The Stories of John Cheever

  “Oh, Giuseppe the barber he gotta the cash,” Uncle George sang loudly, “He gotta the bigga the blacka mustache.” He waited for someone to laugh, and when no one did he asked, “What was that?”

  Kate told him, but her eyes were brighter, and he noticed this.

  “You like that kind of thing, don’t you?” he said.

  “Possibly,” she said.

  “It’s crazy, Katie,” he said. “It’s crazy, it’s crazy. You come home with me and Charlie. You and Charlie can live in the other half of my house, and I’ll have a nice American kitchen put in for you.”

  Streeter saw that she was touched by this remark, and he thought she was going to cry. She said quickly, “How in hell do you think America would have been discovered if everybody stayed home in places like Krasbie?”

  “You’re not discovering anything, Katie.”

  “I am. I am.”

  “We’ll all be happier, Mama,” Charlie said. “We’ll all be happier if we have a nice clean house and lots of nice friends and a nice garden and kitchen and stall shower.”

  She stood with her back to them, by the mantelpiece, and said loudly, “No nice friends, no kitchen, no garden, no shower bath or anything else will keep me from wanting to see the world and the different people who live in it.” Then she turned to her son and spoke softly. “You’ll miss Italy, Charlie.”

  The boy laughed his owlish laugh. “I’ll miss the black hairs in my food,” he said. She didn’t make a sound. She didn’t even sigh. Then the boy went to her and began to cry. “I’m sorry, Mummy,” he said. “I’m sorry. That was a dumb thing to say. It’s just an old joke.” He kissed her hands and the tears on her cheeks, and Streeter got up and left.

  “Tel era ci che di meno deforme e di men compassionevole si faceva veclere intorno, i scini, gli agiati,” Streeter read when he went again for his lesson Sunday. “Che dopo tante immagini di miseria, pensando a quella ancor piit grave, per mezzo ella quale dovrem condurre il lettore, no ci fermeremo ore a dir qual fosse lo spettacolo degli appestati che si strascicavano o giacevano per le stracle, de’ poveri, de’ fanciulli, delle donne.”

  The boy had gone, he could tell—not because she said so but because the place seemed that much bigger. In the middle of his lesson, the old Duke of Rome came through in his bathrobe and slippers, carrying a bowl of soup to his sister, who was sick. Kate looked tired, but then she always did, and when the lesson ended and Streeter stood up, wondering if she would mention Charlie or Uncle George, she complimented him on the progress he had made and urged him to finish I Promessi Sposi and to buy a copy of the Divine Comedy for next week. THE WRYSONS

  THE WRYSONS WANTED things in the suburb of Shady Hill to remain exactly as they were. Their dread of change—of irregularity of any sort—was acute, and when the Larkin estate was sold for an old people’s rest home, the Wrysons went to the Village Council meeting and demanded to know what sort of old people these old people were going to be. The Wrysons’ civic activities were confined to upzoning, but they were very active in this field, and if you were invited to their house for cocktails, the chances were that you would be asked to sign an upzoning petition before you got away. This was something more than a natural desire to preserve the character of the community. They seemed to sense that there was a stranger at the gates—unwashed, tirelessly scheming, foreign, the father of disorderly children who would ruin their rose garden and depreciate their real-estate investment, a man with a beard, a garlic breath, and a book. The Wrysons took no part in the intellectual life of the community. There was hardly a book in their house, and, in a place where even cooks were known to have Picasso reproductions hanging above their washstands, the Wrysons’ taste in painting stopped at marine sunsets and bowls of flowers. Donald Wryson was a large man with thinning fair hair and the cheerful air of a bully, but he was a bully only in the defense of rectitude, class distinctions, and the orderly appearance of things. Irene Wryson was not a totally unattractive woman, but she was both shy and contentious, especially contentious on the subject of upzoning. They had one child, a little girl named Dolly, and they lived in a pleasant house on Alewives Lane, and they went in for gardening. This was another way of keeping up the appearance of things, and Donald Wryson was very critical of a neighbor who had ragged syringa bushes and a bare spot on her front lawn. They led a limited social life; they seemed to have no ambitions or needs in this direction, although at Christmas each year they sent out about six hundred cards. The preparation and addressing of these must have occupied their evenings for at least two weeks. Donald had a laugh like a jackass, and people who did not like him were careful not to sit in the same train coach with him. The Wrysons were stiff; they were inflexible. They seemed to experience not distaste but alarm when they found quack grass in their lawn or heard of a contemplated divorce among their neighbors. They were odd, of course. They were not as odd as poor, dizzy Flossie Dolmetch, who was caught forging drug prescriptions and was discovered to have been under the influence of morphine for three years. They were not as odd as Caruthers Mason, with his collection of two thousand lewd photographs, or as odd as Mrs. Temon, who, with those two lovely children in the next room—But why go on? They were odd.

