Exile and the Kingdom

  But from the other bank rose sounds of chains and muffled plashings. Above the but on the right of the man still waiting there, the cable stretched taut. A dull creaking began to run along it, just as there rose from the river a faint yet quite audible sound of stirred-up water. The creaking became more regular, the sound of water spread farther and then became localized, as the lantern grew larger. Now its yellowish halo could be clearly [162] seen. The halo gradually expanded and again contracted while the lantern shone through the mist and began to light up from beneath a sort of square roof of dried palms supported by thick bamboos. This crude shelter, around which vague shadows were moving, was slowly approaching the bank. When it was about in the middle of the river, three little men, almost black, were distinctly outlined in the yellow light, naked from the waist up and wearing conical hats. They stood still with feet apart, leaning somewhat to offset the strong drift of the river pressing with all its invisible water against the side of a big crude raft that eventually emerged from the darkness. When the ferry came still closer, the man could see behind the shelter on the downstream side two tall Negroes likewise wearing nothing but broad straw hats and cotton trousers. Side by side they weighed with all their might on long poles that sank slowly into the river toward the stern while the Negroes, with the same slow motion, bent over the water as far as their balance would allow. In the bow the three mulattoes, still and silent, watched the bank approach without raising their eyes toward the man waiting for them.

  The ferry suddenly bumped against something. [163] And the lantern swaying from the shock lighted up a pier jutting into the water. The tall Negroes stood still with hands above their heads gripping the ends of the poles, which were barely stuck in the bottom, but their taut muscles rippled constantly with a motion that seemed to come from the very thrust of the water. The other ferrymen looped chains over the posts on the dock, leaped onto the boards, and lowered a sort of gangplank that covered the bow of the raft with its inclined plane.

  The man returned to the car and slid in while the chauffeur stepped on the starter. The car slowly climbed the embankment, pointed its hood toward the sky, and then lowered it toward the river as it tackled the downward slope. With brakes on, it rolled forward, slipped somewhat on the mud, stopped, started up again. It rolled onto the pier with a noise of bouncing planks, reached the end, where the mulattoes, still silent, were standing on either side, and plunged slowly toward the raft. The raft ducked its nose in the water as soon as the front wheels struck it and almost immediately bobbed back to receive the car’s full weight. Then the chauffeur ran the vehicle to the stern, in front of the square roof where the lantern [164] was hanging. At once the mulattoes swung the in­clined plane back onto the pier and jumped simul­taneously onto the ferry, pushing it off from the muddy bank. The river strained under the raft and raised it on the surface of the water, where it drifted slowly at the end of the long drawbar run­ning along the cable overhead. The tall Negroes relaxed their effort and drew in their poles. The man and the chauffeur got out of the car and came over to stand on the edge of the raft facing up­stream. No one had spoken during the maneuver, and even now each remained in his place, motion­less and quiet except for one of the tall Negroes who was rolling a cigarette in coarse paper.

  The man was looking at the gap through which the river sprang from the vast Brazilian forest and swept down toward them. Several hundred yards wide at that point, the muddy, silky waters of the river pressed against the side of the ferry and then, unimpeded at the two ends of the raft, sheered off and again spread out in a single powerful flood gently flowing through the dark forest toward the sea and the night. A stale smell, come from the wa­ter or the spongy sky, hung in the air. Now the slapping of the water under the ferry could be heard, and at intervals the calls of bullfrogs from [165] the two banks or the strange cries of birds. The big man approached the small, thin chauffeur, who was leaning against one of the bamboos with his hands in the pockets of his dungarees, once blue but now covered with the same red dust that had been blowing in their faces all day long. A smile spread over his face, all wrinkled in spite of his youth. Without really seeing them, he was staring at the faint stars still swimming in the damp sky.

  But the birds’ cries became sharper, unfamiliar chatterings mingled with them, and almost at once the cable began to creak. The tall Negroes plunged their poles into the water and groped blindly for the bottom. The man turned around toward the shore they had just left. Now that shore was ob­scured by the darkness and the water, vast and savage like the continent of trees stretching beyond it for thousands of kilometers. Between the near-by ocean and this sea of vegetation, the handful of men drifting at that moment on a wild river seemed lost. When the raft bumped the new pier it was as if, having cast off all moorings, they were landing on an island in the darkness after days of frightened sailing.

