The Charlie Parker Collection 1

  ‘Call nine-one-one,’ he said, staring up the road the Voyager had taken. ‘That’s one nasty bitch.’

  ‘They got away.’

  ‘No shit. Got myself tangled up in the damn tourists. She shot the guard to make them panic.’

  ‘We hurt Pudd,’ I said. ‘That’s something.’

  ‘I hit him in the chest. He should be dead.’

  ‘He was wearing a vest. The shots blew him off his feet.’

  ‘Shit,’ he hissed. ‘You planning on staying around?’

  ‘To explain Mickey Shine’s head on a tree? I don’t think so.’

  We climbed onto the MTA bus, its driver oblivious to the furore at the main door, and sat in separate seats as he pulled away. For a brief moment, as he turned onto the main road, he was able to see the entrance to the Cloisters and the crowd around the fallen guard.

  ‘Something happen?’ he called back to us.

  ‘I think somebody fainted,’ I said.

  ‘Place ain’t that pretty,’ he replied, and he said nothing more until he dropped us at the subway station. There was a cab turning at the curb, and we told the driver to head downtown.

  I dropped Louis off at the Upper West Side, while I continued down to the Village to collect my overnight bag. When I was done, I dropped into the Strand Book Store on Broadway and found a companion volume for the Cloisters exhibition. Then I sat in Balducci’s coffee shop on Sixth Avenue, leafing through the illustrations and watching the people go by. Whatever Mickey Shine had guessed or suspected had died with him, but at least I now knew what Grace Peltier had taken from the Fellowship: a book, a record of some kind, which Mr. Pudd acknowledged to be an Apocalypse. But why should a Biblical text be so important that Pudd was willing to kill to get it back?

  Rachel was still in Boston, and would join me in Scarborough the following day. She had refused an offer of protection from Angel and an offer of a Colt Pony Pocketlite from Louis. Unbeknownst to her, she was being discreetly watched by a gentleman named Gordon Buntz and one of his associates, Amy Brenner. They’d given me a professional discount, but they were still eating up Jack Mercier’s advance. Meanwhile, Angel was already in Scarborough; he had checked into the Black Point Inn at Prouts Neck, which gave him the freedom to roam around the area without attracting the attention of the Scarborough PD. I’d given him a National Audubon Society field guide to New England; armed with a pair of binoculars, he was now officially the world’s least likely bird-watcher. He had been monitoring Jack Mercier, his house, and his movements since the previous afternoon.

  Outside Balducci’s, a black Lexus SC400 pulled up to the curb. Louis was sitting in the driver’s seat. When I opened the door, Johnny Cash was solemnly intoning the words to Soundgarden’s ‘Rusty Cage.’

  ‘Nice car,’ I said. ‘Your bank manager recommend it?’

  He shook his head sorrowfully. ‘Man, I tell you, you need class like a junkie need a hit.’

  I dumped my bag on the leather backseat. It made a satisfyingly dirty sound, although it was nothing compared to the sound Louis made when he saw the mark it left on his upholstery. As we pulled away from the curb, Louis took a huge contraband Cuban cigar from his jacket pocket and proceeded to light up. Thick blue smoke immediately filled the car.

  ‘Hey!’ I said.

  ‘Fuck you mean, “Hey”?’

  ‘Don’t smoke in the car.’

  ‘It’s my car.’

  ‘Your secondary fumes are a danger to my health.’

  Louis choked on a mouthful of smoke before raising one carefully plucked eyebrow in my direction. ‘You been beaten up, shot twice, drowned, electrocuted, frozen, injected with poisons, three of your damn teeth been kicked out of your head by an old man everybody thought was dead, and you worried about secondary smoke? Secondary smoke ain’t no danger to your health. You a danger to your health.’

  With that, he returned his attention to his driving.

  I let him smoke the cigar in peace.

  After all, he had a point.

