Tales of the Black Widowers

  ISAAC ASIMOV

  TALES

  of the

  BLACK WIDOWERS

  A FAWCETT CREST BOOK

  Fawcett Publications, Inc., Greenwich, Connecticut

  TALES OF THE BLACK WIDOWERS

  THIS BOOK CONTAINS THE COMPLETE TEXT OF THE ORIGINAL HARDCOVER EDITION.

  A Fawcett Crest Book reprinted by arrangement with Doubleday and Company, Inc.

  Copyright © 1971, 1972, 1973, 1974 by Isaac Asimov

  All rights reserved, including the right to reproduce this book or portions thereof in any form.

  ISBN 0-449-22944-0

  All the characters in this book are fictitious, and any resemblance to actual persons living or dead is purely coincidental.

  Printed in the United States of America 10 987654321

  To Ellery Queen's Mystery Magazine

  to David Ford

  and to the Trap-Door Spiders for reasons detailed in the introduction

  Special Note

  The erudite copy reader points out that since the stories that follow were written for separate publication in a magazine originally, I identify the continuing characters each time, and do it repetitious-ly. He pointed out several of the more nauseating examples of this and, with reverence for his exalted position, I corrected the matter in accordance with his suggestions. There undoubtedly remain some dozens of repetitions that could bear revision, but I hate to introduce too many changes from the pristine originals. Would you forgive me, then, for permitting them to stay?

  Contents

  INTRODUCTION 9

  1. THE ACQUISITIVE CHUCKLE 15

  2. PH AS IN PHONY 28

  3. TRUTH TO TELL 47

  4. GO, LITTLE BOOK! 59

  5. EARLY SUNDAY MORNING 79

  6. THE OBVIOUS FACTOR 96

  7. THE POINTING FINGER 113

  8. MISS WHAT? 130

  9. THE LULLABY OF BROADWAY 147

  10. YANKEE DOODLE WENT TO TOWN 167

  11. THE CURIOUS OMISSION 18 6

  12. OUT OF SIGHT 205

  Introduction

  Because I have a friendly and personal writing style, readers have a tendency to write to me in a friendly and personal way, asking all kinds of friendly and personal questions. And because I really am what my writing style, such as it is, portrays me to be, I answer those letters. And since I don't have a secretary or any form of assistant whatever, it takes a lot of the time I should be devoting to writing.

  It is only natural, then, that I have taken to writing introductions to my books in an attempt to answer some of the anticipated questions in advance, thus forestalling some of the letters.

  For instance, because I write in many fields, I frequently get questions such as these:

  "Why do you, a lowly science fiction writer, think you can write a two-volume work on Shakespeare?"

  "Why do you, a Shakespearean scholar, choose to write science fiction thrillers?"

  "What gives you, a biochemist, the nerve to write books on history?"

  "What makes you, a mere historian, think you know anything about science?"

  And so on, and so on.

  It seems certain, then, that I will be asked, either with amusement or with exasperation, why I am writing mystery stories.

  Here goes, then.

  I started my writing career in science fiction, and I still write science fiction when I can, for it remains my first and chief literary love. However, I am interested in many things and among them has been the mystery. I have been reading mysteries almost as long as I have been reading science fiction. I remember risking my life when, as a ten-year-old, I pilfered forbidden copies of The Shadow from under my father's pillow when he was taking his afternoon nap. (I asked him why he read it if I was forbidden, and he said he needed it in order to learn English, whereas I had the advantage of school. What a rotten reason I thought that was.)

  In writing science fiction, then, I frequently introduced the mystery motif. Two of my novels, The Caves of Steel (Doubleday, 1953) and The Naked Sun (Doubleday, 1957), are full-fledged murder mysteries for all that they are science fiction as well. I have written enough shorter science fiction mysteries of one sort or another to make it possible to publish a collection of them as Asimov's Mysteries (Doubleday, 1968).

