The Complete Novels of George Orwell

  But meanwhile I wasn't badly off. I was earning a bit and I'd still got plenty of money in the bank, nearly two hundred quid, and I wasn't frightened for the future. I knew that sooner or later I'd get a regular job. And sure enough, after about a year, by a stroke of luck it happened. I say by a stroke of luck, but the fact is that I was bound to fall on my feet. I'm not the type that starves. I'm about as likely to end up in the workhouse as to end Up in the House of Lords. I'm the middling type, the type that gravitates by a kind of natural law towards the five-pound-a-week level. So long as there are any jobs at all I'll back myself to get one.

  It happened when I was peddling paper-clips and typewriter ribbons. I'd just dodged into a huge block of offices in Fleet Street, a building which canvassers weren't allowed into, as a matter of fact, but I'd managed to give the lift attendant the impression that my bag of samples was merely an attache case. I was walking along one of the corridors looking for the offices of a small toothpaste firm that I'd been recommended to try, when I saw that some very big bug was coming down the corridor in the other direction. I knew immediately that it was a big bug. You know how it is with these big business men, they seem to take up more room and walk more loudly than any ordinary person, and they give off a kind of wave of money that you can feel fifty yards away. When he got nearly up to me I saw that it was Sir Joseph Cheam. He was in civvies, of course, but I had no difficulty in recognizing him. I suppose he'd been there for some business conference or other. A couple of clerks, or secretaries, or something, were following after him, not actually holding up his train, because he wasn't wearing one, but you somehow felt that that was what they were doing. Of course I dodged aside instantly. But curiously enough he recognized me, though he hadn't seen me for years. To my surprise he stopped and spoke to me.

  'Hullo, you! I've seen you somewhere before. What's your name? It's on the tip of my tongue.'

  'Bowling, sir. Used to be in the A.S.C.'

  'Of course. The boy that said he wasn't a gentleman. What are you doing here?'

  I might have told him I was selling typewriter ribbons, and there perhaps the whole thing would have ended. But I had one of those sudden inspirations that you get occasionally-a feeling that I might make something out of this if I handled it properly. I said instead:

  'Well, sir, as a matter of fact I'm looking for a job.'

  'A job, eh? Hm. Not so easy, nowadays.'

  He looked me up and down for a second. The two train-bearers had kind of wafted themselves a little distance away. I saw his rather good-looking old face, with the heavy grey eyebrows and the intelligent nose, looking me over and realized that he'd decided to help me. It's queer, the power of these rich men. He'd been marching past me in his power and glory, with his underlings after him, and then on some whim or other he'd turned aside like an emperor suddenly chucking a coin to a beggar.

  'So you want a job? What can you do?'

  Again the inspiration. No use, with a bloke like this, cracking up your own merits. Stick to the truth. I said: 'Nothing, sir. But I want a job as a travelling salesman.'

  'Salesman? Hm. Not sure that I've got anything for you at present. Let's see.'

  He pursed his lips up. For a moment, half a minute perhaps, he was thinking quite deeply. It was curious. Even at the time I realized that it was curious. This important old bloke, who was probably worth at least half a million, was actually taking thought on my behalf. I'd deflected him from his path and wasted at least three minutes of his time, all because of a chance remark I'd happened to make years earlier. I'd stuck in his memory and therefore he was willing to take the tiny bit of trouble that was needed to find me a job. I dare say the same day he gave twenty clerks the sack. Finally he said:

  'How'd you like to go into an insurance firm? Always fairly safe, you know. People have got to have insurance, same as they've got to eat.'

  Of course I jumped at the idea of going into an insurance firm. Sir Joseph was 'interested' in the Flying Salamander. God knows how many companies he was 'interested' in. One of the underlings wafted himself forward with a scribbling-pad, and there and then, with the gold stylo out of his waistcoat pocket, Sir Joseph scribbled me a note to some higher-up in the Flying Salamander. Then I thanked him, and he marched on, and I sneaked off in the other direction, and we never saw one another again.

