One Eyed Jacks

  Standing in line, Veronica tapped her foot nervously on the sidewalk. One of the long-haired boys behind her sang a song about shooting up in a low, monotonous voice. "You know I couldn't find my mainline," he sang. He didn't seem aware he was doing it.

  Veronica wanted the methadone, wanted it badly. What do they put in that stuff? she thought, and stopped herself before the laughter turned into the other thing again.

  She put her hand into her purse and held on to a folded piece of paper with Hannah's phone number on it.

  Veronica came in on a blast of cold air and stood for a second, rubbing her hands together.

  "Flowers for you," Melanie said. She had a Russianlanguage textbook open while she watched the phones. Melanie was new. She still believed in Fortunato's program, that they were geishas not hookers, that men actually cared how many languages they spoke and whether or not they could discuss postmodernist critical theory. When she finished her telephone shift, she would be off to cooking class or elocution lessons. Then, that night, she would spread her legs for a man who only cared that she had lots of red-blond hair and big boobs.

  "Jerry again?" Veronica asked. She threw her coat on the couch and collapsed.

  "I don't see what you have against him. He's sweet."

  "I don't have anything against him. I just don't have anything for him either. He's a nobody."

  "A nobody with a ton of money, who thinks the sun rises and sets on you. Anyway, I've got him down for you tonight, from ten o'clock on."

  "Tonight?" The walls seemed to close in around her. She couldn't breathe. "I can't."

  "You have a date you didn't put on the computer?" Ichiko had bought a Macintosh over the summer and had computerized everything. The girls were responsible for keeping their own schedules current, and if one of them screwed up they all got yelled at.

  "No, I… I'm sick."

  "He's already paid and everything."

  "Call him back. Will you? I have to go upstairs." She staggered up to her room and got in bed with her clothes on, doubled up, clutching a pillow to her stomach. From there she watched the street outside turn dark and the headlights of the cars sweep past. Liz, her chubby gray cat, climbed onto the' peak of her hip and began to knead the covers, purring loudly. "Please shut up," Veronica said.

  Liz was another reminder of Fortunato. She had been Veronica's to start with, though she hadn't cared that much about her. Then Fortunato had formed some kind of bond with the cat. Liz used to follow him around his apartment, crying, and would get into his lap whenever he sat down.

  When Fortunato left for Japan, it seemed like the cat was all Veronica had left of him.

  Finally the cat settled down and started to snore softly. Veronica couldn't relax, and soon she was trembling. It wasn't like the shaking that came when she needed a shot. That part of her was quiet. This was something else. She wondered if it was the methadone, some bizarre allergy. The longer it went on, the more out of touch she became. She couldn't stop shaking. Was she dying?

  She fumbled the phone off the hook and dialed Hannah's number. "It's Veronica," she said. "Something's wrong."

  "I know that," Hannah said. "Why don't you come over?"

  "Come over?"

  "To my apartment."

  "I don't know if I can make it. I feel so weird."

  "Of course you can. Stand up."

  Veronica stood up. Somehow it was all right. "Are you standing?"

  "Yes," Veronica said.

  "Good. Write down this address."

  A few minutes later Veronica was in a cab. She looked down at her legs, saw her wool-knit A-line skirt wrinkled beyond hope. She got a mirror out of her purse and looked at her smudged eyeliner and bloodshot eyes. "I can't help it," she said out loud, and the words almost started the flood of tears again.

  She knew she was on the edge of something. She didn't have the strength to keep herself from being pulled into it, but she could feel the depth of the chasm in the pit of her stomach.

  Hannah lived on the third floor of a building on Park Avenue South that had escaped remodeling. The varnish was worn off the center of the stairs and the landings were raw concrete. Hannah met her at the door of her apartment. "You made it," she said. She seemed relieved and happy to see her.

  Veronica could only nod. The apartment was two rooms and a kitchen. There was almost no furniture, only tatami mats and pillows, and an expensive stereo with huge speakers that sat in the middle of the floor. Japanese pen-and-ink drawings hung in cheap Plexiglas frames on the wall. The Oriental simplicity of it reminded her of the apartment she'd shared with Fortunato.