  I also wrote a "straight" mystery novel, The Death Dealers (Avon, 1958), [Well, it was rejected by Doubleday, if you must know] which was eventually reissued in 1968 by Walker & Company under my own title of A Whiff of Death. This, however, dealt entirely with science and scientists and its atmosphere was still that of the science fiction novel, as was true of two mystery short stories I sold to mystery magazines.

  Increasingly, I felt the itch to write mysteries that had nothing to do with science. One thing that held me back, though, was the fact that the mystery had evolved in the last quarter-century and my tastes had not. Mysteries these days are heavily drenched in liquor, injected with drugs, marinated in sex, and roasted in sadism, whereas my detective ideal is Hercule Poirot and his little gray cells.

  But then, back in 1971, I received a letter from that gorgeous blond young lady, Eleanor Sullivan, who is managing editor of Ellery Queen's Mystery Magazine (or EQMM for short), asking if I would consider writing a short story for the magazine. Of course, I jubilantly agreed, because I thought that if they asked for one, they couldn't possibly have the cruelty to reject it once written, and that meant I could safely write my own kind of story -very cerebral.

  I began revolving plot possibilities in my head rather anxiously, for I wanted something with a reasonable twist to it and Agatha Christie, all by herself, had already used virtually all possible twists.

  While the wheels were slowly turning in the recesses of my mind, I happened to be visiting the actor David Ford (who was in both the Broadway and Hollywood versions of 1776). His apartment is filled with all kinds of interesting oddities, and he told me that he was convinced once that someone had taken something from his apartment but he could never be sure because he couldn't tell whether anything was missing.

  I laughed and all the wheels in my head, heaving a collective sigh of relief, stopped turning. I had my twist.

  I then needed a background against which to display the twist and here we have something else.

  Back in the early 1940's, legend has it, someone got married to a lady who found her husband's friends unacceptable, and vice versa. In order to avoid breaking off a valued relationship, those friends organized a club without officers or bylaws for the sole purpose of having a dinner once a month. It would be a stag organization so that the husband in question could be invited to join and his wife legitimately requested not to attend. (Nowadays, with Women's Lib so powerful, this might not have worked.)

  The organization was named the Trap-Door Spiders (or TDS, for short) probably because the members felt themselves to be hiding.

  Thirty years have passed since the TDS was organized but it still exists. It is still stag, though the member whose marriage inspired the organization is long since divorced. (As a concession to male non-chauvinism, a cocktail party was given on February 3 1973, at which the TDS wives could meet one another-and this may become an annual custom.)

  Once a month, the TDS meets, always on a Friday night, almost always in Manhattan, sometimes in a restaurant, sometimes in a member's apartment. Each meeting is co-hosted by two volunteers who bear all the expenses for the occasion and who may each bring a guest. The average attendance is twelve. There are drinks and conversation from 6:30 to 7:30 p.m.; food and conversation from 7:30 to 8:30 p.m.; and just conversation thereafter.

  After the meal each guest is grilled on his interests, his profession, his hobbies, his views, and the results are almo
st always interesting, often fascinating.

  The chief among the general eccentricities of the TDS are these: (1) Every member is addressed as "Doctor" by the others, the title going along with the membership, and (2) each member is supposed to try to arrange for a mention of the TDS in his obituary.

  I had been a guest myself on two different occasions, and when I moved to New York in 1970, I was elected to membership.

  Well, then, thought I, why not tell my mystery story against the background of the meeting of an organization something like the TDS? My club would be called the Black Widowers and I would cut it in half to make it manageable-six people and one host.

  Naturally, there are differences. The members of the TDS have never, in real life, attempted to solve mysteries and none of them is as idiosyncratic as the members of the Black Widowers. In fact, the members of the TDS are, one and all, lovable people and there is a mutual affection that is touching to see. Therefore, please be assured that the characters and events in the stories in this book are my own invention and are not to be equated with anyone or anything in the TDS, except insofar as they may seem intelligent or lovable.

