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    Fingerprints of the Gods

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      same Egyptologists who readily ascribed immense importance to Vyse’s

      20 The Pyramids of Egypt, p. 211-12; The Great Pyramid: Your Personal Guide, p. 71.

      21 Pyramids of Egypt, pp. 96.

      22 Secrets of the Great Pyramid, p. 35-6.

      23 Zecharia Sitchin, The Stairway To Heaven, Avon Books, New York, 1983, pp. 253-82.

      24 Ibid.

      293

      Graham Hancock – FINGERPRINTS OF THE GODS

      quarry marks were quick to downplay the significance of these other,

      contradictory, hieroglyphs, which appeared on a rectangular limestone

      stela which now stood in the Cairo Museum.25

      The Inventory Stela, as it was called, had been discovered at Giza in the

      nineteenth century by the French archaeologist Auguste Mariette. It was

      something of a bombshell because its text clearly indicated that both the

      Great Sphinx and the Great Pyramid (as well as several other structures

      on the plateau) were already in existence long before Khufu came to the

      throne. The inscription also referred to Isis as the ‘Mistress of the

      Pyramid’, implying that the monument had been dedicated to the

      goddess of magic and not to Khufu at all. Finally, there was a strong

      suggestion that Khufu’s pyramid might have been one of the three

      subsidiary structures alongside the Great Pyramid’s eastern flank.26

      All this looked like damaging evidence against the orthodox chronology

      of Ancient Egypt. It also challenged the consensus view that the Giza

      pyramids had been built as tombs and only as only. However, rather than

      investigating the anachronistic statements in the Inventory Stela,

      Egyptologists chose to devalue them. In the words of the influential

      American scholar James Henry Breasted, ‘These references would be of

      the highest importance if the stela were contemporaneous with Khufu;

      but the orthographic evidences of its late date are entirely conclusive ...’27

      Breasted meant that the nature of the hieroglyphic writing system used

      in he inscription was not consistent with that used in the Fourth Dynasty

      but belonged to a more recent epoch: All Egyptologists concurred with

      this analysis and the final judgement, still accepted today, was that the

      stela had been carved in the Twenty-First Dynasty, about 1500 years after

      Khufu’s reign, and was therefore to be regarded as a work of historical

      fiction.28

      Thus, citing orthographic evidence, an entire academic discipline found

      reason to ignore the boat-rocking implications of the Inventory Stela and

      at no time gave proper consideration to the possibility that it could have

      been based upon a genuine Fourth Dynasty inscription (just as the New

      English Bible, for example, is based on a much older original). Exactly the

      same scholars, however, had accepted the authenticity of a set of dubious

      ‘quarry marks’ without demur, turning a blind eye to their orthographic

      and other peculiarities.

      Why the double standard? Could it have been because the information

      contained in the ‘quarry marks’ conformed strictly to orthodox opinion

      that the Great Pyramid had been built as a tomb for Khufu? whereas the

      25 James Henry Breasted, Ancient Records of Egypt: Historical Documents from the

      Earliest Times to the Persian Conquest, reprinted by Histories and Mysteries of Man Ltd.,

      London, 1988, pp. 83-5.

      26 Ibid., p. 85.

      27 Ibid., p. 84.

      28 Ibid., and Travellers Key to Ancient Egypt, p. 139.

      294

      Graham Hancock – FINGERPRINTS OF THE GODS

      information in the Inventory Stela contradicted that opinion?

      Overview

      By seven in the morning Santha and I had walked far out into the desert

      to the south-west of the Giza pyramids and had made ourselves

      comfortable in the lee of a huge dune that offered an unobstructed

      panorama over the entire site.

      The date, 16 March, was just a few days away from the Spring Equinox,

      one of the two occasions in the year when the sun rose precisely due east

      of wherever you stood in the world. Ticking out the days like the pointer

      of a giant metronome, it had bisected the horizon this morning at a point

      a hair’s breadth south of due east and had already climbed high enough

      to shrug off the Nile mists which clung like a shroud to much of the city

      of Cairo.

      Khufu, Khafre, Menkaure ... Cheops, Chephren, Mycerinus. Whether you

      called them by their Egyptian or their Greek names, there was no doubt

      that the three famous pharaohs of the Fourth Dynasty had been

      commemorated by the most splendid, the most honourable, the most

      beautiful and the most enormous monuments ever seen anywhere in the

      world. Moreover, it was clear that these pharaohs must indeed have been

      closely associated with the monuments, not only because of the folklore

      passed on by Herodotus (which surely had some basis in fact) but

      because inscriptions and references to Khufu, Khafre and Menkaure had

      been found in moderate quantities, outside the three major pyramids, at

      several different parts of the Giza necropolis. Such finds had been made

      consistently in and around the six subsidiary pyramids, three of which lay

      to the east of the Great Pyramid and the other three to the south of the

      Menkaure Pyramid.

