Collected Fiction Volume 1 (1905-1925): A Variorum Edition
The hour must now have grown very late. A singularly noiseless bat brushed by me, and I believe it touched Manton also, for although I could not see him I felt him raise his arm. Presently he spoke.
“But is that house with the attic window still standing and deserted?”
“Yes,” I answered. “I have seen it.”
“And did you find anything there—in the attic or anywhere else?”
“There were some bones up under the eaves. They may have been what that boy saw—if he was sensitive he wouldn’t have needed anything in the window-glass to unhinge him. If they all came from the same object it must have been an hysterical, delirious monstrosity. It would have been blasphemous to leave such bones in the world, so I went back with a sack and took them to the tomb behind the house. There was an opening where I could dump them in. Don’t think I was a fool—you ought to have seen that skull. It had four-inch horns, but a face and jaw something like yours and mine.”
At last I could feel a real shiver run through Manton, who had moved very near. But his curiosity was undeterred.
“And what about the window-panes?”[24]
“They were all gone. One window had lost its entire frame, and in the other[25] there was not a trace of glass in the little diamond apertures. They were that kind—the old lattice windows that went out of use before 1700. I don’t believe they’ve had any glass for a hundred years or more—maybe the boy broke ’em if he got that far; the legend doesn’t say.”
Manton was reflecting again.
“I’d like to see that house, Carter. Where is it? Glass or no glass, I must explore it a little. And the tomb where you put those bones, and the other grave without an inscription—the whole thing must be a bit terrible.”
“You did see it—until it got dark.”
My friend was more wrought upon than I had suspected, for at this touch of harmless theatricalism he started neurotically away from me and actually cried out with a sort of gulping gasp which released a strain of previous repression. It was an odd cry, and all the more terrible because it was answered. For as it was still echoing, I heard a creaking sound through the pitchy blackness, and knew that a lattice window was opening in that accursed old house beside us. And because all the other frames were long since fallen, I knew that it was the grisly glassless frame of that daemoniac[26] attic window.
Then came a noxious rush of noisome, frigid air from that same dreaded direction, followed by a piercing shriek just beside me on that shocking rifted tomb of man and monster. In another instant I was knocked from my gruesome bench by the devilish threshing of some unseen entity of titanic size but undetermined nature; knocked sprawling on the root-clutched mould[27] of that abhorrent graveyard, while from the tomb came such a stifled uproar of gasping and whirring that my fancy peopled the rayless gloom with Miltonic legions of the misshapen damned. There was a vortex of withering, ice-cold wind, and then the rattle of loose bricks and plaster; but I had mercifully fainted before I could learn what it meant.
Manton, though smaller than I, is more resilient; for we opened our eyes at almost the same instant, despite his greater injuries. Our couches were side by side, and we knew in a few seconds that we were in St. Mary’s Hospital. Attendants were grouped about in tense curiosity, eager to aid our memory by telling us how we came there, and we soon heard of the farmer who had found us at noon in a lonely field beyond Meadow Hill, a mile from the old burying-ground,[28] on a spot where an ancient slaughterhouse is reputed to have stood. Manton had two malignant wounds in the chest, and some less severe cuts or gougings in the back. I was not so seriously hurt, but was covered with welts and contusions of the most bewildering character, including the print of a split hoof. It was plain that Manton knew more than I, but he told nothing to the puzzled and interested physicians till he had learned what our injuries were. Then he said we were the victims of a vicious bull—though the animal was a difficult thing to place and account for.
After the doctors and nurses had left, I whispered an awestruck[29] question:
“Good God, Manton, but what was it? Those scars—was it like that?”
And I was too dazed to exult when he whispered back a thing I had half expected—
“No[30]—it wasn’t that way at all. It was everywhere—a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory. There were eyes—and a blemish. It was the pit—the maelstrom—the ultimate abomination. Carter, it was the unnamable!”
Notes
Editor’s Note: In the absence of a manuscript, we are reliant on the only text published in HPL’s lifetime: Weird Tales (July 1925). This appearance seems to have followed HPL’s presumed T.Ms. accurately enough—more so than later stories published in the magazine. The Arkham House editions follow the Weird Tales appearance, making some additional errors.
Texts: A = Weird Tales 6, No. 1 (July 1925): 78–82; B = Dagon and Other Macabre Tales (Arkham House, 1965), 196–203. Copy-text: A.