  Irene Wryson’s oddness centered on a dream. She dreamed once or twice a month that someone—some enemy or hapless American pilot—had exploded a hydrogen bomb. In the light of day, her dream was inadmissible, for she could not relate it to her garden, her interest in upzoning, or her comfortable way of life. She could not bring herself to tell her husband at breakfast that she had dreamed about the hydrogen bomb. Faced with the pleasant table and its view of the garden—faced even with rain and snow—she could not find it in herself to explain what had troubled her sleep. The dream cost her much in energy and composure, and often left her deeply depressed. Its sequence of events varied, but it usually went like this.

  The dream was set in Shady Hill—she dreamed that she woke in her own bed. Donald was always gone. She was at once aware of the fact that the bomb had exploded. Mattress stuffing and a trickle of brown water were coming through a big hole in the ceiling. The sky was gray—lightless—although there were in the west a few threads of red light, like those charming vapor trails we see in the air after the sun has set. She didn’t know if these were vapor trails or some part of that force that would destroy the marrow in her bones. The gray air seemed final. The sky would never shine with light again. From her window she could see a river, and now, as she watched, boats began to come upstream. At first, there were only two or three. Then there were tens, and then there were hundreds. There were outboards, excursion boats, yachts, schooners with auxiliary motors; there were even rowboats. The number of boats grew until the water was covered with them, and the noise of motors rose to a loud din. The jockeying for position in this retreat up the river became aggressive and then savage. She saw men firing pistols at one another, and a rowboat, in which there was a family with little children, smashed and sunk by a cruiser. She cried, in her dream, to see this inhumanity as the world was ending. She cried, and she went on watching, as if some truth was being revealed to her—as if she had always known this to be the human condition, as if she had always known the world to be dangerous and the comforts of her life in Shady Hill to be the merest palliative.

  Then in her dream she turned away from the window and went through the bathroom that connected their room and Dolly’s. Her daughter was sleeping sweetly, and she woke her. At this point, her emotions were at their strongest. The force and purity of the love that she felt toward this fragrant child was an agony. She dressed the little girl and put a snowsuit on her and led her into the bathroom. She opened the medicine cabinet, the one place in the house that the Wrysons, in their passion for neatness, had not put in order. It was crowded with leftover medicines from Dolly’s trifling illnesses—cough syrups, calamine lotion for poison ivy, aspirin, and physics. And the mild perfume of these remnants and the tenderness she had felt for her daughter when she was
ill—as if the door of the medicine cabinet had been a window opening onto some dazzling summer of the emotions—made her cry again. Among the bottles was one that said ‘Poison,” and she reached for this and unscrewed the top, and shook into her left hand a pill for herself and one for the girl. She told the trusting child some gentle lie, and was about to put the pill between her lips when the ceiling of the bathroom collapsed and they stood knee deep in plaster and dirty water. She groped around in the water for the poison, but it was lost, and the dream usually ended in this way. And how could she lean across the breakfast table and explain her pallor to her husky husband with this detailed vision of the end of the world? He would have laughed his jackass laugh.