      Since much of this external evidence was ambiguous and uncertain, I

      found it difficult to understand why the Egyptologists were happy to go

      on citing it as confirmation of the ‘tombs and tombs only’ theory.

      The problem was that this same evidence was capable of supporting—

      as equally valid—a number of different and mutually contradictory

      interpretations. To give just one example, the ‘close association’

      observed between the three great pyramids and the three Fourth Dynasty

      pharaohs could indeed have come about because these pharaohs had

      built the pyramids as their tombs. But it could also have come about if

      the gigantic monuments of the Giza plateau had been standing long

      before the dawn of the historical civilization known as Dynastic Egypt. In

      that case, it was only necessary to assume that in due course Khufu,

      Khafre and Menkaure had come along and built a number of the

      subsidiary structures around the three older pyramids—something that

      they would have had every reason to do because in this way they could

      have appropriated the high prestige of the original anonymous

      295

      Graham Hancock – FINGERPRINTS OF THE GODS

      monuments (and would, almost certainly, be viewed by posterity as their

      builders).

      There were other possibilities too. The point was, however, that the

      evidence for exactly who had built which great pyramid, when and for

      what purpose was far too thin on the ground to justify the dogmatism of

      the orthodox ‘tombs and tombs only’ theory. In all honesty, it was not

      clear who built the pyramids. It was not clear in what epoch they had

      been built. And it was not at all clear what their function had been.

      For all these reasons they were surrounded by a wonderful,

      impenetrable air of mystery and as I gazed down at them out of the

      desert they seemed to march towards me across the dunes ...
    />
      296

      Graham Hancock – FINGERPRINTS OF THE GODS

      Chapter 36

      Anomalies

      Viewed from our vantage point in the desert south west of the Giza

      necropolis, the site plan of the three great pyramids seemed majestic but

      bizarre.

      Menkaure’s pyramid was closest to us, with Khafre’s and Khufu’s

      monuments behind it to the north-east. These two were situated along a

      near perfect diagonal—a straight line connecting the south-western and

      north-eastern corners of the pyramid of Khafre would, if extended to the

      north-east, also pass through the south-western and north-eastern

      corners of the Great Pyramid. This, presumably, was not an accident.

      From where we sat, however, it was easy to see that if the same

      imaginary straight line was extended to the south-west it would

      completely miss the Third Pyramid, the entire body of which was offset to

      the east of the principal diagonal.

      Egyptologists refused to recognize any anomaly in this. Why should

      they? As far as they were concerned there was no site plan at Giza. The

      pyramids were tombs and tombs only, built for three different pharaohs

      over a period of about seventy-five years.1 It made sense to assume that

      each ruler would have sought to express his own personality and

      idiosyncrasies through his monument, and this was probably why

      Menkaure had ‘stepped out of line’.

      The Egyptologists were wrong. Though I was unaware of it that March

      morning in 1993, a breakthrough had been made proving beyond doubt

      that the necropolis did have an overall site plan, which dictated the exact

      positioning of the three pyramids not only in relation to one another but

      in relation to the River Nile a few kilometres east of the Giza plateau. With

      eerie fidelity, this immense and ambitious layout modelled a celestial

      phenomenon2—which was perhaps why Egyptologists (who pride

      themselves on looking exclusively at the ground beneath their feet) had

      failed to spot it. On a truly giant scale, as we see in later chapters, it also

      reflected the same obsessive concern with orientations and dimensions

      demonstrated in each of the monuments.

      A singular oppression ...

      Giza, Egypt, 16 March 1993, 8 a.m.

      At a little over 200 feet tall (and with a side length at the base of 356

      1 Atlas of Ancient Egypt, p. 36.

      2 The Orion Mystery.

      297

      Graham Hancock – FINGERPRINTS OF THE GODS

      feet) the Third Pyramid was less than half the height and well under half

      the mass of the Great Pyramid. Nevertheless, it possessed a stunning and

      imposing majesty of its own. As we stepped out of the desert sunlight

      and into its huge geometrical shadow, I remembered what the Iraqi writer

      Abdul Latif had said about it when he had visited it in the twelfth century:

      ‘It appears small compared with the other two; but viewed at a short

      distance and to the exclusion of these, it excites in the imagination a

      singular oppression and cannot be contemplated without painfully

      affecting the sight ...’3

      The lower sixteen courses of the monument were still cased, as they

      had been since the beginning, with facing blocks quarried out of red

      granite (‘so extremely hard’, in Abdul Latif s words, ‘that iron takes a

      long time, with difficulty, to make an impression on it’).4 Some of the

      blocks were very large; they were also closely and cunningly fitted

      together in a complex interlocking jigsaw-puzzle pattern strongly

      reminiscent of the cyclopean masonry at Cuzco, Machu Picchu and other

      locations in far-off Peru.

      As was normal, the entrance to the Third Pyramid was situated in its

      northern face well above the ground. From here, at an angle of 26° 2’, a

      descending corridor lanced arrow-straight down into the darkness.5

      Oriented exactly north to south, this corridor was rectangular in section

      and so cramped that we had to bend almost double to fit into it. Where it

      passed through the masonry of the monument its ceiling and walls

      consisted of well-fitted granite blocks. More surprisingly, these continued

      for some distance below ground level.

