The Princess Casamassima (Classics)

  ‘I was much obliged to you for your letters,’ Mr Vetch remarked, without heeding these words, and continuing to scrape. He had always, even into the shabbiness of his old age, kept that mark of English good-breeding (which is composed of some such odd elements), that there was a shyness, an aversion to possible phrasemaking, in his manner of expressing gratitude for favours, and that in spite of this cursory tone his acknowledgment had ever the accent of sincerity.

  Hyacinth took but little interest in the play, which was an inanimate revival; he had been at the Théâtre Français and the tradition of that house was still sufficiently present to him to make any other style of interpretation appear of the clumsiest. He sat in one of the front stalls, close to the orchestra; and while the piece went forward – or backward, ever backward, as it seemed to him – his thoughts wandered far from the shabby scene and the dusty boards, revolving round a question which had come up immensely during the last few hours. The Princess was a capricciosa219 – that, at least, was Madame Grandoni’s account of her; and was that blank, expressionless house in South Street a sign that an end had come to the particular caprice in which he had happened to be involved? He had returned to London with an ache of eagerness to be with her again on the same terms as at Medley, a throbbing sense that unless she had been abominably dishonest he might count upon her. This state of mind was by no means complete security, but it was so sweet that it mattered little whether it were sound. Circumstances had favoured in an extraordinary degree his visit to her, and it was by no means clear that they would again be so accommodating or that what had been possible for a few days should be possible with continuity, in the midst of the ceremonies and complications of London. Hyacinth felt poorer than he had ever felt before, inasmuch as he had had money and spent it, whereas in previous times he had never had it to spend. He never for an instant regretted his squandered fortune, for he said to himself that he had made a good bargain and become master of a precious equivalent. The equivalent was a rich experience – an experience which would become richer still as he should talk it over, in a low chair, close to hers, with the all-comprehending, all-suggesting lady of his life. His poverty would be no obstacle to their intercourse so long as he should have a pair of legs to carry him to her door; for she liked him better shabby than when he was furbished up, and she had given him too many pledges, they had taken together too many appointments, worked out too many programmes, to be disconcerted (on either side) by obstacles that were merely a part of the general conventionality. He was to go with her into the slums, to introduce her to the worst that London contained (he should have, precisely, to make acquaintance with it first), to show her the reality of the horrors of which she dreamed that the world might be purged. He had ceased, himself, to care for the slums, and had reasons for not wishing to spend his remnant in the contemplation of foul things; but he would go through with his part of the engagement. He might be perfunctory, but any dreariness would have a gilding that should involve an association with her. What if she should have changed, have ceased to care? What if, from a kind of royal insolence which he suspected to lurk somewhere in the side-scenes of her nature, though he had really not once seen it peep out, she should toss back her perfect head with a movement signifying that he was too basely literal and that she knew him no more? Hyacinth’s imagination represented her this evening in places where a barrier of dazzling light shut her out from access, or even from any appeal. He saw her with other people, in splendid rooms, where ‘the dukes’ had possession of her, smiling, satisfied, surrounded, covered with jewels. When this vision grew intense he found a reassurance in reflecting that after all she would be unlikely to throw him personally over so long as she should remain mixed up with what was being planned in the dark, and that it would not be easy for her to liberate herself from that entanglement. She had of course told him more, at Medley, of the manner in which she had already committed herself, and he remembered, with a strange perverse elation, that she had gone very far indeed.

  In the intervals of the foolish play Mr Vetch, who lingered in his place in the orchestra while his mates descended into the little hole under the stage, leaned over the rail and asked his young friend occasional questions, carrying his eyes at the same time up about the dingy house, at whose smoky ceiling and tarnished galleries he had been staring for so many a year. He came back to Hyacinth’s letters, and said, ‘Of course you know they were clever; they entertained me immensely. But as I read them I thought of poor Pinnie: I wished she could have listened to them; they would have made her so happy.’

  ‘Yes, poor Pinnie,’ Hyacinth murmured, while Mr Vetch went on:

  ‘I was in Paris in 1840; I stayed at a small hotel in the Rue Mogador. I judge everything is changed, from your letters. Does the Rue Mogador still exist? Yes, everything is changed. I daresay it’s all much finer, but I liked it very much as it was then. At all events, I am right in supposing – am I not? – that it cheered you up considerably, made you really happy.’

