The Stories of John Cheever

  “But of course you don’t have to decide this minute,” Edith went on when he didn’t answer her question. “I don’t suppose you really have to decide until Charlie comes back from Oregon. I mean, there isn’t any special time for planting apple trees, is there? And, speaking of apple trees, how was the fete?”

  Will turned his back and opened a window. Outside, the rain fell steadily, but he doubted then that it was the rain that had heightened Edith’s color and made her eyes shine. He heard Maria reply, and then he heard Edith ask, “When did you people leave?” She could not keep the excitement out of her voice. “And I understand that a pair of slippers and a girdle…” Will swung around. “Is that what you came here to talk about?” he asked sharply.

  “What?”

  “Is that what you came here to talk about?”

  “I really came here to talk about apple trees.”

  “I gave Charlie a check for those apple trees six months ago.”

  “Charlie didn’t tell me.”

  “Why should he? It was all settled.”

  “Well, I guess I’d better go.”

  “Please do,” Will said. “Please go. And if anyone asks how we are, tell them we’re getting along fine.”

  “Oh, Will, Will, Will!” Maria said.

  “I seem to have come at the wrong time,” Edith said.

  “And when you call the Trenchers and the Farquarsons and the Abbotts and the Beardens, tell them that I don’t give a good goddamn what happened at the party. Tell them to think up some gossip about someone else. Tell them to imagine some filth about the Fuller Brush man or the chump who delivers eggs on Friday or the Slaters’ gardener, but tell them to leave us alone.”

  She was gone. Maria, crying, looked at him so wantonly that he nearly choked. Then she climbed the stairs in her gray silk dress and shut the door to their room. He followed her and found her lying on their bed in the dark. “Who was it, Mummy?” he asked. “Just tell me who it was and I’ll forget about it.”

  “It wasn’t anybody,” she said. “There wasn’t anybody.”

  “Now, Mummy,” he said heavily. “I know better than that. I don’t want to reproach you. That isn’t why I ask, I just want to know so I can forget about it.”

  “Please let me alone!” she cried. “Please let me alone for a little while.”

  Waking at dawn in the guest room, Will saw the whole thing clearly. He was astonished to realize how the strength of his feeling had obstructed his vision. The villain was Henry Bulstrode. It was Henry who had been with her on the train when she returned that rainy night at two. It was Henry who had whistled when she did her dance at the Women’s Club. It was Henry’s head and shoulders he had seen on Madison Avenue when he recognized Maria ahead of him. And now he remembered poor Helen Bulstrode’s haggard face at the Townsends’ party—the face of a woman who was married to a libertine. It was her husband’s unregeneracy that she had been trying to forget. The spate of drunken French she had aimed at him must have been about Maria and Henry. Henry Bulstrode’s face, grinning with naked and lascivious mockery, appeared in the middle of the guest room. There was only one thing to do.

  Will bathed, dressed, and ate his breakfast. Maria slept on. It was still early when he finished his coffee, and he decided to walk to the train. He strode down Shadrock Road with the peculiar briskness of the aging. Only a few people had gathered on the platform for the eight-nineteen when he reached the station. Trace Bearden joined him, and then Buff Worden. And then Henry Bulstrode stepped out of the waiting room, showed his white teeth in a smile, and frowned at his newspaper. Without any warning at all, Will walked over to him and knocked him down. Women screamed, and the scuffle that followed was very confusing. Herbert McGrath, who had missed the action, assumed that Henry had started it and stood over him saying, “No more of this, young man! No more of this!” Trace and Buff pinned Will’s arms to his sides and quick-stepped him down to the far end of the platform, asking, “You crazy, Will? Have you gone crazy?” Then the eight-nineteen came around the bend, the fracas was suspended by the search for seats, and when the stationmaster rushed out onto the platform to see what was happening, the train had departed and they were all gone.

