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    Fingerprints of the Gods

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      technically advanced race.

      Not for the first time I was reminded of how difficult archaeologists

      found it to provide accurate dates for engineering works like roads and

      drystone walls which contained no organic compounds. Radiocarbon was

      redundant in such circumstances; thermo-luminescence, too, was useless.

      19 Royal Commentaries of the Incas, p. 233.

      20 Ibid., p. 237.

      58

      Graham Hancock – FINGERPRINTS OF THE GODS

      And while promising new tests such as Chlorine-36 rock-exposure dating

      were now being developed their implementation was still some way off.

      Pending further advances in the latter field, therefore, ‘expert’

      chronology was still largely the result of guesswork and subjective

      assumptions. Since it was known that the Incas had made intensive use of

      Sacsayhuaman I could easily understand why it had been assumed that

      they had built it. But there was no obvious or necessary connection

      between these two propositions. The Incas could just as well have found

      the structures already in place and moved into them.

      If so, who had the original builders been?

      The Viracochas, said the ancient myths, the bearded, white-skinned

      strangers, the ‘shining ones’, the ‘faithful soldiers.’

      As we travelled I continued to study the accounts of the Spanish

      adventurers and ethnographers of the sixteenth and seventeenth

      centuries who had faithfully recorded the ancient, pre-contact traditions

      of the Peruvian Indians. What was particularly noticeable about these

      traditions was the repeated emphasis that the coming of the Viracochas

      had been associated with a terrible deluge which had overwhelmed the

      earth and destroyed the greater part of humanity.

      59

      Graham Hancock – FINGERPRINTS OF THE GODS

      Chapter 7

      Were There Giants Then?

      Just after six in the morning the little train jerked into motion and began

      its slow climb up the steep sides of the valley of Cuzco. The narrowgauge tracks were laid out in a series of Z shapes. We chugged along the

      lower horizontal of the first Z, then shunted and went backwards up the

      oblique, shunted again and went forward along the upper horizontal—

      and so on, with numerous stops and starts, following a route that

      eventually took us high above the ancient city. The Inca walls and colonial

      palaces, the narrow streets, the cathedral of Santo Domingo squatting

      atop the ruins of Viracocha’s temple, all looked spectral and surreal in

      the pearl-grey light of a dawn sky. A fairy pattern of electric lamps still

      decorated the streets, a thin mist seeped across the ground, and the

      smoke of domestic fires rose from the chimneys over the tiled roofs of

      countless small houses.

      Eventually the train turned its back on Cuzco and we proceeded for a

      while in a straight north-westerly direction towards our destination:

      Machu Picchu, the lost city of the Incas, some three hours and 130

      kilometres away. I had intended to read, but lulled by the rocking motion

      of the carriage, I dropped off to sleep instead. Fifty minutes later I awoke

      to find that we were passing through a painting. The foreground, brightly

      sunlit, consisted of flat green meadows sprinkled with little patches of

      thawing frost, distributed on either side of a stream across a long, wide

      valley.

      In the middle of my view, dotted with bushes, was a large field on which

      a handful of black and white dairy cows grazed. Nearby was a scattered

      settlement of houses outside which stood small, dark-skinned Quechua

      Indians dressed in ponchos, balaclavas and colourful woollen hats. More

      distant were slopes canopied in fir trees and exotic eucalyptus. My eye

      followed the rising contours of a pair of high green mountains, which

      then parted to reveal folded and even more lofty uplands. Beyond these

      soared a far horizon surmounted by a jagged range of radiant and snowy

      peaks.

      Casting down the giants

      It was with understandable reluctance that I turned at last to my reading.

      I wanted to look more closely at some of the curious links I thought I had

      identified connecting the sudden appearance of Viracocha to the deluge

      legends of the Incas and other Andean peoples.

      60

      Graham Hancock – FINGERPRINTS OF THE GODS

      Before me was a passage from Fr. Jose de Acosta’s Natural and Moral

      History of the Indies, in which the learned priest set out ‘what the Indians

      themselves report of their beginning’:

      They make great mention of a deluge, which happened in their country ... The

      Indians say that all men were drowned in the deluge, and they report that out of

      Lake Titicaca came one Viracocha, who stayed in Tiahuanaco, where at this day

      there are to be seen the ruins of ancient and very strange buildings, and from

      thence came to Cuzco, and so began mankind to multiply ...1

      Making a mental note to find out more about Lake Titicaca, and the

      mysterious Tiahuanaco, I read the following passage summarizing a

      legend from the Cuzco area:

      For some crime unstated the people who lived in the most ancient times were

      destroyed by the creator ... in a deluge. After the deluge the creator appeared in

      human form from Lake Titicaca. He then created the sun and moon and stars.

