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    The State of Old Lines

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    pawed pawns in gowns

      Ignoring the feints of fawns who squealed in rounds

      His brown bombs mark narcs

      He flouts bounds and cons skates who kneel on logs in parks

      The dogs croaked like frogs and bonded long hate

      Absconded late with condomed bait and a halibut angler

      Bone-free and washed, a bitterly blonde mangler

      Talbot only watched as he hides in a calf manger

      Waiting for great wrath and giraffe rangers with whom to wrangle danger

      Despite his taste for wagers, he strains drafts with half strangers

      His ravenous face of cake is fatedly that of a carafe-changer

      He ladles lays in leas, labels light lasers with leis

      And lays lye, lungs lame, lightly lashed and lapping

      On a lain lady, lamb-like and lied-to, latches lagging

      Lately laid in loos, his languor and laugh lacking

      Losing low lines, like a strangler half-mast macking

      He wastefully mattered, poorly spackle jacking

      Gracefully blind, lathered in endeavorous lace

      He's lazily lying in forever wait

      The next brother was Mary

      Nary a saint and more a fairy

      Barely a lady, more unfairly hairy

      And less scarily merry

      Carefree with a bare knee

      Begging for fares free

      Her lair, twee

      Her bear steed bared needs

      Like dared deeds and paired reeds

      Garishly tweed, she barely gained speed

      Like barley feigned weed

      Her sins stained the steam-cleaned kings

      Who sing of suns and slain scum

      Her lips drain cum from lame men

      Lightly hung and limply lunged

      She simply shunned fun

      And never deigned to hug one

      Now she's gunned, not stunned

      But outrunned and out-tongued

      She's muck-dunned like a duck poorly slummed

      She's surely chummed

      And no doubt very well-done

      Annie Runnel was a lady, a slate-slain baby

      With a tan knee and pummeled glee

      She laid lame labias on land

      Slammed fees and tunneled to flee

      She made tame Arabians her brand

      Rumbled free and humbled three flame-raided peons

      Her blame-fated neon lackeys are dames

      She slapped he who peed on her rack

      And muzzled her bleed

      Her steed did guzzle mead

      And lay his seed upon her beaded sheen

      She needed to weep but dumbly heeded a creep

      Her actions deeded her feet to the bay, well-greeted

      Where the elite fleet of brethren became meat that ran red

      She underlasted the heat and damn lead

      Like sleet in a toasted tanning bed, fellatedly derided by sooted negs

      Annie Runnel belatedly decided she sure should have fled

      The worst was Chester

      The first whose wounds openly festered

      His mirth, sequestered

      From his perch where he best heard

      How to test curds and rest words

      Lest herds of thirds thunder through

      Under birds who sunder stews

      Like abundant Jews judging from truncheon-views

      Watching luncheons with a monotone hue

      His brawn flowed from a lawn mowed true

      And morbidly slew torpor-free dudes

      With fact-free attitudes and hackneyed platitudes

      The slackard mule scatters few gathered troops, blathering of hoops

      The dogs battered his rules and flowers like leaning towers

      He's underflattered like drool

      And powerful teaming tattered schools

      His bladder fools as he drops his ladder and tools

      He's dead too, unfueled, badder than cool

      The next to go down was Kent

      Whose at rest low pounds got him bent

      He prepared to roll sound and vent

      Blow town with tents

      He sold hounds for rent

      His cold surrounded and pounded out goo

      His bold both astounded and blew

      It abounded about then and among his own crew

      He scouted out hens and songs for his tunes

      He allowed a bout of has-beens too strong for his goons

      To hustle with men who long to say sooth

      Kent was cowed by a couch for map tins and tongs

      Smooth boons and smart bongs with vermouth

      Outmuscled by friends who long for less ruth

      He goofed and spoofed, fell down and poofed

      Left town to roof and root for nudes in booths

      Good Brother Kent is kinda aloof

      Brother Calvert awoke one day, rowdily flow-shamed

      To loudly proclaim the pain of his mouth hurt

