The Best of Kim Stanley Robinson

  "No hroblem!" he said liplessly. "I like these ‘us trits!"

  Somehow I believed him. I weaseled my way upright in the aisle and said good-bye. Our tails were watching the bus's only door, but that wasn't really much of a problem. I just squirmed between the Nepalis, whose concept of personal "body space" is pretty much exactly confined to the space their bodies are actually occupying—none of this eighteen-inch bullshit for them—and got to a window on the other side of the bus. There was no way our watchers could have seen across the interior of that bus, so I was free to act. I apologized to the Sherpa I was sitting on, worked the window open, and started to climb out. The Sherpa very politely helped me, without the slightest suggestion I was going anything out of the ordinary, and I jumped down into the mud. Hardly anyone on the bus even noticed my departure. I snuck through the no-man's-land of the back buses. Quickly enough I was back on Durbar Marg and in a cab on my way to the Star.

  XV

  I got the cabbie to park almost inside the Star's lobby, and Buddha barreled into the backseat like a fullback hitting the line. While we drove he kept his head down, just in case, and the taxi took us out to the airport.

  Things were proceeding exactly according to my plan, and you might imagine I was feeling pretty pleased, but the truth is that I was more nervous than I'd been all morning. Because we were walking up to the RNAC desk, you see…

  When I got there and inquired, the clerk told us our flight had been canceled for the day.

  "What?" I cried. "Canceled! What for?"

  Now, our counter agent was the most beautiful woman in the world. This happens all the time in Nepal—in the country you pass a peasant bent over pulling up rice, and she looks up and it's a face from the cover of Cosmopolitan, only twice as pretty and without the vampire makeup. This ticket clerk could have made a million modeling in New York, but she didn't speak much English, and when I asked her "What for?" she said, "It's raining," and looked past me for another customer.

  I took a deep breath. Remember, I thought: RNAC. What would the Red Queen say? I pointed out the window. "It's not raining. Take a look."

  Too much for her. "It's raining," she repeated. She looked around for her supervisor, and he came on over; a thin Hindu man with a red dot on his forehead. He nodded curtly. "It's raining up at J—."

  I shook my head. "I'm sorry, I got a report on the shortwave from J—, and besides you can look north and see for yourself. It's not raining."

  "The airstrip at J— is too wet to land on," he said.

  "I'm sorry," I said, "but you landed there twice yesterday, and it hasn't rained since."

  "We're having mechanical trouble with the plane."

  "I'm sorry, but you've got a whole fleet of small planes out there, and when one has a problem you just substitute for it. I know, I switched planes three times here once." Nathan and Sarah didn't look too happy to hear that one.

  The supervisor's supervisor was drawn by the conversation: another serious, slender Hindu. "The flight is canceled," he said. "It's political."

  I shook my head. "RNAC pilots only strike the flights to Lukla and Pokhara—they're the only ones that have enough passengers for the strike to matter." My fears concerning the real reason for the cancellation were being slowly confirmed. "How many passengers on this flight?"

  All three of them shrugged. "The flight is canceled," the first supervisor said. "Try tomorrow."

  And I knew I was right. They had less than half capacity, and were waiting until tomorrow so the flight would be full. (Maybe more than full, but did they care?) I explained the situation to Nathan and Sarah and Buddha, and Nathan stormed up to the desk demanding that the flight fly as scheduled, and the supervisors had their eyebrows raised like they might actually get some fun out of this after all, but I hauled him away. While I was dialing my friend in the travel agency, I explained to him how maddening irate customers had been made into a sport (or maybe an art form) by Asian bureaucrats. After three tries I got my friend's office. The receptionist answered and said, "Yeti Travels?" which gave me a start; I'd forgotten the company's name. Then Bill got on and I outlined the situation. "Filling planes again, are they?" He laughed. "I'll call in that group of six we ‘sold' yesterday, and you should be off."

  "Thanks, Bill." I gave it fifteen minutes, during which time Sarah and I calmed Nathan, and Buddha stood at the window staring at the planes taking off and landing. "We've got to get out today!" Nathan kept repeating. "They'll never go for another ruse after today!"