  "Settle down anywhere," Hannah said. "I'll bring you some tea."

  The music on the stereo was instrumental, one of those New Age things. It was an acoustic guitar in a weird tuning over lots of percussion. Like the rest of the room, like Hannah herself, it suggested a serenity that Veronica couldn't feel. Hannah brought her tea in a small, thick cup with no handle. The tea was green and vaguely sweet.

  Hannah sat cross-legged on the couch next to her. "You look like you haven't been sleeping."

  "I'm all knotted up inside. Maybe it's the methadone."

  "It's not the methadone. It's three years of feelings trying to get out."

  "Is it cold in here?"

  Hannah touched her hand. The shaking got worse. "No," Hannah said. "It's not the methadone and it's not the temperature. It's just you." And then she leaned forward slowly and kissed Veronica on the lips.

  It was gentle but not sisterly, warm but not demanding. Veronica shivered and held herself, feeling like she was fighting to keep from drowning. "You're confusing me…"

  "You were already confused. When was the last time you enjoyed making love? When was the last time you lay next to somebody and got comfort out of it? When was the last time you thought you deserved to be happy? You don't have to answer me. I already know"

  She stood up and took Veronica's hand. Veronica followed her, not to the bedroom, like she expected, but to the bath. Hannah started the water running and undressed her, carefully, not touching her more than she had to. The room began to fill with steam. "Get in," Hannah said, and Veronica got in the tub. The hot water stung her, made her face flush. "Your body is still very beautiful," Hannah said. "You've been careful with the needle." Veronica nodded. The hot water stopped her shaking and helped her relax. She felt drugged. Had there been something in the tea?

  Hannah took her own clothes off and put her glasses on the edge of the sink. She was a little heavy in the waist, and her stomach curved without jeans to hold it in. Her underclothes left red lines around her waist and under her breasts. Still, she seemed beautiful to Veronica, her pale nipples, the discreet tangle of hair between her legs. Veronica found herself about to reach one hand out to touch Hannah's body, then stopped herself, ashamed and confused.

  Hannah poured oil into the tub. It foamed and colored the air with the heavy green smell of wildflowers. Then she knelt beside the tub and kissed Veronica again. Veronica's mouth opened, against her will, and she tasted the mint tea on Hannah's breath. "What are you doing to me?" she whispered.

  "Seducing you," Hannah said. "If I do anything that scares you or you don't feel comfortable with, just say so." She put her hands on Veronica's cheeks, then slowly ran them down her neck and shoulders. Veronica leaned back against the tub, eyes closed, her breathing coming raggedly. Hannah's small, soft hands moved to her breasts. "Oh," Veronica said. She was melting. Her entire body was liquid. She couldn't tell where it ended and the bathwater began.

  This time when Hannah kissed her she leaned into it and put both arms around her.

  By the time Hannah helped her into bed Veronica had no will of her own. She had no strength, no intelligence, only sensation. Hannah was slow and gentle and unafraid. She knew where to touch her and how much pressure to use. The first climax was the most intense Veronica had ever felt. It had been so long she barely recognized the feeling. There were others. They blurred in
to a continuum of pleasure.

  And at the end of it came sleep.

  Sunlight woke her. Her eyes opened and saw dark green sheets. The rest of it came back and she sat up quickly, holding the sheet against her. Hannah lay on her side, watching.

  "What did you do to me? What was in that tea?"

  "Nothing," Hannah said. "What happened was that we made love."

  "This is too weird. I have to get out of here." She looked around the room for her clothes, reluctant to get out of bed naked with Hannah there.

  "Wait," Hannah said. There was a stillness about her that Veronica found inescapable. "I know what's wrong with you. I'm an alcoholic. I was drunk for ten years and now I've been sober for six. I was married to a man that I hated, and I hated him just because I didn't want to have sex with him. It wasn't his fault, it was the way I am. Only nobody could tell me that was the reason."

  "What's that got to do with me? Are you saying I'm queer?" There was a towel on the floor next to her. She wrapped herself in it and looked in the bathroom. Her clothes were folded neatly on the floor.

