Theatre

  She rang Michael up and made an appointment with him at the theatre. Michael liked Dolly as little as she liked him, though for other reasons, and when he heard that she wanted to see him he swore. He was annoyed that he had never been able to induce her to sell out her shares in the management, and he resented whatever suggestions she made as an unwarrantable interference. But when she was shown into his office he greeted her with cordiality. He kissed her on both cheeks.

  'Sit down and make yourself comfy. Come to see that the old firm's still raking in dividends for you?'

  Dolly de Vries was now a woman of sixty. She was very fat, and her face, with its large nose and heavy red lips, seemed larger than life. There was a slightly masculine touch in her black satin dress, but she wore a double string of pearls round her neck, a diamond brooch at her waist and another in her hat. Her short hair was dyed a rich copper. Her lips and her fingernails were bright red. Her voice was loud and deep, but when she got excited the words were apt to tumble over one another and a slight cockney accent revealed itself.

  'Michael, I'm upset about Julia.'

  Michael, always the perfect gentleman, slightly raised his eyebrows and compressed his thin lips. He was not prepared to discuss his wife even with Dolly.

  'I think she's doing a great deal too much. I don't know what's come over her. All these parties she's going to now. These night clubs and things. After all, she's not a young woman any more; she'll just wear herself out.'

  'Oh, nonsense. She's as strong as a horse and she's in the best of health. She's looking younger than she has for years. You're not going to grudge her a bit of fun when her day's work is over. The part she's playing just now doesn't take it out of her; I'm very glad that she should want to go out and amuse herself. It only shows how much vitality she has.'

  'She never cared for that sort of thing before. It seems so strange that she should suddenly take to dancing till two in the morning in the horrible atmosphere of those places.'

  'It's the only exercise she gets. I can't expect her to put on shorts and come for a run with me in the park.'

  'I think you ought to know that people are beginning to talk. It's doing her reputation a lot of harm.'

  'What the devil d'you mean by that?'

  'Well, it's absurd that at her age she should make herself so conspicuous with a young boy.'

  He looked at her for a moment without understanding, and when he caught what she meant he laughed loud.

  'Tom? Don't be such a fool, Dolly.'

  'I'm not a fool. I know what I'm talking about. When anyone's as well known as Julia and she's always about with the same man naturally people talk.'

  'But Tom's just as much my friend as hers. You know very well that I can't take Julia out dancing. I have to get up every morning at eight to get my exercise in before my day's work. Hang it all, I do know something about human nature after thirty years on the stage. Tom's a very good type of clean honest English boy and he's by way of being a gentleman. I daresay he admires Julia, boys of that age often think they're in love with women older than themselves, well, it won't do him any harm, it'll do him good; but to think Julia could possibly give him a thought – my poor Dolly, you make me laugh.'

  'He's boring, he's dull, he's common and he's a snob.'

  'Well, if you think he's all that doesn't it strike you as rather strange that Julia should be so wrapped up in him as you seem to think?'

  'Only a woman knows what a woman can do.'

  'That's not a bad line, Dolly. We shall have you writing a play next. Now let's get this straight. Can you look me in the face and tell me that you really think Julia is having an affair with Tom?'

  She looked him in the face. Her eyes were anguished. For though at first she had only laughed at what was being said about Julia she had not been able altogether to suppress the doubts that soon assailed her; she remembered a dozen little incidents that at the time had escaped her notice, but when considered in cold blood looked terribly suspicious. She had suffered such torture as she had never thought it possible to endure. Proof? She had no proof; she only had an intuition that she could not mistrust; she wanted to say yes, the impulse to do so was almost uncontrollable; she controlled it. She could not give Julia away. The fool might go and tell her and Julia would never speak to her again. He might have Julia watched and catch her out. No one could tell what might happen if she told the truth.

  'No, I don't.'

  Her eyes filled with tears and began to roll down her massive cheeks. Michael saw her misery. He thought her ridiculous, but he realized that she was suffering and in the kindness of his heart sought to console her.

  'I was sure you didn't really. You know how fond Julia is of you, you mustn't be jealous, you know, if she has other friends.'

  'God knows I don't grudge her anything,' she sobbed. 'She's been so different to me lately. She's been so cold. I've been such a loyal friend to her, Michael.'

  'Yes, dear, I know you have.'

  'Had I but served my God with half the zeal I served my King ...'

  'Oh, come now, it's not so bad as that. You know, I'm not the sort of chap to talk about his wife to other people. I always think that's such frightfully bad form. But you know, honestly you don't know the first thing about Julia. Sex doesn't mean a thing to her. When we were first married it was different, and I don't mind telling you after all these years that she made life a bit difficult for me. I don't say she was a nymphomaniac or anything like that, but she was inclined to be rather tiresome sometimes. Bed's all very well in its way, but there are other things in life. But after Roger was born she changed completely. Having a baby settled her. All those instincts went into her acting. You've read Freud, Dolly; what does he call it when that happens?'

  'Oh, Michael, what do I care about Freud?'

