Pilgrim at Tinker Creek

  I followed. It panted, skirmished briefly westward, and then, returning to the puddle, began its assault on the house. It struggled almost straight up the air next to the two-story brick wall, and then scaled the roof. Wasting no effort, it followed the roof’s own slope, from a distance of two inches. Puff, and it was out of sight. I wondered how many more hills and houses it would have to climb before it could rest. From the force of its will it would seem it could flutter through walls.

  Monarchs are “tough and powerful, as butterflies go.” They fly over Lake Superior without resting; in fact, observers there have discovered a curious thing. Instead of flying directly south, the monarchs crossing high over the water take an inexplicable turn towards the east. Then when they reach an invisible point, they all veer south again. Each successive swarm repeats this mysterious dogleg movement, year after year. Entomologists actually think that the butterflies might be “remembering” the position of a long-gone, looming glacier. In another book I read that geologists think that Lake Superior marks the site of the highest mountain that ever existed on this continent. I don’t know. I’d like to see it. Or I’d like to be it, to feel when to turn. At night on land migrating monarchs slumber on certain trees, hung in festoons with wings folded together, thick on the trees and shaggy as bearskin.

  Monarchs have always been assumed to taste terribly bitter, because of the acrid milkweed on which the caterpillars feed. You always run into monarchs and viceroys when you read about mimicry: viceroys look enough like monarchs that keen-eyed birds who have tasted monarchs once will avoid the viceroys as well. New studies indicate that milkweed-fed monarchs are not so much evil-tasting as literally nauseating, since milkweed contains “heart poisons similar to digitalis” that make the bird ill. Personally, I like an experiment performed by an entomologist with real spirit. He had heard all his life, as I have, that monarchs taste unforgettably bitter, so he tried some. “To conduct what was in fact a field experiment the doctor first went South, and he ate a number of monarchs in the field…. The monarch butterfly, Dr. Urquhart learned, has no more flavor than dried toast.” Dried toast? It was hard for me, throughout the monarch migration, in the middle of all that beauty and real splendor, to fight down the thought that what I was really seeing in the air was a vast and fluttering tea tray for shut-ins.

  It is easy to coax a dying or exhausted butterfly onto your finger. I saw a monarch walking across a gas station lot; it was walking south. I placed my index finger in its path, and it clambered aboard and let me lift it to my face. Its wings were faded but unmarked by hazard; a veneer of velvet caught the light and hinted at the frailest depth of lapped scales. It was a male; his legs clutching my finger were short and atrophied; they clasped my finger with a spread fragility, a fineness as of some low note of emotion or pure strain of spirit, scarcely perceived. And I knew that those feet were actually tasting me, sipping with sensitive organs the vapor of my finger’s skin: butterflies taste with their feet. All the time he held me, he opened and closed his glorious wings, senselessly, as if sighing.

  The closing of his wings fanned an almost imperceptible redolence at my face, and I leaned closer. I could barely scent a sweetness, I could almost name it…fireflies, sparklers—honeysuckle. He smelled like honeysuckle; I couldn’t believe it. I knew that many male butterflies exuded distinctive odors from special scent glands, but I thought that only laboratory instruments could detect those odors compounded of many, many butterflies. I had read a list of the improbable scents of butterflies: sandalwood, chocolate, heliotrope, sweet pea. Now this live creature here on my finger had an odor that even I could sense—this flap actually smelled, this chip that took its temperature from the air like any envelope or hammer, this programmed wisp of spread horn. And he smelled of honeysuckle. Why not caribou hoof or Labrador tea, tundra lichen or dwarf willow, the brine of Hudson’s Bay or the vapor of rivers milky with fine-ground glacial silt? This honeysuckle was an odor already only half-remembered, a breath of the summer past, the Lucas cliffs and overgrown fence by Tinker Creek, a drugged sweetness that had almost cloyed on those moisture-laden nights, now refined to a wary trickle in the air, a distillation pure and rare, scarcely known and mostly lost, and heading south.

  I walked him across the gas station lot and lowered him into a field. He took to the air, pulsing and gliding; he lighted on sassafras, and I lost him.