      After that he renewed the human population of the earth ...2

      In another myth

      The great Creator God, Viracocha, decided to make a world for men to live in. First

      he made the earth and sky. Then he began to make people to live in it, carving

      great stone figures of giants which he brought to life. At first all went well but

      after a time the giants began to fight among themselves and refused to work.

      Viracocha decided that he must destroy them. Some he turned back into stone ...

      the rest he overwhelmed with a great flood.3

      Very similar notions were, of course, found in other, quite unconnected,

      sources, such as the Jewish Old Testament. In Chapter six of the Book of

      Genesis, for example, which describes the Hebrew God’s displeasure with

      his creation and his decision to destroy it, I had long been intrigued by

      one of the few descriptive statements made about the forgotten era

      before the Flood. According to the enigmatic language of that statement,

      ‘There were giants in the earth in those days ...’.4 Could the ‘giants’

      buried in the biblical sands of the Middle East be connected in some

      unseen way to the ‘giants’ woven into the fabric of pre-Colombian native

      American legends? Adding considerably to the mystery was the fact that

      the Jewish and Peruvian sources both went on, with many further details

      in common, to depict an angry deity unleashing a catastrophic flood upon

      a wicked and disobedient world.

      On the next page of the sheaf of documents I had assembled was this

      Inca account of the deluge handed down by a certain Father Molina in his

      Relacion de las fabulas y ritos de los Yngas:

      In the life of Manco Capac, who was the first Inca, and from whom they began to

      1 José de Acosta, The Natural and Moral History of the Indies, Book I, Chapter four, in

      South American Mythology
    , p. 61.

      2 Ibid., p. 82.

      3 D. Gifford and J. Sibbick, Warriors, Gods and Spirits from South American Mythology,

      Eurobook Limited, 1983, p. 54.

      4 Genesis 6:4.

      61

      Graham Hancock – FINGERPRINTS OF THE GODS

      boast themselves children of the Sun and from whom they derived their idolatrous

      worship of the Sun, they had an ample account of the deluge. They say that in it

      perished all races of men and created things insomuch that the waters rose above

      the highest mountain peaks in the world. No living thing survived except a man

      and a woman who remained in a box and, when the waters subsided, the wind

      carried them ... to Tiahuanaco [where] the creator began to raise up the people

      and the nations that are in that region ...5

      Garcilaso de la Vega, the son of a Spanish nobleman and an Inca royal

      woman, was already familiar to me from his Royal Commentaries of the

      Incas. He was regarded as one of the most reliable chroniclers of the

      traditions of his mother’s people and had done his work in the sixteenth

      century, soon after the conquest, when those traditions had not yet been

      contaminated by foreign influences. He, too, confirmed what had

      obviously been a universal and deeply impressed belief: ‘After the waters

      of the deluge had subsided, a certain man appeared in the country of

      Tiahuanaco ...’6

      That man had been Viracocha. Wrapped in his cloak, he was strong and

      august of countenance’ and walked with unassailable confidence through

      the most dangerous badlands. He worked miracles of healing and could

      call down fire from heaven. To the Indians it must have seemed that he

      had materialized from nowhere.

      Ancient traditions

      We were now more than two hours into our journey to Machu Picchu and

      the panorama had changed. Huge black mountains, upon which not a

      trace of snow remained to reflect the sunlight, towered darkly above us

      and we seemed to be running through a rocky defile at the end of a

      narrow valley filled with sombre shadows. The air was cold and so were

      my feet. I shivered and resumed reading.

      One thing was obvious amid the confused web of legends I had

      reviewed, legends which supplemented one another but also at times

      conflicted. All the scholars agreed that the Incas had borrowed, absorbed

      and passed on the traditions of many of the different civilized peoples

      over whom they had extended their control during the centuries of

      expansion of their vast empire. In this sense, whatever the outcome of

      the historical debate over the antiquity of the Incas themselves, nobody

      could seriously dispute their role as transmitters of the ancient belief

      systems of all the great archaic cultures—coastal and highland, known

      and unknown—that had preceded them in this land.

      And who could say just what civilizations might have existed in Peru in

      the unexplored regions of the past? Every year archaeologists come up

      5 Fr.. Molina, 'Relacion de las fabulas y ritos de los Yngas', in South American Mythology,

      p. 61.

      6 Royal Commentaries of the Incas.

      62

      Graham Hancock – FINGERPRINTS OF THE GODS

      with new finds which extend the horizons further and further back in

      time. So why shouldn’t they one day discover evidence of the penetration

      into the Andes, in remote antiquity, of a race of civilizers who had come

      from overseas and gone away again after completing their work? That

      was what the legends seemed to me to be suggesting, legends that most

      of all, and most clearly, had immortalized the memory of the man/god

      Viracocha striding the high windswept byways of the Andes working

      miracles wherever he went:

      Viracocha himself, with his two assistants, journeyed north ... He travelled up the

      cordillera, one assistant went along the coast, and the other up the edge of the

      eastern forests ... The Creator proceeded to Urcos, near Cuzco, where he

      commanded the future population to emerge from a mountain. He visited Cuzco,

      and then continued north to Ecuador. There, in the coastal province of Manta, he

      took leave of his people and, walking on the waves, disappeared across the

      ocean.7

      There was always this poignant moment of goodbye at the end of every

      folk memory featuring the remarkable stranger whose name meant ‘Foam

      of the Sea’:

      Viracocha went on his way, calling forth the races of men ... When he came to the

      district of Puerto Viejo he was joined by his followers whom he had sent on

      before, and when they had joined him he put to sea in their company and they say

      that he and his people went by water as easily as they had traversed the land.8

      Always this poignant goodbye ... and often a hint of science or magic.

