James Potter and the Vault of Destinies

  Clutchcudgel matches went from grueling dark and icy affairs to exhilarating romps through the mild evenings, lit by the rose-gold light of the later sunsets. Team Bigfoot continued its dogged refusal to be knocked out of the final tournament playoffs, winning a few matches, tying even more. Fortunately, since their standings had gradually improved over the course of the season, tie games often meant technical victories for the orange and blue team. No one expected the Foots to actually get into the final tournament, but at least no one expected them to get knocked out easily. James was quietly very proud of the team and his own unique involvement with it. Even if they still ended up dead last in the overall season standings, it would be a close thing. More importantly, the other teams respected Team Bigfoot now. Or, at the very least, didn't openly mock them.

  Oliver Wood still showed a stubborn reluctance to encourage the use of anything other than the most basic magic during his team's matches. He did, however, allow the continuation of the team's game magic meetings and James began showing his fellow players some of the Artis Decerto tricks he'd learned during his last year's Defense Against the Dark Arts classes with Professor Kendrick Debellows.

  "It isn't just about beating the other guy's magic with your own magic," he attempted to explain. "It's about beating his magic with your mind, by knowing what he's going to do even before he does it and being ready for it."

  "Mind reading," Gobbins frowned skeptically. "I never understood that crazy voodoo stuff."

  "It's not voodoo," Ralph said, shaking his head. "It's just knowing how people usually act and guessing what they're going to do before they do it. It's easier than you think. People are a lot less unpredictable than you'd ever guess."

  James nodded enthusiastically. "Look at the Igors," he said, standing up. "Say it's the third quarter and they're down by ten. You see three of their Clippers lining up around the second turn. What are they up to?"

  Jazmine laughed and shook her head. "They're stacking a pile-drive maneuver. Their lead Clipper has the Clutch and if he loses it somehow, he'll just toss it back to the guy behind him. That way, they've got two-man insurance that they'll make it to the goal."

  "That's what I'm talking about," James nodded, pointing at her. "We don't have to wait to see what they're going to do in that situation. We already know that's their standard procedure, so we act first, sending some Bullies back to get in between them even before they line up. That's Artis Decerto!"

  "But that's not all it is," Wentworth said, tilting his head. "It's also those crazy acrobatics you do out there on the skrim. You look like one of those guys from Cirque de Blasé."

  "My mom took me to that last year," Norrick interjected.

  Wentworth turned to him. "Did you like it?"

  "Meh," Norrick shrugged. "When I think circus, I think guys walking tightropes and taming tigers and making pyramids out of dozens of elephants and stuff. I don't usually think of a bunch of dudes in tights swinging around on velvet ropes and doing yoga on flying carpets."

  "Sounds pretty interesting to me," Jazmine admitted.

  Norrick rolled his eyes. "That's 'cause you're a girl."

  "Thanks for noticing," Jazmine replied sourly. "At least when Ralph says it, it sounds like a good thing." She smiled at Ralph across the room and his cheeks reddened. He coughed lightly and looked helplessly at James.

  "Yeah," James nodded, struggling to stay on topic. "Artis Decerto is also about acrobatic kinds of stuff too. It's just a matter of using your whole body sort of like a tool or a weapon or a torpedo, whatever best suits the situation. You put both ideas together, and not only will you know what the other guy is about to do, you'll already be getting yourself into position to defeat it."

  "Like when you got between that Zombie Clipper and Bully last match!" Wentworth exclaimed, sitting forward. "And you pretended to have a Clutch under your arm so the Bully would aim a gravity well at you, but then you spun around up over the other guy at just the right moment and the Bully shot his spell at his own Clipper and knocked him right out of the course and then ran into him because he was so surprised that he didn't even see the other guy behind you until you went all topsy-turvy and they both crashed into the ring like a couple of blind Rafewringers!" His eyes bulged excitedly at the memory and then he sighed deeply, leaning back again. "That was beautiful."

  "Zane sure didn't think it was funny," Ralph muttered. "Although he did admit that it was a pretty good move."

  "Yeah," James agreed, nodding at Wentworth. "Like that."