  For weeks I found paired monarch wings, bodiless, on the grass or on the road. I collected one such wing and freed it of its scales; first I rubbed it between my fingers, and then I stroked it gently with the tip of an infant’s silver spoon. What I had at the end of this delicate labor is lying here on this study desk: a kind of resilient scaffolding, like the webbing over a hot-air balloon, black veins stretching the merest something across the nothingness it plies. The integument itself is perfectly transparent; through it I can read the smallest print. It is as thin as the skin peeled from sunburn, and as tough as a parchment of flensed buffalo hide. The butterflies that were eaten here in the valley, leaving us their wings, were, however, few: most lived to follow the valley south.

  The migration lasted in full force for five days. For those five days I was inundated, drained. The air was alive and unwinding. Time itself was a scroll unraveled, curved and still quivering on a table or altar stone. The monarchs clattered in the air, burnished like throngs of pennies, here’s one, and more, and more. They flapped and floundered; they thrust, splitting the air like the keels of canoes, quickened and fleet. It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of hardwoods from here to Hudson’s Bay. It was as if the season’s color were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarchs had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.

  III

  Before the aurora borealis appears, the sensitive needles of compasses all over the world are restless for hours, agitating on their pins in airplanes and ships, trembling in desk drawers, in attics, in boxes on shelves.

  I had a curious dream last night that stirred me. I visited the house of my childhood, and the basement there was covered with a fine sifting of snow. I lifted a snow-covered rug and found underneath it a bound sheaf of ink drawings I had made when I was six. Next to the basement, but unattached to it, extended a prayer tunnel.

  The prayer tunnel was a tunnel fully enclosed by solid snow. It was cylindrical, and its diameter was the height of a man. Only an Eskimo, and then only very rarely, could survive in the prayer tunnel. There was, however, no exit or entrance; but I nevertheless understood that if I—if almost anyone—volunteered to enter it, death would follow after a long and bitter struggle. Inside the tunnel it was killingly cold, and a hollow wind like broadswords never ceased to blow. But there was little breathable air, and that soon gone. It was utterly without light, and from all eternity it snowed the same fine, unmelting, wind-hurled snow.

  I have been reading the apophthegmata, the sayings of fourth-and fifth-century Egyptian desert hermits. Abba Moses said to a disciple, “Go and sit in your cell, and your cell will teach you everything.”

  A few weeks before the monarch migration I visited Carvin’s Cove, a reservoir in a gap between Tinker and Brushy mountains, and there beside the forest path I saw, it occurs to me now, Abba Moses, in the form of an acorn. The acorn was screwing itself into the soil. From a raw split in its husk burst a long white root that plunged like an arrow into the earth. The acorn itself was loose, but the root was fixed: I thought if I could lift the acorn and stand, I would heave the world. Beside the root erupted a greening shoot,
and from the shoot spread two furred, serrated leaves, tiny leaves of chestnut oak, the size of two intricate grains of rice. That acorn was pressured, blown, driven down with force and up with furl, making at once a power dive to grit and grand jeté en l’air.

  Since then the killing frost has struck. If I got lost now on the mountains or in the valley, and acted foolishly, I would be dead of hypothermia and my brain wiped smooth as a plate long before the water in my flesh elongated to crystal slivers that would pierce and shatter the walls of my cells. The harvest is in, the granaries full. The broadleaf trees of the world’s forests have cast their various fruits: “Oak, a nut; Sycamore, achenes; California Laurel, a drupe; Maple, a samara; Locust, a legume; Pomegranate, a berry; Buckeye, a capsule; Apple, a pome.” Now the twin leaves of the seedling chestnut oak on the Carvin’s Cove path have dried, dropped, and blown; the acorn itself is shrunk and sere. But the sheath of the stem holds water and the white root still delicately sucks, porous and permeable, mute. The death of the self of which the great writers speak is no violent act. It is merely the joining of the great rock heart of the earth in its roll. It is merely the slow cessation of the will’s sprints and the intellect’s chatter: it is waiting like a hollow bell with stilled tongue. Fuge, tace, quiesce. The waiting itself is the thing.

  Last year I saw three migrating Canada geese flying low over the frozen duck pond where I stood. I heard a heart-stopping blast of speed before I saw them; I felt the flayed air slap at my face. They thundered across the pond, and back, and back again: I swear I have never seen such speed, such single-mindedness, such flailing of wings. They froze the duck pond as they flew; they rang the air; they disappeared. I think of this now, and my brain vibrates to the blurred bastinado of feathered bone. “Our God shall come,” it says in a psalm for Advent, “and shall not keep silence; there shall go before him a consuming fire, and a mighty tempest shall be stirred up round about him.” It is the shock I remember. Not only does something come if you wait, but it pours over you like a waterfall, like a tidal wave. You wait in all naturalness without expectation or hope, emptied, translucent, and that which comes rocks and topples you; it will shear, loose, launch, winnow, grind.

