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    Time Well Spent

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      (loudly)

      ...you’re so...(beat)...dirty...

      They’ve passed the door.

      SETH (CONT’D)

      I’ve got nothin’.

      She nods.

      INT. GEORGE BUSH HIGH. HALLWAY - MORNING

      Seth’s standing outside a door, talking through it.

      SETH (CONT’D)

      I’ve been thinking a lot lately--about me

      and Lysandra. I’m thinking, what if I can

      convince her that I’m not the world’s

      biggest loser. I mean, isn’t that what

      being an American’s all about? Overcoming

      monumental challenges and grabbing

      adversity by its horns and making it your

      bitch-monkey? Damnit! That’s it! I can turn

      my zero into a great “O”! As in, “O, look

      at him go!” God bless America! God bless

      Amer--

      SFX - TOILET FLUSH

      WIDE OUT

      Seth’s been talking through the door of the ladies’

      restroom. Anna EXITS the restroom.

      ANNA

      Sounds good. I think it's gonna totally

      backfire--but you should do it.

      SETH

      That--that doesn't make a whole lot of

      sense.

      ANNA

      We're females. Live with it. We go crazy, irrational things; how else do you

      explain how Shia Leboef keeps getting laid?

      She hands him a plastic wrapped TAMPON.

      ANNA (CONT’D)

      Here’s your tampon.

      He takes it, then places it in his pocket.

      SETH

      I’ll just save this for later.

      INT. SETH’S HOUSE. SETH’S ROOM - EARLY EVENING

      His room is very much a guy’s room--a total mess. Seth is

      on a chair, rummaging in the top shelf of his closet,

      throwing stuff out. Anna’s standing behind him, dodging the

      accidental projectiles. He finds what he’s looking for: a

      SHEET OF CRUMPLED LOOSE-LEAF PAPER.

      SETH (CONT’D)

      Aha! I knew it was here--my master list

      of everything I’ve ever intended on

      doing but was too lazy. Mostly just old

      New Year’s Resolutions, but there's also

      some to-do lists and mild bucket-list

      stuff.

      She looks at the list.

      ANNA

      I have one thing on my bucket-list:

      Don't die.

      SETH

      So you have ambition now too?

      ANNA

      You’re in luck. It’s only half a page long.

      SETH

      No. There’s more stuff. I just didn’t take

      the time to write it all down.

      ANNA

      Oh.

      SETH

      Yeah. (beat) First up: Clean up all this

      crap.

      ANNA

      You mean your stuff? You are getting into "Hoarders"-territory.

      SETH

      No. I mean this crap--my toilet’s been

      backed-up for almost a week now.

      We quickly PAN OVER to the opened door of Seth’s bathroom.

      The TOILET is backed up with what you’d expect a toilet

      that hasn’t been flushed in a week would be full of. It

      overflows a little and bubbles. Quickly PAN OVER back to

      Seth and Anna.

      ANNA

      Ew.

      SETH

      Yeah, you’re standing in it a little, too.

      Looking at her feet, she leaps out of place.

      CUT TO:

      Seth, discovering a TUBE OF SUPERBUBBLE under his bed.

      SETH (CONT’D)

      Hey, Superbubble! We had fun with this!

      FLASHBACK

      INT. SETH’S HOUSE. SETH’S ROOM - DAY. FOUR YEARS AGO

      Seth is sitting on the floor, reclining against his bed.

      Anna’s laying on it. He holds up the tube to his nose,

      takes a deep HUFF. He giggles uncontrollably from the high

      and passes it to Anna. She HUFFS and giggles too, rolling

      on his bed maniacally.

      END FLASHBACK - BACK TO SCENE

      ANNA

      (fondly)

      Yeah.

      He tosses it in the box.

      CUT TO:

      Anna is shuffling a PILE OF CLOTHES on the floor. Suddenly

      something beneath it all begins to VIBRATE loudly. Seth

      throws himself atop it, like a bodyguard protecting his

      charge, to muffle it.

      SETH

      (ashamedly)

      Sometimes I get curious.

      CUT TO:

      Anna reaches under his bed. She brings out an old copy of

      PLAYBOY. There’s something wrong with it. It’s stiff--she

      waves it like a single piece of cardboard.

      ANNA

      It’s like it’s been shellacked-

      She quickly drops it.

      ANNA (CONT’D)

      Ewwww...

      She wipes her hand on her blouse.

      CUT TO:

      All his crap has been placed in large GARBAGE BAGS. Anna

      picks one up, and chucks it out the open window.

      EXT. SETH’S HOUSE. FRONTYARD - EARLY EVENING

      The bag lands in a neat pile with the others

      INT. SETH’S HOUSE. SETH’S ROOM - EARLY EVENING

      SETH

      No, no, no. You have to put some shoulder

      into it.