  "But how do we practice stuff like that?" another player, Luca Fiorello, asked from the corner near the window.

  James nodded resolutely. "Good question," he admitted. "And you won't like the answer, but… well… me, Ralph, Zane, and Professor Cloverhoof have set up something in the backyard. It's not anywhere near as good as the one back at Hogwarts and Zane and Professor Cloverhoof only helped us build it because we agreed to let Team Zombie use it as well, but trust us, it's the best way to learn Artis Decerto. Come on over and take a look."

  James led the team out onto the third-floor landing, where they all crowded around the window that overlooked the mansion's walled back garden. There was a moment of tense, puzzled silence. Finally, Jazmine spoke up.

  "What is it?" she asked, frowning.

  James sighed at the irony of it all. In the yard below was a haphazard clockwork monstrosity of wooden cogs, treadmills, pommels, swinging weights, and wand-studded barrels.

  "It's called the Gauntlet," he admitted. "And it's about to be your worst enemy."

  Classes at Alma Aleron, which had at first seemed exotic and strange, had by now grown routine and even boring.

  James' favorite classes were Clockwork Mechanics, Advanced Elemental Transmutation (which was the American equivalent of Transfiguration), Theoretical Gravity (which was still being taught by Oliver Wood), and Magi-American History with Professor Paul Bunyan. Having lived the long and amazing life of a giant in the country's frontier days, the professor taught a lot of his classes by way of firsthand stories. Some of the stories, admittedly, were embroidered with obvious tall tales, such as the details surrounding the origin of the Rocky Mountains (allegedly piles of cast-off rocks cleaned out of the giant's boot treads with a redwood trunk) and the creation of the Great Lakes (claimed to have been dug out by the giant's footprints when he was wrestling Babe, the giant blue ox, for the last pancake of a particularly delicious breakfast). A Vampire boy had once deigned to challenge Professor Bunyan's tall tales, confronting him with the fact that while he was indeed quite large, he was nowhere near big enough to leave footprints the size of Lake Superior.

  "Were you bigger back then, maybe?" the boy asked, a smile curling the corner of his mouth.

  Professor Bunyan merely scoffed and waved a hand. "I was always the same size," he said, his dark eyes twinkling. "But the world was a lot smaller back in those days. It's a known fact. Just ask Professor Wimwrinkle."

  James had a suspicion that Bunyan knew that no one would actually do any such thing, being generally terrified of the Mageography professor, thus his allegations were, nominally, safe.

  Mageography was, in fact, near the top of the list of James' least loved classes. Only marginally worse, however, was Forbidden Practices and Cursology with the insufferable Persephone Remora. Remora had, it seemed, developed a bit of a fixation with James and his famous father. As a result, her attitude toward him seemed to swing between doting favoritism and spiteful jealousy. James never knew, on any given Thursday afternoon, whether the professor would gesture for him to sit close to her in the front row—where she would favor him with conspiratorial winks and infuriatingly condescending pats on the head—or glower at him darkly, annoyed and impatient at his apparent lack of awe for her accomplishments and her self-proclaimed 'dark wiles'. James' last essay had been returned to him with the incomprehensible grade of 'INSIPID +' scrawled across the top of it in red, followed by the handwritten comment, 'You show mild promise IF yo
u receive the proper tutelage. You know my office hours. See me.'

  "She either has a crush on you or she wants to poison you," Zane whispered, peering at the handwriting atop James' essay. "And you never know. With her, it could be both."

  "No way I'm seeking her out for 'proper tutelage'," James hissed from behind his hand. "I'll take 'insipid plus' for the rest of the year if I have to."

  From the front of the classroom, Remora narrowed her eyes at him, her red lips pressed into a tight frown.

