Second Glance: A Novel
A smile split his face. "Jeez, Frankie, I never expected door-to-door service. What are you doing here?"
"No way was I gonna get into this on the phone." She peered over his shoulder, and he belatedly remembered Shelby.
"Frankie Martine, this is Shelby Wakeman. Shelby's--"
"Leaving," Shelby murmured. "I, uh, have to go." And without even looking at him, she backed out of the pile of cartons and fled up the stairs.
"Your girlfriend's gonna be ma-a-ad," Frankie sang as Eli escorted her into his makeshift lab. She took a seat and propped her feet up on Watson.
"She's not my girlfriend. Yet."
"Yeah, well, you just blew that one back about three months."
Eli scowled. "Is it my fault you're beautiful?"
"Gee, was that a compliment?" Frankie leaned forward, plucking a particular page from the sheaf. "C'mon. Admit. You love me."
He did. Because all the sharpest detective work that Eli did amounted to nothing at all if Frankie couldn't take the traces of evidence a perp had left behind, and make heads and tails of it. She was leafing through his evidence--the clothing and articles that hadn't been sent to her. "Nice print."
"I took it off the pipe before giving it to you," Eli said.
"Yeah? Whose is it?"
"The victim's, strangely enough."
"Hmm," Frankie said, but did not elaborate. "How come I didn't get this?" She was holding up the victim's nightgown, with a small brown splotch on one side.
"How much blood did you need? You had the rest of her clothing."
"It's the wrong color." Frankie pursed her lips. "I mean, I don't get to see seventy-year-old blood very often, but still." She rolled it into a ball and tucked it into her black bag. "Just in case I get bored when I go to visit my friends at the lab in Montpelier." Then she tossed him a file. "Look at this."
Table 1--Amelogenin Typing Results
KEY: Types in parentheses ( ) are lesser in intensity than types not in parentheses.
-- No conclusive results
** Drop-out may have occurred due to limited amount of DNA
She took one look at Eli's face and rolled her eyes. "Crash course?"
"Please."
"OK. Basic DNA--everything you've got came from either your mom or your dad. She gives you one allele, and he gives you another. The result--a baby with big feet or dimples or curly hair. All those physical traits are on your DNA strand, but they don't do a lot of good in criminal investigations. So we test the DNA for different traits--like vWA or TH01. At those spots, every person's gonna have a type: one number from Mom and one from Dad. The DNA we extract from evidence--even really old, difficult evidence like the stuff you sent me--narrows the pool for who might have left that DNA behind." She smoothed out the corners of the chart she'd handed Eli. "Each of these columns here with the weird number on top is one of those traits. At each trait, there are two numbers--the alleles--which came from the mom and dad of whoever left that DNA behind. Capisce?"
"So far."
"OK. Before we can analyze evidence, we need control samples--that is, DNA profiles we can compare to the ones we're about to find on the rope or medicine pouch. The first control sample came from the victim's blood, which was all over the evidence thanks to her recent labor and delivery. The results I got I labeled as Cecelia. As for your missing perp-- well, you got lucky. Making the assumption that the saliva on the pipe was his, I concentrated the DNA yield and was able to get all eight loci . . . which I titled Gray Wolf. Finally came the glass you just sent--that saliva was the basis for the eight numbers that make up the profile of someone different than Gray Wolf's profile . . . they're listed as Spencer Pike."
"Hang on. So that means that we definitely have the DNA of these three people?"
"Two out of three are a lock. The third is a little less of a sure thing. I can't tell you that this particular DNA belonged to Gray Wolf, because I never had a control sample."
"So all you really know is that you've got DNA on the pipe that's male, and different from Spencer Pike's."
"Actually, I've got a little more than that." Frankie trailed her finger down the page. "One of the byproducts of DNA testing is that we've got charts, now, of subpopulations, which show how alleles tend to crop up with frequency in various ethnic and racial groups."
"You lost me," Eli said.
"We can generate statistics collected by typing people of a certain background--white, black, Native American. Say you've got a white Rolls-Royce. Rolls are only two percent of the entire car population."
