Behind the Walls of Terra
"Doing fine so far!" Kickaha said. "The Beller is dead! I killed him myself. And Red Orc is on the run. Hang on. We'll get back to the good world yet. I love you!"
"I love you, too," she said.
Urthona's voice, savage and sarcastic, cut in. "Yes, I love you too, leblabbiy! Now, do you want to hear from Wolff?"
"I'm not about to take your word that he's O.K.," Kickaha said.
Wolff's voice, deep and melodious, came over the phone. "Kickaha, old friend! I knew you'd be along, sooner or later!"
"Hello, Robert, it's great to hear your voice again! You and Chryseis all right?"
"We're unharmed, yes. What kind of deal are you making with Urthona?"
The Lord said, "That's enough! You satisfied, Earthling?"
"I'm satisfied that they're alive as of this moment," Kickaha said. "And they had better be when the moment of payment comes."
"You don't threaten me!" Urthona said. And then, in a calmer tone, "Very well. I shall assist you in any way I can. What do you need?"
"The address of Red Orc's house," Kickaha said.
"Why would you need that?" Urthona said, surprised.
"I have my reasons. What is the address?"
Urthona gave it to him but he spoke slowly as if he were trying to think of Kickaha's reasons for wanting it. Kickaha said, "That's all I need now. So long."
He hung up. A minute later, he was in a taxi on his way to Urthona's house. Two blocks away, he paid the driver and walked the rest of the way. The small iron gate was chained now, and the lights in the little guardhouse near the big gate showed three men inside. The mansion was also ablaze, although he could see nobody through the windows.
There did not seem to be any way of getting in just then. He was capable of leaping up and grabbing the top of the wall and pulling himself over, but he did not doubt that there would be alarms on top of the wall. On second thought, so what? At this time, he did not intend to invade the house. All he wanted was to get the beamer and then get out. By the time Urthona's men arrived, he could be back over the wall.
It was first necessary to cache the Horn somewhere, because it would be too awkward, in fact, impossible, to take it with him in scaling the wall. He could throw it over the wall first but did not want to do that. A minute's inspection showed him that he could stick the case in the branches of a bush growing on the strip of grass between the sidewalk and the street. He returned to the spot by the wall opposite where he had hidden the beamer. He went across the street, stood there a minute waiting until a car went by, and then dashed full speed across the street. He bounded upward and his fingers closed on the rough edge of the wall. It was easy for him to pull himself upward then. The top of the wall was about a foot and a half across and set with a double row of spikes made of iron and about six inches high. Along these was strung a double row of thin wires which glinted in the light from the mansion.
He stepped gingerly over the wires and turned and let himself down over the edge and then dropped to the soft earth. For a few seconds, he looked at the guardhouse and the mansion and listened. He heard nothing and saw no signs of life.
He ran into the bush and picked up the beamer. Getting back over the wall was a little more difficult with the beamer strapped over his shoulder, but he made it without, as far as he knew, attracting any attention from inside the walls.
With the beamer and the Horn, he walked down toward Sunset again. He waited on a corner for about ten minutes before an empty cab came by. When he entered the taxi, he held the case with the beamer against it so that the driver would not see it. Its barrel was too thick to be mistaken for even a shotgun, but the stock made it look too much like a firearm of some sort.
Red Orc's address was in a wealthy district of Pacific Palisades. The house was, like Urthona's, surrounded by a high brick wall. However, the iron gate to the driveway was open. Kickaha slipped through it and toward the house, which was dark. Urthona had not mentioned whether or not he had left guards there, but it seemed reasonable that he would. He would not want to miss a chance to catch Red Orc if he should return for some reason.
The front and rear main entrances were locked. No light shone anywhere. He crouched by each door, his ear against the wood. He could hear nothing. Finally, he bored a hole through the lock of the rear door and pushed it open. His entry was cautious and slow at first and then he heard some noises from the front. These turned out to have been made by three men sitting in the dark in the huge room at the front of the house. One had fallen asleep and was snoring softly, and the other two were talking in low voices.