  ‘Why should I have wanted any cheering? I was happy enough,’ Hyacinth replied.

  The fiddler turned his old white face upon him; it had the unhealthy smoothness which denotes a sedentary occupation, thirty years spent in a close crowd, amid the smoke of lamps and the odour of stage-paint. ‘I thought you were sad about Pinnie,’ he remarked.

  ‘When I jumped, with that avidity, at your proposal that I should take a tour? Poor old Pinnie!’ Hyacinth added.

  ‘Well, I hope you think a little better of the world. We mustn’t make up our mind too early in life.’

  ‘Oh, I have made up mine: it’s an awfully jolly place.’

  ‘Awfully jolly, no; but I like it as I like an old pair of shoes – I like so much less the idea of putting on the new ones.’

  ‘Why should I complain?’ Hyacinth asked. ‘What have I known but kindness? People have done such a lot for me.’

  ‘Oh, well, of course, they have liked you. But that’s all right,’ murmured Mr Vetch, beginning to scrape again. What remained in Hyacinth’s mind from this conversation was the fact that the old man, whom he regarded distinctly as cultivated, had thought his letters clever. He only wished that he had made them cleverer still; he had no doubt of his ability to have done so.

  It may be imagined whether the first hours he spent at old Crookenden’s, after he took up work again, were altogether to his taste, and what was the nature of the reception given him by his former comrades, whom he found exactly in the same attitudes and the same clothes (he knew and hated every article they wore), and with the same primitive pleasantries on their lips. Our young man’s feelings were mingled; the place and the people appeared to him loathsome, but there was something delightful in handling his tools. He gave a little private groan of relief when he discovered that he still liked his work and that the pleasant swarm of his ideas (in the matter of sides and backs), returned to him. They came in still brighter, more suggestive form, and he had the satisfaction of feeling that his taste had improved, that it had been purified by experience, and that the covers of a book might be made to express an astonishing number of high conceptions. Strange enough it was, and a proof surely, of our little hero’s being a genuine artist, that the impressions he had accumulated during the last few months appeared to mingle and confound themselves with the very sources of his craft and to be susceptible of technical representation. He had quite determined, by this time, to carry on his life as if nothing were hanging over him, and he had no intention of remaining a little bookbinder to the end of his days; for that medium, after all, would translate only some of his conceptions. Yet his trade was a resource, an undiminished resource, for the present, and he had a particular as well as a general motive in attempting new flights – the prevision of the exquisite work which he was to do during the coming year for the Princess and which it was very definite to him he owed her. When that debt should have been paid and his other arrears made up he proposed to himself to write something. He was far from havin
g decided as yet what it should be; the only point settled was that it should be very remarkable and should not, at least on the face of it, have anything to do with a fresh deal of the social pack. That was to be his transition – into literature; to bind the book, charming as the process might be, was after all much less fundamental than to write it. It had occurred to Hyacinth more than once that it would be a fine thing to produce a brilliant death-song.