"And you know this . . . why?"
Frankie shook her head. "Shut up, Eli. Two percent. White cars are fifteen percent of the total car population. To approximate how many white Rolls-Royces there are, we say fifteen percent of two percent of the car population . . . which means that .3 percent, or three out of every thousand cars, is a white Rolls. That's the same thing we do when we look at the way types tend to crop up with frequency in various subpopulations. For example, the rope end--the profile I got there is found in one in 1.7 million Caucasians, but only one in 450 million Native Americans. That means if I filled a football stadium with 450 million Indians and another stadium with 450 million whites, I'd expect 264 Caucasians in that stadium to have a matching profile . . . but only one Native American to have it."
"So whoever handled the rope end was more likely white than Native American?"
"Right. But now, look at the numbers from the pipe. The chances of finding a D5S818 combo of 11,11 is fourteen percent in the Caucasian population, seven percent in the African American population, and twelve percent in the Hispanic population. But the chance of finding an 11,11 combination there in the Native American population is thirty-five percent--that's more than twice as common as the Caucasian population. If you look at the whole profile on the pipe, the chance of it coming from a Caucasian is one in 320 million; from an African American it's one in 520 million; from a Hispanic it's one in 41 million. From a Native American, though, it's only one in 330,000."
"So whoever smoked the pipe was an Indian."
"That would be my unofficial assumption."
Eli nodded. "What else?"
"There was no surprise when I tested the rope loop, with the epidermal cells that came from the victim's neck--if you compare the row to Cecelia's control sample, they're identical. I only got seven of the eight systems when I tested the noose, but I'd still call it a success. Then I tested the end of the rope, as a different sample. I wasn't expecting much, and even after scraping for E-cells I had no luck. So I used a PCR procedure to replicate billions of copies of discrete areas of the DNA, and managed to get six loci, which was pretty much a miracle. And of those six systems, every single one is a match to the DNA taken from Spencer Pike's drinking glass."
It didn't necessarily mean that Pike had hanged his wife, but it at least meant that he'd handled that rope. Eli looked at the empty row on the chart. "What happened with the medicine pouch?"
Frankie narrowed her eyes. "What happened is that your favorite DNA scientist nearly came here and committed a felony against the detective that begged for her help. You have no idea what a bitch this was, Eli. I would have scrapped it, if you didn't have such a dearth of evidence to begin with."
"I'll take you out to dinner."
"No, you'll buy me a yacht," Frankie said. "The first time I tested it I came up dry. I wound up taking a second cutting off the string that came in contact with the neck. I got two profiles--both similar, both consistent with a mixture."
"Meaning?"
"That there was more than one or two types in most of the systems. Look at that line on the chart . . . see the spots where there are three numbers, instead of two?"
"Yeah." Eli frowned. "What's up with that?"
"You know how you get one allele from Mom and one from Dad? If you wind up with three or four, either you're a freak, or there's a mixture of DNA from at least two people. And given their genetic makeup, neither Cecelia Pi
ke nor Gray Wolf can be excluded as cocontributors to this mixture."
Eli whistled softly. "But not Spencer Pike?"
"Nope. See the D7S820 location? He's a 10,10. But the medicine bag is an 11, (12) or an 11,11. That's not in Pike's genetic profile . . . so it couldn't be him."
Eli exhaled heavily. This would throw a wrench into his theory about the crime, because now DNA evidence placed Gray Wolf at the scene, too. But maybe Pike's staging didn't extend to the medicine pouch. Maybe, for whatever reason, Gray Wolf had worn it for some time and given it to Cecelia as a love trinket, which she ripped off her neck during the hanging . . .
"There's something else, Eli." Frankie hesitated. "It bothered me enough that I actually went back to that damn pouch and tested at six more loci. See?"
Table 2--Typing Results
KEY: Types in parentheses ( ) are lesser in intensity than types not in parentheses.
-- No conclusive results
** Drop-out may have occurred due to limited amount of DNA
Frankie traced the rows with a scarlet fingernail. "At not a single location did I come up with four types. In these tests, I didn't even come up with three types."