  'Sublimation. That's it. I often think that's what's made her such a great actress. Acting's a whole time job and if you want to be really good you've got to give your whole self to it. I'm so impatient with the public who think actors and actresses lead a devil of a life. We haven't got the time for that sort of nonsense.'

  What Michael was saying made her so angry that she recovered her self-control.

  'But Michael, it may be that you and I know that there's nothing wrong in Julia's going about all the time with that miserable little pip-squeak. It's so bad for her reputation. After all, one of your great assets has been your exemplary married life. Everyone has looked up to you. The public has loved to think of you as such a devoted and united couple.'

  'And so we are, damn it.'

  Dolly was growing impatient.

  'But I tell you people are talking. You can't be so stupid as not to see that they're bound to. I mean, if Julia had had one flagrant affair after another, nobody would take any notice, but after the life she's led for so many years suddenly to break out like this – naturally everybody starts chattering. It's so bad for business.'

  Michael gave her a swift glance. He smiled a little.

  'I see what you mean, Dolly. I daresay there's something in what you say and in the circumstances I feel that you have a perfect right to say it. You were awfully good to us when we started and I should hate to see you let down now. I'll tell you what, I'll buy you out.'

  'Buy me out?'

  Dolly straightened herself and her face, a moment ago rumpled and discomposed, hardened. She was seized with indignation. He went on suavely.

  'I see your point. If Julia's gadding about all night it must tell on her performances. That's obvious. She's got a funny sort of public, a lot of old ladies come to our matinées because they think she's such a sweet good woman. I don't mind admitting that if she gets herself unpleasantly talked about it might have some effect on the takings. I know Julia well enough to know that she wouldn't put up with any interference with her liberty of action. I'm her husband and I've got to put up with it. But you're in a different position altogether. I shouldn't blame you if you wanted to get out while the going was good.' br />
  Dolly was alert now. She was far from a fool and when it came to business was a match for Michael. She was angry, but her anger gave her self-control.

  'I should have thought after all these years, Michael, that you knew me better than that. I thought it my duty to warn you, but I'm prepared to take the rough with the smooth. I'm not the woman to desert a sinking ship. I daresay I can afford to lose my money better than you can.'

  It gave her a great deal of satisfaction to see the disappointment that was clearly expressed on Michael's face. She knew how much money meant to him and she had a hope that what she had said would rankle. He pulled himself together quickly.

  'Well, think it over, Dolly.'

  She gathered up her bag and they parted with mutual expressions of affection and good will.

  'Silly old bitch,' he said when the door was closed behind her.

  'Pompous old ass,' she hissed as she went down in the lift.

  But when she got into her magnificent and very expensive car and drove back to Montagu Square she could not hold back the heavy, painful tears that filled her eyes. She felt old, lonely, unhappy, and desperately jealous.

  17

  Michael flattered himself on his sense of humour. On the Sunday evening that followed his conversation with Dolly he strolled into Julia's room while she was dressing. They were going to the pictures after an early dinner.

  'Who's coming to-night besides Charles?' he asked her.

  'I couldn't find another woman. I've asked Tom.'

  'Good! I wanted to see him.'

  He chuckled at the thought of the joke he had up his sleeve. Julia was looking forward to the evening. At the cinema she would arrange the seating so that Tom sat next to her and he would hold her hand while she chatted in undertones to Charles on the other side of her. Dear Charles, it was nice of him to have loved her so long and so devotedly; she would go out of her way to be very sweet to him. Charles and Tom arrived together. Tom was wearing his new dinner jacket for the first time and he and Julia exchanged a little private glance, of satisfaction on his part and of compliment on hers.

  'Well, young feller,' said Michael heartily, rubbing his hands, 'do you know what I hear about you? I hear that you're compromising my wife.'

  Tom gave him a startled look and went scarlet. The habit of flushing mortified him horribly, but he could not break himself of it.

  'Oh my dear,' cried Julia gaily, 'how marvellous! I've been trying to get someone to compromise me all my life. Who told you, Michael?'

  'A little bird,' he said archly.

  'Well, Tom, if Michael divorces me you'll have to marry me, you know.'

  Charles smiled with his gentle, rather melancholy eyes.

  'What have you been doing, Tom?' he asked.

  Charles was gravely, Michael boisterously, diverted by the young man's obvious embarrassment. Julia, though she seemed to share their amusement, was alert and watchful.

  'Well, it appears that the young rip has been taking Julia to night clubs when she ought to have been in bed and asleep.'

  Julia crowed with delight.

  'Shall we deny it, Tom, or shall we brazen it out?'

  'Well, I'll tell you what I said to the little bird,' Michael broke in. 'I said to her, as long as Julia doesn't want me to go to night clubs with her ...'

  Julia ceased to listen to what he said. Dolly, she thought, and oddly enough she described her to herself in exactly the words Michael had used a couple of days before. Dinner was announced and their bright talk turned to other things. But though Julia took part in it with gaiety, though she appeared to be giving her guests all her attention and even listened with a show of appreciation to one of Michael's theatrical stories that she had heard twenty times before, she was privately holding an animated conversation with Dolly. Dolly cowered before her while she told her exactly what she thought of her.