  Well, I got the job, and, as I said earlier, the job got me. I've been with the Flying Salamander close on eighteen years. I started off in the office, but now I'm what's known as an Inspector, or, when there's reason to sound particularly impressive, a Representative. A couple of days a week I'm working in the district office, and the rest of the time I'm travelling around, interviewing clients whose names have been sent in by the local agents, making assessments of shops and other property, and now and again snapping up a few orders on my own account. I earn round about seven quid a week. And properly speaking that's the end of my story.

  When I look back I realize that my active life, if I ever had one, ended when I was sixteen. Everything that really matters to me had happened before that date. But in a manner of speaking things were still happening-the war, for instance-up to the time when I got the job with the Flying Salamander. After that-well, they say that happy people have no histories, and neither do the blokes who work in insurance offices. From that day forward there was nothing in my life that you could properly describe as an event, except that about two and a half years later, at the beginning of '23, I got married.

  10

  I was living in a boarding-house in Ealing. The years were rolling on, or crawling on. Lower Binfield had passed almost out of my memory. I was the usual young city worker who scoots for the 8.15 and intrigues for the other fellow's job. I was fairly well thought of in the firm and pretty satisfied with life. The post-war success dope had caught me, more or less. You remember the line of talk. Pep, punch, grit, sand. Get on or get out. There's plenty of room at the top. You can't keep a good man down. And the ads in the magazines about the chap that the boss clapped on the shoulder, and the keenjawed executive who's pulling down the big dough and attributes his success to so and so's correspondence course. It's funny how we all swallowed it, even blokes like me to whom it hadn't the smallest application. Because I'm neither a go-getter nor a down-and-out, and I'm by nature incapable of being either. But it was the spirit of the time. Get on! Make good! If you see a man down, jump on his guts before he gets up again. Of course this was in the early twenties, when some of the effects of the war had worn off and the slump hadn't yet arrived to knock the stuffing out of us.

  I had an 'A' subscription at Boots and went to half-crown dances and belonged to a local tennis club. You know those tennis clubs in the genteel suburbs-little wooden pavilions and high wire-netting enclosures where young chaps in rather badly cut white flannels prance up and down, shouting 'Fifteen forty!' and 'Vantage all!' in voices which are a tolerable imitation of the Upper Crust. I'd learned to play tennis, didn't dance too badly, and got on well with the girls. At nearly thirty I wasn't a bad-looking chap, with my red face and butter-coloured hair, and in those days it was still a point in your favour to have fought in the war. I never, then or at any other time, succeeded in looking like a gentleman, but on the other hand you probably wouldn't have taken me for the son of a small shopkeeper in a country town. I could keep my end up in the rather mixed society of a place like Ealing, where the office-employee class overlaps with the middling-professional class. It was at the tennis club that I first met Hilda.

  At that time Hilda was twenty-four. She was a small, slim, rather timid girl, with dark hair, beautiful movements, and-because of having very large eyes-a distinct resemblance to a hare. She was one of those people who never say much, but remain on the edge of any conversation that's going on, and give the impression that they're listening. If she said anything at all, it was usually 'Oh, yes, I think so too', agreeing with whoever had spoken last. At tennis she hopped about very gracefully, and didn't play badly, but someh
ow had a helpless, childish air. Her surname was Vincent.

  If you're married, there'll have been times when you've said to yourself 'Why the hell did I do it?' and God knows I've said it often enough about Hilda. And once again, looking at it across fifteen years, why did I marry Hilda?

  Partly, of course, because she was young and in a way very pretty. Beyond that I can only say that because she came of totally different origins from myself it was very difficult for me to get any grasp of what she was really like. I had to marry her first and find out about her afterwards, whereas if I'd married say, Elsie Waters, I'd have known what I was marrying. Hilda belonged to a class I only knew by hearsay, the poverty-stricken officer class. For generations past her family had been soldiers, sailors, clergymen, Anglo-Indian officials, and that kind of thing. They'd never had any money, but on the other hand none of them had ever done anything that I should recognize as work. Say what you will, there's a kind of snob-appeal in that, if you belong as I do to the God-fearing shopkeeper class, the low church, and high-tea class. It wouldn't make any impression on me now, but it did then. Don't mistake what I'm saying. I don't mean that I married Hilda because she belonged to the class I'd once served across the counter, with some notion of jockeying myself up in the social scale. It was merely that I couldn't understand her and therefore was capable of being goofy about her. And one thing I certainly didn't grasp was that the girls in these penniless middle-class families will marry anything in trousers, just to get away from home.