  It is not surprising that among such reveries as this he should have been conscious of a narrow range in the tone of his old workfellows. They had only one idea: that he had come into a thousand pounds and had gone to spend them in France with a regular high one. He was aware, in advance, of the diffusion of this legend, and did his best to allow for it, taking the simplest course, which was not to contradict it but to catch the ball as it came and toss it still further, enlarging and embroidering humorously until Grugan and Roker and Hotchkin and all the rest, who struck him as not having washed since he left them, seemed really to begin to understand how it was he could have spent such a rare sum in so short a time. The impressiveness of this achievement helped him greatly to slip into his place; he could see that, though the treatment it received was superficially irreverent, the sense that he was very sharp and that the springs of his sharpness were somehow secret gained a good deal of strength from it. Hyacinth was not incapable of being rather pleased that it should be supposed, even by Grugan, Roker and Hotchkin, that he could get rid of a thousand pounds in less than five months, especially as to his own conscience the fact had altogether yet to be proved. He got off, on the whole, easily enough to feel a little ashamed, and he reflected that the men at Crookenden’s, at any rate, showed no symptoms of the social jealousy lying at the bottom of the desire for a fresh deal. This was doubtless an accident, and not inherent in the fact that they were highly skilled workmen (old Crookenden had no others), and therefore sure of constant employment; for it was impossible to be more skilled, in one’s own line, than Paul Muniment was, and yet he (though not out of jealousy, of course), went in for the great restitution. What struck him most, after he had got used again to the sense of his apron and bent his back a while over his battered table, was the simple, synthetic patience of the others, who had bent their backs and felt the rub of that dirty drapery all the while he was lounging in the halls of Medley, dawdling through boulevards and museums, and admiring the purity of the Venetian girl-face. With Poupin, to be sure, his relations were special; but the explanations that he owed the sensitive Frenchman were not such as could make him very unhappy, once he had determined to resist as much as possible the friction of his remaining days. There was moreover more sorrow than anger in Poupin’s face when he learned that his young friend and pupil had failed to cultivate, in Paris, the rich opportunities he had offered him. ‘You are cooling off, my child; there is something about you! Have you the weakness to flatter yourself that anything has been done, or that humanity suffers a particle less? Enfin,220 it’s between you and your conscience.’

  ‘Do you think I want to get out of it?’ Hyacinth asked, smiling; Eustache Poupin’s phrases about humanity, which used to thrill him so, having grown of late strangely hollow and rococo.

  ‘You owe me no explanations; the conscience of the individual is absolute, except, of course, in those classes in which, from the very nature of the infamies on which they are founded, no conscience can exist. Speak to me, however, of my Paris; she is always divine,’ Poupin went on; but he showed signs of irritation when Hyacinth began to praise to him the magnificent creations of the arch-fiend of December.221 In the presence of this picture he was in a terrible dilemma: he was gratified as a Parisian and a patriot but he was disconcerted as a lover of liberty; it cost him a pang to admit that anything in the sacred city was defective, yet he saw still less his way to concede that it could owe any charm to the perjured monster of the second Empire, or even to the hypocritical, mendacious republicanism of the régime before which the sacred Commune had gone down in blood and fire. ‘Ah, yes, it’s very fine, no doubt,’ he remarked at last, ‘but it will be finer still when it’s ours!’ – a speech which caused Hyacinth to turn back to his work with a slight feeling of sickness. Everywhere, everywhere, he saw the ulcer of envy – the passion of a party which hung together for the purpose of despoiling another to its advantage. In old Eustace, one of the ‘pure’, this was particularly sad.