  Once on land, the men’s voices were at last heard. The chauffeur had just paid them and, with [166] voices that sounded strangely gay in the heavy night, they were saying farewell in Portuguese as the car started up again.

  “They said sixty, the kilometers to Iguape. Three hours more and it’ll be over. Socrates is happy,” the chauffeur announced.

  The man laughed with a warm, hearty laugh that resembled him.

  “Me too, Socrates, I’m happy too. The trail is hard.”

  “Too heavy, Mr. D’Arrast, you too heavy,” and the chauffeur laughed too as if he would never stop.

  The car had taken on a little speed. It was ad­vancing between high walls of trees and inextrica­ble vegetation, amidst a soft, sweetish smell. Fire­flies on the wing constantly crisscrossed in the darkness of the forest, and every once in a while red-eyed birds would bump against the windshield. At times a strange, savage sound would reach them from the depths of the night and the chauffeur would roll his eyes comically as he looked at his passenger.

  The road kept turning and crossed little streams on bridges of wobbly boards. After an hour the fog began to thicken. A fine drizzle began to fall, [167] dimming the car’s lights. Despite the jolts, D’Arrast was half asleep. He was no longer riding in the damp forest but on the roads of the Serra that they had taken in the morning as they left São Paulo. From those dirt trails constantly rose the red dust which they could still taste, and on both sides, as far as the eye could see, it covered the sparse veg­etation of the plains. The harsh sun, the pale moun­tains full of ravines, the starved zebus encountered along the roads, with a tired flight of ragged uru­bus as their only escort, the long, endless crossing of an endless desert . . . He gave a start. The car had stopped. Now they were in Japan: fragile houses on both sides of the road and, in the houses, furtive kimonos. The chauffeur was talking to a Japanese wearing soiled dungarees and a Brazilian straw hat. Then the car started up again.

  “He said only forty kilometers.”

  “Where were we? In Tokyo?”

  “No. Registro. In Brazil all the Japanese come here.”

  “Why?”

  “Don’t know. They’re yellow, you know, Mr. D’Arrast.”

  But the forest was gradually thinning out, and the road was becoming easier, though slippery. [168] The car was skidding on sand. The window let in a warm, damp breeze that was rather sour.

  “You smell it?” the chauffeur asked, smacking his lips. “That’s the good old sea. Soon, Iguape.”

  “If we have enough gas,” D’Arrast said. And he went back to sleep peacefully.

  Sitting up in bed early in the morning, D’Arrast looked in amazement at the huge room in which he had just awakened. The lower half of the big walls was newly painted brown. Higher up, they had once been painted white, and patches of yel­lowish paint covered them up to the ceiling. Two rows of beds faced each other. D’Arrast saw only one bed unmade at the end of his row and that bed was empty. But he heard a noise on his left and turned toward the door, where Socrates, a bottle of mineral water in each hand, stood laughing, “Happy memory!” he said. D’Arrast
shook him­self. Yes, the hospital in which the Mayor had lodged them the night before was named “Happy Memory.” “Sure memory,” Socrates continued. “They told me first build hospital, later build wa­ter. Meanwhile, happy memory, take fizz water to wash.” He disappeared, laughing and singing, not at all exhausted apparently by the cataclysmic [169] sneezes that had shaken him all night long and kept D’Arrast from closing an eye.

  Now D’Arrast was completely awake. Through the iron-latticed window he could see a little red-earth courtyard soaked by the rain that was noise­lessly pouring down on a clump of tall aloes. A woman passed holding a yellow scarf over her head. D’Arrast lay back in bed, then sat up at once and got out of the bed, which creaked under his weight. Socrates came in at that moment: “For you, Mr. D’Arrast. The Mayor is waiting outside.” But, seeing the look on D’Arrast’s face, he added: “Don’t worry; he never in a hurry.”

