The Essential Faulkner

  Which they—the town—did, though even then the courthouse was not finished for another six years. Not but that they thought it was: complete: simple and square, floored and roofed and windowed, with a central hallway and the four offices—sheriff and tax assessor and circuit- and chancery-clerk (which—the chancery-clerk’s office—would contain the ballot boxes and booths for voting) — below, and the courtroom and jury-room and the judge’s chambers above—even to the pigeons and English sparrows, migrants too but not pioneers, inevictably urban in fact, come all the way from the Atlantic coast as soon as the town became a town with a name, taking possession of the gutters and eave-boxes almost before the final hammer was withdrawn, uxorious and interminable the one, garrulous and myriad the other. Then in the sixth year old Alec Holston died and bequeathed back to the town the fifteen dollars it had paid him for the lock; two years before, Louis Grenier had died and his heirs still held in trust on demand the fifteen hundred dollars his will had devised it, and now there was another newcomer in the county, a man named John Sartoris, with slaves and gear and money too like Grenier and Sutpen, but who was an even better stalemate to Sutpen than Grenier had been because it was apparent at once that he, Sartoris, was the sort of man who could even cope with Sutpen in the sense that a man with a sabre or even a small sword and heart enough for it could cope with one with an axe; and that summer (Sutpen’s Paris architect had long since gone back to whatever place he came from and to which he had made his one abortive midnight try to return, but his trickle, flow of bricks had never even faltered: his molds and kilns had finished the jail and were now raising the walls of two churches and by the half-century would have completed what would be known through all north Mississippi and east Tennessee as the Academy, the Female Institute) there was a committee: Compson and Sartoris and Peabody (and in absentia Sutpen: nor would the town ever know exactly how much of the additional cost Sutpen and Sartoris made up): and the next year the eight disjointed marble columns were landed from an Italian ship at New Orleans, into a steamboat up the Mississippi to Vicksburg, and into a smaller steamboat up the Yazoo and Sunflower and Tallahatchie, to Ikkemotubbe’s old landing which Sutpen now owned, and thence the twelve miles by oxen into Jefferson: the two identical four-column porticoes, one on the north and one on the south, each with its balcony of wroughtiron New Orleans grillwork, on one of which—the south one—in 1861 Sartoris would stand in the first Confederate uniform the town had ever seen, while in the Square below the Richmond mustering officer enrolled and swore in the regiment which Sartoris as its colonel would take to Virginia as a part of Bee, to be Jackson’s extreme left in front of the Henry house at First Manassas, and from both of which each May and November for a hundred years, bailiffs in their orderly appointive almost hereditary successsion would cry without inflection or punctuation either “oyes oyes honorable circuit court of Yoknapatawpha County come all and ye shall be heard” and beneath which for that same length of time too except for the seven years between ’63 and ’70 which didn’t really count a century afterward except to a few irreconcilable old ladies, the white male citizens of the county would pass to vote for county and state offices, because when in ’63 a United States military force burned the Square and the business district, the courthouse survived. It didn’t escape: it simply survived: harder than axes, tougher than fire, more fixed than dynamite; encircled by the tumbled and blackened ruins of lesser walls, it still stood, even the topless smoke-stained columns, gutted of course and roofless, but immune, not one hair even out of the Paris architect’s almost forgotten plumb, so that all they had to do (it took nine years to build; they needed twenty-five to restore it) was put in new floors for the two storeys and a new roof, and this time with a cupola with a four-faced clock and a bell to strike the hours and ring alarms; by this time the Square, the banks and the stores and the lawyers’ and doctors’ and dentists’ offices, had been restored, and the English sparrows were back too which had never really deserted—the garrulous noisy independent swarms which, as though concomitant with, inextricable from regularised and roted human quarreling, had appeared in possession of cornices and gutter-boxes almost before the last nail was driven—and now the pigeons also, interminably murmurous, nesting in, already usurping, the belfry even though they couldn’t seem to get used to the bell, bursting out of the cupola at each stroke of the hour in frantic clouds, to sink and burst and whirl again at each succeeding stroke, until the last one: then vanishing back through the slatted louvers until nothing remained but the frantic and murmurous cooing like the fading echoes of the bell itself, the source of the alarm never recognised and even the alarm itself unremembered, as the actual stroke of the bell is no longer remembered by the vibration-fading air. Because they—the sparrows and the pigeons—endured, durable, a hundred years, the oldest things there except the courthouse centennial and serene above the town most of whose people now no longer even knew who Doctor Habersham and old Alec Holston and Louis Grenier were, had been; centennial and serene above the change: the electricity and gasoline, the neon and the crowded cacophonous air; even Negroes passing in beneath the balconies and into the chancery clerk’s office to cast ballots too, voting for the same white-skinned rascals and demagogues and white supremacy champions that the white ones did—durable: every few years the county fathers, dreaming of bakshish, would instigate a movement to tear it down and erect a new modern one, but someone would at the last moment defeat them; they will try it again of course and be defeated perhaps once again or even maybe twice again, but no more than that. Because its fate is to stand in the hinterland of America: its doom is its longevity; like a man, its simple age is its own reproach, and after the hundred years, will become unbearable. But not for a little while yet; for a little while yet the sparrows and the pigeons: garrulous myriad and independent the one, the other uxorious and interminable, at once frantic and tranquil—until the clock strikes again which even after a hundred years, they still seem unable to get used to, bursting in one swirling explosion out of the belfry as though, the hour, instead of merely adding one puny infinitesimal more to the long weary increment since Genesis, had shattered the virgin pristine air with the first loud ding-dong of time and doom.