  It wasn't long before Hilda took me home to see her family. I hadn't known till then that there was a considerable Anglo-Indian colony in Ealing. Talk about discovering a new world! It was quite a revelation to me.

  Do you know these Anglo-Indian families? It's almost impossible, when you get inside these people's houses, to remember that out in the street it's England and the twentieth century. As soon as you set foot inside the front door you're in India in the eighties. You know the kind of atmosphere. The carved teak furniture, the brass trays, the dusty tiger-skulls on the wall, the Trichinopoly cigars, the red-hot pickles, the yellow photographs of chaps in sun-helmets, the Hindustani words that you're expected to know the meaning of, the everlasting anecdotes about tiger-shoots and what Smith said to Jones in Poona in'87. It's a sort of little world of their own that they've created, like a kind of cyst. To me, of course, it was all quite new and in some ways rather interesting. Old Vincent, Hilda's father, had been not only in India but also in some even more outlandish place, Borneo or Sarawak, I forget which. He was the usual type, completely bald, almost invisible behind his moustache, and full of stories about cobras and cummerbunds and what the district collector said in'93. Hilda's mother was so colourless that she was just like one of the faded photos on the wall. There was also a son, Harold, who had some official job in Ceylon and was home on leave at the time when I first met Hilda. They had a little dark house in one of those buried back-streets that exist in Ealing. It smelt perpetually of Trichinopoly cigars and it was so full of spears, blowpipes, brass ornaments, and the heads of wild animals that you could hardly move about in it.

  Old Vincent had retired in 1910, and since then he and his wife had shown about as much activity, mental or physical, as a couple of shellfish. But at the time I was vaguely impressed by a family which had had majors, colonels, and once even an admiral in it. My attitude towards the Vincents, and theirs towards me, is an interesting illustration of what fools people can be when they get outside their own line. Put me among business people-whether they're company directors or commercial travellers-and I'm a fairly good judge of character. But I had no experience whatever of the officer-rentier-clergyman class, and I was inclined to kow-tow to these decayed throw-outs. I looked on them as my social and intellectual superiors, while they on the other hand mistook me for a rising young businessman who before long would be pulling down the big dough. To people of that kind, 'business', whether it's marine insurance or selling peanuts, is just a dark mystery. All they know is that it's something rather vulgar out of which you can make money. Old Vincent used to talk impressively about my being 'in business'-once, I remember, he had a slip of the tongue and said 'in trade'-and obviously didn't grasp the difference between being in business as an employee and being there on your own account. He had some vague notion that as I was 'in' the Flying Salamander I should sooner or later rise to the top of it, by a process of promotion. I think it's possible that he also had pictures of himself touching me for fivers at some future date. Harold certainly had. I could see it in his eye. In fact, even with my income being what it is, I'd probably be lending money to Harold at this moment if he were alive. Luckily he died a few years after we were married, of enteric or something, and both the old Vincents are dead too.

  Well, Hilda and I were married, and right from the start it was a flop. Why did you marry her? you say. But why did you marry yours? These things happen to us. I wonder whether you'll believe that during the first two or three years I had serious thoughts of killing Hilda. Of course in practice one never does these things, they're only a kind of fantasy that one enjoys thinking about. Besides, chaps who murder their wives always get copped. However cleverly you've faked the alibi, they know perfectly well that it's you who did it, and they'll pin it on to you somehow. When a woman's bumped off, her husband is always the first suspect-which gives you a little side-glimpse of what people really think about marriage.