  The amazing thing was how well Will felt when he boarded the train. Now his fruitful life with Maria would be resumed. They would walk on Sunday afternoons again, and play word games by the open fire again, and weed the roses again, and love one another under the sounds of the rain again, and hear the singing of the crows; and he would buy her a present that afternoon as a signal of love and forgiveness. He would buy her pearls or gold or sapphires—something expensive; emeralds maybe; something no young man could afford. BRIMMER

  No one is interested in a character like Brimmer because the facts are indecent and obscene; but come then out of the museums, gardens, and ruins where obscene facts are as numerous as daisies in Nantucket. In the dense population of statuary around the Mediterranean shores there are more satyrs than there are gods and heroes. Their general undesirability in organized society only seems to have whetted their aggressiveness and they are everywhere; they are in Paestum and Syracuse and in the rainy courts and porches north of Florence. They are even in the gardens of the American Embassy. I don’t mean those pretty boys with long ears—although Brimmer may have been one of those in the beginning. I mean the older satyrs with lined faces and conspicuous tails. They always carry grapes or pipes, and the heads are up and back in attitudes of glee. Aside from the long ears, the faces are never animal—these are the faces of men, sometimes comely and youthful, but advanced age does not change in any way the lively cant of the head and the look of lewd glee.

  I speak of a friend, an acquaintance anyhow—a shipboard acquaintance on a rough crossing from New York to Naples. These were his attitudes in the bar where I mostly saw him. His eyes had a pale, horizontal pupil like a goat’s eye. Laughing eyes, you might have said, although they were sometimes very glassy. As for the pipes, he played, so far as I know, no musical instrument; but the grapes could be accounted for by the fact that he almost always had a glass in his hand. Many of the satyrs stand on one leg with the other crossed over in front—toe down, heel up—and that’s the way he stood at the bar, his legs crossed, his head up in that look of permanent glee, and the grapes, so to speak, in his right hand. He was lively—witty and courteous and shrewd—but had he been much less I would have been forced to drink and talk with him anyhow. Excepting Mme. Troyan, there was no one else on board I would talk with.

  How dull travel really is! How, at noon, when the whistle sounds and the band plays and the confetti has been thrown, we seem to have been deceived into joining something that subsists upon the patronage of the lonely and the lost—the emotionally second-rate of all kinds. The whistle blows again. The gangways and the lines are cleared and the ship begins to move. We see the faces of our dearly beloved friends and relations rubbed out by distance, and going over to the port deck to make a profoundly emotional farewell to the New York skyline we find the buildings hidden in rain. Then the chimes sound and we go below to eat a heavy lunch. Obsolescence might explain that chilling unease we experience when we observe the elegance of the lounges and the wilderness of the sea. What will we do between now and tea? Between tea and dinner? Between dinner and the horse races? What will we do between here and landfall?

  She was the oldest ship of the line and was making that April her last Atlantic crossing. Many seasoned travelers came down to say goodbye to her famous interiors and to filch an ashtray or two, but they were sentimentalists to a man, and when the go-ashore was sounded they all went ashore, leaving the rest of us, so to speak, alone. It was a cheerless, rainy midday with a swell in the channel and, beyond the channel, gale winds and high seas. Her obsolescence you could see at once was more than a matter of marble fireplaces and grand pianos. She was a tub. It was not possible to sleep on the first night out, and going up on deck in the morning I saw that one of the lifeboats had been damaged in the gale.
Below me, in second class, some undiscourageable travelers were trying to play Ping-Pong in the rain. It was a bleak scene to look at and a hopeless prospect for the players and they finally gave up. A few minutes later a miscalculation of the helmsman sent a wall of water up the side of the ship and filled the stern deck with a boiling sea. Up swam the Ping-Pong table and; as I watched, it glided overboard and could be seen bobbing astern in the wake, a reminder of how mysterious the world must seem to a man lost overboard.