  The Search for Sanctuary

  Extract from the postgraduate thesis of Grace Peltier

  Faulkner’s main claim to fame, apart from his association with Eagle Lake, was as a bookbinder, and particularly as a maker of Apocalypses, ornately illustrated versions of the book of Revelation, the last book of the New Testament, detailing St. John’s vision of the end of the world and the final judgment. In creating these works, Faulkner was part of a tradition dating back to the Carolingian period – to the ninth and tenth centuries, when the earliest surviving illustrated Apocalypse manuscripts were created on the European continent. In the early thirteenth century richly illuminated Apocalypses, with texts and commentaries in Latin and French vernacular, were made in Europe for the powerful and wealthy, including high churchmen and magnates. They continued to be created even after the invention of printing, indicating a continued resonance to the imagery and message of the book itself.

  There are twelve ‘Faulkner Apocalypses’ extant, and according to the records of Faulkner’s supplier of gold leaf, it is unlikely that Faulkner made more than this number. Each book was bound in hand-tooled leather, inlaid with gold, and illustrated by hand by Faulkner, with a distinctive marking on the spine: six horizontal gold lines, set in three sets of two, and the final letter of the Greek alphabet – Ω, for omega.

  The paper was made not from wood but from linen and cotton rags beaten in water into a smooth pulp. Faulkner would dip a rectangular tray into the pulp and take up about one inch of the substance, draining it through a wire mesh in the base of the tray. Gently shaking the tray caused the matted fibers in the liquid to interlock. These sheets of partially solidified pulp were then squeezed in a press before being dipped in animal gelatin to size them, thereby enabling them to hold ink. The paper was bound in folios of six to minimize the buildup of thread on the book’s spine.

  The illustrations in Faulkner’s Apocalypses were drawn largely from earlier artists, and remain consistent throughout. (All twelve are in the private ownership of one individual, and I was permitted to examine them at length.) Thus, the earliest of the Apocalypses is inspired by Albrecht Dürer (1471-1528), the second by medieval manuscripts, the third by Lucas Cranach the Elder (1472-1553), and so on, with the final extant book featuring six illustrations based on the work of Frans Masereel (1889-1972), whose Apocalypse cycle drew on images from World War II. According to those who had dealings with him, it appears that Faulkner was attracted to apocalyptic imagery because of its connotations of judgment, not because he believed it foretold a Second Coming or a final reckoning. For Faulkner, the reckoning had already begun; judgment and damnation were an ongoing process.

  Faulkner’s Apocalypses were created strictly for wealthy collectors, and the sale of them is believed to have provided much of the seed funding for Faulkner’s community. No further versions made by Faulkner’s hand have appeared since the date of the foundation of the Eagle Lake settlement.

  Chapter Sixteen

  Louis dropped me at my house before heading for the Black Point Inn. I checked in with Gordon Buntz to make sure Rachel was okay, and a quick call to Angel confirmed that nothing out of the ordinary had occurred at the Merciers’, with the exception of the arrival of the lawyer Warren Ober and his wife. He had also spotted four different types of tern and two plovers. I arranged to meet up with both Angel and Louis later that night.

  I had been checking my messages pretty regularly while in Boston and New York, but there were two new ones since that morning. The first was from Arthur Franklin, asking if the information his pornographer client, Harvey Ragle, had proffered was proving useful. In the background, I could hear Ragle’s whining voice: ‘I’m a dead man. You tell him that. I’m a dead man.’ I didn’t bother to return the call.

  The second message came from ATF agent Norman Boone. Ellis Howard, the deputy chief over in the Portland PD, once told me that Boone smelled like a French whore, but with none of the associated charm.
He had left his home and cell phone numbers. I got him at home.

  ‘It’s Charlie Parker. How can I help you, Agent Boone?’

  ‘Why, thank you for returning my call, Mr. Parker. It’s only been . . .’At the other end of the line, I could imagine him ostentatiously checking his watch. ‘Four hours.’

  ‘I was out of town.’

  ‘You mind telling me where?’

  ‘Why, did we have a date?’

  Boone sighed dramatically. ‘Talk to me now, Mr. Parker, or talk to me tomorrow at One City Center. I should warn you that I’m a busy man, and my patience is likely to be more strained by tomorrow morning.’

  ‘I was in Boston, visiting an old friend.’

  ‘An old friend, as I understand it, who ended up with a hole in his head halfway through a performance of Cleopatra.’

  ‘I’m sure he knew how it ended. She dies, in case you hadn’t heard.’