      He picks up a bag.

      SETH (CONT’D)

      Okay, make me mad.

      ANNA

      Okay. Today, in the girls’ lockerroom,

      Lysandra said you couldn’t find a woman’s

      G-Spot with OnStar.

      This enrages him.

      SETH

      AHHHHHHHH!

      He tosses the bag clean out the window, past his frontyard.

      EXT. SETH’S HOUSE - EARLY EVENING

      It CRASHES into a passing-by POLICECRUISER, damaging the

      front windshield. Coincidentally, Derek is walking down the

      suburban sidewalk. Not knowing where the projectile came

      from, he stops. Two white POLICE OFFICERS step out. They

      stop for a moment to look at the damage, then turn to Derek.

      COP #1

      (pointing with his nightstick)

      Hey, you!

      DEREK

      Uh-oh.

      Derek bolts. The two cops follow.

      COP #1

      STOP!

      INT. SETH’S HOUSE. SETH’S ROOM - EARLY EVENING

      Back to Seth and Anna.

      SETH

      Seriously? She actually said that?

      ANNA

      No. She doesn’t talk about you at all.

      CUT TO:

      His room is clean. We now see he has a hardwood floor.

      SETH

      (kicking off his shoes)

      I forgot I have a hardwood floor!

      He tries to slide across it; the floor’s not slick enough.

      He trips and falls flat on his face.

      SETH (CONT’D)

      DAMNIT!

      ANNA

      I think you need to wax it first.

      INT. AMAZONDOTBOMB BOOKSTORE - DAY

      Seth and Anna approach an EMPLOYEE bent over to stock a

      shelf.

      SETH

      Hey--

      He quickly straightens up. He’s a foppish fellow who speaks

    &n
    bsp; in an exaggerated tone.

      EMPLOYEE

      (interrupting)

      Yesssss?

      SETH

      Do you have any books on self-improvement?

      EMPLOYEE

      Yesssss!

      SETH

      Can you stop saying that?

      EMPLOYEE

      Yess-

      Seth slugs him. He drops like a sack of potatoes.

      ANNA

      Seth!

      SETH

      What? He was coming right at me.

      CLOSE-UP - LINE OF YELLOW COVERED “...FOR DUMMIES” BOOKS

      He goes down the line, grabbing every book off the shelf.

      He skips over SEX FOR DUMMIES. Then he pauses.

      SETH (CONT’D, O.S.)

      Aw, who am I kidding?

      He goes back and tops the pile off with Sex for Dummies.

      EXT. OCEAN STREET - MORNING

      Seth and Russ are walking down the street together,

      drinking COFFEE.

      RUSS

      Dude, you’re not serious about this self-

      improvement shit?

      SETH

      Why does everyone keep assuming I’m just

      making this up? Can’t I just do something

      nice like this?

      Russ shakes his head.

      RUSS

      It’s just that you’re very susceptible to

      crazy ideas. Remember that UFO cult you

      joined?

      FLASHBACK

      INT. UFO CULTIST COMPOUND - NIGHT. TWO YEARS AGO

      Seth and other CULTIST, all dressed in CEREMONIAL ROBES in

      the style of the kind worn by those Heaven’s Gate kooks,

      are standing around, holding TRANSPARENT PLASTIC CUPS OF

      KOOL-AID.

      ONE SHOT - SETH

      Seth slowly starts to drink his. Then he suddenly stops,

      Kool-Aid coming spurting out of his mouth and nose, he

      withdraws his cup. He starts laughing.

      SETH

      (pointing to his cup)

      Ha! There’s a grape in mine. (beat) Guys?

      BACK TO SCENE

      Everyone else is lying on the floor, dead.

      SETH (CONT’D)

      Guys?

      Dropping the cup, hands waived like “whoa,” he slowly backs

      out.

      END FLASHBACK - BACK TO SCENE

      RUSS

      And anyway, it’s wrong to be puttin’ on

      airs.

      SETH

      You can’t compare the two.

      RUSS (CONT’D)

      Let me tell you something my Grandmother

      Mary told me before she died: “Stop it.

      You’re hurting me. You’re outta the

      will”--no, I’m just joshing you.

      Seriously, in baseball, if you aim for

      the stars, you’re going to hit the

      fence.

      SETH

      I like the first one better, the one with

      hurting an old lady.

      They stop again. A nerdy spandex-clad BICYCLIST riding on

      the sidewalk is coming toward them. The bicyclist slows as

      much as possible while still remaining mounted as Russ is

      making moves to the right and left, taking up the whole

      sidewalk.

      RUSS

      (excitedly)

      Uh-oh. Uh-oh, you know it’s coming!

      Uh-oh!

      The bicyclist almost gets passed him; he shoves the man off

      his bike.