He sneaked up the winding staircase, which had marble steps and so did not squeak or groan under his feet. Finding a bedroom, he closed the door and then turned on a lamp. He dialed one of the numbers of the house.
When the phone was answered, Kickaha, an excellent mimic, spoke in an approximation of Ramos' voice.
"The boss is calling you guys in," he said. "Get out here on the double! Something's up, but I can't tell you over the phone!"
He waited until the man had hung up before he himself hung up. Then he went to the window. He saw the three walk down the driveway and go through the gate. A moment later, the headlights of a car came on a half block down. The car pulled away, and he was, as far as he knew, alone in the house. He would not be for more than thirty-five minutes, at least, which was the time it would take the thugs to get to Urthona's, find out they had been tricked, and return with reinforcements.
All he needed was a few minutes. He went downstairs and turned on the lights in the kitchen. Finding a flashlight, he turned the kitchen lights off and went into the big front room. The door under the stairs was open. He stepped through it into the little hall. At its end, he opened the door and cast the flashlight beam inside. The room looked just like the one he had entered when he was Red Orc's prisoner, but it was not. This room really was set inside this house. The gate embedded in the wood and plaster of the doorway had been inactivated.
He opened the instrument case and took the Horn out. In the beams of the flashlight, it glistened silvery. It was shaped like the horn of an African buffalo except at the mouth, where it flared broadly. The tip was fitted with a mouthpiece of soft golden material, and on top along the axis were seven small buttons in a row. Inside the flared mouth was a silvery web of some material. Halfway along the length of the Horn was an inscribed hieroglyph, the mark of Shambarimen, maker of the Horn.
He raised the Horn to his lips and blew softly through it while he pressed the little buttons. The flare on the other end was pointed at the walls, and, as he finished one sequence of notes, he moved it to his left until it pointed at a place on the wall about twelve feet from the first. He hoped that the inactive gates were in this room. If they were, they had set up a resonant point which had weakened the walls between the universes. And so the frequencies from the Horn would act as a skeleton key and open the gates. This was the unique ability of the Horn, the unreproduced device of Shambarimen, greatest of the scientist-inventors of the Lords.
Softly the Horn spoke, and the notes that issued from the mouth seemed golden and magical enough to open doors to fairyland. But none appeared on the north or east walls. Kickaha stopped blowing and listened for sounds of people approaching the house. He heard nothing. He put the mouthpiece to his lips again and once more played the sequence of notes which was guaranteed to spread wide any break in the walls between the worlds.
Suddenly, a spot on the wall became luminous. The white spot enlarged, inched outward, and then sprang to the limits of the circle which denned the entrance. The light faded and was replaced by a softer darker light. He looked into it and saw a hemispherical room with no windows or doors. The walls were scarlet, and the only furniture was a bed which floated a few feet above the floor in the center of the room and a transparent booth, also floating, which contained a washbowl, faucet, and toilet.
Then the walls regrew swiftly, the edges of the hole sliding out toward each other, a
nd, in thirty seconds, the wall was as solid as before. The Horn swung away, and the white spot appeared again and grew and then the light died to be replaced by the greenish light of a green sun over a green-moss-tinted plain and sharp green mountains on a horizon twice as distant as Earth's. To the right were some animals that looked like gazelles with harp-shaped horns. They were nibbling on the moss. The third opening revealed a hallway with a closed door at its end. There was nothing else for Kickaha to do but to investigate, since the door might lead to Anana or the others. He jumped through the now swiftly decreasing hole and walked down the hall and then cautiously opened the door. Nothing happened. He looked around the edge of the door into a large chamber. Its floor was stone mosaic, a small pool flush with the floor was in the center, and furniture of airy construction was around it. The light was sourceless.
Anana, unaware that anybody had entered, was sitting on a chair and reading from a big book with thick covers that looked like veined marble. She looked sleek and well fed.