  He ignored me. ‘Was your visit connected in any way to Lester Bargus?’

  I didn’t pause for a second, although the question had thrown me.

  ‘Not directly.’

  ‘But you visited Mr. Bargus shortly before you left town?’

  Damn.

  ‘Lester and I go way back.’

  ‘Then you’ll be heartbroken to hear that he is no longer with us.’

  ‘“Heartbroken” maybe isn’t the word. And the ATF’s interest in all this is . . .?’

  ‘Mr. Bargus made a little money selling spiders and giant roaches and a lot of money selling automatic weapons and other assorted firearms to the kind of people who have swastikas on their crockery. It was natural that he would come to our attention. My question is, why did he come to your attention?’

  ‘I was looking for somebody. I thought Lester might have known where he was. Is this an interrogation, Agent Boone?’

  ‘It’s a conversation, Mr. Parker. If we did it tomorrow, face-to-face, then it would be an interrogation.’

  Even with a telephone line separating us, I had to admit that Boone was good. He was closing in on me, leaving me with almost no room to turn. I was not going to tell him about Grace Peltier, because Grace would bring me on to Jack Mercier, and possibly the Fellowship, and the last thing I wanted was the ATF going Waco on the Fellowship. Instead, I decided to give him Harvey Ragle.

  ‘All I do know is that a lawyer named Arthur Franklin called me and asked me to speak to his client.’

  ‘Who’s his client?’

  ‘Harvey Ragle. He makes porn movies, with bugs in them. Al Z’s people used to distribute some of them.’

  It was Boone’s turn to be thrown. ‘Bugs? The hell are you talking about?’

  ‘Women in their underwear squashing bugs,’ I explained, as if to a child. ‘He also does geriatric porn, obesity, and little people. He’s an artist.’

  ‘Nice types you meet in your line of work.’

  ‘You make a pleasant change from the norm, Agent Boone. It seems that an individual with an affinity for bugs wants to kill Harvey Ragle for making his sicko porn movies. Lester Bargus had supplied the bugs and also seemed to know something about him, so I agreed to approach him on behalf of Ragle.’

  The improbability of it was breathtaking. I could feel Boone wondering just how far he was being taken for a ride.

  ‘And who is this mysterious herpetologist?’

  Herpetologist. Agent Boone was obviously a Scrabble fan.

  ‘He calls himself Mr. Pudd, and I think that strictly speaking he may be an arachnologist, not a herpetologist. He likes spiders. I think he’s the man who killed Al Z.’

  ‘And you approached Lester Bargus in the hope of finding this man?’

  ‘Yes.’

  ‘But you got nowhere.’

  ‘Lester had a lot of anger in him.’

  ‘Well, he’s a lot calmer now.’

  ‘If you had him under surveillance, then you already know what passed between us,’ I said. ‘Which means there’s something else that you want from me.’

  After some hesitation, Boone went on to explain how a man traveling under the name of Clay Dæmon had walked in to Lester’s store, demanded details of an individual in a photograph, and then shot Lester and his assistant dead.

  ‘I’d like you to take a look at the photograph,’ he said.

  ‘He left it?’

  ‘We figure he’s got more than one copy. Hired killers tend to be pretty good that way.’

  ‘You want me to come in? It could be tomorrow.’

  ‘How about now?’

  ‘Look, Agent Boone, I need a shower, a shave, and sleep. I’ve told you all I can. I want to help, but give me a break.’

  Boone relented slightly. ‘You got e-mail?’

  ‘Yes, and a second line.’

  ‘Then stay on this one. I’ll be back.’

  The line went quiet, so I turned on my laptop and waited for Boone’s e-mail to arrive. When it did, it consisted of two pictures. One was the photograph of the abortion clinic slaying. I spotted Mr. Pudd immediately. The other was a still taken from the video camera in Lester Bargus’s store, showing the killer Clay Dæmon. Seconds later, Boone was back on the line.

  ‘You recognize anyone in the first picture?’

  ‘The guy on the far right is Pudd, first name Elias. He came out to my house, asking why I was nosing around in his business. I don’t know the man in the video still.’