  "We know that already, Nathan."

  I returned to the desk. "I'd like to get boarding passes for flight 2 to J—, please?"

  She made out the boarding passes. The two supervisors stood off behind a console, studiously avoiding my gaze. Normally it wouldn't have gotten to me, but with the pressure to get Buddha out I was a little edgy. When I had the passes in hand I said to the clerk, loud enough for the supervisors to hear, "No more cancellation, eh?"

  "Cancellation?"

  I gave up on it.

  XVI

  Of course a boarding pass is only a piece of paper, and when only eight passengers got on the little two-engine plane, I got nervous again; but we took off right on schedule. When the plane left the ground I sat back in my chair, and the relief blew through me like wash from the props. I hadn't known how nervous I was until that moment. Nathan and Sarah were squeezing hands and grinning in the seats ahead, and Buddha was in the window seat beside me, staring out at Kathmandu Valley, or the shimmy gray circle of the prop, I couldn't tell. Amazing guy, that Buddha: so cool.

  We rose out of the green, terraced, faintly Middle-Earth perfection of Kathmandu Valley, and flew over the mountains to the north, up into the land of snows. The other passengers, four Brits, were looking out their windows and exclaiming over the godlike views, and they didn't give a damn if one of their fellow passengers was an odd-looking chap. There was no problem there. After the plane had leveled out at cruising altitude one of the two stewards came down the aisle and offered us all little wrapped pieces of candy, just as on other airlines they offer drinks or meals. It was incredibly cute, almost like kids playing at running an airline, which is the sort of thought that seems cute itself until you remember you are at seventeen thousand feet with these characters, and they are now going to fly you over the biggest mountains on earth in order to land you on the smallest airstrips. At that point the cuteness goes away and you find yourself swallowing deeply and trying not to think of downdrafts, life insurance, metal fatigue, the afterlife…

  I shifted forward in my seat, hoping that the other passengers were too preoccupied to notice that Buddha had swallowed his candy without removing the wrapper. I wasn't too sure about the two across from us, but they were Brits so even if they did think Buddha was strange, it only meant they would look at him less. No problem.

  It wasn't long before the steward said, "No smoking, if it please you," and the plane dipped over and started down toward a particularly spiky group of snowy peaks. Not a sign of a landing strip; in fact the idea of one being down there was absurd on the face of it. I took a deep breath. I hate flying, to tell you the truth.

  I suppose some of you are familiar with the Lukla airstrip below the Everest region. It's set on a bench high on the side of the Dudh Khosi gorge, and the grass strip, tilted about fifteen degrees from horizontal and only two hundred yards long, aims straight into the side of the valley wall. When you land there all you can really see is the valley wall, and it looks like you're headed right into it. At the last minute the pilot pulls up and hits the strip, and after the inevitable bounces you roll to a stop quickly because you're going uphill so steeply. It's a heavy experience, some people get religion from it, or at least quit flying.

  But the truth is that there are at least a dozen RNAC strips in Nepal that are much worse than the one at Lukla, and unfortunately for us, the strip at J— was at about the top of that list. First of all, it hadn't begun life as an airstrip at all—it began as a b
arley terrace, one terrace among many on a mountainside above a village. They widened it and put a wind sock at one end, and tore out all the barley of course, and that was it. Instant airstrip. Not only that, but the valley it was in was a deep one—say five thousand feet—and very steep-sided, with a nearly vertical headwall just a mile upstream from the airstrip, and a sharp dogleg just a mile or so downstream, and really, nobody in their right minds would think to put an airstrip there. I became more and more convinced of this as we made a ten-thousand-foot dive into the dogleg, and pulled up against one wall of the valley, so close to it that I could have made a good estimate of the barley count per hectare if I'd been inclined to. I tried to reassure Buddha, but he was working my candy wrapper out of the ashtray and didn't want to be disturbed. Nice to be a yeti sometimes. I caught sight of our landing strip, and watched it grow bigger—say to the size of a ruler—and then we landed on it. Our pilot was good; we only bounced twice, and rolled to a stop with yards to spare.