  32

  The landing at the top of the stairs in Audley Court was always dark; but it seemed darker than ever to Hyacinth while he fumbled for the door-latch, after he had heard Rose Muniment’s penetrating voice bid him come in. During that instant his ear caught the sound – if it could trust itself – of another voice, which prepared him, a little, for the spectacle that offered itself as soon as the door (his attempt to reach the handle, in his sudden agitation, proving fruitless), was opened to him by Paul. His friend stood there, tall and hospitable, saying something loud and jovial, which he didn’t distinguish. His eyes had crossed the threshold in a flash, but his step faltered a moment, only to obey, however, the vigour of Muniment’s outstretched hand. Hyacinth’s glance had gone straight, and though with four persons in it Rosy’s little apartment looked crowded, he saw no one but the object of his quick preconception – no one but the Princess Casamassima, seated beside the low sofa (the grand feature introduced during his absence from London), on which, arrayed in the famous pink dressing-gown, Miss Muniment now received her visitors. He wondered afterwards why he should have been so startled; for he had said, often enough, both to himself and to the Princess, that so far as she was concerned he was proof against astonishment; it was so evident that, in her behaviour, the unexpected was the only thing to be looked for. In fact, now that he perceived she had made her way to Camberwell without his assistance, the feeling that took possession of him was a kind of embarrassment; he blushed a little as he entered the circle, the fourth member of which was inevitably Lady Aurora Langrish. Was it that his intimacy with the Princess gave him a certain sense of responsibility for her conduct in respect to people who knew her as yet but a little, and that there was something that required explanation in the confidence with which she had practised a descent upon them? It is true that it came over our young man that by this time, perhaps, they knew her a good deal; and moreover a woman’s conduct spoke for itself when she could sit looking, in that fashion, like a radiant angel dressed in a simple bonnet and mantle and immensely interested in an appealing corner of the earth. It took Hyacinth but an instant to perceive that her character was in a different phase from any that had yet been exhibited to him. There had been a brilliant mildness about her the night he made her acquaintance, and she had never ceased, at any moment since, to strike him as an exquisitely human, sentient, pitying organisation; unless it might be, indeed, in relation to her husband, against whom – for reasons, after all, doubtless, very sufficient – her heart appeared absolutely steeled. But now her face turned to him through a sort of glorious charity. She had put off her splendour, but her beauty was unquenchably bright; she had made herself humble for her pious excursion; she had, beside Rosy (who, in the pink dressing-gown, looked much the more luxurious of the two), almost the attitude of an hospital nurse; and it was easy to see, from the meagre line of her garments, that she was tremendously in earnest. If Hyacinth was flurried her own countenance expressed no confusion; for her, evidently, this queer little chamber of poverty and pain was a place in which it was perfectly natural that he should turn up. The sweet, still greeting her eyes offered him might almost have conveyed to him that she had been waiting for him, that she knew he would come and that there had been a tacit appointment for that very moment. They said other things beside, in their beautiful friendliness; they said, ‘Don’t notice me too much, or make any kind of scene. I have an immense deal to say to you, but remember that I have the rest of our life before me to say it in. Consider only what will be easiest and kindest to these people, these delightful people, whom I find enchanti
ng (why didn’t you ever tell me more – I mean really more – about them?) It won’t be particularly complimentary to them if you have the air of seeing a miracle in my presence here. I am very glad of your return. The quavering, fidgety “ladyship” is as fascinating as the others.’

  Hyacinth’s reception at the hands of his old friends was cordial enough quite to obliterate the element of irony that had lurked, three months before, in their godspeed; their welcome was not boisterous, but it seemed to express the idea that the occasion was already so rare and agreeable that his arrival was all that was needed to make it perfect. By the time he had been three minutes in the room he was able to measure the impression produced by the Princess, who, it was clear, had thrown a spell of adoration over the little company. This was in the air, in the face of each, in their excited, smiling eyes and heightened colour; even Rosy’s wan grimace, which was at all times screwed up to ecstasy, emitted a supererogatory ray. Lady Aurora looked more than ever dishevelled with interest and wonder; the long strands of her silky hair floated like gossamer, as, in her extraordinary, religious attention (her hands were raised and clasped to her bosom, as if she were praying), her respiration rose and fell. She had never seen any one like the Princess; but Hyacinth’s apprehension, of some months before, had been groundless – she evidently didn’t think her vulgar. She thought her divine, and a revelation of beauty and benignity; and the illuminated, amplified room could contain no dissentient opinion. It was her beauty, primarily, that ‘fetched’ them, Hyacinth could easily see, and it was not hidden from him that the sensation was as active in Paul Muniment as in his companions. It was not in Paul’s nature to be jerkily demonstrative, and he had not lost his head on the present occasion; but he had already appreciated the difference between one’s preconception of a meretricious, factitious fine lady and the actual influence of such a personage. She was gentler, fairer, wiser, than a chemist’s assistant could have guessed in advance. In short, she held the trio in her hand (she had reduced Lady Aurora to exactly the same simplicity as the others), and she performed, admirably, artistically, for their benefit. Almost before Hyacinth had had time to wonder how she had found the Muniments out (he had no recollection of giving her specific directions), she mentioned that Captain Sholto had been so good as to introduce her; doing so as if she owed him that explanation and were a woman who would be scrupulous in such a case. It was rather a blow to him to hear that she had been accepting the Captain’s mediation, and this was not softened by her saying that she was too impatient to wait for his own return; he was apparently so happy on the Continent that one couldn’t be sure it would ever take place. The Princess might at least have been sure that to see her again very soon was still more necessary to his happiness than anything the Continent could offer.