Triple

  Triple

  Ken Follett

  Dedication

  To Al Zuckerman

  Epigraph

  It must be appreciated that the only difficult part of making a fission bomb of some sort is the preparation of a supply of fissionable material of adequate purity; the design of the bomb is relatively easy . . .

  Encyclopedia Americana

  Contents

  Cover

  Title Page

  Dedication

  Epigraph

  Prologue

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Epilogue

  Postscript

  Praise

  By Ken Follett

  Copyright

  About the Publisher

  Prologue

  There was a time, just once, when they were all together.

  They met many years ago, when they were young, before all this happened; but the meeting cast shadows far across the decades.

  It was the first Sunday in November 1947, to be exact; and each of them met all the others--indeed, for a few minutes they were all in one room. Some of them immediately forgot the faces they saw and the names they heard spoken in formal introductions. Some of them actually forgot the whole day; and when it became so important, twenty-one years later, they had to pretend to remember; to stare at blurred photographs and murmur, "Ah, yes, of course," in a knowing way.

  This early meeting is a coincidence, but not a very startling one. They were mostly young and able; they were destined to have power, to take decisions, and to make changes, each in their different ways, in their different countries; and those people often meet in their youth at places like Oxford University. Furthermore, when all this happened, those who were not involved initially were sucked into it just because they had met the others at Oxford.

  However, it did not seem like a historic meeting at the time. It was just another sherry party in a place where there were too many sherry parties (and, undergraduates would add, not enough sherry). It was an uneventful occasion. Well, almost.

  Al Cortone knocked and waited in the hall for a dead man to open the door.

  The suspicion that his friend was dead had grown to a conviction in the past three years. First, Cortone had heard that Nat Dickstein had been taken prisoner. Toward the end of the war, stories began to circulate about what was happening to Jews in the Nazi camps. Then, at the end, the grim truth came out.

  On the other side of the door, a ghost scraped a chair on the floor and padded across the room.

  Cortone felt suddenly nervous. What if Dickstein were disabled, deformed? Suppose he had become unhinged? Cortone had never known how to deal with cripples or crazy men. He and Dickstein had become very close, just for a few days back in 1943; but what was Dickstein like now?

  The door opened, and Cortone said, "Hi, Nat."

  Dickstein stared at him, then his face split in a wide grin and he came out with one of his ridiculous Cockney phrases: "Gawd, stone the crows!"

  Cortone grinned back, relieved. They shook hands, and slapped each other on the back, and let rip some soldierly language just for the hell of it; then they went inside.

  Dickstein's home was one high-ceilinged room of an old house in a run-down part of the city. There was a single bed, neatly made up in army fashion; a heavy old wardrobe of dark wood with a matching dresser; and a table piled with books in front of a small window. Cortone thought the room looked bare. If he had to live here he would put some personal stuff all around to make the place look like his own: photographs of his family, souvenirs of Niagara and Miami Beach, his high school football trophy.

  Dickstein said, "What I want to know is, how did you find me?"

  "I'll tell you, it wasn't easy." Cortone took off his uniform jacket and laid it on the narrow bed. "It took me most of yesterday." He eyed the only easy chair in the room. Both arms tilted sideways at odd angles, a spring poked through the faded chrysanthemums of the fabric, and one missing foot had been replaced with a copy of Plato's Theaetetus. "Can human beings sit on that?"

  "Not above the rank of sergeant. But--"

  "They aren't human anyway."

  They both laughed: it was an old joke. Dickstein brought a bentwood chair from the table and straddled it. He looked his friend up and down for a moment and said, "You're getting fat."

  Cortone patted the slight swell of his stomach. "We live well in Frankfurt--you really missed out, getting demobilized." He leaned forward and lowered his voice, as if what he was saying was somewhat confidential. "I have made a fortune. Jewelry, china, antiques--all bought for cigarettes and soap. The Germans are starving. And--best of all--the girls will do anything for a Tootsie Roll." He sat back, waiting for a laugh, but Dickstein just stared at him straight-faced. Disconcerted, Cortone changed the subject. "One thing you ain't, is fat."

  At first he had been so relieved to see Dickstein still in one piece and grinning the same grin that he had not looked at him closely. Now he realized that his friend was worse than thin: he looked wasted. Nat Dickstein had always been short and slight, but now he seemed all bones. The dead-white skin, and the large brown eyes behind the plastic-rimmed spectacles, accentuated the effect. Between the top of his sock and the cuff of his trouser-leg a few inches of pale shin showed like matchwood. Four years ago Dickstein had been brown, stringy, as hard as the leather soles of his British Army boots. When Cortone talked about his English buddy, as he often did, he would say, "The toughest, meanest bastard fighting soldier that ever saved my goddamn life, and I ain't shittin' you."

  "Fat? No," Dickstein said. "This country is still on iron rations, mate. But we manage."

  "You've known worse."

  Dickstein smiled. "And eaten it."

  "You got took prisoner."

  "At La Molina."

  "How the hell did they tie you down?"

  "Easy." Dickstein shrugged. "A bullet broke my leg and I passed out. When I came round I was in a German truck."