  'You old cow,' she said to her. 'How dare you interfere with my private concerns? No, don't speak. Don't try to excuse yourself. I know exactly what you said to Michael. It was unpardonable. I thought you were a friend of mine. I thought I could rely on you. Well, that finishes it. I'll never speak to you again. Never. Never. D'you think I'm impressed by your rotten old money? Oh, it's no good saying you didn't mean it. Where would you be except for me, I should like to know. Any distinction you've got, the only importance you have in the world, is that you happen to know me. Who's made your parties go all these years? D'you think that people came to them to see you? They came to see me. Never again. Never.'

  It was in point of fact a monologue rather than a conversation.

  Later on, at the cinema, she sat next to Tom as she had intended and held his hand, but it seemed to her singularly unresponsive. Like a fish's fin. She suspected that he was thinking uncomfortably of what Michael had said. She wished that she had had an opportunity of a few words with him so that she might have told him not to worry. After all no one could have carried off the incident with more brilliance than she had. Aplomb; that was the word. She wondered what it was exactly that Dolly had told Michael. She had better find out. It would not do to ask Michael, that would look as though she attached importance to it; she must find out from Dolly herself. It would be much wiser not to have a row with her. Julia smiled as she thought of the scene she would have with Dolly. She would be sweetness itself, she would wheedle it all out of her, and never give her an inkling that she was angry. It was curious that it should send a cold shiver down her back to think that people were talking about her. After all if she couldn't do what she liked who could? Her private life was nobody's business. All the same one couldn't deny that it wouldn't be very nice if people were laughing at her. She wondered what Michael would do if he found out the truth. He couldn't very well divorce her and continue to manage for her. If he had any sense he'd shut his eyes. But Michael was funny in some ways; every now and then he would get up on his hind legs and start doing his colonel stuff. He was quite capable of saying all of a sudden that damn it all, he must behave like a gentleman. Men were such fools; there wasn't one of them who wouldn't cut off his nose to spite his face. Of course it wouldn't really matter very much to her. She could go and act in America for a year till the scandal had died down and then go into management with somebody else. But it would be a bore. And then there was Roger to consider; he'd feel it, poor lamb; he'd be humiliated, naturally; it was no good shutting one's eyes to the fact, at her age she'd look a perfect fool being divorced on account of a boy of three-and-twenty. Of course she wouldn't be such a fool as to marry Tom. Would Charles marry her? She turned and in the half-light looked at his distinguished profile. He had been madly in love with her for years; he was one of those chivalrous idiots that a woman could turn round her little finger; perhaps he wouldn't mind being co-respondent instead of Tom. That might be a very good way out. Lady Charles Tamerley. It sounded all right. Perhaps she had been a little imprudent. She had always been very careful when she went to Tom's flat, but it might be that one of the chauffeurs in the mews had seen her go in or come out and had thought things. That class of people had such filthy minds. As far as the night clubs were concerned, she'd have been only too glad to go with Tom to quiet little places where no one would see them, but he didn't like that. He loved a crowd, he wanted to see smart people, and be seen. He liked to show her off. 'Damn,' she said to herself.

  'Damn, damn.'

  Julia didn't enjoy her evening at the cinema as much as she had expected.

  18

  Next day Julia got Dolly on her private number.

  'Darling, it seems ages since I've seen you. What have you been doing with yourself all this time?'

  'Nothing very much.'

  Dolly's voice sounded cold.

  'Now listen, Roger's coming home to-morrow. You know he's leaving Eton for good. I'm sending the car for him early and I want you to come to lunch. Not a party; only you and me, Michael and Roger.'

  'I'm lunching out to-morrow.'

  In twenty years
Dolly had never been engaged when Julia wanted her to do something with her. The voice at the other end of the telephone was hostile.

  'Dolly, how can you be so unkind? Roger'll be terribly disappointed. His first day at home; besides, I want to see you. I haven't seen you for ages and I miss you terribly. Can't you break your engagement, just for this once, darling, and we'll have a good old gossip after lunch, just you and me?'

  No one could be more persuasive than Julia when she liked, no one could put more tenderness into her voice, nor a more irresistible appeal. There was a moment's pause and Julia knew that Dolly was struggling with her wounded feelings.

  'All right, darling, I'll manage.'

  'Darling.' But when she rang off Julia through clenched teeth muttered: 'The old cow.'

  Dolly came. Roger listened politely while she told him that he had grown and with his grave smile answered her suitably when she said the sort of things she thought proper to a boy of his age. Julia was puzzled by him. Without talking much he listened, apparently with attention, to what the rest of them were saying, but she had an odd feeling that he was occupied with thoughts of his own. He seemed to observe them with a detached curiosity like that with which he might have observed animals in a zoo. It was faintly disquieting. When the opportunity presented itself she delivered the little bit of dialogue she had prepared for Dolly's benefit.

  'Oh, Roger darling, you know your wretched father's busy to-night. I've got a couple of seats for the second house at the Palladium and Tom wants you to dine with him at the Cafe Royal.'

  'Oh!' He paused for a second. 'All right.'

  She turned to Dolly.

  'It's so nice for Roger to have somebody like Tom to go about with. They're great friends, you know.'