  After shaving with the mineral water, D’Arrast went out under the portico of the building. The Mayor—who had the proportions and, under his gold-rimmed glasses, the look of a nice little weasel—seemed lost in dull contemplation of the rain. But a charming smile transfigured him as soon as he saw D’Arrast. Holding his little body erect, he rushed up and tried to stretch his arms around the engineer. At that moment an automobile drove up in front of them on the other side of the low wall, skidded in the wet clay, and came to a stop on an angle. “The Judge!” said the Mayor. Like the Mayor, the Judge was dressed in navy blue. But he [170] was much younger, or at least seemed so because of his elegant figure and his look of a startled ado­lescent. Now he was crossing the courtyard in their direction, gracefully avoiding the puddles. A few steps from D’Arrast, he was already holding out his arms and welcoming him. He was proud to greet the noble engineer who was honoring their poor village; he was delighted by the priceless serv­ice the noble engineer was going to do Iguape by building that little jetty to prevent the periodic flooding of the lower quarters of town. What a noble profession, to command the waters and dom­inate rivers! Ah, surely the poor people of Iguape would long remember the noble engineer’s name and many years from now would still mention it in their prayers. D’Arrast, captivated by such charm and eloquence, thanked him and didn’t dare wonder what possible connection a judge could have with a jetty. Besides, according to the Mayor, it was time to go to the club, where the leading citizens wanted to receive the noble engineer appropriately before going to inspect the poorer quarters. Who were the leading citizens?

  “Well,” the Mayor said, “myself as Mayor, Mr. Carvalho here, the Harbor Captain, and a few others less important. Besides, you won’t have to [171] pay much attention to them, for they don’t speak French.”

  D’Arrast called Socrates and told him he would meet him when the morning was over.

  “All right,” Socrates said, “I’ll go to the Garden of the Fountain.”

  “The Garden?”

  “Yes, everybody knows. Have no fear, Mr. D’Arrast.”

  The hospital, D’Arrast noticed as he left it, was built on the edge of the forest, and the heavy foli­age almost hung over the roofs. Over the whole surface of the trees was falling a sheet of fine rain which the dense forest was noiselessly absorbing like a huge sponge. The town, some hundred houses roofed with faded tiles, extended between the forest and the river, and the water’s distant murmur reached the hospital. The car entered drenched streets and almost at once came out on a rather large rectangular square which showed, among numerous puddles in its red clay, the marks of tires, iron wheels, and horseshoes. All around, brightly plastered low houses closed off the square, behind which could be seen the two round towers of a blue-and-white church of colonial style. A smell of salt water coming from the estuary [172] domi­nated this bare setting. In the center of the square a few wet silhouettes were wandering. Along the houses a motley crowd of gauchos, Japanese, half­-breed Indians, and elegant leading citizens, whose dark suits looked exotic here, were sauntering with slow gestures. They stepped aside with dignity to make way for the car, then stopped and watched it. When the car stopped in front of one of the houses on the square, a circle of wet gauchos si­lently formed around it.

  At the club—a sort of small bar on the second floor furnished with a bamboo counter and iron café tables—the leading citizens were numerous. Sugar-cane alcohol was drunk in honor of D’Ar­rast after the Mayor, glass in hand, had wished him welcome and all the happiness in the world. But while D’Arrast was drinking near the window, a huge lout of a fellow in riding-breeches and leg­gings came over and, staggering somewhat, deliv­ered himself of a rapid and obscure speech in which the engineer recognized solely the word “passport.” He hesitated and then took out the document, which the fellow seized greedily. After having thumbed through the passport, he mani­fested obvious displeasure. He resumed his speech, shaking the document under the nose of the [173] engi­neer, who, without getting excited, merely looked at the angry man. Whereupon the judge, with a smile, came over and asked what was the matter. For a moment the drunk scrutinized the frail crea­ture who dared to interrupt him and then, stagger­ing even more dangerously, shook the passport in the face of his new interlocutor. D’Arrast sat peacefully beside a café table and waited. The dia­logue became very lively, and suddenly the Judge broke out in a deafening voice that one would never have suspected in him. Without any fore­warning, the lout suddenly backed down like a child caught in the act. At a final order from the Judge, he sidled toward the door like a punished schoolboy and disappeared.