  Below, all the portable furniture had been corralled and roped together as if this place were for sale. Ropes were strung along all the passageways, and all the potted palm trees had been put into some kind of brig. It was hot—terribly hot and humid—and the elegant lounges, literally abandoned and very much abandoned in their atmosphere, seemed to be made, if possible, even more forlorn by the continuous music of the ship’s orchestra. They began to play that morning and they played for the rest of the voyage and they played for no one. They played day and night to those empty rooms where the chairs were screwed to the floor. They played opera. They played old dance music. They played selections from Show Boat. Above the crashing of the mountainous seas there was always this wild, tiresome music in the air. And there was really nothing to do. You couldn’t write letters, everything tipped so; and if you sat in a chair to read, it would withdraw itself from you and then rush up to press itself against you like some apple-tree swing. You couldn’t play cards, you couldn’t play chess, you couldn’t even play Scrabble. The grayness, the thinly jubilant and continuous music, and the roped-up furniture all made it seem like an unhappy dream, and I wandered around like a dreamer until twelve-thirty, when I went into the bar. The regulars in the bar then were a Southern family—Mother, Father, Sister, and Brother. They were going abroad for a year. Father had retired and this was their first trip. There were also a couple of women whom the bartender identified as a “Roman businesswoman” and her secretary. And there was Brimmer, myself, and presently Mme. Troyan. I had drinks with Brimmer on the second day out. He was a man of about my age, I should say, slender, with well-kept hands that were, for some reason, noticeable, and a light but never monotonous voice and a charming sense of urgency—liveliness—that seemed to have nothing to do with nervousness. We had lunch and dinner together and drank in the bar after dinner. We knew the same places, but none of the same people, and yet he seemed to be an excellent companion. When we went below—he had the cabin next to mine—I was contented to have found someone I could talk with for the next ten days.

  Brimmer was in the bar the next day at noon, and while we were there Mme. Troyan looked in. Brimmer invited her to join us and she did. At my ripe age, Mme. Troyan’s age meant nothing. A younger man might have placed her in her middle thirties and might have noticed that the lines around her eyes were ineradicable. For me these lines meant only a proven capacity for wit and passion. She was a charming woman who did not mean to be described. Her dark hair, her pallor, her fine arms, her vivacity, her sadness when the bartender told us about his sick son in Genoa, her impersonations of the captain—the impression of a lovely and a brilliant woman who was accustomed to seeming delightful was not the listed sum of her charms.

  We three had lunch and dinner together and danced in the ballroom after dinner—we were the only dancers—but when the music stopped and Brimmer and Mme. Troyan started back to the bar I excused myself and went down to bed. I was pleased with the evening and when I closed my cabin door I thought how pleasant it would have been to have Mme. Troyan’s company. This was, of course, impossible, but the memory of her dark hair and her white arms was still strong and cheering when I turned out the light and got into bed. While I waited patiently for sleep it was revealed to me that Mme. Troyan was in Brimmer’s cabin.

  I was indignant. She had told me that she had a husband and three children in Paris—and what, I thought, about them? She and Brimmer had only met by chance that morning and what carnal anarchy would crack the world if all such chance meetings were consummated! If they had waited a day or two—long enough to give at least the appearance of founding their affair on some romantic or sentimental basis—I think I would have found it more acceptable. To act so quickly seemed to me skeptical and depraved. Listening to the noise of the ship’s motors and the faint sounds of tenderness next door, I realized that I had left my way of life a thousand knots astern and that there is no inclination to internationalism in my disposition. They were both, in a sense, Europeans.

  But the sounds next door served as a kind of trip wire: I seemed to stumble and fall on my face, skinning and bruising myself here and there and scattering my emotional and intellectual possessions. There was no point in pretending that I had not fallen, for when we are stretched out in the dirt we must pick ourselves up and brush off our clothes. This then, in a sense, is what I did, reviewing my considered opinions on marriage, constancy, man’s nature, and the importance of love. When I had picked up my possessions and repaired my appearance, I fell asleep.