1. burying-ground] burying ground A, B
2. the centre of] the center of A; om. B
3. has] had B
4. in] om. B
5. paralysed] paralyzed A, B
6. aesthetic] esthetic A, B
7. every-day] everyday B
8. “unnamable”.] “unnamable.” B
9. realised] realized A, B
10. defence] defense A, B
11. have] had B
12. “unnamable”,] “unnamable,” B
13. “The Attic Window”,] The Attic Window, B
14. “Magnalia Christi Americana”,] Magnalia Christi Americana, B
15. grey.] gray. A, B
16. beauty;] beauty: B
17. strait-jacket] straitjacket A, B
18. daemoniac] demoniac A, B
19. ape-like] apelike A, B
20. Nature] nature A, B
21. aesthetic] esthetic A, B
22. spectre] specter A, B
23. Nature? Moulded] nature? Molded A, B
24. window-panes?”] window-/panes?” A
25. in the other] in all the others B
26. daemoniac] demoniac A, B
27. mould] mold A, B
28. burying-ground,] burying ground, A, B
29. awestruck] awe struck B
30. “No] “No B
The Festival
“Efficiunt Daemones, ut quae non sunt, sic tamen quasi sint, conspicienda hominibus exhibeant.”[1]
—Lactantius.[2]
I was far from home, and the spell of the eastern sea was upon me. In the twilight I heard it pounding on the rocks, and I knew it lay just over the hill where the twisting willows writhed against the clearing sky and the first stars of evening. And because my fathers had called me to the old town beyond, I pushed on through the shallow, new-fallen snow along the road that soared lonely up to where Aldebaran twinkled among the trees; on toward the very ancient town I had never seen but often dreamed of.
It was the Yuletide, that men call Christmas[3] though they know in their hearts it is older than Bethlehem and Babylon, older than Memphis and mankind. It was the Yuletide, and I had come at last to the ancient sea town where my people had dwelt and kept festival in the elder time when festival was forbidden; where also they had commanded their sons to keep festival once every century, that the memory of primal secrets might not be forgotten. Mine were an old people, and were[4] old even when this land was settled three hundred years before. And they were strange, because they had come as dark[5] furtive folk from opiate southern gardens of orchids, and spoken another tongue before they learnt the tongue of the blue-eyed fishers. And now they were scattered, and shared only the rituals of mysteries that none living could understand. I was the only one who came back that night to the old fishing town as legend bade, for only the poor and the lonely remember.
Then beyond the hill’s crest I saw Kingsport outspread frostily in the gloaming; snowy Kingsport with its ancient vanes and steeples, ridgepoles and chimney-pots
,[6] wharves and small bridges, willow-trees[7] and graveyards; endless labyrinths of steep, narrow, crooked streets, and dizzy church-crowned central peak that time durst not touch; ceaseless mazes of colonial houses piled and scattered at all angles and levels like a child’s disordered blocks; antiquity hovering on grey[8] wings over winter-whitened gables and gambrel roofs; fanlights and small-paned windows one by one gleaming out in the cold dusk to join Orion and the archaic stars.[9] And against the rotting wharves the sea pounded; the secretive, immemorial sea out of which the people had come in the elder time.
Beside the road at its crest a still higher summit rose, bleak and windswept,[10] and I saw that it was a burying-ground where black gravestones stuck ghoulishly through the snow like the decayed fingernails of a gigantic corpse. The printless road was very lonely, and sometimes I thought I heard a distant horrible creaking as of a gibbet in the wind. They had hanged four kinsmen of mine for witchcraft in 1692, but I did not know just where.
As the road wound down the seaward slope I listened for the merry sounds of a village at evening, but did not hear them. Then I thought of the season, and felt that these old Puritan folk might well have Christmas customs strange to me, and full of silent hearthside prayer. So after that I did not listen for merriment or look for wayfarers, but[11] kept on down past the hushed[12] lighted farmhouses and shadowy stone walls to where the signs of ancient shops and sea-taverns[13] creaked in the salt breeze, and the grotesque knockers of pillared doorways glistened along deserted,[14] unpaved lanes in the light of little, curtained windows.
I had seen maps of the town, and knew where to find the home of my people. It was told that I should be known and welcomed, for village legend lives long; so I hastened through Back Street to Circle Court, and across the fresh snow on the one full flagstone pavement in the town, to where Green Lane leads off behind the Market House. The old maps still held good, and I had no trouble; though at Arkham they must have lied when they said the trolleys ran to this place, since I saw not a wire overhead. Snow would have hid the rails in any case.[15] I was glad I had chosen to walk, for the[16] white village had seemed very beautiful from the hill; and now I was eager to knock at the door of my people, the seventh house on the left in Green Lane, with an ancient peaked roof and jutting second story, all built before 1650.
There were lights inside the house when I came upon it, and I saw from the diamond window-panes that it must have been kept very close to its antique state. The upper part overhung the narrow[17] grass-grown street and nearly met the overhanging[18] part of the house opposite, so that I was almost in a tunnel, with the low stone doorstep wholly free from snow. There was no sidewalk, but many houses had high doors reached by double flights of steps with iron railings. It was an odd scene, and because I was strange to New England I had never known its like before. Though it pleased me, I would have relished it better if there had been footprints in the snow, and people in the streets, and a few windows without drawn curtains.
When I sounded the archaic iron knocker I was half afraid. Some fear had been gathering in me, perhaps because of the strangeness of my heritage, and the bleakness of the evening, and the queerness of the silence in that aged town of curious customs. And when my knock was answered I was fully afraid, because I had not heard any footsteps before the door creaked open. But I was not afraid long, for the gowned, slippered old man in the doorway had a bland face that reassured me; and though he made signs that he was dumb, he wrote a quaint and ancient welcome with the stylus and wax tablet he carried.