  One gets used to everything in time. After a year or two I stopped wanting to kill her and started wondering about her. Just wondering. For hours, sometimes, on Sunday afternoons or in the evening when I've come home from work, I've lain on my bed with all my clothes on except my shoes, wondering about women. Why they're like that, how they get like that, whether they're doing it on purpose. It seems to be a most frightful thing, the suddenness with which some women go to pieces after they're married. It's as if they were strung up to do just that one thing, and the instant they've done it they wither off like a flower that's set its seed. What really gets me down is the dreary attitude towards life that it implies. If marriage was just an open swindle-if the woman trapped you into it and then turned round and said, 'Now, you bastard, I've caught you and you're going to work for me while I have a good time!'-I wouldn't mind so much. But not a bit of it. They don't want to have a good time, they merely want to slump into middle age as quickly as possible. After the frightful battle of getting her man to the altar, the woman kind of relaxes, and all her youth, looks, energy, and joy of life just vanish overnight. It was like that with Hilda. Here was this pretty, delicate girl, who'd seemed to me-and in fact when I first knew her she was-a finer type of animal than myself, and within only about three years she'd settled down into a depressed, lifeless, middle-aged frump. I'm not denying that I was part of the reason. But whoever she'd married it would have been much the same.

  What Hilda lacks-I discovered this about a week after we were married-is any kind of joy in life, any kind of interest in things for their own sake. The idea of doing things because you enjoy them is something she can hardly understand. It was through Hilda that I first got a notion of what these decayed middle-class families are really like. The essential fact about them is that all their vitality has been drained away by lack of money. In families like that, which live on tiny pensions and annuities-that's to say on incomes which never get bigger and generally get smaller-there's more sense of poverty, more crust-wiping, and looking twice at sixpence, than you'd find in any farmlabourer's family, let alone a family like mine. Hilda's often told me that almost the first thing she can remember is a ghastly feeling that there was never enough money for anything. Of course, in that kind of family, the lack of money is always at its worst when the kids are at the school-age. Consequently they grow up, especially the girls, with a fixed idea not only that one always is hard-up but that it's one's duty to be miserable about it.

  At the beginning we lived in a poky little maisonette and had a job to get by on my wages. Later,
when I was transferred to the West Bletchley branch, things were better, but Hilda's attitude didn't change. Always that ghastly glooming about money! The milk bill! The coal bill! The rent! The school fees! We've lived all our life together to the tune of 'Next week we'll be in the workhouse.' It's not that Hilda's mean, in the ordinary sense of the word, and still less that she's selfish. Even when there happens to be a bit of spare cash knocking about I can hardly persuade her to buy herself any decent clothes. But she's got this feeling that you ought to be perpetually working yourself up into a stew about lack of money. Just working up an atmosphere of misery from a sense of duty. I'm not like that. I've got more the prole's attitude towards money. Life's here to be lived, and if we're going to be in the soup next week-well, next week is a long way off. What really shocks her is the fact that I refuse to worry. She's always going for me about it. 'But, George! You don't seem to realize! We've simply got no money at all! It's very serious!' She loves getting into a panic because something or other is 'serious'. And of late she's got that trick, when she's glooming about something, of kind of hunching her shoulders and folding her arms across her breast. If you made a list of Hilda's remarks throughout the day, you'd find three bracketed together at the top-'We can't afford it', 'It's a great saving', and 'I don't know where the money's to come from'. She does everything for negative reasons. When she makes a cake she's not thinking about the cake, only about how to save butter and eggs. When I'm in bed with her all she thinks about is how not to have a baby. If she goes to the pictures she's all the time writhing with indignation about the price of the seats. Her methods of housekeeping, with all the emphasis on 'using things up' and 'making things do', would have given Mother convulsions. On the other hand, Hilda isn't in the least a snob. She's never looked down on me because I'm not a gentleman. On the contrary, from her point of view I'm much too lordly in my habits. We never have a meal in a tea-shop without a frightful row in whispers because I'm tipping the waitress too much. And it's a curious thing that in the last few years she's become much more definitely lower-middle-class, in outlook and even in appearance, than I am. Of course all this 'saving' business has never led to anything. It never does. We live just about as well or as badly as the other people in Ellesmere Road. But the everlasting stew about the gas bill and the milk bill and the awful price of butter and the kids' boots and school-fees goes on and on. It's a kind of game with Hilda.