Kickaha watched her for a minute, though he had to restrain himself from running in and grabbing her. He had lived too long in worlds where traps were baited.
His inspection did not reveal anything suspicious, but this meant only that dangers could be well hidden. Finally, he called softly, "Anana!" She jumped, the book fell out of her hands, and then she was out of the chair and rushing toward him. Tears glimmered in her eyes and on her cheeks though she was smiling. Her arms were held out to him, and she was sobbing with relief and joy.
His desire to run toward her was almost overwhelming. He felt tears in his own eyes and a sob welling up. But he could not get rid of his suspiciousness that Red Orc might have set this room to kill a person who entered without first activating some concealed device. He had been lucky to get this far without tripping off some machine.
"Kickaha!" Anana cried and came through the door and fell into his embrace.
He looked over her shoulder to make sure that the door was swinging shut and then bent his head to kiss her.
The pain on his lips and nose was like that from burning gasoline. The pain on the palms of his hand, where he had pressed it against her back, was like that from sulphuric acid.
He screamed and threw himself away and rolled on the floor in his agony. Yet, half-conscious though he was from the searing, he knew that his tortured hand had grabbed the beamer from the floor, where he had dropped it.
Anana came after him but not swiftly. Her face had melted as if it were wax in the sun; her eyes ran; her mouth drooped and furrowed and made runnels and ridges. Her hands were spread out to seize him, but they were dripping with acid and losing form. The fingers had become elongated, so much so that one had stretched down, like taffy, to her knee. And her beautiful legs were bulging everywhere, giving way to something like gas pressing the skin outward. The feet were splaying out and leaving impresses of something that burned the stone of the floor and gave off faint green wisps of smoke.
The horror of this helped him overcome the pain. Without hesitation, he lifted the beamer and pressed the button that turned its power full on her. Rather, on it. She fell into two and then into four parts as the beam crisscrossed. The parts writhed on the floor, silently. Blood squirted out from the trunks and from the legs and turned into a brownish substance which scorched the stone. An odor as of rotten eggs and burning dog excrement filled the room.
Kickaha stepped down the power from piercing to burning. He played the beam like a hose squirting flaming kerosene over the parts, and they went up in smoke. The hair of Anana burned with all the characteristic odor of burning human hair, but that was the only part of her -of it-that gave off a stench of human flesh in the fire. The rest was brimstone and dog droppings.
In the end, after the fire burned out, there were only some gristly threads left. Of bones there was no sign.
Kickaha did not wish to enter the room from which it had come, but the pain in his lips and nose and hand was too intense. Besides, he thought that the Lord should have been satisfied with the fatality of the thing he had created to look like Anana. There was cool-looking water in that room, and he had to have it. It was possible to blow the Horn and go back into Orc's office, but he did not think he could endure the agony long enough to blow the sequence of notes. Moreover, if he encountered anyone in that office, he wanted to be able to defend himself adequately. In his present condition, he could not.
At the pool he stuck his face and one hand under the water. The coolness seemed to help at once, although when he at last removed his face and breathed, the pain was still intense. With the good hand, he splashed water on his face. After a long while, he rose from the pool. He was unsteady and felt as if he were going to vomit. He also felt a little disengaged from everything. The shock had nudged him one over from reality.
When he raised the Horn gently to his lips, he found that they were swelling. His hand was also swelling. They were getting so big and stiff they were making him clumsy. It was only at the cost of more agony that he could blow upon the Horn and press the little valves, and the wall opened before him. He quickly put the Horn in its case, and shoved it through the opening with his foot, then leaped through with the beamer ready. The office was empty.
He found the bathroom. The medicine cabinet above the washbowl was a broad and deep one with many bottles. A number were of plastic, marked with hieroglyphs. He opened one, smelled the contents, tried to grin with his blistered swollen lips and squeezed out a greenish salve onto his hand. This he rubbed over his nose and lips and on the palm of his burned hand. Immediately, the pain began to dissolve in a soft coolness and the swelling subsided as he watched himself in the mirror.