  The rest of the semester's classes dragged on with varying degrees of boredom, challenge, and occasional strangeness. Muggle Occupation Studies, for instance, seemed to be the Alma Aleron version of Muggle Studies, but with a specific emphasis on learning about Muggle careers and working conditions. Most of the class-times were spent on discussions of the difference between such concepts as 'water cooler breaks' and 'coffee runs', 'cubicles' versus 'corner offices', elevator etiquette, surreptitious use of magic in Muggle surroundings, and how to converse about the sorts of things most Muggles seemed to be interested in, such as Muggle sports, television, and the weather. James didn't quite understand the point of the class since he himself planned to become an Auror like his father, but the teacher, a very fat woman by the name of Heather Wocziak (who, for some reason, nearly always wore a pink jogging outfit) insisted that Muggle occupational familiarity was "absolutely essential for all witches and wizards in the current social climate of magical-Muggle diversification". James accepted this with a sigh, secretly vowing to forget everything he was learning once the final exams were over.

  Potion-Making class continued to be an intriguing challenge despite the noticeable lack of Petra as Professor Baruti's assistant. Besides teaching traditional Native American forms of potionmaking via visits to the ancient city of Shackamaxon, Baruti spent much time demonstrating potion techniques from many of the world's magical cultures, including Oriental enchanTeas, African steamcreatures, and Russian cold-soup tonics, most of which were made with a very potent clear liquor known as Stortch, known to melt cauldrons if they were not thoroughly pre-oiled with a thick coating of mucous eel slime.

  James had once approached Professor Baruti after class and asked how things were going with Petra.

  "Ms. Morganstern is coming along very well," Baruti replied easily, displaying one of his stunningly bright smiles. "I see her once a week, most of the time. She misses her freedom, but her French is très magnifique."

  James nodded. "Any word about the investigation with that Keynes bloke? I haven't heard a word about it from my parents. I think they're trying to keep me from worrying about it, but I can handle it."

  Baruti clucked his tongue and shook his head dismissively. "Don't you worry about that, young Master James. Ms. Morganstern is not worried! Why should you be? If tomorrow brings trouble, it will bring the solution as well." He patted James on the shoulder with his large callused hand and James nodded disconsolately.

  The only class that James was performing particularly poorly in was Arithmatics. Taught by a young professor named Plumvole with far more enthusiasm for the subject than actual teaching ability, James simply couldn't wrap his mind around the long, dense formulas and symbols scrawled onto the magical blackboard. As a result, he was pressed to attend occasional tutoring sessions with Professor Plumvole in his office on the fifth floor of Administration Hall. The professor was thoroughly patient with James, explaining the concepts over and over on parchment while James leaned on the desk, his forehead cradled helplessly in his hands. He still didn't understand the equations, but Plumvole was so infatuated with his own explanations that he didn't notice James' complete lack of involvement.

  As a result, Plumvole completed all of James' homework while James himself merely watched. At the end of the last session, Plumvole clapped James heartily on the shoulder, promising that they were making excellent progress. Sheepishly, James nodded, shrugged and bid the professor goodnight.

  It was growing dark outside the Administration Hall's tall windows as James meandered his way to the ground floor. Passing a set of propped-open auditorium doors, however, he heard a familiar voice. It was Professor Wood giving a lecture to an audience of college-level students. James remembered that Wood taught a subject called Ethics of Magic, which Zane had promised was 'dead boring'. Still, James was curious. He stopped to listen, hovering just inside the open doorway.

  "So," Wood was saying, turning to a huge blackboard and pointing his wand at it, "the question of intervention revolves around these three primary questions: motive, benefit, and repercussion.

  "Before considering any intervention in the affairs of our Muggle fellows, we must honestly ask ourselves: one: why are we doing it? Is it truly for the Muggles' good? Or for another, more selfish reason? Two: what is the real benefit that might be gained by such an intervention? Is it worth the risks involved? We cannot judge this on feelings alone; we must answer this impartially and honestly. Finally, what are all the possible repercussions of such an action? As in the example, if a fellow wizard is being attacked by Muggle robbers in an alley and we Stun the leader within sight of his cohorts, is the damage of that magical revelation worth the money that the attackers might have stolen? This is a safe example for it involves only money and is therefore easier to consider. But the equation might well involve lives rather than coin. It is ethically incumbent on us to consider: if we save a life but harm the integrity of the magical/Muggle worlds for thousands of others, is that a worthy intervention?