  It was dark and rainy in the morning—now the wind was cold—and I walked around the upper deck, four laps to the mile, and saw no one. The immorality next door would have changed my relationship to Brimmer and Mme. Troyan, but I had no choice but to look forward to meeting them in the bar at noon. I had no resources to enliven a deserted ship and a stormy sea. My depraved acquaintances were in the bar when I went there at half past twelve, and they had ordered a drink for me. I was content to be with them and thought perhaps they regretted what they had done. We lunched together, amiably, but when I suggested that we find a fourth and play some bridge Brimmer said that he had to send some cables and Mme. Troyan wanted to rest. There was no one in the lounges or on the decks after lunch, and when the orchestra began, dismally, to tune up for their afternoon concert, I went down to my cabin, where I discovered that Brimmer’s cables and Mme. Troyan’s rest were both fabrications, meant, I suppose, to deceive me. She was in his cabin again. I went up and took a long walk around the deck with an Episcopalian clergyman. I found him to be a most interesting man, but he did not change the subject, since he was taking a vacation from a parish where alcoholism and morbid promiscuity were commonplace. I later had a drink with the clergyman in the bar, but Brimmer and Mme. Troyan didn’t show up for dinner.

  They came into the bar for cocktails before lunch on the next day. I thought they both looked tired. They must have had sandwiches in the bar or made some other arrangement because I didn’t see them in the dining room. That evening the sky cleared briefly—it was the first clearing of the voyage—and I watched this from the stern deck with my friend the minister. How much more light we see from an old ship than we see from the summit of a mountain! The cuts in the overcast, filled with colored light, the heights and reaches all reminded me of my dear wife and children and our farm in New Hampshire and the modest pyrotechnics of a sunset there. I found Mme. Troyan and Brimmer in the bar when I went down before dinner, but they didn’t know the sky had cleared.

  They didn’t see the Azores, nor were they around two days later when we sighted Portugal. It was half past four or five in the afternoon. First, there was some slacking off in the ship’s roll. She was still rolling, but you could go from one place to another without ending up on your face, and the stewards had begun to take down the ropes and rearrange the furniture. Then on our port side we could see some cliffs and, above them, round hills rising to form a mountain, and on the summit some ruined fort or bastion—lowlying, but beautiful—and behind this a bank of cloud so dense that it was not until we approached the shore that you could distinguish which was cloud and which was mountain. A few gulls picked us up, and then villas could be seen, and there was the immemorial smell of inshore water like my grandfather’s bathing shoes. Here was a different sea—catboats and villas and fish nets and sand castles flying flags and people calling in their children off the beach for supper. This was the landfall, and as I went up toward the bow I heard the Sanctus bell in the ballroom, where the priest was sayin
g prayers of thanksgiving over water that has seen, I suppose, a million, million times the bells and candles of the Mass. Everyone was at the bow, as pleased as children to see Portugal. Everyone stayed late to watch the villas take shape, the lights go on, and to smell the shallows. Everyone but Brimmer and Mme. Troyan, who were still in Brimmer’s cabin when I went down, and who couldn’t have seen anything.

  Mme. Troyan left the ship at Gibraltar the next morning, when her husband was to meet her. We got there at dawn—very cold for April—cold and bleak with snow on the African mountains and the smell of snow in the air. I didn’t see Brimmer around, although he may have been on another deck. I watched a deckhand put the bags aboard the cutter, and then Mme. Troyan walked swiftly onto the cutter herself, wearing a coat over her shoulders and carrying a scarf. She went to the stern and began to wave her scarf to Brimmer or to me or to the ship’s musicians—since we were the only people she had spoken to on the crossing. But the boat moved more swiftly than my emotions and, in the few minutes it took for my stray feelings of tenderness to accumulate, the cutter had moved away from the ship, and the shape, the color of her face was lost.

  When we left Gibraltar, the potted palms were retired again, the lines were put up, and the ship’s orchestra began to play. It remained rough and dreary. Brimmer was in the bar at half past twelve looking very absent-minded, and I suppose he missed Mme. Troyan. I didn’t see him again until after dinner, when he joined me in the bar. Something, sorrow I suppose, was on his mind, and when I began to talk about Nantucket (where we had both spent some summers) his immense reservoirs of courtesy seemed taxed. He excused himself and left; half an hour later I saw that he was drinking in the lounge with the mysterious businesswoman and her secretary.