"So what?"
"So, if you and I were to grab hold of something and leave our skin cells all over it, chances are that at one of fifteen spots, we'd have four separate types. I mean, you get two from your parents, and I get two from my parents, and the likelihood of us having the same types more than once or twice in a profile is pretty slim."
"You said that the DNA was hard to extract. Maybe there was some snafu."
"No. That's why I went for the extra tests." Frankie tucked her hair behind her ears. "When I see profiles of mixtures where there are only three types, or even two, they're usually between direct descendants. Since the parent always gives one allele to the offspring, the parent and offspring will always have at least one allele in common. If Cecelia Pike was Gray Wolf's daughter, this is exactly what I'd expect a mixture of their DNA to look like."
Eli shook his head. "No way. Cecelia Pike was white."
Frankie pulled another piece of paper out of her folder. "Statistically speaking," she said, "I don't think so."
NINE
As far as Ross was concerned, Eli Rochert could go to hell. You did not have to meet a person, flesh and blood, to know them. Couldn't you read a diary, and feel a kinship? Sift through yellowed love letters, and bring a romance back to life? Connect two distant keyboards in an Internet chat room? Ross had known Lia, and the cop was wrong--if she were having an affair, he would have known.
Because it would have been with him.
At this very moment, Rod van Vleet might have some hack reciting scripture around the property, trying to reduce the amount of space Lia's spirit had to roam. By now, he might even have started reasoning with her, explaining that this was no longer a world where she belonged.
With a growl, Ross pushed off his bed and began to pace the small bedroom, a caged animal. He had known Lia, but he hadn't known what it was like to feel her body close around his, to have her dig her nails into his shoulders as the night began to move around them, a living thing. He had known Lia, but not enough.
These were the moments when Ross believed in God. Not a kind God or a just God, but one with a wicked sense of humor. One who punished someone who'd made an irreparable mistake by dangling the treat he wanted above all else, and then snatching it away so that Ross would fall flat on his face.
The walls were folding in on him, and there was a knot in his throat that kept any air from getting through. He had aimlessly picked up one of Ethan's CDs from the computer hutch, and had been holding it so tightly that the plastic container had cracked. Steam rose off his skin. His skull was too tight for his brain.
"Okay," he said to no one. "Okay."
Already, it was happening--he was looking at the mirror on the dresser not as a reflection, but as a potential weapon. He could feel the seams on his wrists itching. He could picture a world he was not in.
Bursting out of the bedroom, Ross raced down the stairs past Shelby. "Where--" she began.
"Out."
He barreled past Ethan, still waking with the moon. His car peeled out of the driveway and through the winding dirt roads of Comtosook. It was five minutes before he realized where he was driving, and by the time he parked at the blockade on Otter Creek Pass, night had fully fallen.
The protesting Abenaki had gone back to camp for the night; the few reporters who had not been called back to their city papers were holed up in the Best Western in Winooski. Rod van Vleet was nowhere to be seen, thank God, nor were there any paranormal investigators with bells and whistles. The massive excavators and cranes slept, their necks extended.
Ross crawled over the construction tape and fencing to stand in the center, where the house still partially stood, having knit itself back together after Rod van Vleet had knocked it down. The developer had given up on setting his strip mall just there; a hundred yards to the left, now, excavators were trying to dig deep enough into the frozen ground to pour concrete. Ross took a deep breath: this is where Lia once sat down to dinner, or had a morning cup of coffee. Here, she fell asleep on stagnant Sunday afternoons. She placed Spencer Pike's hand on her belly, told him she was carrying their child.
"Lia!" Her name unwound from his throat, conjuring.
He stayed that way for a moment. The old Pike property had an uncommon stillness to it, an absolute lack of activity. No chipmunks skittered up trees, no birds traded secrets, no bullfrogs spied through the grass. If a paranormal investigator wanted Lia's ghost to leave, he'd have to find her first.