  Cortone looked at Dickstein's legs. "It mended okay?"

  "I was lucky. There was a medic in my truck on the POW train--he set the bone."

  Cortone nodded. "And then the camp . . ." He thought maybe he should not ask, but he wanted to know.

  Dickstein looked away. "It was all right until they found out I'm Jewish. Do you want a cup of tea? I can't afford whiskey."

  "No." Cortone wished he had kept his mouth shut. "Anyway, I don't drink whiskey in the morning anymore. Life doesn't seem as short as it used to."

  Dickstein's eyes swiveled back toward Cortone. "They decided to find out how many times they could break a leg in the same place and mend it again."

  "Jesus." Cortone's voice was a whisper.

  "That was the best part," Dickstein said in a flat monotone. He looked away again.

  Cortone said, "Bastards." He could not think of anything else to say. There was a strange expression on Dickstein's face; something Cortone had not seen before, something--he realized after a moment--that was very like fear. It was odd. After all, it was over now, wasn't it? "Well, hell, at least we won, didn't we?" He punched Dickstein's shoulder.

  Dickstein grinned. "We did. Now, what are you doing in England? And how did you find me?"

  "I managed to get a stopover in London on my way back to Buffalo. I went to the Wa
r Office . . ." Cortone hesitated. He had gone to the War Office to find out how and when Dickstein died. "They gave me an address in Stepney," he continued. "When I got there, there was only one house left standing in the whole street. In this house, underneath an inch of dust, I find this old man."

  "Tommy Coster."

  "Right. Well, after I drink nineteen cups of weak tea and listen to the story of his life, he sends me to another house around the corner, where I find your mother, drink more weak tea and hear the story of her life. By the time I get your address it's too late to catch the last train to Oxford, so I wait until the morning, and here I am. I only have a few hours--my ship sails tomorrow."

  "You've got your discharge?"

  "In three weeks, two days and ninety-four minutes."

  "What are you going to do, back home?"

  "Run the family business. I've discovered, in the last couple of years, that I am a terrific businessman."

  "What business is your family in? You never told me."

  "Trucking," Cortone said shortly. "And you? What is this with Oxford University, for Christ's sake? What are you studying?"

  "Hebrew Literature."

  "You're kidding."

  "I could write Hebrew before I went to school, didn't I ever tell you? My grandfather was a real scholar. He lived in one smelly room over a pie shop in the Mile End Road. I went there every Saturday and Sunday, since before I can remember. I never complained--I love it. Anyway, what else would I study?"

  Cortone shrugged. "I don't know, atomic physics maybe, or business management. Why study at all?"

  "To become happy, clever and rich."

  Cortone shook his head. "Weird as ever. Lots of girls here?"

  "Very few. Besides, I'm busy."

  He thought Dickstein was blushing. "Liar. You're in love, you fool. I can tell. Who is she?"

  "Well, to be honest . . ." Dickstein was embarrassed. "She's out of reach. A professor's wife. Exotic, intelligent, the most beautiful woman I've ever seen."

  Cortone made a dubious face. "It's not promising, Nat."

  "I know, but still . . ." Dickstein stood up. "You'll see what I mean."

  "I get to meet her?"

  "Professor Ashford is giving a sherry party. I'm invited. I was just leaving when you got here." Dickstein put on his jacket.

  "A sherry party in Oxford," Cortone said. "Wait till they hear about this in Buffalo!"

  It was a cold, bright morning. Pale sunshine washed the cream-colored stone of the city's old buildings. They walked in comfortable silence, hands in pockets, shoulders hunched against the biting November wind which whistled through the streets. Cortone kept muttering. "Dreaming spires. Fuck."

  There were very few people about, but after they had walked a mile or so Dickstein pointed across the road to a tall man with a college scarf wound around his neck. "There's the Russian," he said. He called, "Hey Rostov!"

  The Russian looked up, waved, and crossed to their side of the street. He had an army haircut, and was too long and thin for his mass-produced suit. Cortone was beginning to think everyone was thin in this country.

  Dickstein said, "Rostov's at Balliol, same college as me. David Rostov, meet Alan Cortone. Al and I were together in Italy for a while. Going to Ashford's house, Rostov?"

  The Russian nodded solemnly. "Anything for a free drink."

  Cortone said, "You interested in Hebrew Literature too?"

  Rostov said, "No, I'm here to study bourgeois economics."

  Dickstein laughed loudly. Cortone did not see the joke. Dickstein explained, "Rostov is from Smolensk. He's a member of the CPSU--the Communist Party of the Soviet Union." Cortone still did not see the joke.

  "I thought nobody was allowed to leave Russia," Cortone said.

  Rostov went into a long and involved explanation which had to do with his father's having been a diplomat in Japan when the war broke out. He had an earnest expression which occasionally gave way to a sly smile. Although his English was imperfect, he managed to give Cortone the impression that he was condescending. Cortone turned off, and began to think about how you could love a man as if he was your own brother, fighting side by side with him, and then he could go off and study Hebrew Literature and you would realize you never really knew him at all.

  Eventually Rostov said to Dickstein, "Have you decided yet, about going to Palestine?"