      Time capsule

      Outside the window of the train things were happening. To my left,

      swollen with dark water, I could see the Urubamba, a tributary of the

      Amazon and a river sacred to the Incas. The air temperature had warmedup noticeably: we had descended into a relatively low-lying valley with its

      own tropical micro-climate. The mountain slopes rising on either side of

      the tracks were densely covered in green forests and I was reminded that

      this was truly a region of vast and virtually insuperable obstacles.

      Whoever had ventured all this way into the middle of nowhere to build

      Machu Picchu must have had a very strong motive for doing so.

      Whatever the reason had been, the choice of such a remote location had

      at least one beneficial side-effect: Machu Picchu was never found by the

      conquistadores and friars during their days of destructive zeal. Indeed, it

      was not until 1911, when the fabulous heritage of older races was

      beginning to be treated with greater respect, that a young American

      explorer, Hiram Bingham, revealed Machu Picchu to the world. It was

      realized at once that this incredible site opened a unique window on pre

      7 The Ancient Civilizations of Peru, p. 237.

      8 Juan de Batanzos, 'Suma y Narracion de los Incas', in South American Mythology, p. 79.

      63

      Graham Hancock – FINGERPRINTS OF THE GODS

      Colombian civilization; in consequence the ruins were protected from

      looters and souvenir hunters and an important chunk of the enigmatic

      past was preserved to amaze future generations.

      Having passed through a one-horse town named Agua Caliente (Hot

      Water), where a few broken-down restaurants and cheap bars leered at

      travellers from beside the tracks, we reached Machu Picchu Puentas

      Ruinas station at ten minutes past nine in the morning. From here a halfhour bus ride on a winding dirt road up the side of a steep and

      forbidding mountain brought us to Machu Picchu itself, to the ruins, and

      to a bad hotel which charged us a nonsensical amount of money for a not

      very clean room. We were the only guests. Though it had been years since

      the local guerrilla movement had last bombed the Machu Picchu train, not

      many foreigners were keen to come here any more.

      Machu Picchu dreaming

      It was two in the afternoon. I stood on a high point at the southern end of

      the site. The ruins stretched out northwards in lichen-enshrouded


      terraces before me. Thick clouds were wrapped in a ring around the

      mountain tops but the sunlight still occasionally burst through here and

      there.

      Way down on the valley floor I could see the sacred river curled in a

      hairpin loop right around the central formation on which Machu Picchu

      was based, like a moat surrounding a giant castle. The river showed deep

      green from this vantage point, reflecting the greenness of the steep

      jungle slopes. And there were patches of white water and wonderful

      sparkling gleams of light.

      I gazed across the ruins towards the dominant peak. Its name is Huana

      Picchu and it used to feature in all the classic travel agency posters of this

      site. To my astonishment I now observed that for a hundred metres or so

      below its summit it had been neatly terraced and sculpted: somebody had

      been up there and had carefully raked the near-vertical cliffs into a

      graceful hanging garden which had perhaps in ancient times been

      planted with bright flowers.

      It seemed to me that the entire site, together with its setting, was a

      monumental work of sculpture composed in part of mountains, in part of

      rock, in part of trees, in part of stones—and also in part of water. It was a

      heartachingly beautiful place, certainly one of the most beautiful places I

      have ever seen.

      Despite its luminous brilliance, however, I felt that I was gazing down

      on to a city of ghosts. It was like the wreck of the Marie Celeste, deserted

      and restless. The houses were arranged in long terraces. Each house was

      tiny, with just one room fronting directly on to the narrow street, and the

      architecture was solid and functional but by no means ornate. By way of

      contrast certain ceremonial areas were engineered to an infinitely higher

      64

      Graham Hancock – FINGERPRINTS OF THE GODS

      standard and incorporated giant blocks similar to those I had seen at

      Sacsayhuaman. One smoothly polished polygonal monolith was around

      twelve feet long by five feet wide by five feet thick and could not have

      weighed less than 200 tons. How had the ancient builders managed to

      get it up here?

      Machu Picchu.

      There were dozens of others like it too, and they were all arranged in

      the familiar jigsaw puzzle walls of interlocking angles. On one block I was

     
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