  I have glutted on richness and welcome hyssop. This distant silver November sky, these sere branches of trees, shed and bearing their pure and secret colors—this is the real world, not the world gilded and pearled. I stand under wiped skies directly, naked, without intercessors. Frost winds have lofted my body’s bones with all their restless sprints to an airborne raven’s glide. I am buoyed by a calm and effortless longing, an angled pitch of the will, like the set of the wings of the monarch which climbed a hill by falling still.

  There is the wave breast of thanksgiving—a catching God’s eye with the easy motions of praise—and a time for it. In ancient Israel’s rites for a voluntary offering of thanksgiving, the priest comes before the altar in clean linen, empty-handed. Into his hands is placed the breast of the slain unblemished ram of consecration: and he waves it as a wave offering before the Lord. The wind’s knife has done its work. Thanks be to God.

  15

  The Waters of Separation

  They will question thee concerning what they should expend. Say: “The abundance.”

  The Koran

  “Fair weather cometh out of the north: with God is terrible majesty.”

  Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready—for what?

  And today was fair, hot, even; I woke and my fingers were hot and dry to their own touch, like the skin of a stranger. I stood at the window, the bay window on which one summer a waxen-looking grasshopper had breathed puff puff, and thought, I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” said Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is that word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense. I wrenched myself from the window. I stepped outside.

  Here by the mock-orange hedge was a bee, a honeybee, sprung from its hive by the heat. Instantly I had a wonderful idea. I had recently read that ancient Romans thought that bees were killed by echoes. It seemed a far-fetched and pleasing notion, that a spoken word or falling rock given back by cliffs—that airy nothing which nevertheless bore and spread the uncomprehended impact of something—should stun these sturdy creatures right out of the air. I could put it to the test. It was as good an excuse for a walk as any; it might still the bell, even, or temper it true.

  I knew where I could find an echo; I’d have to take my chances on finding another December bee. I tied a sweater around my waist and headed for the quarry. The experiment didn’t pan out, exactly, but the trip led on to other excursions and vigils up and down the landscape of this brief year’s end day.

  It was hot; I never needed the sweater. A great tall cloud moved elegantly across an invisible walkway in the upper air, sliding on its flat foot like an enormous proud snail. I smelled silt on the wind, turkey, laundry, leaves…my God what a world. There is no accounting for one second of it. On the quarry path through the woods I saw again the discarded aquarium; now, almost a year later, still only one side of the aquarium’s glass was shattered. I could plant a terrarium here, I thought; I could transfer the two square feet of forest floor under the glass to above the glass, framing it, hiding a penny, and saying to passers-by look! look! here is two square feet of the world.

  I waited for an hour at the quarry, roving, my eyes filtering the air for flecks, until at last I discovered a bee. It was wandering listlessly among dried weeds on the stony bank where I had sat months ago and watched a mosquito pierce and suck a copperhead on a rock; beyond the bank, fingers of ice touched the green quarry pond in the shade of the sheared bare cliffs beyond. The setup was perfect. Hello! I tried tentatively: Hello! faltered the cliffs under the forest; and did the root tips quiver in the rock? But that is no way to kill a creature, saying hello. Goodbye! I shouted; Goodbye! came back, and the bee drifted unconcerned among the weeds.

  It could be, I reasoned, that ancient Roman naturalists knew this fact that has escaped us because it works only in Latin. My Latin is sketchy. Habeas corpus! I cried; Deus absconditus! Veni! And the rock cliff batted it back: Veni! and the bee droned on.

  That was that. It was almost noon; the tall cloud was gone. To West Virginia, where it snubbed on a high ridge, snared by trees, and sifted in shards over the side? I watched the bee as long as I could, catching it with my eyes and losing it, until it rose suddenly in the air like a lost balloon and vanished into the forest. I stood alone. I still seemed to hear the unaccustomed sound of my own voice honed to a quaver by rock, thrown back down my throat and cast dying around me, lorn: could that have been heard at Hollins Pond, or behind me, across the creek, up the hill the starlings fly over? Was anybody there to hear? I felt again the bell resounding faint under my ribs. I’m coming, when I can. I quit the quarry, my spurt of exuberance drained, my spirit edgy and taut.