  18—

  Red Leaves

  I

  The two Indians crossed the plantation toward the slave quarters. Neat with whitewash, of baked soft brick, the two rows of houses in which lived the slaves belonging to the clan, faced one another across the mild shade of the lane marked and scored with naked feet and with a few homemade toys mute in the dust. There was no sign of life.

  “I know what we will find,” the first Indian said.

  “What we will not find,” the second said. Although it was noon, the lane was vacant, the doors of the cabins empty and quiet; no cooking smoke rose from any of the chinked and plastered chimneys.

  “Yes. It happened like this when the father of him who is now the Man died.”

  “You mean, of him who was the Man.”

  “Yao.”

  The first Indian’s name was Three Basket. He was perhaps sixty. They were both squat men, a little solid, burgherlike; paunchy, with big heads, big, broad, dust-colored faces of a certain blurred serenity like carved heads on a ruined wall in Siam or Sumatra, looming out of a mist. The sun had done it, the violent sun, the violent shade. Their hair looked like sedge grass on burnt-over land. Clamped through one ear Three Basket wore an enameled snuffbox.

  “I have said all the time that this is not the good way. In the old days there were no quarters, no Negroes. A man’s time was his own then. He had time. Now he must spend most of it finding work for them who prefer sweating to do.”

  “They are like horses and dogs.”

  “They are like nothing in this sensible world. Nothing contents them save sweat. They are worse than the white people.”

  “It is not as though the Man himself had to find work for them to do.”

  “You said it. I do not like slaver
y. It is not the good way. In the old days, there was the good way. But not now.”

  “You do not remember the old way either.”

  “I have listened to them who do. And I have tried this way. Man was not made to sweat.”

  “That’s so. See what it has done to their flesh.”

  “Yes. Black. It has a bitter taste, too.”

  “You have eaten of it?”

  “Once. I was young then, and more hardy in the appetite than now. Now it is different with me.”

  “Yes. They are too valuable to eat now.”

  “There is a bitter taste to the flesh which I do not like.”

  “They are too valuable to eat, anyway, when the white men will give horses for them.”

  They entered the lane. The mute, meager toys—the fetish-shaped objects made of wood and rags and feathers—lay in the dust about the patinaed doorsteps, among bones and broken gourd dishes. But there was no sound from any cabin, no face in any door; had not been since yesterday, when Issetibbeha died. But they already knew what they would find.

  It was in the central cabin, a house a little larger than the others, where at certain phases of the moon the Negroes would gather to begin their ceremonies before removing after nightfall to the creek bottom, where they kept the drums. In this room they kept the minor accessories, the cryptic ornaments, the ceremonial records which consisted of sticks daubed with red clay in symbols. It had a hearth in the center of the floor, beneath a hole in the roof, with a few cold wood ashes and a suspended iron pot. The window shutters were closed; when the two Indians entered, after the abashless sunlight they could distinguish nothing with the eyes save a movement, shadow, out of which eyeballs rolled, so that the place appeared to be full of Negroes. The two Indians stood in the door.

  “Yao,” Basket said. “I said this is not the good way.”

  “I don’t think I want to be here,” the second said.

  “That is black man’s fear which you smell. It does not smell as ours does.”

  “I don’t think I want to be here.”

  “Your fear has an odor too.”

  “Maybe it is Issetibbeha which we smell.”

  “Yao. He knows. He knows what we will find here. He knew when he died what we should find here today.” Out of the rank twilight of the room the eyes, the smell, of Negroes rolled about them. “I am Three Basket, whom you know,” Basket said into the room. “We are come from the Man. He whom we seek is gone?” The Negroes said nothing. The smell of them, of their bodies, seemed to ebb and flux in the still hot air. They seemed to be musing as one upon something remote, inscrutable. They were like a single octopus. They were like the roots of a huge tree uncovered, the earth broken momentarily upon the writhen, thick, fetid tangle of its lightless and outraged life. “Come,” Basket said. “You know our errand. Is he whom we seek gone?”

  “They are thinking something,” the second said. “I do not want to be here.”

  “They are knowing something,” Basket said.

  “They are hiding him, you think?”

  “No. He is gone. He has been gone since last night. It happened like this before, when the grandfather of him who is now the Man died. It took us three days to catch him. For three days Doom lay above the ground, saying, ‘I see my horse and my dog. But I do not see my slave. What have you done with him that you will not permit me to lie quiet?’ ”

  “They do not like to die.”

  “Yao. They cling. It makes trouble for us, always. A people without honor and without decorum. Always a trouble.”

  “I do not like it here.”

  “Nor do I. But then, they are savages; they cannot be expected to regard usage. That is why I say that this way is a bad way.”