      RUSS (CONT’D)

      (excitedly)

      Can’t stop the bum-Russ!!!

      They continue walking. Russ skips a little, in a victorious

      mood.

      SETH

      You’re so immature.

      RUSS

      And you’re already putting on airs, man.

      Airs.

      SETH

      Will you stop saying “airs” so much! Air

      surrounds you, hence everyone has on air.

      RUSS

      You see. You’re already trying to tell

      other people what to say and think

      and...(beat)...say. Don’t be such a Nazi.

      SETH

      I’m not being a Nazi.

      RUSS

      Then how are you going to go about making

      yourself a better person, Herr Anderson?

      SETH

      I have a list.

      RUSS

      The Nazis had a list. That’s how they knew

      who to kill.

      SETH

      (sarcastically)

      Wow, these walks with you are like Tuesdays

      with Morrie.

      RUSS

      Using pop culture references that no one

      else can understand--that’s the first sign

      that you’re going “Mad Men” on your

      friends.

      SETH

      What do you have against me bettering

      myself?

      RUSS

      I sense a montage coming.

      SETH

      What?

      RUSS

      Nothing.

      SETH

      There’s only one way to settle this.

      EXT. A MELROSE AVENUE EATERY. PATIO - NOON

      TWO SHOT - SETH AND RUSS

      They’re each holding a PENCIL by the eraser with their

      thumb and forefinger, point down and at just above eyelevel.

      RUSS

      (simultaneously, quietly)

      1-2-3.

      SETH

      (simultaneously, quietly)

      1-2-3.

      At “3,” they drop their pencils. Seth’s lands in the

      exposed butt crack of the seated FIRST YOUNG WOMAN WEARING

      LOWRIDER JEANS. Russ just misses the crack of First’s

      eating companion sitting across from her, SECOND YOUNG

      WOMAN WEARING LOWRIDER JEANS, his pencil landing on the

      ground. They are creepily looming over them.

      RUSS

      Alright, you win. I’ll support you all the

      way.

      SETH

      Lowrider jeans are cool.

      RUSS

      Enjoy your lunch, ladies.

      Then they run off, before the women have any idea of what

      just happened.

      EXT. GEORGE BUSH HIGH. QUAD - LUNCHTIME

      Principal Escobar is standing to the side for whatever

      reason. To STUDENTS walking by him:

      PRINCIPAL ESCOBAR

      Move along, kids. Move along. (beat) Give

      me my personal space.

      Seth approaches him. He extends his hand to the principal.

      Principal Escobar doesn’t notice or care.

      SETH

      (gleefully)

      Principal Escobar, I’d like to announce my

      candidacy for senior class president.

      PRINCIPAL ESCOBAR

      Congratulations, Mr. President.

      SETH

      There hasn’t even been a vote yet

      .

      PRINCIPAL ESCOBAR

      You have it locked, Jimbo. Look at the

      other candidates:

      We quickly PAN OVER to an ARAB-AMERICAN STUDENT speaking to

      two FRIENDS, with a BOTTLE OF WATER under his mouth and a

      long, bushy black beard, waving his free index finger for

      emphasis.

      PRINCIPAL ESCOBAR (CONT’D, O.S.)

      A tall, thin Arab-American who doesn’t like
    >
      to shave and often speaks with a water

      bottle under his mouth, finger waving emphatically. And the Guy Who Uses Outdated

      Slang.

      Quickly PAN OVER to GUY WHO USES OUTDATED SLANG (or

      G.W.U.O.S.), a teen dressed like he’s from the 1920s or

      something. He’s campaigning to the THREE BULLIES.

      G.W.U.O.S.

      Hey, chums. I’ve been pressing flesh so

      hard, I’m fagged out.

      He removes a PACK OF CIGARETTES and puts it out, offering

      them a smoke.

      G.W.U.O.S. (CONT’D)

      Anyone wants to straighten their dickie and

      put a faggot in their mouth?

      We quickly PAN OVER back to Escobar and Seth.

      PRINCIPAL ESCOBAR

      Yeah. You don’t need to be the Supreme

      Court to know who’s going to win this

      election. That reference isn't dated--is

      it dated?

      SETH

      (absently)

      No, Florida is still a hole and our

      election system is racked with corruption.

      Cue up FASTBALL’S “FIRE ESCAPE.”

      MONTAGE:

      INT. SETH’S HOUSE. SETH’S BEDROOM - EVENING

      Seth’s laying out a DANCE TUTORIAL MAP. He goes through the

      steps, waltzing with an invisible partner.

      EXT. STREET - DAY

      Seth passes by a series of stores: First, a sports car

      dealership.

      SETH

      (to himself)

      Too expensive.

      Then he passes by a penile enlargement clinic.

      SETH (CONT’D)

     
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