Ross walked back to the car in silence, thinking hard. She wasn't here; he would have felt it. And whoever van Vleet hired would be expecting a ghost--but not necessarily Lia. After all, Ross was the only one who had actually seen her.
What if he gave them a ghost, a different one, to get rid of?
He made a straight beeline for his car. He was three-quarters of a mile away from the house clearing when a single rose petal fell from a starless sky, drifting to settle in the footprint Ross had left behind.
Meredith couldn't have asked for a nicer day--seventy-five degrees, the sky a brilliant blue, and the mall not nearly as crowded as she'd expected for August. Add to this the fact that her daughter was free and clear of the anti-psychotic medicine--which had made no difference in her behavior-- and there was plenty of reason to celebrate.
They were walking slowly, because Ruby was with them, and even if she was too proud to complain about her hips, Meredith had noticed the slight wince on her face with every footstep. They'd been to meet the new giant pandas at the National Zoo, to the Natural History Museum to sigh over the Hope Diamond, in the Air and Space Museum to touch the moon. Now, they headed toward the parking garage, each holding a soft-serve ice cream cone.
"It is my opinion," Meredith said, "that the streets of heaven are paved with chocolate."
"Which just goes to show you it can't be hot and humid there," Ruby pointed out. "Yet another gold star in the travel guide."
A family was walking toward them--tourists, from the looks of their cameras and FBI T-shirts. They split up as they passed, funneling around Meredith and Lucy and Ruby like a river, catching together again once they'd gone by. "Mom?" Lucy said. "I've got a question." Lucy had been asking questions all day--from the bathroom habits of the dinosaurs featured in one of the museums to where the president stayed when all the tourists were invading his house. "How come you didn't marry anyone?"
Meredith stopped walking. She had explained the facts of life to Lucy at her own lab, showing her live sperm and a real egg and then the resulting embryo that turned into a human fetus. Taken in scientific terms, love had nothing to do with procreation. A father was nothing more than a donor, and that description suited Meredith just fine.
Ruby gave Meredith a pointed look over Lucy's head.
"Well. I didn't need to get married. I alr
eady had you."
Lucy rolled her eyes. "Mom, a husband's good for more than just making a baby. Maybe if you had one you'd be at home more."
"You know why I work so hard . . ."
Lucy turned away. "It's because of me, right? No guy wanted to marry someone who already had a kid."
"Lucy, no. Hey." Meredith caught Lucy by the arm and tugged her toward the supporting wall. "Sweetheart," she began, and suddenly Lucy shrieked.
"Don't sit on him!" She backed away as passersby turned to stare. "Mommy, what's wrong with that boy?"
She pointed, but there was no boy. "Lucy, what's the matter?"
Her eyes were wide and wild. "The boy sitting there, in the jail suit, like they wear on cartoons. And the woman who's bald, and the babies . . . they're skeletons, but they're still moving. Can't you see them?"
A man tapped Meredith on the shoulder. "Do you need help?"
"We're fine," she said brusquely, never turning away from Lucy. "Take a deep breath, and tell me what you see."
The man, intent on being a Good Samaritan, spoke again. "I'll get a guard," he said, and ran off. Meredith looked up long enough to watch him enter the building in front of them: the Holocaust Memorial Museum.
"They're the ones," Lucy whimpered, "who stayed behind."
The warrant to exhume remains from the Pike property was burning a hole in Eli's pocket, but he kept it there like a coal close to the heart, to remind him what he was doing and why. Frankie's DNA analysis had twisted his investigation. Presumably, if Gray Wolf was Cecelia Pike's natural father, then they were not having an affair. The medicine pouch and even the pipe might have been gifts. But Eli was still leaning toward Pike as the murderer. Gray Wolf had only just been released from prison, and immediately sought out the daughter he had never met. If Cecelia had been told of her true paternity, she might have kept it a secret from her husband-- leading Spencer Pike to jump to the wrong conclusions when he found his wife keeping company with an Indian. Or maybe Pike had found out about his wife's ancestry--and afraid of what it might do to his career, had simply gotten rid of the evidence.
Either way, the Abenaki's complaint about a burial ground had been valid.