He beckoned me into a low, candle-lit room with massive exposed rafters and dark, stiff, sparse furniture of the seventeenth century.[19] The past was vivid there, for not an attribute was missing. There was a cavernous fireplace and a spinning-wheel at which a bent old woman in loose wrapper and deep poke-bonnet sat back toward me, silently spinning despite the festive season. An indefinite dampness seemed upon the place, and I marvelled[20] that no fire should be blazing. The high-backed settle faced the row of curtained windows at the left, and seemed to be occupied, though I was not sure. I did not like everything about what I saw, and felt again the fear I had had. This fear grew stronger from what had before lessened it, for the more I looked at the old man’s bland face[21] the more its very blandness terrified me. The eyes never moved, and the skin was too[22] like wax. Finally I was sure it was not a face at all, but a fiendishly cunning mask. But the flabby hands, curiously gloved, wrote genially on the tablet and told me I must wait a while before I could be led to the place of the[23] festival.
Pointing to a chair, table, and pile of books, the old man now left the room; and when I sat down to read I saw that the books were hoary and mouldy,[24] and that they included old Morryster’s wild “Marvells of Science”,[25] the terrible “Saducismus Triumphatus”[26] of Joseph Glanvill,[27] published in 1681, the shocking “Daemonolatreia”[28] of Remigius, printed in 1595 at Lyons, and worst of all, the unmentionable “Necronomicon”[29] of the mad Arab Abdul Alhazred, in Olaus Wormius’ forbidden Latin translation;[30] a book which I had never seen, but of which I had heard monstrous things whispered. No one spoke to me, but I could hear the creaking of signs in the wind outside, and the whir of the wheel as the bonneted old woman continued her silent spinning, spinning.[31] I thought the room and the books and the people very morbid and disquieting, but because an old tradition of my fathers[32] had summoned me to strange feastings, I resolved to expect queer things. So I tried to read, and soon became tremblingly absorbed by something I found in that accursed “Necronomicon”;[33] a thought and a legend too hideous for sanity or consciousness. But[34] I disliked it when I fancied I heard the closing of one of the windows that the settle faced, as if it had been stealthily opened. It had seemed to follow a whirring that was not of the old woman’s spinning-wheel. This was not much, though, for the old woman was spinning very hard, and the aged clock had been striking. After that I lost the feeling that there were persons on the settle, and was reading intently and shudderingly when the old man came back booted and dressed in a loose antique costume, and sat down on that very bench, so that I could not see him. It was certainly nervous waiting, and the blasphemous book in my hands made it doubly so. When eleven[35] struck, however, the old man stood up, glided to a massive carved chest in a corner, and got two hooded cloaks;[36] one of which he donned, and the other of which he draped round the old woman, who was ceasing her monotonous spinning. Then they both started for the outer door; the woman lamely creeping, and the old man, after picking up the very book I had been reading, beckoning me as he drew his hood over that unmoving face or mask.
We went out into the moonless and tortuous network of that incredibly ancient town; went out as the lights in the curtained windows disappeared one by one, and the Dog Star leered at the throng of cowled, cloaked figures that poured silently from every doorway and formed monstrous processions up this street and that, past the creaking signs and antediluvian gables, the thatched roofs and[37] diamond-paned windows; threading precipitous lanes where decaying houses overlapped and crumbled together, gliding across open courts and churchyards where the bobbing lanthorns[38] made eldritch drunken constellations.
Amid these hushed throngs I followed my voiceless guides; jostled by elbows that seemed preternaturally soft, and pressed by chests and stomachs that seemed abnormally pulpy; but seeing never a face and hearing never a word. Up, up, up[39] the eery columns slithered, and I saw that all the travellers[40] were converging as they flowed near a sort of focus of crazy alleys at the top of a high hill in the centre[41] of the town, where perched a great white church. I had seen it from the road’s crest when I looked at Kingsport in the new dusk, and it had made me shiver because Aldebaran had seemed to balance itself a moment on the ghostly spire.
There was an open space around the church; partly a churchyard with spectral shafts, and partly a half-paved square swept nearly bare of snow by the wind, and lined with unwholesomely archaic houses having peaked roofs and o
verhanging gables. Death-fires danced over the tombs, revealing gruesome vistas, though queerly failing to cast any shadows. Past the churchyard, where there were no houses, I could see over the hill’s summit and watch the glimmer of stars on the harbour,[42] though the town was invisible in the dark. Only once in a while a lanthorn[43] bobbed horribly through serpentine alleys on its way to overtake the throng that was now slipping speechlessly into the church.[44] I waited till the crowd had oozed into the black doorway, and till all the stragglers had followed. The old man was pulling at my sleeve,[45] but I was determined to be the last. Then finally I went, the sinister man and the old spinning woman before me.[46] Crossing the threshold into that[47] swarming temple of unknown darkness, I turned once to look at the outside world as the churchyard phosphorescence cast a sickly glow on the hilltop pavement. And as I did so I shuddered. For though the wind had not left much snow, a few patches did remain on the path near the door; and in that fleeting backward look it seemed to my troubled eyes[48] that they bore no mark of passing feet, not even mine.