He squeezed a few drops from another bottle onto his tongue, and a minute later the shakiness and the sense of unreality left him. He recapped the two bottles and put them in the rear pockets of his pants.
The business of the gates and the Anana-thing had taken more time than he could spare. He ran out of the bathroom and directed the Horn at the next spot on the wall. This failed to respond, so he tried the next one. This one opened, but neither this nor the one after it contained those for whom he was looking.
The bedroom yielded a gate at the first place he directed the Horn. The wall parted like an opening mouth, a shark's mouth, because the hillside beyond was set with rows of tall white sharp triangles. The vegetation between the shark's teeth was a purplish vine-complex and the sky beyond was mauve.
The second gate opened to another hallway with a door at its end. Again, he had no choice except to investigate. He pushed the door open silently and peered around it. The room looked exactly like the one in which he had found the thing he had thought was Anana. This time, she was not reading a book, although she was in the chair. She was leaning far forward, her elbows on her thighs and her chin cupped by her hands. Her stare was unmoving and gloomy.
He called to her softly, and she jumped, just tike the first Anana. Then she leaped up and ran toward him, tears in her eyes and on her cheeks and her mouth open in a beautiful smile and her arms held to-ward him. He backed away as she came through the door and harshly told her to stop. He held the beamer on her. She obeyed but looked puzzled and hurt. Then she saw the still slightly swelled and burned lips and nose, and her eyes widened.
"Anana," he said, "what was that ten-thousand-year-old nursery rhyme your mother sang to you so often?"
If this was some facsimile or artificial creature of Red Orc's, it might have a recording of some of what Orc had learned from Anana. It might have a memory of a sort, something that would be sketchy but still adequate enough to fool her lover. But there would be things she had not told Red Orc while under the influence of the drug because he would not think to ask her. And the nursery song was one thing. She had told Kickaha of it when they had been hiding from the Bellers on the Great Plains of the World of Tiers.
Anana was more puzzled for a few seconds, and then she seemed to understand that he felt compelled to test her
. She smiled and sang the beautiful little song that her mother had taught her in the days before she grew up and found out how ugly and vicious the adult family life of the Lords was.
Even after this, he felt restrained when he kissed her. Then, as it became apparent that she had to be genuine flesh and blood, and she murmured a few more things that Red Orc was highly unlikely to know, he smiled and melted. They both cried some more, but he stopped first.
"We'll weep a little later," he said. "Do you have any idea where Wolff and Chryseis could be?"
She said no, which was what he had expected.
"Then we'll use the Horn until we've opened every gate in the house. But it's a big house, so..."
He explained to her that Urthona and his men would be coming after them. "You look around for weapons, while I blow the Horn."
She joined him ten minutes later and showed him what looked like a pen but was a small beamer. He told her that he had found two more gates but both were disappointments. They passed swiftly through all the rooms in the second story while he played steadily upon the Horn. The walls remained blank.
The first floor of the house was as unrewarding. By then, forty minutes had passed since the men had left the house. Within a few more minutes, Urthona should be here.
"Let's try the room under the stairs again," he said. "It's possible that reactivating the gate might cause it to open onto still another world."
A gate could be set up so that it alternated its resonances slightly and acted as a flipflop entrance. At one activation, it would open to one universe and at the next activation, to another. Some gates could operate as avenues to a dozen or more worlds.
The gates activated upstairs could also be such gates, and they should return to test out the multiple activity of every one. It was too discouraging to think about at that moment, though they would have to run through them again. That is, they would if this gate under the stairs did not give them a pleasant surprise.
Outside the door, he lifted the Horn once more and played the music which trembled the fabric between universes. The room beyond the door suddenly was large and blue-walled with bright lights streaming from chandeliers carved out of single Brobdingnagian jewels: hippopotamus-head-sized diamonds, rubies, emeralds, and garnets. The furniture was also carved out of enormous jewels set together with some kind of golden cement.