"what they're doing ... I was too late, but I've tried to ... I've tried ... And ... and I'm still able ... to talk ... Listen, they--"

"You need help. Let's get you to a hospital and--"

"No! Wait! I ... I don't think I have much time left to me and ... and I've got to tell you ... Listen, that riot ... it's staged ... on orders from Washington ... It's not workers ... not your workers ... it's those new boys of theirs and ... and a lot of goons hired on the outside ... Don't believe a word they'll tell you about it ... It's a frame-up ... it's their rotten kind of frame-up ..."

There was a desperate intensity in the boy's face, the intensity of a crusader's battle, his voice seemed to gain a sound of life from some fuel burning in broken spurts within him--and Rearden knew that the greatest assistance he could now render was to listen.

"They ... they've got a Steel Unification Plan ready ... and they need an excuse for it ... because they know that the country won't take it ... and you won't stand for it ... They're afraid this one's going to be too much for everybody ... it's just a plan to skin you alive, that's all ... So they want to make it look like you're starving your workers ... and the workers are running amuck and you're unable to control them ... and the government's got to step in for your own protection and for public safety ... That's going to be their pitch, Mr. Rearden ..."

Rearden was noticing the torn flesh of the boy's hands, the drying mud of blood and dust on his palms and his clothing, gray patches of dust on knees and stomach, scrambled with the needles of burs. In the intermittent fits of moonlight, he could see the trail of flattened weeds and glistening smears going off into the darkness below. He dreaded to think how far the boy had crawled and for how long.

"They didn't want you to be here tonight, Mr. Rearden ... They didn't want you to see their .'People's rebellion' ... Afterwards ... you know how they screw up the evidence ... there won't be a straight story to get anywhere ... and they hope to fool the country ... and you ... that they're acting to protect you from violence ... Don't let them get away with it, Mr. Rearden! ... Tell the country ... tell the people ... tell the newspapers ... Tell them that I told you ... it's under oath ... I swear it ... that makes it legal, doesn't it? ... doesn't it? ... that gives you a chance?"

Rearden pressed the boy's hand in his. "Thank you, kid."

"I ... I'm sorry I'm late, Mr. Rearden, but ... but they didn't let me in on it till the last minute ... till just before it started ... They called me in on a ... a strategy conference ... there was a man there by the name of Peters ... from the Unification Board ... he's a stooge of Tinky Holloway ... who's a stooge of Orren Boyle ... What they wanted from me was ... they wanted me to sign a lot of passes ... to let some of the goons in ... so they'd start trouble from the inside and the outside together ... to make it look like they really were your workers ... I refused to sign the passes."

"You did? After they'd let you in on their game?"

"But ... but, of course, Mr. Rearden ... Did you think I'd play that kind of game?"

"No, kid, no, I guess not. Only--"

"What?"

"Only that's when you stuck your neck out."

"But I had to! ... I couldn't help them wreck the mills, could I? ... How long was I to keep from sticking my neck out? Till they broke yours? ... And what would I do with my neck, if that's how I had to keep it? ... You ... you understand it, don't you, Mr. Rearden?"

"Yes. I do."

"I refused them ... I ran out of the office ... I ran to look for the superintendent ... to tell him everything ... but I couldn't find him ... and then I heard shots at the main gate and I knew it had started ... I tried to phone your home ... the phone wires were cut ... I ran to get my car, I wanted to reach you or a policeman or a newspaper or somebody ... but they must have been following me ... that's when they shot me ... in the parking lot ... from behind ... all I remember is falling and ... and then, when I opened my eyes, they had dumped me here ... on the slag heap ..."

"On the slag heap?" said Rearden slowly, knowing that the heap was a hundred feet below.

The boy nodded, pointing vaguely down into the darkness. "Yeah ... down there ... And then I ... I started crawling ... crawling up ... I wanted ... I wanted to last till I told somebody who'd tell you." The pain-twisted lines of his face smoothed suddenly into a smile; his voice had the sound of a lifetime's triumph as he added, "I have." Then he jerked his head up and asked, in the tone of a child's astonishment at a sudden discovery, "Mr. Rearden, is this how it feels to ... to want something very much ... very desperately much ... and to make it?"

"Yes, kid, that's how it feels." The boy's head dropped back against Rearden's arm, the eyes closing, the mouth relaxing, as if to hold a moment's profound contentment. "But you can't stop there. You're not through. You've got to hang on till I get you to a doctor and--" He was lifting the boy cautiously, but a convulsion of pain ran through the boy's face, his mouth twisting to stop a cry--and Rearden had to lower him gently back to the ground.

The boy shook his head with a glance that was almost apology. "I won't make it, Mr. Rearden ... No use fooling myself ... I know I'm through."

Then, as if by some dim recoil against self-pity, he added, reciting a memorized lesson, his voice a desperate attempt at his old, cynical, intellectual tone, "What does it matter, Mr. Rearden? ... Man is only a collection of ... conditioned chemicals ... and a man's dying doesn't make ... any more difference than an animal's."