  In particular, Henry, the waiter, is my own invention and has no analogue, however remote, in the TDS.

  So, having my plot and my background, I wrote a story

  I named "The Chuckle." It was accepted by EQMM, which renamed it "The Acquisitive Chuckle." [EQMM invariably changes my titles. This doesn't bother me, because I always look forward to book publication, in which I can change the titles back to what they should be. Sometimes I don't, as, on rare occasions, an editorial change of title meets my approval. For instance, I really think "The Acquisitive Chuckle" is better than "The Chuckle," so I am keeping that.]

  After the first sale, there was no stopping me, of course. I began to write one Black Widower tale after another and in little more than a year I had written eight and sold each of them to EQMM.

  The trouble was that, even though I was holding myself back, and not writing as many as I wanted to write, I was still producing them faster than EQMM could publish them.

  I finally broke under the strain of not-writing, so I wrote three more, at my natural rate of production, and decided not to plague the magazine with them. Then I wrote a fourth and sold it to them. That brought the total to twelve, with enough wordage for a book. My loyal publishers, Doubleday & Company, had been waiting patiently in the wings ever since the first story, so I am now putting them together as Tales of the Black Widowers- and here you are.

  Any questions? [ I hope not.]

  1

  The Acquisitive Chuckle

  Hanley Bartram was the guest, that night, of the Black Widowers, who monthly met in their quiet haunt and vowed death to any female who intruded-for that one night per month, at any rate.

  The number of attendees varied: five members were present on this occasion.

  Geoffrey Avalon was host for the evening. He was tall, with a neatly trimmed mustache and a smallish beard, more white than black now, but with hair nearly as black as ever.

  As host, it was his duty to deliver the ritual toast that marked the beginning of the dinner proper. Loudly, and with gusto, he said, "To Old King Cole of sacred memory. May his pipe be forever lit, his bowl forever full, his fiddlers forever in health, and may we all be as merry as he all our lives long."

  Each cried, "Amen," touched his lips to drink, and sat down. Avalon put his drink to the side of his plate. It was his second and was now exactly half full. It would remain there throughout the dinner and was not to be touched again. He was a patent lawyer and he carried over into his social life the minutiae of his work. One and a half drinks was precisely what he allowed himself on these occasions.

  Thomas Trumbull came storming up the stairs at the last minute, with the usual cry of "Henry, a scotch and soda for a dying man."

  Henry, the waiter at these functions for several years now (and with no last name that any Black Widower had ever heard used), had the scotch and soda in readiness. He was sixtyish but his face was unwrinkled and staid.

  His voice seemed to recede into the distance even as he spoke. "Right here, Mr. Trumbull."

  Trumbull spotted Bartram at once and said to Avalon in an aside, "Your guest?"

  "He asked to come," said Avalon, in as near a whisper as he could manage. "Nice fellow. You'll like him."

  The dinner itself went as miscellaneously as the Black Widowers' affairs usually did. Emmanuel Rubin, who had the other beard-a thin and scraggly one under a mouth with widely spaced teeth-had broken out of a writer's block and was avidly giving the details of the story he had finished. James Drake, with a rectangular face, a mustache but no beard, was interrupting with memories of other stories, tangentially related. Drake was only an organic chemist but he had an encyclopedic knowledge of pulp fiction.

  Trumbull, as a code expert, considered himself to be in the inner councils of government and took it into his head to be outraged at Mario Gonzalo's political pronouncements. "God damn it," he yelled, in one of his less vituperative moods, "why don't you stick to your idiotic collages and your burlap bags and leave world affairs to your betters?"

  Trumbull had not recovered from Gonzalo's one-man art show earlier that year, and Gonzalo, understanding this, laughed good-naturedly, and said, "Show me my betters. Name one."

  Bartram, short and plump, with hair that curled in ringlets, clung firmly to his role as guest. He listened to everyone, smiled at everyone, and said little.