  Cortone said, "Palestine? What for?"

  Dickstein looked troubled. "I haven't decided."

  "You should go," said Rostov. "The Jewish National Home will help to break up the last remnants of the British Empire in the Middle East."

  "Is that the Party line?" Dickstein asked with a faint smile.

  "Yes," Rostov said seriously. "You're a socialist--"

  "Of sorts."

  "--and it is important that the new State should be socialist."

  Cortone was incredulous. "The Arabs are murdering you people out there. Jeez, Nat, you only just escaped from the Germans!"

  "I haven't decided," Dickstein repeated. He shook his head irritably. "I don't know what to do." It seemed he did not want to talk about it.

  They were walking briskly. Cortone's face was freezing, but he was perspiring beneath his winter uniform. The other two began to discuss a scandal: a man called Mosley--the name meant nothing to Cortone--had been persuaded to enter Oxford in a van and make a speech at the Martyr's Memorial. Mosley was a Fascist, he gathered a moment later. Rostov was arguing that the incident proved how social democracy was closer to Fascism than Communism. Dickstein claimed the undergraduates who organized the event were just trying to be "shocking."

  Cortone listened and watched the two men. They were an odd couple: tall Rostov, his scarf like a striped bandage, taking long strides, his too-short trousers flapping like flags; and diminutive Dickstein with big eyes and round spectacles, wearing a demob suit, looking like a skeleton in a hurry. Cortone was no academic, but he figured he could smell out bullshit in any language, and he knew that neither of them was saying what he believed: Rostov was parroting some kind of official dogma, and Dickstein's brittle unconcern masked a different, deeper attitude. When Dickstein laughed about Mosley, he sounded like a child laughing after a nightmare. They both argued cleverly but without emotion: it was like a fencing match with blunted swords.

  Eventually Dickstein seemed to realize that Cortone was being left out of the discussion and began to talk about their host. "Stephen Ashford is a bit eccentric, but a remarkable man," he said. "He spent most of his life in the Middle East. Made a small fortune and lost it, by all accounts. He used to do crazy things, like crossing the Arabian Desert on a camel."

  "That might be the least crazy way to cross it," Cortone said.

  Rostov said, "Ashford has a Lebanese wife."

  Cortone looked at Dickstein. "She's--"

  "She's younger than he is," Dickstein said hastily. "He brought her back to England just before the war and became Professor of Semitic Literature here. If he gives you Marsala instead of sherry it means you've overstayed your welcome."

  "People know the difference?" Cortone said.

  "This is his house."

  Cortone was half expecting a Moorish villa, but the Ashford home was imitation Tudor, painted white with green woodwork. The garden in front was a jungle of shrubs. The three young men walked up a brick pathway to the house. The front door was open. They entered a small, square hall. Somewhere in the house several people laughed: the party had started. A pair of double doors opened and the most beautiful woman in the world came out.

  Cortone was transfixed. He stood and stared as she came across the carpet to welcome them. He heard Dickstein say, "This is my friend Alan Cortone," and suddenly he was touching her long brown hand, warm and dry and fine-boned, and he never wanted to let go.

  She turned away and led them into the drawing room. Dickstein touched Cortone's arm and grinned: he had known what was going on in his friend's mind.

  Cortone recovered his composure s
ufficiently to say, "Wow."

  Small glasses of sherry were lined up with military precision on a little table. She handed one to Cortone, smiled, and said, "I'm Eila Ashford, by the way."

  Cortone took in the details as she handed out the drinks. She was completely unadorned: there was no make-up on her astonishing face, her black hair was straight, and she wore a white dress and sandals--yet the effect was almost like nakedness, and Cortone was embarrassed at the animal thoughts that rushed through his mind as he looked at her.

  He forced himself to turn away and study his surroundings. The room had the unfinished elegance of a place where people are living slightly beyond their means. The rich Persian carpet was bordered by a strip of peeling gray linoleum; someone had been mending the radio, and its innards were all over a kidney table; there were a couple of bright rectangles on the wallpaper where pictures had been taken down; and some of the sherry glasses did not quite match the set. There were about a dozen people in the room.

  An Arab wearing a beautiful pearl-gray Western suit was standing at the fireplace, looking at a wooden carving on the mantelpiece. Eila Ashford called him over. "I want you to meet Yasif Hassan, a friend of my family from home," she said. "He's at Worcester College."

  Hassan said, "I know Dickstein." He shook hands all around.

  Cortone thought he was fairly handsome, for a nigger, and haughty, the way they were when they made some money and got invited to white homes.

  Rostov asked him, "You're from Lebanon?"

  "Palestine."

  "Ah!" Rostov became animated. "And what do you think of the United Nations partition plan?"

  "Irrelevant," the Arab said languidly. "The British must leave, and my country will have a democratic government."

  "But then the Jews will be in a minority," Rostov argued.

  "They are in a minority in England. Should they be given Surrey as a national home?"

  "Surrey has never been theirs. Palestine was, once."

  Hassan shrugged elegantly. "It was--when the Welsh had England, the English had Germany, and the Norman French lived in Scandinavia." He turned to Dickstein. "You have a sense of justice--what do you think?"