"You know better than that."

"Yes," he whispered. "Yes, I guess I do."

His eyes wandered over the vast darkness, then rose to Rearden's face; the eyes were helpless, longing, childishly bewildered. "I know ... it's crap, all those things they taught us ... all of it, everything they said ... about living or ... or dying ... Dying ... it wouldn't make any difference to chemicals, but--" he stopped, and all of his desperate protest was only in the intensity of his voice dropping lower to say, "--but it does, to me ... And ... and, I guess, it makes a difference to an animal, too ... But they said there are no values ... only social customs ... No values!" His hand clutched blindly at the hole in his chest, as if trying to hold that which he was losing. "No ... values ..."

Then his eyes opened wider, with the sudden calm of full frankness. "I'd like to live, Mr. Rearden. God, how I'd like to!" His voice was passionately quiet. "Not because I'm dying ... but because I've just discovered it tonight, what it means, really to be alive ... And ... it's funny ... do you know when I discovered it? ... In the office ... when I stuck my neck out ... when I told the bastards to go to hell ... There's ... there's so many things I wish I'd known sooner ... But ... well, it's no use crying over spilled milk." He saw Rearden's involuntary glance at the flattened trail below and added, "Over spilled anything, Mr. Rearden."

"Listen, kid," said Rearden sternly, "I want you to do me a favor."

"Now, Mr. Rearden?"

"Yes. Now."

"Why, of course, Mr. Rearden ... if I can."

"You've done me a big favor tonight, but I want you to do a still bigger one. You've done a great job, climbing out of that slag heap. Now will you try for something still harder? You were willing to die to save my mills. Will you try to live for me?"

"For you, Mr. Rearden?"

"For me. Because I'm asking you to. Because I want you to. Because we still have a great distance to climb together, you and I."

"Does it ... does it make a difference to you, Mr. Rearden?"

"It does. Will you make up your mind that you want to live--just as you did down there on the slag heap? That you want to last and live? Will you fight for it? You wanted to fight my battle. Will you fight this one with me, as our first?"

He felt the clutching of the boy's hand; it conveyed the violent eagerness of the answer; the voice was only a whisper: "I'll try, Mr. Rearden."

"Now help me to get you to a doctor. Just relax, take it easy and let me lift you."

"Yes, Mr. Rearden." With the jerk of a sudden effort, the boy pulled himself up to lean on an elbow.

"Take it easy, Tony."

He saw a sudden flicker in the boy's face, an attempt at his old, bright, impudent grin. "Not .'Non-Absolute' any more?"

"No, not any more. You're a full absolute now, and you know it."

"Yes. I know several of them, now. There's one"--he pointed at the wound in his chest--"that's an absolute, isn't it? And"--he went on speaking while Rearden was lifting him from the ground by imperceptible seconds and inches, speaking as if the trembling intensity of his words were serving as an anesthetic against the pain--"and men can't live ... if rotten bastards ... like the ones in Washington ... get away with things like ... like the one they're doing t.onight ... if everything becomes a stinking fake ... and nothing is real ... and nobody is anybody ... men can't live that way ... that's an absolute, isn't it?"

"Yes, Tony, that's an absolute."

Rearden rose to his feet by a long, cautious effort; he saw the tortured spasm of the boy's features, as he settled him slowly against his chest, like a baby held tight in his arms--but the spasm twisted into another echo of the impudent grin, and the boy asked, "Who's the Wet Nurse now?"

"I guess I am."

He took the first steps up the slant of crumbling soil, his body tensed to the task of shock absorber for his fragile burden, to the task of maintaining a steady progression where there was no foothold to find.

The boy's head dropped on Rearden's shoulder, hesitantly, almost as if this were a presumption. Rearden bent down and pressed his lips to the dust-streaked forehead.

The boy jerked back, raising his head with a shock of incredulous, indignant astonishment. "Do you know what you did?" he whispered, as if unable to believe that it was meant for him.

"Put your head down," said Rearden, "and I'll do it again."

The boy's head dropped and Rearden kissed his forehead; it was like a father's recognition granted to a son's battle.

The boy lay still, his face hidden, his hands clutching Rearden's shoulders. Then, with no hint of sound, with only the sudden beat of faint, spaced, rhythmic shudders to show it, Rearden knew that the boy was crying--crying in surrender, in admission of all the things which he could not put into the words he had never found.

Rearden went on moving slowly upward, step by groping step, fighting for firmness of motion against the weeds, the drifts of dust, the chunks of scrap metal, the refuse of a distant age. He went on, toward the line where the red glow of his mills marked the edge of the pit above him, his movement a fierce struggle that had to take the form of a gentle, unhurried flow.