  Eventually the time came when Henry poured the coffee and began to place the desserts before each guest with practiced legerdemain. It was at this moment that the traditional grilling of the guest was supposed to begin.

  The initial questioner, almost by tradition (on those occasions when he was present), was Thomas Trumbull. His swarthy face, wrinkled into a perennial discontent, looked angry as he began with the invariable opening question: "Mr. Bartram, how do you justify your existence?"

  Bartram smiled. He spoke with precision as he said, "I have never tried. My clients, on those occasions when 1 give satisfaction, find my existence justified."

  "Your clients?" said Rubin. "What is it you do, Mr. Bartram?"

  "I am a private investigator."

  "Good," said James Drake. "I don't think we've ever had one before. Manny, you can get some of the data correct for a change when you write your tough-guy crap."

  "Not from me," said Bartram quickly.

  Trumbull scowled. "If you don't mind, gentlemen, as the appointed grillster, please leave this to me. Mr. Bartram, you speak of the occasions upon which you give satisfaction. Do you always give satisfaction?"

  "There are times when the matter can be debated," said Bartram. "In fact, I would like to speak to you this evening concerning an occasion that was particularly questionable. It may even be that one of you might be useful in that connection. It was with that in mind that I asked my good friend Jeff Avalon to invite me to a meeting, once I learned the details of the organization. He obliged and I am delighted."

  "Are you ready now to discuss this dubious satisfaction you gave or did not give, as the case may be?"

  "Yes, if you will allow me."

  Trumbull looked at the others for signs of dissent. Gonzalo's prominent eyes were fixed on Bartram as he said, "May we interrupt?" Quickly, and with an admirable economy of strokes, he was doodling a caricature of Bartram on the back of his menu card. It would join the others which memorialized guests and which marched in brave array across the walls.

  "Within reason," said Bartram. He paused to sip at his coffee and then said, "The story begins with Anderson, to whom I shall refer only in that fashion. He was an acquisitor."

  "An inquisitor?" asked Gonzalo, frowning.

  "An acquisitor. He gained things, he earned them, he bought them, he picked them up, he collected them. The world moved in one direction with respect to him; it moved toward him; never away. He had a house into which this flood of material, of var
ying value, came to rest and never moved again. Through the years, it grew steadily thicker and amazingly heterogeneous. He also had a business partner, whom I shall call only Jackson."

  Trumbull interrupted, frowning, not because there was anything to frown about, but because he always frowned. He said, "Is this a true story?"

  "I tell only true stories," said Bartram slowly and precisely. "I lack the imagination to lie."

  "Is it confidential?"

  "I shall not tell the story in such a way as to make it easily recognized, but were it to be recognized, it would be confidential."

  "I follow the subjunctive," said Trumbull, "but I wish to assure you that what is said within the walls of this room is never repeated, nor referred to, however tangen-tially, outside its walls. Henry understands this, too."

  Henry, who was refilling two of the coffeecups, smiled a little and bent his head in agreement.

  Bartram smiled also and went on, "Jackson had a disease, too. He was honest; unavoidably and deeply honest. The characteristic permeated his soul as though, from an early age, he had been marinated in integrity.

  "To a man like Anderson, it was most useful to have honest Jackson as partner, for their business, which I carefully do not describe in detail, required contact with the public. Such contact was not for Anderson, for his acquisitiveness stood in the way. With each object he acquired, another little crease of slyness entered his face, until it seemed a spider's web that frightened all flies at sight. It was Jackson, the pure and the honest, who was the front man, and to whom all widows hastened with their mites, and orphans with their farthings.

  "On the other hand, Jackson found Anderson a necessity, too, for Jackson, with all his honesty, perhaps because of it, had no knack for making one dollar become two. Left to himself, he would, entirely without meaning to, lose every cent entrusted to him and would then quickly be forced to kill himself as a dubious form of restitution. Anderson's hands were to money, however, as fertilizer is to roses, and he and Jackson were, together, a winning combination.