  I could hear Boone clicking his tongue rhythmically at the other end of the line, even as I gave him the contact number I had for Ragle’s lawyer. ‘I’ll be talking to you again, Mr. Parker,’ he said at last. ‘I have a feeling you know more than you’re telling.’

  ‘Everybody knows more than they’re telling, Agent Boone,’ I replied. ‘Even you. I have a question.’

  ‘Uh-huh?’

  ‘Who’s the injured man in the first photograph?’

  ‘His name was David Beck. He worked for an abortion clinic in Minnesota, and he’s a dead man in that photograph. The killing forms part of the VAAPCON files.’

  VAAPCON was the code name for the joint FBI-ATF investigation into abortion-related violence, the Violence Against Abortion Providers Conspiracy. The ATF and the FBI have a poor working relationship; for a long time the FBI had resisted involving itself in investigating attacks on doctors and abortion clinics, arguing that it didn’t fall within their guidelines, which meant that the investigation of allegations of a conspiracy of violence was left in the hands of the ATF. That situation changed with the formation of VAAPCON and the enactment of new legislation empowering the FBI and the Justice Department to act against abortion-related violence. Yet tensions between the FBI and the ATF contributed to the comparative failure of VAAPCON; no evidence of a conspiracy was found, and agents took to dubbing the investigation CRAPCON, despite signs of growing links between right-wing militias and antiabortion extremists.

  ‘Did they ever find his killer?’ I asked.

  ‘Not yet.’

  ‘Like they haven’t found his wife’s killer.’

  ‘What do you know about it?’

  ‘I know she had spiders in her mouth when she was found.’

  ‘And our friend Pudd is a spider lover.’

  ‘The same Pudd whose head is circled in this photograph.’

  ‘Do you know who he’s working for?’

  ‘Himself, I’d guess.’ It wasn’t quite a lie. Pudd didn’t answer to Carter Paragon, and the Fellowship as the public knew it seemed too inconsequential to require his services.

  Boone didn’t speak for a time. His last words to me before he hung up were, ‘We’ll be talking again.’

  I didn’t doubt it.

  I sat in front of the computer screen, flicking between both images. I picked out a younger Alison Beck holding her dead husband, her face contorted with grief and his blood on her shirt, skirt, and hands. Then I looked into the small, hooded eyes of Mr. Pudd as he slipped away through the crowd. I wondered if he had fired the shots or merely orchestrat
ed the killing. Either way, he was involved, and another small piece of the puzzle slipped into place. Somehow, Mercier had found Epstein and Beck, individuals who, for their own reasons, were prepared to assist him in his moves against the Fellowship. But why was Mercier so concerned about the Fellowship? Was it simply another example of his liberalism, or were there other, deeper motives?

  As it turned out, a possible answer to the question pulled up outside my door thirty minutes later in a black Mercedes convertible. Deborah Mercier stepped, alone and unaided, in a long black coat, from the driver’s seat. Despite the encroaching darkness she wore shades. Her hair didn’t move in the breeze. It could have been hair spray, or an act of will. It could also have been that even the wind wasn’t going to screw around with Jack Mercier’s wife. I wondered what excuse she had come up with for leaving her guests back at the house; maybe she told them they needed milk.

  I opened the door as she reached the first step to the porch. ‘Take a wrong turn, Mrs. Mercier?’ I asked.

  ‘One of us has,’ she replied, ‘and I think it might be you.’

  ‘I never catch a break. I see those two roads diverging in a forest, and damn if I don’t take the one that ends at a cliff edge.’

  We stood about ten paces apart, eyeing each other up like a pair of mismatched gunfighters. Deborah Mercier couldn’t have looked more like a WASP if her coat had been striped with yellow and her eyes had been on the sides of her head. She removed her glasses and those pale blue eyes held all the warmth of the Arctic Sea, the pupils tiny and receding like the bodies of drowned sailors sinking into their depths.

  ‘Would you like to come inside?’ I asked. I turned away and heard her footsteps on the wood behind me. They stopped before they reached the door. I looked back at her and saw her nostrils twitch a little in mild distaste as her gaze passed over my house.

  ‘If you’re waiting for me to carry you over the threshold, I ought to warn you that I have a bad back and we might not make it.’