  DONALD WRYSON’S ODDNESS could be traced easily enough to his childhood. He had been raised in a small town in the Middle West that couldn’t have had much to recommend it, and his father, an old-fashioned commercial traveler, with a hothouse rose in his buttonhole and buff-colored spats, had abandoned his wife and his son when the boy was young. Mrs. Wryson had few friends and no family. With her husband gone, she got a job as a clerk in an insurance office, and took up, with her son, a life of unmitigated melancholy and need. She never forgot the horror of her abandonment, and she leaned so heavily for support on her son that she seemed to threaten his animal spirits. Her life was a Calvary, as she often said, and the most she could do was to keep body and soul together.

  She had been young and fair and happy once, and the only way she had of evoking these lost times was by giving her son baking lessons. When the nights were long and cold and the wind whistled around the four-family house where they lived, she would light a fire in the kitchen range and drop an apple peel onto the stove lid for the fragrance. Then Donald would put on an apron and scurry around, getting out the necessary bowls and pans, measuring out flour and sugar, separating eggs. He learned the contents of every cupboard. He knew where the spices and the sugar were kept, the nutmeats and the citron, and when the work was done, he enjoyed washing the bowls and pans and putting them back where they belonged. Donald loved these hours himself, mostly because they seemed to dispel the oppression that stood unlifted over those years of his mother’s life—and was there any reason why a lonely boy should rebel against the feeling of security that he found in the kitchen on a stormy night? She taught him how to make cookies and muffins and banana bread and, finally, a Lady Baltimore cake. It was sometimes after eleven o’clock when their work was done. “We do have a good time together, don’t we, son?” Mrs. Wryson would ask. “We have a lovely time together, don’t we, you and me? Oh, hear that wind howling! Think of the poor sailors at sea.” Then she would embrace him, she would run her fingers through his light hair, and sometimes, although he was much too big, she would draw him onto her lap.

  All of that was long ago. Mrs. Wryson was dead, and when Donald stood at the edge of her grave he had not felt any very great grief. She had been reconciled to dying years before she did die, and her conversation had been full of gallant references to the grave. Years later, when Donald was living alone in New York, he had been overtaken suddenly, one spring evening, by a depression as keen as any in his adolescence. He did not drink, he did not enjoy books or movies or the theatre, and, like his mother, he had few friends. Searching desperately for some way to take himself out of this misery, he hit on the idea of baking a Lady Baltimore cake. He went out and bought the ingredients—deeply ashamed of himself—and sifted the flour and chopped the nuts and citron in the kitchen of the little walk-up apartment where he lived. As he stirred the cake batter, he felt his depression vanish. It was not until he had put the cake in the oven and sat down to wipe his hands on his apron that he realized how successful he had been in summoning the ghost of his mother and the sense of security he had experienced as a child in her kitchen on stormy nights. When the cake was done he iced it, ate a slice, and dumped the rest into the garbage.

  The next time he felt troubled, he resisted the temptation to bake a cake, but he was not always able to do this, and during the eight or nine years he had been married to Irene he must have baked eight or nine cakes. He took extraordinary precautions, and she knew nothing of this. She believed him to be a complete stranger to the kitchen. And how could he at the breakfast table—all two hundred and sixteen pounds of him—explain that he looked sleepy because he had been up until three baking a Lady Baltimore cake, which he had hidden in the garage?