  XVII

  And so we came to the end of our brief association with Buddha the yeti, having successfully liberated him from men who would no doubt become major lecturers on the crank circuit forever after.

  I have to say that Buddha was one of the nicest guys I've ever had the pleasure of knowing, and certainly among the coolest. Unflappable, really.

  But to finish: we collected our packs, and hiked all that afternoon, up the headwall of that valley and along a forested high valley to the west of it. We camped that night on a broad ledge above a short falls, between two monster boulders. Nathan and Sarah shared one tent, Buddha and I another. Twice I woke and saw Buddha sitting in the tent door, looking out at the immense valley wall facing us.

  The next day we hiked long and hard, up continuously, and finally came to the site of the expedition's spring camp. We dropped our packs and crossed the river on a new bridge made of bamboo, and Nathan and Buddha led us up the cross-country route, through the forest to the high box canyon where they had first met. By the time we got up there it was late afternoon, and the sun was behind the mountains to the west.

  Buddha seemed to understand the plan, as always. He took off my Dodgers cap and gave it back to me, having shed all the rest of his clothes back at camp. I had always treasured that cap, but now it only seemed right to give it back to Buddha; he nodded when I did, and put it back on his head. Nathan put the fossil necklace around Buddha's neck; but the yeti took it off and bit the cord apart, and gave a fossil seashell to each of us. It was quite a moment. Who knows but what yetis didn't eat these shellfish, in a previous age? I know, I know, I've got the timescales wrong, or so they say, but believe me, there was a look in that guy's eye when he gave us those shells that was ancient. I mean old. Sarah hugged him, Nathan hugged him, I'm not into that stuff, I shook his skinny strong right hand. "Good-bye for Freds, too," I told him.

  "Na-mas-te," he whispered.

  "Oh, Buddha," Sarah said, sniffling, and Nathan had his jaw clamped like a vise. Quite the sentimental moment. I turned to go, and sort of pulled the other two along with me; there wasn't that much light left, after all. Buddha took off upstream, and last I saw him he was on top of a riverside boulder, looking back down at us curiously, his wild russet fur suddenly groomed and perfect-looking in its proper context; my Dodgers cap looked odd indeed. That yeti was a hard man to read, sometimes, but it seemed to me then that his eyes were sad. His big adventure was over.

  On the way back down it occurred to me to wonder if he wasn't in fact a little crazy, as I had thought once before. I wondered if he might not walk right into the next camp he found, and sit down and croak "Namaste," blowing all the good work we'd done to save him from civilization. Maybe civilization had corrupted him already, and the natural man was gone for good. I hoped not. If so, you've probably already heard about it.

  Well, things were pretty subdued in the old expedition camp that night. We got up the tents by lantern light, and had some soup and sat there looking at the blue flames of the stove. I almost made a real fire to cheer myself up, but I didn't feel like it.

  Then Sarah said, with feeling, "I'm proud of you, Nathan," and he began to do his Coleman lantern glow, he was so happy. I would be, too. In fact, when she said, "I'm proud of you too, George," and gave me a peck on the cheek, it made me grin, and I felt a pang of… well, a lot of things. Pretty soon they were off to their tent. Fine for them, and I was happy for them, really, but I was also feeling a little like old Snideley Whiplash at the end of the Dudley Do-Right episode: left out in the cold, with Dudley getting the girl. Of course I had my fossil seashell, but it wasn't quite the same.

  I pulled the Coleman over, and looked at that stone shell for a while. Strange object. What had the yeti who drilled the little hole through it been thinking? What was it for?

  I remembered the meal on my bed, Buddha and me solemnly chomping on wafers and picking over the supply of jelly beans. And then I was all right; that was enough for me, and more than enough.