  The Judge immediately came over to explain to D’Arrast, in a voice that had become harmonious again, that the uncouth individual who had just left was the Chief of Police, that he had dared to claim the passport was not in order, and that he would be punished for his outburst. Judge Car­valho then addressed himself to the leading citi­zens, who stood in a circle around him, and seemed to be questioning them. After a brief discussion, the Judge expressed solemn excuses to D’Arrast, asked him to agree that nothing but drunkenness [174] could explain such forgetfulness of the sentiments of respect and gratitude that the whole town of Iguape owed him, and, finally, asked him to decide himself, on the punishment to be inflicted on the wretched individual. D’Arrast said that he didn’t want any punishment, that it was a trivial incident, and that he was particularly eager to go to the river. Then the Mayor spoke up to assert with much simple good-humor that a punishment was really mandatory, that the guilty man would re­main incarcerated, and that they would all wait until their distinguished visitor decided on his fate. No protest could soften that smiling severity, and D’Arrast had to promise that he would think the matter over. Then they agreed to visit the poorer quarters of the town.

  The river was already spreading its yellowish waters over the low, slippery banks. They had left behind them the last houses of Iguape and stood be­tween the river and a high, steep embankment to which clung huts made of clay and branches. In front of them, at the end of the embankment, the forest began again abruptly, as on the other bank. But the gap made by the water rapidly widened between the trees until reaching a vague grayish line that marked the beginning of the sea. Without [175] saying a word, D’Arrast walked toward the slope, where the various flood levels had left marks that were still fresh. A muddy path climbed toward the huts. In front of them, Negroes stood silently staring at the newcomers. Several couples were holding hands, and on the edge of the mound, in front of the adults, a row of black children with bulging bellies and spindly legs were gaping with round eyes.

  When he arrived in front of the huts, D’Arrast beckoned to the Harbor Captain. He was a fat, laughing Negro wearing a white uniform. D’Ar­rast asked him in Spanish if it were possible to visit a hut. The Captain was sure it was, he even thought it a good idea, and the noble engineer would see very interesting things. He harangued the Negroes at length, pointing to D’Arrast and to the river. They listened without saying a word. When the Captain had finished, no one stirred. He spoke again, in an
impatient voice. Then he called upon one of the men, who shook his head. Whereupon the Captain said a few brief words in a tone of command. The man stepped forth from the group, faced D’Arrast, and with a gesture showed him the way. But his look was hostile. He was an elderly man with short, graying hair and a thin, wizened [176] face; yet his body was still young, with hard wiry shoulders and muscles visible through his cotton pants and torn shirt. They went ahead, followed by the Captain and the crowd of Negroes, and climbed a new, steeper embankment where the huts made of clay, tin, and reeds clung to the ground with such difficulty that they had to be strengthened at the base with heavy stones. They met a woman going down the path, sometimes slipping in her bare feet, who was carrying on her head an iron drum full of water. Then they reached a small irregular square bordered by three huts. The man walked toward one of them and pushed open a bamboo door on hinges made of tropical liana. He stood aside without saying a word, staring at the engineer with the same im­passive look. In the hut, D’Arrast saw nothing at first but a dying fire built right on the ground in the exact center of the room. Then in a back cor­ner he made out a brass bed with a bare, broken mattress, a table in the other corner covered with earthenware dishes, and, between the two, a sort of stand supporting a color print representing Saint George. Nothing else but a pile of rags to the right of the entrance and, hanging from the ceiling, a few loincloths of various colors drying over the [177] fire. Standing still, D’Arrast breathed in the smell of smoke and poverty that rose from the ground and choked him. Behind him, the Captain clapped his hands. The engineer turned around and, against the light, saw the graceful silhouette of a black girl approach and hold out something to him. He took a glass and drank the thick sugar-cane alcohol. The girl held out her tray to receive the empty glass and went out with such a supple mo­tion that D’Arrast suddenly wanted to hold her back.