  "There are no obvious conclusions, but as we have seen in the examples, any interaction between the Muggle and magical world that fails in any one of these considerations threatens, at the very least, the integrity of those involved, and potentially, the very stability of our twin cultures. Easy answers are tempting, as we all know—answers that rely on emotion and goodwill and basic concepts of immediate justice—but easy answers can lead to horrific consequences. This is the weight of responsibility that we, unlike our Muggle brothers, bear. It is no easy burden, but that does not give us an excuse to shrug it off. We must consider the fact that, despite how we might feel, sometimes it is better—and more deeply responsible—to do nothing. Sometimes we cannot trust our feelings alone. Sometimes, the heart is a liar."

  James didn't quite understand everything that Wood was saying, but the last part stuck with him: sometimes the heart is a liar. Petra Morganstern had, in fact, said something almost exactly like that, James remembered. Months earlier, when they'd talked, strangely enough, about the Bible story of Adam and Eve. Eve had born the burden of the same sort of responsibility that Wood was talking about—the responsibility to consider that sometimes what felt right was, in fact, exactly the wrong thing to do. She wasn't evil, Petra had said that day, as they'd walked toward the Warping Willow under Professor Baruti's shimmering rainbow umbrella. She was just… misinformed. She was doing what she felt was best.

  Sometimes… the heart is a liar, Petra had told him that day, her eyes solemn. In James' memory, though, Petra didn't sound quite like she meant it. She sounded more as if she was trying on the concept, the way someone might try on a shoe or a hat just to see if it fit.

  For some reason, the thought made James shudder. Without waiting for Professor Wood to finish his lecture, he turned and followed the hall toward the stairs at the far end, shaking his head worriedly.

  It was fully dark outside by the time James crossed the campus, heading toward Apollo Mansion. The mall was virtually deserted, lit by the occasional lamppost and the glow of lights from the other houses. Light glinted off a large dark orb as James passed a pool. Stopping, he saw that it was the Octosphere. It turned slowly, shimmering in the moonglow and creating its soft, almost inaudible rumble. James frowned at it in the darkness, thinking.

  Professor Magnussen had created the Octosphere, his first attempt at reading all things in the universe at once and therefore predicting—and controlling—the future. Everyone believed that Magnussen had finally succeede
d, in a way: they believed that he'd escaped into the World Between the Worlds, leaving this dimension forever. James knew the truth, however. Magnussen had been struck down in vengeance for the acts he'd committed in pursuit of his horrible plan. He may once have trod the World Between the Worlds, as he had claimed in the Disrecorder vision, but he certainly had not ended up there. As Kendrick Debellows had once said during last year's classes, the warrior who trusts only in the greatness of his magic will trip over the smallest stone. Magnussen had been extremely arrogant, and he had tripped over the smallest stone imaginable—one the size of a single Muggle bullet.

  Suddenly, James remembered that he, himself, had very nearly interfered with that reality. He had jumped out from his hiding place in the alley, wand in hand, prepared to duel Magnussen rather than watch him kill the Muggle man, William. If he had intervened only a second earlier, he probably would have interrupted Helen in the act of aiming her pistol. What would have happened? Would Magnussen have defeated them all? Might James, Ralph, and Zane have somehow prevailed over the professor and saved Helen from the act of shooting him? How would that have affected history and the lives of all those involved?

  James shook his head and shivered. Wood was right: it was scary to consider the repercussions of such things. James himself had very nearly changed history, and in a rather dramatic way. Somehow, he knew that it was best that he had not—that his intervention had been a split second too late. Maybe it wasn't the best possible reality that Helen had shot and killed Magnussen, but James was secretly sure that if things had gone any other way, it could have been far worse in the end.

  But what about now? Was he, James, interfering again? His own mother and father had warned him not to get involved in any more grandiose adventures. Even Patches the cat seemed to have offered warnings, first suggesting they rush for Igor House and then appearing in the Archive, apparently cautioning them against viewing the Disrecorder visions of Professor Magnussen. Should James have heeded those warnings? He'd tried to in the beginning. And yet how could he allow Petra to go to prison for something she might not have done? Wasn't it his responsibility to help her? Or, at the very least, to do what he could to reveal the truth of what had really happened that night, when the Vault of Destinies had been attacked?