  XVIII

  Back in Kathmandu we met Freds and found out what had happened to him, over schnitzel Parisienne and apple strudel at the Old Vienna. "By noon I figured you all were long gone, so when the bus stopped for a break at Lamosangu I hopped off and walked right up to these guys' taxi. I did my Buddha thing and they almost died when they saw me coming. It was Adrakian and two of those Secret Service guys who chased us out of the Sheraton. When I took off the cap and shades they were fried, naturally. I said, ‘Man, I made a mistake! I wanted to go to Pokhara! This isn't Pokhara!' They were so mad they started yelling at each other. ‘What's that?' says I. ‘You all made some sort of mistake too? What a shame!' And while they were screaming at each other and all I made a deal with the taxi driver to take me back to Kathmandu too. The others weren't too happy about that, and they didn't want to let me in, but the cabbie was already pissed at them for hiring him to take his car over that terrible road, no matter what the fare. So when I offered him a lot of rupes he was pleased to stick those guys somehow, and he put me in the front seat with him, and we turned around and drove back to Kathmandu."

  I said, "You drove back to Kathmandu with the Secret Service? How did you explain the fur taped to the baseball cap?"

  "I didn't! So anyway, on the way back it was silent city behind me, and it got pretty dull, so I asked them if they'd seen the latest musical disaster movie from Bombay."

  "What?" Nathan said. "What's that?"

  "Don't you go see them? They're showing all over town. We do it all the time, it's great. You just smoke a few bowls of hash and go see one of these musicals they make, they last about three hours, no subtitles or anything, and they're killers! Incredible! I told these guys that's what they should do—"

  "You told the Secret Service guys they should smoke bowls of hash?"

  "Sure! They're Americans, aren't they? Anyway, they didn't seem too convinced, and we still had a hell of a long way to go to Kathmandu, so I told them the story of the last one I saw. It's still in town, you sure you're not going to see it? I don't want to spoil it for you."

  We convinced him he wouldn't.

  "Well, it's about this guy who falls in love with a gal he works with. But she's engaged to their boss, a real crook who is contracted to build the town's dam. The crook is building the dam with some kinda birdshit, it looked like, instead of cement, but while he was scamming that he fell into a mixer and was made part of the dam. So the guy and the gal get engaged, but she burns her face lighting a stove. She heals pretty good, but after that when he looks at her he sees through her to her skull and he can't handle it, so he breaks the engagement and she sings a lot, and she disguises herself by pulling her hair over that side of her face and pretending to be someone else. He meets her and doesn't recognize her and falls in love with her, and she reveals who she is and sings that he should fuck off. Heavy singing on all sides at that point, and he tries to win her back and she says no way, and all the time it's raining cats and dogs, and finally she forgives him
and they're all happy again, but the dam breaks right where the crook was weakening it and the whole town is swept away singing like crazy. But these two both manage to grab hold of a stupa sticking up out of the water, and then the floods recede and there they are hanging there together, and they live happily ever after. Great, man. A classic."

  "How'd the Secret Service like it?" I asked.

  "They didn't say. I guess they didn't like the ending."

  But I could tell, watching Nathan and Sarah grinning hand-in-hand across the table, that they liked the ending just fine.

  XIX

  Oh, one more thing: you must not tell ANYONE about this!!!

  Okay?

  Remaking History

  "The point is not to make an exact replica of the Teheran embassy compound." Exasperated, Ivan Venutshenko grabbed his hair in one hand and pulled up, which gave him a faintly Oriental look. "It's the spirit of the place that we want to invoke here."

  "This has the spirit of our storage warehouse, if you ask me."

  "This is our storage warehouse, John. We make all our movies here."

  "But I thought you said we were going to correct all the lies of the first movie," John Rand said to their director. "I thought you said Escape from Teheran was a dumb TV docudrama, only worth remembering because of De Niro's performance as Colonel Jackson. We're going to get the true story on film at last, you said."

  Ivan sighed. "That's right, John. Admirable memory. But what you must understand is that when making a film, true doesn't mean an absolute fidelity to the real."

  "I'll bet that's just what the director of the docudrama said."

  Ivan hissed, which he did often while directing their films, to show that he was letting off steam and avoiding an explosion. "Don't be obstructionist, John. We're not doing anything like that hackwork, and you know it. Lunar gravity alone makes it impossible for us to make a completely realist film. We are working in a world of dream, in a surrealist intensification of what really happened. Besides, we're doing these movies for our own entertainment up here! Remake bad historical films! Have a good time!"