  GIVEN these unpleasant facts, then, about these not attractive people, we can dispatch them brightly enough, and who but Dolly would ever miss them? Donald Wryson, in his crusading zeal for upzoning, was out in all kinds of weather, and let’s say that one night, when he was returning from a referendum in an ice storm, his car skidded down Hill Street, struck the big elm at the corner, and was demolished. Finis. His poor widow, either through love or dependence, was inconsolable. Getting out of bed one morning, a month or so after the loss of her husband, she got her feet caught in the dust ruffle and fell and broke her hip. Weakened by a long convalescence, she contracted pneumonia and departed this life. This leaves us with Dolly to account for, and what a sad tale we can write for this little girl. During the months in which her parents’ will is in probate, she lives first on the charity and then on the forbearance of her neighbors. Finally, she is sent to live with her only relative, a cousin of her mother’s, who is a schoolteacher in Los Angeles. How many hundreds of nights will she cry herself to sleep in bewilderment and loneliness. How strange and cold the world will seem. There is little to remind her of her parents except at Christmas, when, forwarded from Shady Hill, will come Greetings from Mrs. Sallust Trevor, who has been living in Paris and does not know about the accident; Salutations from the Parkers, who live in Mexico and never did get their lists straight; Season’s Greetings from Meyers’ Drugstore; Merry Christmas from the Perry Browns; Santissimas from the Oak Tree Italian Restaurant; A Joyeux Noel from Dodie Smith. Year after year, it will be this little girl’s responsibility to throw into the wastebasket these cheerful holiday greetings that have followed her parents to and beyond the grave… But this did not happen, and if it had, it would have thrown no light on what we know.

  What happened was this: Irene Wryson had her dream one night. When she woke, she saw that her husband was not in bed. The air smelled sweet. Sweating suddenly, the beating of her heart strained with terror, she realized that the end had come. What could that sweetness in the air be but atomic ash? She ran to the window, but the river was empty. Half asleep and feeling cruelly just as she was, she was kept from waking Dolly only by a healthy curiosity. There was smoke in the hallway, but it was not the smoke of any common fire. The sweetness made her feel sure that this was lethal ash. Led on by the smell, she went on down the stairs and through the dining room into the lighted kitchen. Donald was asleep with his head on the table and the room was full of smoke. “Oh, my darling,” she cried, and woke him.

  “I burned it,” he said when he saw the smoke pouring from the oven. “I burned the damned thing.”

  “I thought it was the hydrogen bomb,” she said.

  “It’s a cake,” he said. “I burned it. What made you think it was the hydrogen bomb?”

  “If you wanted something to eat, you should have waked me,” she said.

  She turned off the oven, and opened the window to let out the smell of smoke and let in the smell of nicotiana and other night flowers. She may have hesitated for a moment, for what would the stranger at the gates—that intruder with his beard and his book—have made of this couple, in their nightclothes, in the smoke-filled kitchen at half past four in the morning? Some comprehension—perhaps momentary—of the complexity of life must have come to them, but it was only momentary. There were no further explanations. He threw the cake, which was burned to a cinder, into the garbage, and they turned out the lights and climbed the stairs, more mystified by life than ever, and more interested than ever in a good appearance. THE COUNTRY HUSBAND

  To begin at the beginning, the airpl
ane from Minneapolis in which Francis Weed was traveling East ran into heavy weather. The sky had been a hazy blue, with the clouds below the plane lying so close together that nothing could be seen of the earth. Then mist began to form outside the windows, and they flew into a white cloud of such density that it reflected the exhaust fires. The color of the cloud darkened to gray, and the plane began to rock. Francis had been in heavy weather before, but he had never been shaken up so much. The man in the seat beside him pulled a flask out of his pocket and took a drink. Francis smiled at his neighbor, but the man looked away; he wasn’t sharing his pain killer with anyone. The plane began to drop and flounder wildly. A child was crying. The air in the cabin was overheated and stale, and Francis’ left foot went to sleep. He read a little from a paper book that he had, bought at the airport, but the violence of the storm divided his attention. It was black outside the ports. The exhaust fires blazed and shed sparks in the dark, and, inside, the shaded lights, the stuffiness, and the window curtains gave the cabin an atmosphere of intense and misplaced domesticity. Then the lights flickered and went out. “You know what I’ve always wanted to do?” the man beside Francis said suddenly. “I’ve always wanted to buy a farm in New Hampshire and raise beef cattle.” The stewardess announced that they were going to make an emergency landing. All but the children saw in their minds the spreading wings of the Angel of Death. The pilot could be heard singing faintly, “I’ve got sixpence, jolly, jolly sixpence. I’ve got sixpence to last me all my life…” There was no other sound.