      At about seventy feet from the entrance, the corridor levelled off and

      opened out into a passageway where we could stand up. This led into a

      small ante-chamber with carved panelling and grooves cut into its walls,

      apparently to take portcullis slabs. Reaching the end of the chamber, we

      had to crouch again to enter another corridor. Bent double, we proceeded

      south for about forty feet before reaching the first of the three main

      burial chambers—if burial chambers they were.

      These sombre, soundless rooms were all hewn out of solid bedrock.

      The one that we stood in was rectangular in plan and oriented east to

      west. Measuring about 30 feet long x 15 wide x 15 high, it had a flat

      ceiling and a complex internal structure with a large, irregular hole in its

      western wall leading into a dark, cave-like space beyond. There was also

      an opening near the centre of the floor which gave access to a ramp,

      sloping westwards, leading down to even deeper levels. We descended

      the ramp. It terminated in a short, horizontal passage to the right of

      which, entered through a narrow doorway, lay a small empty chamber,

      Six cells, like the sleeping quarters of medieval monks, had been hewn

      3 Abdul Latif, The Eastern Key, cited in Traveller’s Key to Ancient Egypt, p. 126.

      4 Ibid.

      5 Blue Guide: Egypt, A & C Black, London, 1988, p. 433.

      298

      Graham Hancock – FINGERPRINTS OF THE GODS

      out of its walls: four on the eastern side and two to the north. These were

      presumed by Egyptologists to have functioned as ‘magazines ... for

      storing objects which the dead king wished to have close to his body.’6

      Coming out of this chamber, we turned right again, back into the

      horizontal passage. At its end lay another empty chamber,7 the design of

      which is unique among the pyramids of Egypt. Some twelve feet long by

      eight wide, and oriented north to south, its walls and extensively broken

      and damaged floor were fashioned out of a peculiarly dense, chocolatecoloured granite which seemed to absorb light and sound waves. Its

      ceiling consisted of eighteen huge slabs of the same material, nine on

      each side, laid in facing gables. Because they had had been hollowed

      from below to form a markedly concave surface, the effect of these great

      monoliths was of a perfect barrel vault, much as one might expect to find

      in the crypt of a Romanesque cathedral.

      Retracing our steps, we left the lower chambers and walked back up the

      ramp to the large, flat-roofed, rock-hewn room above. Passing through

      the ragged aperture in its western wall, we found ourselves looking

      directly at the upper sides of the eighteen slabs which formed the ceiling

      of the chamber below. From this perspective their true form as a pointed

      gable was immediately apparent. What was less clear was how they had

      been brought in here in the first place, let alone laid so perfectly in

      position. Each one must have weighed many tons, heavy enough to have

    &nbsp
    ; made them extremely difficult to handle under any circumstances. And

      these were no ordinary circumstances. As though they had set out

      deliberately to make things more complicated for themselves (or perhaps

      because they found such tasks simple?) the pyramid builders had

      disdained to provide an adequate working area between the slabs and the

      bedrock above them. By crawling into the cavity, I was able to establish

      that the clearance varied from approximately two feet at the southern end

      to just a few inches at the northern end. In such a restricted space there

      was no possibility that the monoliths could have been lowered into

      position. Logically, therefore, they must have been raised from the

      chamber floor, but how had that been done? The chamber was so small

      that only a few men could have worked inside it at any one time—too few

      to have had the muscle-power to lift the slabs by brute force. Pulleys were

      not supposed to have existed in the Pyramid Age8 (even if they had, there

      would have been insufficient room to set up block-and-tackle). Had some

      unknown system of levers been used? Or might there be more substance

      than scholars realized to the Ancient Egyptian legends that spoke of huge

      6 The Pyramids of Egypt, p. 127.

      7 It was in this chamber that Vyse found the intrusive burial (of bones and a wooden

      coffin lid) referred to in Chapter Thirty-Five. The basalt coffin where he also found (later

      lost at sea) is believed to have been part of the same intrusive burial and to have not

      been older than the Twenty-sixth Dynasty. See, for example, Blue Guide, Egypt, p. 433.

      8 The Pyramids of Egypt, p. 220.

      299

      Graham Hancock – FINGERPRINTS OF THE GODS

      stones being effortlessly levitated by priests or magicians through the

      utterance of ‘words of power’?9

      Not for the first time when confronted by the mysteries of the pyramids

      I knew that I was looking at an impossible engineering feat which had

      nevertheless been carried out to astonishingly high and precise

      standards. Moreover, if Egyptologists were to be believed, the

      construction work had supposedly been undertaken at the dawn of

      human civilization by a people who had not accumulated any experience

      of massive construction projects.

      This was, of course, a startling cultural paradox, and one for to which

      no adequate explanation had ever been offered by an orthodox academic.

     
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