      Laying at the north end of his south yurt in a bed of romaine

      Surrounded by cows who blurt that they quit cud

      But have since found a rebound to the foul squirt of untumbled mud

      Whence quince abounded and fud sounded like hip mugs

      His dumb ever-mounted, his traits unrounded

      Like downtown bait repounded for unallowed hops re-counted

      He founded hate and flouted big brown ops

      Unwound into the ground like a carousing cyclops

      Arousing right hooks and endowing dicks into tight nooks

      Writing dreams in white books

      He's browsing for tried looks and hooded rooks vitally reamed

      Like wooden-hooked fighting teams with gleaming seams

      Seeming lean, the dogs' true fiend hits him hard

      Unshines his sheen and nips his lard

      He falls far and burns hot like a star

      Now a well-marred worm-pot, his flirt dropped like tar

      He lights bars, trikes and cars with words he'd guard

      His jersey's in shards, his might is garred

      His triteness scarred, his whiteness is finally charred

      Unlike his life, with which he losily sparred

      The lone last dog was Brother Harford

      Starved and tartared by a blown glass knob

      He bartered for life like a diplomatic job

      A cryptographic mob ungartered his wife

      He's martyred in strife and fell starboard with fright

      His hard-earned car overturning over cardboard alight

      Unchartered, unheard, a turd with hearts ungarnered

      His thoughts torn between born-again porn

      And storing whores for shorn pagan bones

      He'd rather fake more tours to slake his sour thirst

      Immersed in wine, fine times, second tries and first-time buyers

      For lies, bursting with rhymes from gelatin farmers

      Aimed at melanin harmers on lowered tires

      "He cuts up fine," says the skeleton carver

      Hired and fired like larva

      This confirms the fate of dear, dear Brother Harford

      Having dumped their brothers and sisters in glistening bogs

      The missile-king dogs hover over blisters like the mothers of fisters

      Lovers of biscuits like all the other idiots

      They live hideous, repeating piteous lies

      They're stuck in their stint, the prettiest guys

      They want hints and to shit in disguise

      To never spit their wittiest lies under pitiful skies

      Never bid against any man they'd hit again

      Despite his frivolous cries over flint and tin

      That super-slim Dominican with curt eyes

      A gritty grin and syphilitic surprise

      He thinned again, burnt flies and skinned kin

      As his flood rised, he threw rims in bins

      His bud wised, tipping tin men in trim skin with fins and hens

      Their lens see
    s sin and supplies, sips gin and trips like ten drips

      They nibble on nebulous nips and credulous lips

      Measuring hips with knotted whips, treasury tips and blotted chips

      Their wit rips bits of flipped dicks as they rut in muddy guts

      Shaking butts for guff in huts of sluts, imminently blunt

      Eminently foretold, they died with more mold than lore or gold

      More core sores than bold old souls, more holes torn in the clothes cold coal doled

      Their scolded scores stole corn, which bodes well for toads born in roads

      Waylaid, the dogs folded on hold, way late, told to mourn forlorn to satiate simple scorn

      Every day's weight was a thorn, unworn, too gray and unborn

      If you enjoyed these poems, you might also enjoy this novel by the same author:

      Occupy This Novel!

      When characters who rarely have a role in novels decide that they are fed up with the status quo and begin to Occupy the works of authors, they have the simple goal of starting a conversation. The protesting characters are united in their demand for a fairer system of fiction, but divisions arise over how best to achieve equality. The Occupiers soon find that the authors of the world aren't taking their movement in stride, and have an enforcer who will stop at nothing to make sure literature itself isn't overthrown. The rebelling characters battle through novels and poems, gather allies from ancient archetypes and even stage an attack on a major motion picture. What started as a simple message from the less-successful characters to the authors who fail to cast them turns into an epic adventure about characters gaining independence and fashioning narratives of their own.

      Available in the Kindle Store now!

     
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