  “Yao. They cling. They would even rather work in the sun than to enter the earth with a chief. But he is gone.”

  The Negroes had said nothing, made no sound. The white eyeballs rolled, wild, subdued; the smell was rank, violent. “Yes, they fear,” the second said. “What shall we do now?”

  “Let us go and talk with the Man.”

  “Will Moketubbe listen?”

  “What can he do? He will not like to. But he is the Man now.”

  “Yao. He is the Man. He can wear the shoes with the red heels all the time now.” They turned and went out. There was no door in the door frame. There were no doors in any of the cabins.

  “He did that anyway,” Basket said.

  “Behind Issetibbeha’s back. But now they are his shoes, since he is the Man.”

  “Yao. Issetibbeha did not like it. I have heard. I know that he said to Moketubbe: ‘When you are the Man, the shoes will be yours. But until then, they are my shoes.’ But now Moketubbe is the Man; he can wear them.”

  “Yao,” the second said. “He is the Man now. He used to wear the shoes behind Issetibbeha’s back, and it was not known if Issetibbeha knew this or not. And then Issetibbeha became dead, who was not old, and the shoes are Moketubbe’s, since he is the Man now. What do you think of that?”

  “I don’t think about it,” Basket said. “Do you?”

  “No,” the second said.

  “Good,” Basket said. “You are wise.”

  II

  The house sat on a knoll, surrounded by oak trees. The front of it was one story in height, composed of the deck house of a steamboat which had gone ashore and which Doom, Issetibbeha’s father, had dismantled with his slaves and hauled on cypress rollers twelve miles home overland. It took them five months. His house consisted at the time of one brick wall. He set the steamboat broadside on to the wall, where now the chipped and flaked gliding of the rococo cornices arched in faint splendor above the gilt lettering of the stateroom names above the jalousied doors.

  Doom had been born merely a subchief, a Mingo, one of three children on the mother’s side of the family. He made a journey—he was a young man then and New Orleans was a European city—from north Mississippi to New Orlean by keel boat, where he met the Chevalier Sœur Blonde de Vitry, a man whose social position, on its face, was as equivocal as Doom’s own. In New Orleans, among the gamblers and cutthroats of the river front, Doom, under the tutelage of his patron, passed as the chief, the Man, the hereditary owner of that land which belonged to the male side of the family; it was the Chevalier de Vitry who spoke of him as l’Homme or de l’Homme, and hence Doom.

  They were seen everywhere together—the Indian, the squat man with a bold, inscrutable, underbred face, and the Parisian, the expatriate, the friend, it was said, of Carondelet and the intimate of General Wilkinson. Then they disappeared, the two of them, vanishing from their old equivocal haunts and leaving behind them the legend of the sums which Doom was believed to have won, and some tale about a young woman, daughter of a fairly well-to-do West Indian family, the son and brother of whom sought Doom with a pistol about his old haunts for some time after his disappearance.

  Six months later the young woman herself disappeared, boarding the Saint Louis packet, which put in one night at a wood landing on the north Mississippi side, where the woman, accompanied by a Negro maid, got off. Four Indians met her with a horse and wagon, and they traveled for three days, slowly, since she was already big with child, to the plantation, where she found that Doom was now chief. He never told her how he accomplished it, save that his uncle and his cousin had died suddenly. Before that time the house had consisted of a brick wall built by shiftless slaves, against which was propped a thatched lean- to divided into rooms and littered with bones and refuse, set in the center of ten thousand acres of matchless parklike forest where deer grazed like domestic cattle. Doom and the woman were married there a short time before Issetibbeha was born, by a combination itinerant minister and slave trader who arrived on a mule, to the saddle of which was lashed a cotton umbrella and a three-gallon demijohn of whiskey. After that, Doom began to acquire more slaves and to cultivate some of his land, as the white people did. But he never had enough for them to do. In utter idleness the majority of t
hem led lives transplanted whole out of African jungles, save on the occasions when, entertaining guests, Doom coursed them with dogs.

  When Doom died, Issetibbeha, his son, was nineteen. He became proprietor of the land and of the quintupled herd of blacks for which he had no use at all. Though the title of Man rested with him, there was a hierarchy of cousins and uncles who ruled the clan and who finally gathered in squatting conclave over the Negro question, squatting profoundly beneath the golden names above the doors of the steamboat.

  “We cannot eat them,” one said.

  “Why not?”

  “There are too many of them.”

  “That’s true,” a third said. “Once we started, we should have to eat them all. And that much flesh diet is not good for man.”

  “Perhaps they will be like deer flesh. That cannot hurt you.”

  “We might kill a few of them and not eat them,” Issetibbeha said.

  They looked at him for a while. “What for?” one said.

  “That is true,” a second said. “We cannot do that. They are too valuable; remember all the bother they have caused us, finding things for them to do. We must do as the white men do.”

  “How is that?” Issetibbeha said.

  “Raise more Negroes by clearing more land to make corn to feed them, then sell them. We will clear the land and plant it with food and raise Negroes and sell them to the white men for money.”

  “But what will we do with this money?” a third said.

  They thought for a while.

  “We will see,” the first said. They squatted, profound, grave.