He heard no sobs, but he felt the rhythmic shudders, and, through the cloth of his shirt, in place of tears, he felt the small, warm, liquid spurts flung from the wound by the shudders. He knew that the tight pressure of his arms was the only answer which the boy was now able to hear and understand--and he held the trembling body as if the strength of his arms could transfuse some part of his living power into the arteries beating ever fainter against him.

Then the sobbing stopped and the boy raised his head. His face seemed thinner and paler, but the eyes were lustrous, and he looked up at Rearden, straining for the strength to speak.

"Mr. Rearden ... I ... I liked you very much."

"I know it."

The boy's features had no power to form a smile, but it was a smile that spoke in his glance, as he looked at Rearden's face--as he looked at that which he had not known he had been seeking through the brief span of his life, seeking as the image of that which he had not known to be his values.

Then his head fell back, and there was no convulsion in his face, only his mouth relaxing to a shape of serenity--but there was a brief stab of convulsion in his body, like a last cry of protest--and Rearden went on slowly, not altering his pace, even though he knew that no caution was necessary any longer because what he was carrying in his arms was now that which had been the boy's teachers' idea of man-a collection of chemicals.

He walked, as if this were his form of last tribute and funeral procession for the young life that had ended in his arms. He felt an anger too intense to identify except as a pressure within him: it was a desire to kill.

The desire was not directed at the unknown thug who had sent a bullet through the boy's body, or at the looting bureaucrats who had hired the thug to do it, but at the boy's teachers who had delivered him, disarmed, to the thug's gun--at the soft, safe assassins of college classrooms who, incompetent to answer the queries of a quest for reason, took pleasure in crippling the young minds entrusted to their care.

Somewhere, he thought, there was this boy's mother, who had trembled with protective concern over his groping steps, while teaching him to walk, who had measured his baby formulas with a jeweler's caution, who had obeyed with a zealot's fervor the latest words of science on his diet and hygiene, protecting his unhardened body from germs--then had sent him to be turned into a tortured neurotic by the men who taught him that he had no mind and must never attempt to think. Had she fed him tainted refuse, he thought, had she mixed poison into his food, it would have been more kind and less fatal.

He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly--yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child's education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think.

From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. "Don't ask so many questions, children should be seen and not heard!"--"Who are you to think? It's so, because I say so!"--"Don't argue, obey!"--"Don't try to understand, believe!"--"Don't rebel, adjust!"--"Don't stand out, belong!"--"Don't struggle, compromise!" --"Your heart is more important than your mind!"--"Who are you to know? Your parents know best!"--"Who are you to know? Society knows best!"--"Who are you to know? The bureaucrats know best!"--"Who are you to object? All values are relative!"--"Who are you to want to escape a thug's bullet? That's only a personal prejudice!"

Men would shudder, he thought, if they saw a mother bird plucking the feathers from the wings of her young, then pushing him out of the nest to struggle for survival--yet that was what they did to their children.

Armed with nothing but meaningless phrases, this boy had been thrown to fight for existence, he had hobbled and groped through a brief, doomed effort, he had screamed his indignant, bewildered protest -and had perished in his first attempt to soar on his mangled wings.

But a different breed of teachers had once existed, he thought, and had reared the men who created this country; he thought that mothers should set out on their knees to look for men like Hugh Akston, to find them and beg them to return.

He went through the gate of the mills, barely noticing the guards who let him enter, who stared at his face and his burden; he did not pause to listen to their words, as they pointed to the fighting in the distance; he went on walking slowly toward the wedge of light which was the open door of the hospital building.

He stepped into a lighted room full of men, bloody bandages and the odor of antiseptics; he deposited his burden on a bench, with no word of explanation to anyone, and walked out, not glancing behind him.

He walked in the direction of the front gate, toward the glare of fire and the bursts of guns. He saw, once in a while, a few figures running through the cracks between structures or darting behind black corners, pursued by groups of guards and workers; he was astonished to notice that his workers were well armed. They seemed to have subdued the hoodlums inside the mills, and only the siege at the front gate remained to be beaten. He saw a lout scurrying across a patch of lamplight, swinging a length of pipe at a wall of glass panes, battering them down with an animal relish, dancing like a gorilla to the sound of crashing glass, until three husky human figures descended upon him, carrying him writhing to the ground.

The siege of the gate appeared to be ebbing, as if the spine of the mob had been broken. He heard the distant screeches of their cries--but the shots from the road were growing rarer, the fire set to the gatekeeper's office was put out, there were armed men on the ledges and at windows, posted in well-planned defense.

On the roof of a structure above the gate, he saw, as he came closer, the slim silhouette of a man who held a gun in each hand and, from behind the protection of a chimney, kept firing at intervals down into the mob, firing swiftly and, it seemed, in two directions at once, like a sentinel protecting the approaches to the gate. The confident skill of his movements, his manner of firing, with no time wasted to take aim, but with the kind of casual abruptness that never misses a target, made him look like a hero of Western legend--and Rearden watched him with detached, impersonal pleasure, as if the battle of the mills were not his any longer, but he could still en