  The quarry path parallels Tinker Creek far upstream from my house, and when the woods broke into clearing and pasture, I followed the creek banks down. When I drew near the tear-shaped island, which I had never before approached from this side of the creek, a fence barred my way, a feeble wire horse fence that wobbled across the creek and served me as a sagging bridge to the island. I stood, panting, breathing the frail scent of fresh water and feeling th
e sun heat my hair.

  The December grass on the island was blanched and sere, pale against the dusty boles of sycamores, noisy underfoot. Behind me, the way I had come, rose the pasture belonging to Twilight, a horse of a perpetually different color whose name was originally Midnight, and who one spring startled the neighborhood by becoming brown. Far before me Tinker Mountain glinted and pitched in the sunlight. The Lucas orchard spanned the middle distance, its wan peach limbs swept and poised just so, row upon row, like a stageful of thin innocent dancers who will never be asked to perform; below the orchard rolled the steers’ pasture yielding to floodplain fields and finally the sycamore log bridge to the island where in horror I had watched a green frog sucked to a skin and sunk. A fugitive, empty sky vaulted overhead, apparently receding from me the harder I searched its dome for a measure of distance.

  Downstream at the island’s tip where the giant water bug clasped and ate the living frog, I sat and sucked at my own dry knuckles. It was the way that frog’s eyes crumpled. His mouth was a gash of terror; the shining skin of his breast and shoulder shivered once and sagged, reduced to an empty purse; but oh those two snuffed eyes! They crinkled, the comprehension poured out of them as if sense and life had been a mere incidental addition to the idea of eyes, a filling like any jam in a jar that is soon and easily emptied; they flattened, lightless, opaque, and sank. Did the giant water bug have the frog by the back parts, or by the hollow of the thigh? Would I eat a frog’s leg if offered? Yes.

  In addition to the wave breast of thanksgiving, in which the wave breast is waved before the Lord, there is another voluntary offering performed at the same time. In addition to the wave breast of thanksgiving, there is the heave shoulder. The wave breast is waved before the altar of the Lord; the heave shoulder is heaved. What I want to know is this: Does the priest heave it at the Lord? Does he throw the shoulder of the ram of consecration—a ram that, before the priest slayed and chunked it, had been perfect and whole, not “Blind, or broken, or maimed, or having a wen, or scurvy, or scabbed…bruised, or crushed, or broken, or cut”—does he hurl it across the tabernacle, between the bloodied horns of the altar, at God? Now look what you made me do. And then he eats it. This heave is a violent, desperate way of catching God’s eye. It is not inappropriate. We are people; we are permitted to have dealings with the creator and we must speak up for the creation. God look at what you’ve done to this creature, look at the sorrow, the cruelty, the long damned waste! Can it possibly, ludicrously be for this that on this unconscious planet with my innocent kind I play softball all spring, to develop my throwing arm? How high, how far, could I heave a little shred of frog shoulder at the Lord? How high, how far, how long until I die? I fingered the winter killed grass, looping it round the tip of my finger like hair, ruffling its tips with my palms. Another year has twined away, unrolled and dropped across nowhere like a flung banner painted in gibberish. “The last act is bloody, however brave be all the rest of the play; at the end they throw a little earth upon your head, and it’s all over forever.” Somewhere, everywhere, there is a gap, like the shuddering chasm of Shadow Creek which gapes open at my feet, like a sudden split in the window or hull of a high-altitude jet, into which things slip, or are blown, out of sight, vanished in a rush, blasted, gone, and can no more be found. For the living there is rending loss at each opening of the eye, each augenblick, as a muskrat dives, a heron takes alarm, a leaf floats spinning away. There is death in the pot for the living’s food, fly-blown meat, muddy salt, and plucked herbs bitter as squill. If you can get it. How many people have prayed for their daily bread and famished? They die their daily death as utterly as did the frog, people, played with, dabbled upon, when God knows they loved their life. In a winter famine, desperate Algonquian Indians “ate broth made of smoke, snow, and buckskin, and the rash of pellagra appeared like tattooed flowers on their emaciated bodies—the roses of starvation, in a French physician’s description; and those who starved died covered with roses.” Is this beauty, these gratuitous roses, or a mere display of force?