  "Maybe you're not gay." Hannah raised her voice just enough for Veronica to hear her. "Though I believe you are. That doesn't matter. You hate yourself for what you're doing with your body. It makes you feel helpless. And helplessness is what addiction is all about."

  Veronica buttoned her rumpled silk blouse and brushed at the creases in her skirt. "I got to go."

  "I've got three o'clock set aside for you. If you want to talk some more."

  "Just talk? Or do you fuck all your patients?"

  There was a short, hurt silence. "You're the first. I suppose I should feel like I've pissed away all my ethics, but I don't."

  Veronica opened the door. "I'll think about it," she said. Then she belted on her coat and ran down the stairs.

  Jerry was waiting for her when she got back to the brownstone.

  "Melanie said you were sick," he said. "I wanted to see if I could help."

  "No, Jerry. It's sweet of you and all, but no."

  "Where were you? Did you go out on another date?"

  Veronica shook her head. "I've been to the doctor, that's all."

  Jerry looked her up and down. obviously made the decision not to call her out. He sat on the sofa and looked at the flowers he'd sent her the day before, still on the desk by the phone, the card unopened. "I'm wasting my time, aren't I?"

  "Jerry. What do you want me to say? You shouldn't have fallen in love with a hooker. I mean, what were you thinking about? Did you think I was available on a Rentto-Own plan?" She sat down next to him, touched his face. "You're a sweet kid, Jerry. Women should go nuts for you. Real women. That's what you deserve. Not some half-breed Puerto Rican junkie hooker."

  Junkie, she thought. She'd actually said it.

  "You're the one I want," Jerry said, looking at the floor.

  "You don't even know me. You've got no idea. You're trying to catch up on twenty years overnight, and you see me as some kind of shortcut. Nothing happens that fast. Give yourself some time."

  "Can I see you tonight?"

  "No. Not tonight." She paused, got up her nerve. "Not ever. Not anymore."

  "Why? I love you."

  "You don't know what love is. You don't know what you're talking about. You've got some kind of stupid romantic ideas from all those movies you watch and they don't have anything to do with real life. I can't stand it. I don't want to be the only thing propping up this makebelieve world of yours. I'm not strong enough."

  She stood up. "Veronica, please!"

  She couldn't look at him. His face was all twisted, like he was trying not to cry. "I'm sorry, Jerry" she said. "You'll find somebody. You'll see." She ran upstairs.

  It wasn't even noon, but she was wide-awake, her head clear. It made her nervous to feel as good as she did. She showered and put on jeans and a sweater and went downtown for her methadone. Okay, she thought, standing in line, feeling the November sun warm her hair. You can admit you're a junkie. You can admit you're tired of iturning tricks. What does that leave you?

  All the girls had savings accounts in Ichiko's name. Half their earnings went into the fund every month, carefully monitored by the new computer. If Veronica gave up the Life, she could collect the money. It would keep her alive for at least a couple of years. Then what? Find some poor sap like Jerry and settle down to have kids?

  She got to the head of the line. A boy in a white lab coat behind the window glanced at her card and gave her the dose. She drank it and threw the cup at an overflowing trash can. It wasn't enough. It wasn't enough not to hurt, not to have the need. Heroin was more than that, more than an end to pain. It was the rush, the joy, the way the cool fire went through her like God's love.

  She took a battered list of phone numbers out of her purse and started dialing. Twice she left messages on phone machines and the third time she got lucky. "Croyd?" she said.

  "Himself. Where are you, darlin'?" His words ended with muffled clicks. She hadn't seen him in three months. He'd obviously slept, and woken in a distorted body. That was okay. Veronica could see past the surface.

  "Chelsea," she said. "Want to get high?"

  He was near the East River, in the waterfront apartment where she'd first spent the night with him, two years before. That was Wild Card Day, when the Astronomer had killed Caroline, and Fortunato had left for Japan.

  When she was high, those memories never bothered her.

  Croyd answered the door and Veronica stood and stared at him for a long moment. "I'd kiss you," Croyd said, "but I'm afraid I might hurt you."

  "That's okay, I'll pass." The clicking she'd heard on the phone came when he shut his beak at the end of a word. He was over seven feet tall and covered with feathers. A thin membrane linked his arms to his sides. "Can you fly?"

  He shook his head. "Too heavy. Shame, isn't it? I can glide a little, dive out of a second-story window. So it's not a complete loss."

  His eyes were shiny black and the wrinkled feathers above them gave him a look of fierce intelligence. "I may be wasting my time," she said.

  The beak opened into a smile. "The wings may not be functional, but the rest of me is."

  Veronica shook her head. "I'm in trouble, Croyd. Have you got any coke?"

  They sat at his kitchen table, a slab of pine with cigarette burns and peeling varnish. Veronica did two lines then passed the straw to Croyd. He snorted his into the small black holes at the base of his beak. Veronica wiped the mirror down with her index finger and rubbed it into her gums. "Better," she said.

  "You sure you don't want to finish this conversation in bed?"

  She shook her head. "I need a friend right now. Weird shit is happening to me. I can't get a handle." She told him about Hannah, about nearly throwing up after her last "date."

  Croyd listened intently. At least he looked intent. When she finished he said, "It's probably stupid for me to say this. I mean, this is not in my best interest. But you can't go against what you feel. You need to see this woman again, in the light of day, and make up your mind about her. Maybe you are gay. So what? Do you really care what a bunch of square assholes think about your sex life?"

  "I feel like I'm fourteen," Veronica said. "All these emotional roller coasters. I can't keep up."

  "You want my advice, don't even try. Let it happen. And if you get in trouble, you can call me." It sounded like they were finished, but Croyd hesitated, like there was something else he had to say. "There's nothing else happened, right? I mean, no… no symptoms."

  He was talking about that whole Typhoid Croyd business. She shook her head. "No. No sudden ace powers, no flippers on the ends of my legs. I don't think it did anything to me at all."

  "It's just-I feel responsible, that's all."

  "Don't worry about it."

  He walked her to the door and she hugged him tight, despite the peculiar acid smell of his feathers. His hands rested flat against her back. "I have to be careful," he said.


  "If I bend my fingers too much, these claws come out." He showed her the claws. There was a light of pleasure in his eyes when he looked at them.

  "So long, Croyd," she said. "Thanks for everything."

  She got to Hannah's office just before four. "I'm late," she said.

  Hannah held the door for her. "It doesn't matter. There's nobody else scheduled for this afternoon." Then she said, "I'm glad you came."

  Veronica was giddy from cocaine and nerves and couldn't sit down. Hannah took her usual position, in the chair across the table from the couch.

  "How's the methadone working out?" Hannah asked. "Fine," Veronica said. "It's great." She walked behind the couch, turned around, leaned into the back of it. "No, it's not great. It's not enough. I still want to get high. I need it."

  "Why?"

  "Why? What a stupid fucking question. Because I like to feel good. Because when you're high, you don't care about wading through all the world's shit-"

  "What shit?" Hannah said. "What shit are you living in that you didn't put yourself into? You've got everything backward. You think you can control your drug habit and you can't control your life. It's the other way around, you just don't know it. You have no control over heroin. It owns you. They call it horse, but it's really riding you. That's step one of what they call the Twelve-Step Plan. You have to admit you are powerless to control your addiction. And then, later on, you can learn to take responsibility for the rest of your life. As in 'the ability to respond.' Not blame, not control, but responsibility. Something you can live with."

  Veronica shook her head. "That's all easy for you to say. But I don't have any kind of life. My mother is a washed-up whore who's pimping me now. I never knew who my father was, and I don't think my mother did either. I got no brothers or sisters to turn to. I learned all that shit Fortunato taught us, but it's not a college diploma. It's not going to get me _a soft job someplace. Look at the odds. I'm going to end up like the kids I went to school with. Fat and old, either divorced or married to a husband that beats me up on weekends." It was hard to believe. She'd actually talked herself right out of her cocaine high.